Text content (OCR)
~ NOVEMBER 1983
$3.25 US.
The Premier Magazine for Apple Computer Users
LAWYERS
and
APPLES
Latest on Lisa
Apple /// Clock
AT LAST: THE WHOLE
TRUTH ABOUT FLOPPIES..
Amazing book reveals _
all!
How to keep from
brainwashing your dis!
so it never loses its
memory. -
How fingerprints can
actually damage disks.
Unretouched Kirlian
photographs of UFO's
(Unidentified Floppy
Objects)! The incredible
importance of making
copies: the Department
of Redundancy Depart-
ment— and what goes on
when it goes on! Power-
ful secret methods that
scientists claim can ac-
tually prevent computer
amnesia! All this, and
much more...
In short, it's an 80-
page plain-English,
graphically stunning,
pocket-sized definitive
guide to the care and
feeding of flexible disks.
For The Book, ask your
nearest computer store
that sells Elephant™
disks, and bring along
one and one half earth
dollars.
For the name of the
store, ask us.
ELEPHANT MEMORY
SYSTEMS® Marketed
exclusively by Leading
Edge Products, Inc,
Information Systems
and Supplies Division,
55 Providence Highway,
Norwood, MA 02062. Call
toll free 1-800-343-8413,
In Massachusetts, call
collect (617) 769-8150,
Telex 951-624.
JO ELIVIIS THE
coe
ND
) ONE HALF EARTH DOLLA\
Circle HelpCard No. 36
: A. aa -
GIVE YOUR CHILD
THE PLATO EDGE IN ALGEBRA.
Ep ith the Apple II Lessons include: The Computer Mechanics, Computer Literacy
Dla sci kool. . Keyboard, Storage and Memory, — and #Keyboarding.
New PLATO® I 5 Files and Editing and Databases. All PLATO micro courseware
ew iessons in
A Wid hild’ Id is available for the Apple II
Pe ae Other PLATO lessons include Plusand Apple Ile. Selected
Help your child feel confident : I dabletor ch
2 i Elementary Math Foreign iessons are available for the
about learning algebra skills. a T199/4A and Atari 800
This new PLATO series helps Languages, Physics- Elementary ;
For a free catalog
See the growing line of PLATO
micro courseware at selected
retail outlets. For a free catalog,
call toll-free: 800-233-3784.
(In Calif. call 800-233-3785.)
Or write: Control Data
simplify Exponents, Poly-
nomials, Roots and Radicals,
Factoring and other Algebra
components. Practice prob-
lems change at random and
examples of solutions help
DED AG Publishing Co., PO. Box 261127,
New PLATO lessons in San Diego, CA 92126.
Computer Conceptst *Developed with Sie by Computers, Inc.
This series helps kids understand
the computer and lets them
practice what they learn.
PLATO GPa
COMPUTER-BASED EDUCATION PUBLISHING
Circle HelpCard No. 13
{Developed with Continuous Learning Corporation.
+#Developed with Gregg/MeGraw-Hill
Warranty available free from Control Data Publishing Co.,
4455 Eastgate Mall, San Diego, CA 92121
Articles
14 The Lisa Nobody Knows- Alan Anderson & Scott Knaster
A close look at the Biggest Apple
Your SOS Deserves a Clock - Arthur E. Anderson ///
24
A 30-minute do it yourself project.
The Videx ULTRATERM - Neil D. Lipson, P.E.
30
132 columns on the sereen.
Mastering the Mountain of Documents - Clifford Franklin Schnier, B.A., L.L.B.
34 4
Microcomputers and Litigation Support.
40 Computer Software + Copyrights, Patents, and Tradesecrets = Confusion - Martha R. Gore
Res ipsa Loquitur
45 Copyright Registration for Computer Programs
48 The Copywriter - Neil D. Lipson P.E.
Copy disks quickly. |
50 The Apple-Franklin Case - Barry D. Bayer
An attorney brings us up to date.
52 What’s on My Text File - Andre Babeanu
Direct readout from disk.
58 Driving Your Disk - Gene Wilson
Shortening the Apple /// Daisy Chain
62 A Comparison of Programming Languages - Ronald Kennedy o.
Available for the Apple IL
68 College Board SAT - Michael & Lenore Wolgelenter \
Exam preparation with an Apple.
72, A Data Base for the Masses - Al Azose ,
A layman's exposure to dBase II.
74 KoalaPad and the Micro Illustrator - Barry D. Bayer
“Touch Tablet” Review
82 Macinker- Neil D. Lipson, P.E.
Re-ink your printer ribbons. a
Coming Next Month...
Music, Music, Music
WordStar Patches
More on WPL
Apple
rchard
Vol. 4, No. 8 November 1983
Entire contents Copyright © 1983
by International Apple Core, Inc.
Peter C. Weiglin — Editor and Publisher
Donna Caldwell -— Managing Editor
Morgan P. Caffrey — Senior Editor
Dawn Brown - Circulation Manager
Nicole Lefcourt —- Editorial Assistant
Cindy C. Mack - Advertising Coordinator
Rick van Genderen — Design Director
Contributing Editors:
Mark L. Crosby — New Products
“Dr. Wo” — Pascal/Languages Editor
Neil D. Lipson, P. E.
A. S. (Woody) Liswood
Barry D. Bayer
Jim Linhart - Miscellaneous Cartoonery
Karen Vanikiotis Zinsmeister - IAC Staff
Jay Eisenberg - Advertising Director
JE Publishers’ Representative Company
6855 Santa Monica Blvd.
Los Angeles, CA 90038
(213) 467-2266
Boston - (617) 437-1700 Chicago - (312) 445-2489
Dallas - (214) 660-2253 Denver - (303) 595-4331
New York - (212) 724-7767 San Francisco - (415) 864-3252
Address for all subscriptions, correspondence,
advertising material, manuscripts, etc.:
Apple Orchard
908 George Street
Santa Clara, CA 95050
(408) 727 - 7652
APPLE ORCHARD (ISSN 0277 - 1950) is published monthly by the International
Apple Core, Inc., 908 George St., Santa Clara, CA 95050. Second Class Postage paid
at Santa Clara, CA and additional entry points.
Subscription Rates (U.S. funds): $24.00 for 1 year, $45.00 for 2 years in the
U. S.FPO & APO; $30.00-1 yr., $55.00-2 yr., in Canada; $36.00 (surface), $48.00
(airmail) in Mexico, Central America, Caribbean Islands, Phillippines, Samoa;
$36.00 (surface), $60.00 (airmail) in South America, Europe, North Africa; $36.00
(surface), $72.00 (airmail) in Asia, Middle East, South Afriea, Australia.
APPLE ORCHARD is a publication of the International Apple Core, a worldwide
federation of Apple computer User Groups. The opinions expressed herein are
those of the authors, and do notnecessarily represent the views of the International
Apple Core. While we appreciate the co-operation of Apple Computer, Inc. and
other sponsoring members, the IAC and APPLE ORCHARD do not necessarily
represent the views of any of these companies. Our existence is derived from the
thousands of Apple users, and it is their interests which we serve.
4 Apple Orchard
Textfile
This month, we focus on the relationship between Apples
and the law, or perhaps more accurately, some aspects of that
multilayered relationship. Toronto barrister Clifford Schnier
covers an exciting field of use for our favorite machines in
“Mastering the Mountain of Documents”. Martha Gore fol-
lows with a look at copyrights as they affect and are affected
by computer software. And Contributing Editor Barry Bayer,
a Chicago area attorney, tells us about the current status of a
legal case of great interest in the Apple community, Apple
v. Franklin.
And then there’s Lisa. Apple’s top-of-the-line machine has
been unbundled from its $10,000 package, and reduced in
price. With a great deal of help from Scott Knaster, our old
friend Alan Anderson takes time away from his Apple /// to
explain Lisa’s features. The graphics were also created with
a dot-matrix printer driven to graphic greatness by Lisa (just
like a woman!). We strive for authenticity.
Apple /// owners haven’t been left out: although Apple’s
clock conversion kit is likely to be out by the time you read
this, we wanted to share with you a method of installing a
clock in your ///. Arthur Anderson gives us the inside look.
Arthur, or “Skip”, as he prefers it, is the author of the CPM-
SOS transfer program that the IAC has for sale. He’s no rela-
tion to Alan Anderson, and is not an accountant. Neither is
Gene Wilson, who tells us about a half-meg disk drive from
Micro-Sci that makes working with the Apple /// a pleasure
by allowing mass storage. That’s 560K bytes, as opposed to
Baby Blue’s 390K.
Neil Lipson reports on three separate products this month:
the exciting Videx Ultraterm card, the Copywriter program,
and an accessory called the MacInker that can make you the
most popular kid on your (circuit) block. And Michael Wolge-
lenter, with very little assistance from his immediate mater-
nal ancestor, looks at Krell’s SAT preparation program.
If you have ever wanted a simple way to find out what’s ona
text file (something like the TYPE command in CP/M, I’m
told), Andre Babeanu of POMs shows us the way, in Apple-
soft. A language comparison and a few thoughts on dBase II
from Al Azose round out this issue, leaving just enough room
for The New Stuff’s extensive new (and updated) product
information.
The response to Apple Orchard’s “new look” has been
most exciting and gratifying; we thank those of you who took
the time to let us know of your reactions. As you'll note, more
upgrades are to be found in this issue, and we're still not
through. We'll probably never really be finished making
improvements.
One more thing: our cartoonery fellow, Jim Linhart, came
by the other day and described “disorientation” as the feeling
you get when you see an Epson computer hooked up to an
Apple printer. Trudge the good trudge, Jim.
-Youcan count on3M diskettes. Day after day. |
Just like the sun, you can rely on 3M diskettes every day. At 3M,
reliability is built into every diskette. We've been in the computer
media business for over 30 years. And we've never settled in.
We're constantly improving and perfecting our product line, from
computer tape and data cartridges to floppy disks.
3M diskettes are made at 3M. That way, we have complete control
over the entire manufacturing process. And you can have complete
confidence in the reliability of every 3M diskette you buy. he eoe®
\® 1 Soo
Apple* Compatible. ee Se
3M makes diskettes for use with Apple computers, includingspecially | _
designed Fileware™ diskettes for the Lisa” personal office system. as ail —.
Look in the Yellow Pages under Computer Supplies and Parts for =
the 3M distributor nearest you. In Canada, write 3M Canada, Inc.,
London, Ontario. If it's worth remembering, it's worth 3M diskettes.
Apple, Apple logo, Fileware and Lisa are trademarks of Apple Computer, Inc. 3M hears you...
4
Circle HelpCard No. 1 aM
Satisfying Over
With Innovation
Grappler + Bufferbo:
Printer Interface For Apples and Printers
The Original Apple® graphics printer interface. The economical way to add printer buffering. The
Since its introduction three years ago, the Bufferboard easily adds memory to your current
Grappler has been imitated by many, but never Apple interface system, freeing your computer for
matched. Now with Dual Hi-Res Graphics for side additional input. Easily upgradable from 16K, the
by side reproductions and Mixed _ Bufferboard can store up to 20 pages of text. It
Mode screen dump- fits neatly inside your Apple, “docking” onto your
ing, the Grappler +
existing printer interface* No clumsy boxes or
remains the most
cables, no external power supplies. ..just conve-
intelligent interface nience and
available. Over two economy. With
dozen commands the Bufferboard,
give Apple users full control over any graphics or you might never
text on the Apple screen, including a new 80 wait for your
column text dump. Performance, reliability and printer again.
support have made the Grappler + the #1 selling “Versions for standard Grappler +, Epson APL and Apple
intelligent Apple interface. Parallel Interfaces.
90,000 Apple Owners
And Excellence.
Grapple; +
The most sophisticated buffered Apple printer
interface available. The New Buffered Grappler +
combines the industry leading features of the
Grappler + with the time saving economies of the
Bufferboard.**
\ wee COO”
With this much interface power, you'll never need
anything else. And the price will surprise you, too.
**Not available for IDS printers.
Apple is a registered trademark of Apple Computers, Inc.
es
Over 90,000 Apple computers are using Orange
Micro products. Innovation and excellence have
made us the #1 manufacturer of intelligent printer
interfaces. The top selling Grappler + has
become an industry standard, recommended by
more software houses and Apple dealers. To
meet the users’ latest needs, Orange Micro will
continue to introduce new products. Recent inno-
vations include the Grappler + for IDS color
printers and the new Orange Interface, with text
screen dumps and formatting at a low price.
There is an Orange Micro product designed for
your application.
For a complete demonstration, see your Apple
dealer today.
Orange Micro
| 9 Inc.
1400 N. Lakeview Ave., Anaheim, CA 92807 U.S.A.
(714) 779-2772 TELEX: 183511 CSMA
Orange Micro, nc., 1983,
Circle HelpCard No. 50
ASK US/Tell Us
Adare:
In the August ’83 issue of Apple Or-
chard, Richard & Willing, P.E. wrote a
review of the Stamp Collector, an Apple
computer database program for philate-
lists. This review stressed a few real and
imaginary deficiencies in the program. I
would like to take this opportunity to clar-
ify a few points.
Over a year ago, the reviewer received a
complimentary preliminary prototype
copy of the Stamp Collector. It was ex-
plained that the copy was not the final
product. The August review did not make
mention of this, but used this prototype as
the final product and sole basis for the
review. The deficiencies the reviewer re-
ported in documentation have long since
been corrected.
The Stamp Collector disk comes with six
programs: Foreign stamps, Domestic
stamps, Sources list, Meetings lists, a
generic Data Base and File transfer pro-
gram. The first four programs are prefor-
matted, independent, standalone pro-
grams, not examples as mentioned by the
review. The file transfer program is not
used for sorting; it transfers data files from
disk to disk or over the modem. Sorting is
done as part of the data base programs.
The system will work with one floppy
disk drive or a hard disk. It will operate all
commonly used printers (40, 80, 132 col-
umn) and has special options for use of
compressed print (132 columns on 80 col-
umn paper) for the Epson, IDS and Cer
tronics printers. The programs are un-
locked (can be copied with CopyA), listable
and changeable to meet unique needs.
It is unfortunate that the review author
chose to overlook these points and know-
ingly wrote a review based on an anti-
quated prototype copy, when more updated
versions were available. Of course, I'm
biased, but I think the Stamp Collector
deserves another look.
E. J. Neiburger
Andent, Inc.
1000 North Ave.
Waukegan, IL 60085
8 Apple Orchard
Ss your questions, answers,
and comments to:
Apple Orchard
908 George Street
Santa Clara, CA 95050
DS
ine
ans
a
=
Taman Apple /// ProFile user, andI
have for some time looked for an en-
cryption program for the Apple ///. It
seems that what I have seen so far is
for the Apple IT or for CP/M. Who has
written encryption software for the
Apple ///? Dr. Marino H. Mueller,
Esslingen, Switzerland.
Well, who knows about this? Drop us a
line; we'll forward it to Dr. Mueller and
mention it here. We'd like to cover eneryp-
tion in an article too. —PCW.
As an Apple II and //e owner and as a
subscriber to your publication for 2 %
years now, I have been increasingly
disappointed in the lack of Pascal fea-
tures in Apple Orchard. As far as Tam
concerned, Pascal is the only way to
fly for serious programmers with ser-
ious business applications. Struc-
tured Programming facilities are a
major strength of Pascal. Lack of
same is a major weakness of BASIC. I
have nothing but scorn for the article
on “Structured Programming” in
your August issue. You were talking
about structured programming in
BASIC without even mentioning Pas-
cal. —James A. Kirk, Westminster, CA.
Thank you, Mr. Kirk; you're right. We
should have more stuffon Pascal. And we
will—PCW.
I just recently bought an Apple //e
Personal Computer and I would like
to know what ways I can invest into it
and make a profit in the future? Also, I
know some obvious advantages and
disadvantages of owning a computer
for personal use. Could you please tell
me some other advantages and disad-
vantages of owning a personal com-
puter? Thank you. M. Rialto, CA.
The most obvious d
ing a personal computer is the difficulty of
explaining to others about how the ma-
4
it
mati
chine helps you. We've called it a “mind
amplifier”, and it’s the most powerful tool
you'll have, for whatever you want to do.
What you invest in it is time; time to learn
about the machine and programming.
Even Pascal, if you like. Your knowledge
will help you profit in the future whether
you write a software application program,
design a future computer, or just use your
skills in any profession or field you select.
Space doesn’t permit a full discussion; it'll
be taking place in this magazine over the
next few years. My advice remains: do
more, learn more with and about your com-
puter. It'll help you all your life —PCW.
APPLE CPM
UTILITY PAK #1
S45
Nine terrific CP/MUG utilities modified
documented for Apple }[ CP/M! Includes:
—BATCH multiple CP/M commands on one line
—Conditional SUBMIT file processing
—COUNT number of lines in a text file
—EXtended DiRectory (sorted with file sizes)
—LISTFILE (with page numbers & page breaks)
—LISTPART (selected) of a text file
—Multi-Diskette Volume CATaloging system
—Sort And Pack diskette directory
—Single Drive File COPY
Pascal/CPM/DOS
FILE TRANSFER UTILITIES
S45
Six programs to transfer and reformat any file
among the Apple DOS, CP/M, and Pascal operating
system environments, Conveniently allows use of
a single disc to contain files for all three systems.
CLOCKWARE
$25
Pascal support for Prometheus VERSACARD and
other Thunder-type clock/calendars. Easy access
from Apple Pascal programs to all time/date func-
tions in any slot. Includes informative 20 page
user manual.
SEE YOUR DEALER OR ORDER DIRECTLY FROM:
RCM SOFTWARE
4608 Renwood Drive
Kettering, Ohio 45429
VISA/MASTERCARD ACCEPTED
and
Circle HelpCard No. 54
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MICROLAB Cannonball Blitz 25.00 Wayout 28.00
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Titan Empire 2800 The Artist 60.00 Single’s Night at
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Inspector $45.00 DEALS SPINNAKER
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Night Falls 21.00 MODEMS Face Maker 25.00
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Compl Pi 9” Green $119.00 Cosmic Balance i... 28.00
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RISING SUN SOFTWARE
4200 PARK BLVD.
OAKLAND, CALIFORNIA 94602
(415) 482-3391
Ordering information: We'll accept any form of payment—cash, personal check, money order, VISA/
MasterCard, or €.0.D. Send cash at your own risk. Add $2.00 for UPS shipping: $3.00 for Blue Label Ai
California residents add applicable sales tax. ALL orders shipped same day received. Ifwe are out of stock
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( CALL TOLL FREE 24 HOURS (ORDERS ONLY) aaa
(800) 227-1617, ext. 114 (Outside California) VISA
\ (800) 772-3545, ext. 114 (Inside California)
SYNERGISTIC
Atlantis $28.00
Crisis Mountain 25.00
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GPLE 49.00
Microbe 32.00
Odyssey 21.00
‘SYDNEY DATA PRODUCTS
Evolution $28.00
ULTRASOFT
Mask of the Sun $28.00
Serpent's Star 28.00
VISICORP
VisiCalc 3.3 $175.00
VisiCale Ne 175.00
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VisiSchedule 210.00
VisiTerm 75.00
VisiTrend/Plot 225.00
HARDWARE
JOYSTICKS AND PADDLES
Hayes Mach II $32.00
Hayes Mach Ile 35.00
Hayes Mach Ill 40.00
Hayes Mach Ille 44.00
Kraft Joystick 45.00
Kraft Paddles 35.00
Sirius Joyport 36.00
TG Joystick 42.00
TG Paddles 29.00
TG Trackball 48.00
MISCELLANEOUS HARDWARE
Grappler + $125.00
16K Ram 75.00
SoftCard 275,00
System Saver 65.00
BLANK DISCS (box of 10)
Elephant
(88/SD) $22.00
(8S/DD) 25.00
Maxell (SS/0D) 30.00
Verbatim
(88/SD) 25.00
(88/00) 28.00
Diskette File Box
(holds 60) 20.00
DISK DRIVES
Rana Elite 1 $289.00
w/controller 389.00
Rana Elite 2 479,00
w/controller 559.00
Rana Elite 3 629.00
w/controller 699.00
VIDEX
Videoterm $239.00
Ultraterm 279.00
ADVANCED LOGIC SYSTEMS
CP/M Card $299.00
Dispatcher 104.00.
2-Card I 129.00
OTHER ITEMS
Gibson Light Pen... $249.00
Koala Graphics Tablet . 99.00
SAM. 89.00
Circle HelpCard No. 55
Datamost President
out of mind.
At Datamost, we’ve got a president who knows the
difference between “out of your mind” and having an
“open mind.”
So he’s building a computer software company that
knows how to get the most out of any mind.
Two years ago, when we began to publish the indus-
try’s first universally acclaimed system of computer
software training books, we were told, ““Datamost,
you're crazy!”
So we published anyway.
Today, the hottest new software category is the com-
puter Bookware market.
And guess whose books are the #1 best-sellers?
Yes, “crazy” Datamost.
Somehow, our craziness made good book sense. And
good business sense. Because our book language is
language that everyday people use when they talk
everyday talk.
And Datamost talks Apple® And we talk Atari?
AndIBM? And Commodore? And Timex/ Sinclair" And
T.I* and more.
For every level of computer literacy. From people
who know nothing. To people who know everything.
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APPLIED ENGINEERING
THE BEST PERIPHERALS FOR THE BEST COMPUTER
The TIMEMASTER
Finally a clock that does it ALL!
ee = Pa
AUTOMATICALLY FULLY
‘STAMPS FILES.
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WITH PRO-DOS,
© Designed in 1983 using I.C. technologies that simply did not exist
when most other Apple clocks were designed.
Just plug it in and your programs can read the year, month, date, day,
and time to 1 millisecond! The only clock with both year and ms.
Powerful 2K ROM driver — No clock could be easier to use.
Full emulation of most other clocks, including Mountain Hardware’
Appleclock (but you'll like the TIMEMASTER mode better).
Basic, Machine Code, CP/M and Pascal software on 2 disks!
Eight software controlled interrupts so you can execute two programs
at the same time. (Many examples are included)
On board timer lets you time any interval up to 48 days long down to
the nearest millisecond.
Super Music Synthesizer
© Complete 16 voice music synthesizer on one card, Just plugitinto your
Apple, connect the audio cable (supplied) to your stereo, boot the
disk supplied and you are ready to input and play songs.
It's easy to program music with our compose software. You will start
right away at inputting your favorite songs. The Hi-Res screen shows
what you have entered in standard sheet music format.
Now with new improved software for the easiest and fastest music
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© We give you lots of software. In addition to Compose and Play
programs, 2 disks are filled with over 30 songs ready to play.
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games can have explosions, phaser zaps, train whistles, death cries.
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You name it, this card can do it
Four white noise generators which are great for sound effects.
Plays music in true stereo as well as true discrete quadraphonic.
Full control of attack, volume, decay, sustain and release.
Will play songs written for ALF synthesizer (ALF software will not take
advantage of all the features of this board. Their software sounds the
same in our synthesizer.)
© Automatic shutoff on power-up or if reset is pushed.
PRICE $129.00 | Many many more features. PRICE $159.00
The TIMEMASTER includes 2 disks with some really fantastic time
oriented programs (over 25) plus a DOS dater soit will automatically add
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$200.00 value alone — we give the software others sell, All software
packages for business, data base management and communications are
made to read the TIMEMASTER.
eooe
If you want the most powerful and the easiest to use clock for your Apple,
you want a TIMEMASTER.
Z-80 PLUS!
@ Red“CP/M WORKING" LED indicator, the Z-80 Plus does notinterfere
with non-CP/M programs.
@ An on-card PROM eliminates many I.C.’s for a cooler, less power
consuming board. (We use the Z-80A at a fast 4MHZ)
@ Does EVERYTHING the other 2-80 boards do, plus Z-80 interrupts.
Don’t confuse the Z-80 Plus with crude copies of the microsoft card. The
Z-80 Plus employs a much more sophisticated and reliable design. With
the Z-80 Plus you can access the largest body of software in existence.
Two computers in one and the advantages of both, all at an unbelievably
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PRICE $139.00
© TOTALLY compatible with ALL CP/M software.
@ The only Z-80 card with a special 2K “CP/M detector” chip.
@ Fully compatible with microsoft disks (no pre-boot required)
@ All new 1983 design incorporates the latest in I.C. technologies
Viewmaster 80
JUST COMPARE!
There used to be about a dozen 80 column cards for the Apple,
now there’s only ONE. VIEWMASTER 169 YES YES ves YES YES yes YES
© TOTALLY Videx Compatible SUPRTERM 195 NO YES YES. NO-NO ves YES
@ 80 characters by 24 lines, with a sharp 7x9 dot matrix WIZARD8 245 «=~ NO. NO YES YES.—NO. ves YES
© On-board 40/80 soft video switch with manual 40 column override \isioneo. 378~=O«VES”~=«YES'=S*«YES;”S=«éYESS'-:«SsNO NO-NO
© Fully compatible with ALL Apple languages and software — there are QqivisION 295 NOYES NO. NO NO
ves YES
NO exceptions VIEWMAXBO 219° YES—_YES Ys YES NO NO YES
‘© Low power consumption through the use of CMOS devices SMARTERM 360 YES.—YES YS NO NO yes NO
@ All connections on the card are made with standard video connectors, yiproTERM 345. «== NO. NO NO YES YES No. YS
no cables are soldered to the board
© All new 1983 design (using a new Microprocessor based C.R.T.
controller)
The VIEWMASTER 80 works with all 80 column applications including CP/M, Pascal,
WordStar, Format Il, Easywriter, Apple Writer Il, Viscalc, and many others. The
VIEWMASTER 80 is THE MOST compatible 80 column card you can buy at ANY price!
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MemoryMaster Ile 128K RAM Card
© Complete documentation included, we show you how to use all 128K.
Ifyou already have Apple's 64 card, justorder the MEMORYMASTER with
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@ Expands your Apple Ile to 192K memory
© Provides an 80 column text display
© Compatible with all Apple Ile 80 column and extended 80 column
card software (Same physical size as Apple's 64K card)
@ Available in 64K and 128K configurations
@ Bank select LED's for each 64K bank
© Permits your Ile to use the new double high resolution graphics
@ Automatically expands Visicalc to 95K storage in 80 columns! The 64K
configuration is all that’s needed, 128K can take you even higher.
MemoryMaster with 128K $249
Upgradeable MemoryMaster with 64K $169
Non-Upgradeable MemoryMaster with 64K $149
Our boards are far superior to most of the consumer electronics made today. All Cs are in high quality sockets with mil-spec, components used throughout P.C. boards are
glass-epoxy with gold contacts. Made in Ametica to be the best in the world, All products work in APPLE lle, Il, I+ and Franklin (except MemoryMaster).
Applied Engineering also manufactures a full line of data acquisition and control products for the Apple; A/D converters and digital /0 cards, etc, Please call for more
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THREE YEAR WARRANTY.
Send Check or Money Order to:
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It all started out very innocently.
Tom developed a small program in the early days of Apple-
dom, and his friend Joe was interested. “Sure, here’s a copy”,
said Tom, handing Joe a cassette tape containing the pro-
gram. (You can tell it was the old days, before disk drives.)
The real names of the players have been lost to history, but
that was how the first transfer of a program from one person
to another occurred.
In those early days, hardly anybody bothered with copy-
rights, lawyers, ete.; it was a sharing among friends of their
collective endeavor. And the friends made improvements to
the software, which was cycled back to the original developer.
User Groups facilitated this cameraderie. Everybody was
happy; it was Eden, with the Apple playing a large part.
Then somebody mused, “Gee, maybe we could sell some of
these programs. Enter the serpent, stage left. Commercial
software began to appear. Many bought it. But some con-
tinued the “tradition” of giving copies to their friends. Some
dealers are said to have thrown in copies of programs to
sweeten computer sales. The people who ran the embryo
software companies quickly lost all traces of eameraderie,
adopting instead a protective coating of Moral Fervor. This,
after all, was theft!
Meanwhile, Jim got a modem for his Apple, which connec-
ted him to the Bell telephone network. Remembering stories
from his older brother about fun and games with “blue box-
es” and long distance calls, Jim tried to gain access to another
modem that wasn’t expecting him to call. After much trial
and error, Jim cracked the entry codes, and was talking to...
well, that didn’t matter. The important challenge was getting
through. Jim told Harry about it, and Harry went one step
further: he got through, and then left a message in the mem-
ory suggesting that the reader perform an impossible sexual
feat. Great fun! Charlie heard about this, cracked his univer-
sity’s computer, and tried to change one of his grades from C
to B. (Just a B; no sense being greedy.)
Did the Apple do it?
The software merchants, meanwhile, developed technical
barriers to disk copying by varying the bit patterns on their
disks. Thus armed, they watched profits grow. (It made no
difference that some of these entrepreneurs themselves had
large collections of other people’s software, acquired through
electronic samizdat.) Now, backup disks were available, at
$30 and more, if your protected program disk crashed.
That offended another legitimate interest: the honest
purchaser who wanted nothing more than a backup disk was
now being penalized because of the threat of multiplying
copies. The irony was, of course, that knowledgeable persons
were cracking protection schemes right and left. Broken
copies of everything were, and are, everywhere, despite tech-
nical escalation of protection. Copy protection is an illusion
of security.
Now we have the mass media concentrating on “computer
crime”, as if the personal computer were somehow ushering
in a New Age of Lawlessness. We hear of thefts by short-
circuiting electronic funds transfers; access to computers
everywhere, including sensitive government facilities; com-
puters used to aid in recordkeeping for illegal activities; and
that appears to be only the beginning. Chilling.
It’s just not innocent any more, is it? What's ludicrous,
however, is the growing thought among TV reporters and
other superficial thinkers that somehow the computer is re-
sponsible for all this. Now, we know that the computer is a
tool; it can be used for good or evil. So is a crowbar, an axe, a
key, or a fountain pen. If the computer has become a burglar
tool, it’s because burglars use it. People.
Go back to Genesis again and pond
fault, or was it merely a neutrz: participant in the human
tragicomedy?
is -
November 1983 13
The Lisa Nobody Knows
by Alan Anderson and Scott Knaster
ou’re reading yet another article about Lisa, Apple's
latest and greatest entry into the world of personal
computers. What else is there to say? When Lisa
was launched last January, virtually every major computer
magazine featured lots of stuff about Lisa and how revo-
lutionary it was. Apple Orchard, Byte, Personal Computing,
and Popular Computing featured the new Lisa on their cov-
ers. Even Time and Newsweek, not what you'd call typical
computer journals, devoted space to the Lisa announcement,
as did other publications.
If you read any of the magazine articles surrounding the
Lisa introduction in January, you probably feel you have a
pretty good idea of what all the fuss is about. Lisa’s remark-
able new features have been much-heralded: the ability to
display multiple “windows” of different software applica-
tions; a pointing device called a mouse; extremely detailed
graphics; data transfer between applications.
Since that announcement, other software products have
been introduced which duplicate some of these features. The
most well-known is VisiOn (guess who makes it), which has a
mouse and windows and data transfer, as well as its own new
applications. As of this writing, VisiCorp says that VisiOn
will be available at the end of October. VisiOn was actually
presented to the world last November, two months before
Lisa, but Lisa has been shipping since June. Desq, from anew
company called Quarterdeck, features a new twist: it takes
existing applications like Wordstar and VisiCale and lets you
window them and transfer data between them.
When the computer press mentions “integrated software”
these days, Lisa is usually lumped in with those others. How
similar are these products to the Lisa? Should they be
grouped together? Well, the natural human tendency is to
pigeonhole and categorize, and things which defy categoriza-
tion are troublesome, so we search for similarities between
things which may not be so similar after all.
14 Apple Orchard
Lisa is one of those things that stands alone. A quick 20-
minute demo by a knowledgable Lisa user shows how unique
it really is. Its design and features are totally different from
anything else that’s available now. But if this is true, why
don’t most people in the computer industry recognize it? One
answer is that Lisa’s revolutionary design appeals mainly to
two kinds of people: those who know a great deal about the
human characteristics of designing software, and those who
have never used a computer and wouldn’t know a byte if it
came up and byt them. Most of the people in the computer
industry today don’t fit into either of those categories.
If you think that most of the microcomputer industry today
knows a lot about designing a good human interface to soft-
ware, take a good hard look at the software you're using. If
you've been using computers for more than a few months, it
might be hard to see this inherent flaw in most of today’s
software because you've become accustomed to it. If you’ve
only had your computer for a short time, you probably know
exactly what I mean. Most of today’s computer programs are
like dictators, demanding that things be done their way,
requiring an astonishing array of secret codes to perform
functions, and worst of all, promoting the need to learn com-
puterese in order to get anything done.
Hard-to-use software is not necessarily the fault of poor
design of applications. Part of the blame is due to fact that
most of today’s operating systems are several years old.
Another problem is in hardware limitations. Remember that
Lisa costs $10,000 and features very impressive hardware
specs that we'll discuss later.
With Lisa, Apple has taken a gutsy step, because Lisa
abandons most of the current ways of doing things for a
whole new world. This is dangerous for Apple because it
requires those who know how to use computers already to
forget all the black magic they’ve learned and take on a new,
simpler way of doing things. Apple's premise is this: using a
Lisa is considerably easier than using
any other personal computer, and if
you're one of the vast majority who've
had limited experience with computers,
you'll appreciate it immediately. But if
you already know about DOS and CP/M
and device drivers and control codes and
all the other wonders of the personal
computer age, it may take you a bit long-
er to appreciate it.
Family Trees
When Apple designed the Apple///, it
was constrained by the Apple II. The ///
was an evolution of the Apple II. One of
its features allows it to emulate the
Apple II, and while it is certainly much
more powerful than its predecessor, it
performs basically the same functions
as the II—faster, more powerfully, and
with more memory, but fundamentally
in the same way.
With the Lisa, this restraint was re-
moved. No compatibility with previous
systems was required. And so Lisa’s
designers took off. If you're a fan of
fancy hardware, it would be hard to
come up with much better specifica
ions: MC68000 microprocessor, 1 mega-
byte of RAM, 1.7 megabytes floppy disk,
5 megabytes hard disk, 12 inch bit-
mapped display with over 250,000 pix-
els, detachable keyboard, one-button
mouse, real-time clock, 2 serial ports,
and 3 expansion ports.
But the Lisa’s hardware is only the
foundation for the real breakthrough:
the software. Apple likes to say that
Lisa’s hardware is only state-of-the-art,
but the software is revolutionary. The
more well-known features of this soft-
ware, the mouse and the ability to run
more than one application at a time by
using windows, have already been men-
tioned. Now we’re going to spend some
time discussing some of the lesser-
known features of the software, some of
the more subtle things that make the
Lisa so powerful and easy to use—and
the things that truly set Lisa apart from
the other “integrated software” pack-
ages.
In Figure 1 you see the Lisa Office
System as it first appears. The thin
white strip across the top is called the
menu bar, and the gray remainder of the
sereen is called the Desktop. The pic-
tures at the bottom of the Desktop are
called icons. Icons are a fundamental
part of the Lisa user interface. They rep-
resent some action or piece of data used
by the Lisa. In Figure 1 you see the four
icons which are always present on the
Lisa. The first, ProFile, obviously rep-
resents the ProFile hard disk which is
attached to the Lisa. The one that looks
like a Lisa and is named Preferences is
used to set things like the volume of the
Lisa’s speaker, how fast the keys repeat,
and what devices you have connected,
such as printers and modems. The Clip-
board icon holds data which is being
moved from one place to another. And
the Wastebasket icon—well, it almost
seems silly to have to say so, but of
course, the Wastebasket is where you
put something when you want to get rid
of it.
One more very important thing that
you can see on the Desktop is a small
black arrow. This arrow (which points
north-northwest, trivia buffs) is called
the pointer, and it is intimately related
to the mouse. When you move the mouse
on the desktop, the pointer moves in a
corresponding direction. The mouse and
its arrow are used to point at things on
the Desktop to select them for some
action.
You may be wondering how you get
an icon to perform a function, how to
make it do something. Well, each icon
represents a “location”, a place where
the Lisa’s user can put things. In order
to see into these places, each icon can be
opened; that is, a sort of electronic
magnifying glass can be placed on the
icon, letting you look inside it. For exam-
ple, we can look inside the ProFile icon
and see what's there. This is where the
mouse pointer comes in. First, we move
the pointer so that the tip of the arrow is
touching the icon and we press the but-
ton on the mouse.
After we press the button, the icon
becomes highlighted on the Desktop,
and it turns black. Now we move the
pointer up to the top of the screen, the
menu bar. Each item in the menu bar
represents a menu, or list of things to do.
In order to see a menu, we point at the
menu’s title and press the mouse button.
As we hold the button down, the menu
appears below its title, in this case, the
File/Print menu. As we point at each
menu item, it becomes highlighted, just
like the ProFile icon when we selected
it earlier.
Figure 2 shows you what the File/
Print menu looks like when it’s pulled
down. You might notice that some of the
menu items appear to be gray, while
others appear black. This is because the
items which cannot be used at a par-
ticular moment are automatically locked
out. When we point at these dim items,
they stay dim—they don’t become high-
lighted. One item in the list, the one at
which we're pointing, is highlighted.
When we come to the item we're after,
in this case the one that says “Open Pro-
File”, we release the mousebutton. In-
stantly, the action we’ve chosen takes
place. As we watch, the tiny ProFile icon
zooms “closer”. In afraction of asecond,
it seems to grow until it fills about half
the screen (see Figure 3).
Now we're looking inside the ProFile
and seeing what's kept there. If you've
ever been to Disneyland, what’s hap-
pening here is a lot like the Adventure
through Inner Space, where a snowflake
appears to grow larger as you apparent-
ly shrink into it. Well folks, this is the
ultimate E-coupon attraction, as you
can see by looking at the contents of the
ProFile in Figure 3. It’s filled with more
icons, this time icons that look like file
folders. Each file folder has a name:
some of them contain examples, such as
LisaCale Examples, LisaDraw Exam-
ples, and so on; one of them is called
Apple Orchard, and we'll be working
with that one shortly. As you probably
guessed by now (after all, this is sup-
posed to be intuitive), the file folder
icons act like real file folders: they
hold things.
Oneicon looks like a whole stack of file
folders, and it’s called Empty Folders.
This is a special kind of icon called a pad.
It represents a whole bunch of file fold-
ers, an infinite number of them, and when-
ever you want one, you just point at it,
click the mousebutton to select it, and
choose Tear off Stationery from the
File/Print menu.
As we ponder how to look inside the
file folder called Apple Orchard, an in-
teresting thing happens, something we
might call the Lisa deja vu effect. Deja
vu, of course, is feeling of strange famil-
iarity, as if we've been here before. Last
time we wanted to open an icon, to see
what was inside it, we selected it with
the mouse and then opened it from the
File/Print menu. Now here we are again,
wanting to open an icon. Of course, the
answer is easy. We point at the icon and
click the mousebutton to select it, then
pull down the File/Print menu and
choose Open “Apple Orchard”. Just like
before, the folder appears to zoom open
and becomes a window, showing us
what's in the folder (see Figure 4).
Before we discuss the contents of the
Apple Orchard folder, lets talk about
windows for a while. If you look at the
Apple Orchard window in Figure 4,
you'll see that there’s an unusual look-
November 1983 15
ing little box in the lower right corner of
the window. This is called the sizing box,
and it’s used to change the size of the
window. Almost every window has one.
That means that you can make the win-
dow larger or smaller, whatever you
like. If you make the window too small to
see everything that’s inside it, you can
use the arrows next to the sizing box,
called the scroll controls, to roll the win-
dow left, right, up, or down.
You may also have noticed that the
Apple Orchard window overlaps the Pro-
File window. The Lisa Office System lets
you put things on top of other things.
(They must have used my desk as a mod-
el.—PCW.) If you want to look at some-
thing that’s covered up, all you have to
do is point at it and click the mousebut-
ton, and it will be uncovered. You can
also move icons and pointers around,
putting them anywhere you want them.
If you want your ProFile window to ap-
pear on the bottom part of the Desktop
rather than the top, just point at the top
line of the window (called the title bar),
grab it by holding down the mousebut-
ton, and drag it down to its new loca-
tion.
Now lets look at what’s inside the
Apple Orchard folder. There are three
icons inside: 1984 Budget, Staff list, and
Memo. These icons look like pieces of
paper. Each one represents a document.
A document is where a Lisa user does
work. For example, the document called
1984 Budget contains a budget for one
year. The icon shows which of the Lisa
application programs, or tools, as
they're called, was used to create this
document. The spreadsheet design on
the 1984 Budget document tells us that
the LisaCale tool was used to create that
document. The Staff list icon indicates
that it was created with LisaList, while
the design on the Memo icon shows that
LisaWrite was used to create it.
If we wanted to get a look at the docu-
ment called 1984 Budget. how would we
do it? Once again, deja vu strikes. Here’s
an icon, a small representation of some-
thing that we want to look at more close-
ly. One of the most important aspects of
the Lisa design is consistency: it per-
forms similar functions in a similar way.
Here, once again, the Lisa is faithful to
this philosophy. The document is open-
ed by using exactly the same actions as
we used in opening things before. We
point at the document, click the mouse-
button to select it, pull down the File/
Print menu and select Open “1984
Budget”. You probably know what hap-
16 Apple Orchard
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pens next. The icon zooms open into a
window, and the window is entitled 1984
Budget. Inside the window is the mes-
sage “LisaCale is preparing this win-
dow’s display.” This message stays up
for a while as the ProFile hums away;
the pointer changes into an hourglass to
show that the Lisa is busy; then the win-
dow is filled with the budget spread-
sheet.
Let’s step back for a moment and dis-
cuss what we've done so far. This time,
though, let’s examine our actions froma
different point of view—we're going to
compare them to similar actions on tra-
ditional personal computers. First, we
looked at the contents of the ProFile
hard disk. On a conventional computer,
this is called a catalog or directory list-
ing, and you get it by typing in a com-
mand. What’s the command? Well, it’s
CATALOG, or CAT, or DIR, or FILES,
or any of a bunch of other variations,
depending on what computer and what
operating system you're using. Of
course, if you’re using an application
program, it might be somethng else,
probably some control-character, if you
can get it at all. And, of course, you can
bet that whatever the command is in one
program, it'll be completely different
when using another program on the
same computer. On the Lisa, there was
no command. We simply pointed at the
ProFile, then selected a menu item, all
with the mouse. Number of keystrokes
required: zero.
What if we wanted to look at the Pro-
File contents while we were using one of
the Lisa applications? The procedure is
exactly the same. No matter what
you're doing, even if you're right in the
middle of entering a cell in LisaCale or
reshaping a polygon in LisaDraww, you
can select the ProFile icon and open it.
Of course, you can also leave the Pro-
File’s window open so that you can see
the ProFile’s contents all the time. If
another window that you open covers up
the ProFile window, just click in the Pro-
File window and it becomes complete-
ly visible.
The ability to perform virtually any
action (like looking at the ProFile’s con-
tents even while you’re working on
another document) is extremely power-
ful and quite unique in the world of com-
puters. This capability, which is tech-
nically called being modeless, extends
throughout the Lisa Office System. The
Lisa tries very hard never to lock you
into a “mode”, in which commands sud-
denly do very different things than they
do in a different mode. This use of dif-
ferent commands is very disconcerting
to the person using the computer and
sometimes can destroy work (“Does
CTRL-C accept or cancel?”). Consider,
for example, many word processing pro-
grams which move the cursor by means
of arrow keys. Most of the time, this
movement simply repositions the cur-
sor, but once the user gets into “delete
mode”, cursor movement suddenly gob-
bles up any text that’s moved over. As I
said, very disconcerting.
The Lisa Office System and its ap-
plications work hard to be modeless to
avoid situations like this. The system of
windows is a fundamental way to get
away from modes. In the few cases
where modes are used, the mode be-
comes a window. This changes an ab-
stract concept (a mode, which you can’t
see) into a concrete one (a window,
which you can see).
Let’s continue to review the actions
we've taken so far. After opening the
ProFile, we wanted to look at the Apple
Orchard folder. Following the same
steps as before, we opened the file folder
icon, and were then shown its contents.
Although this action doesn’t have a
direct counterpart on other systems, itis
very much like getting a listing of a sub-
directory. Subdirectories, which are
used by Apple///’s SOS, Unix, and other
operating systems which work with
large disk drives, provide a way of
grouping similar things, much like file
folders in the Lisa Office System. Find-
ing out what’s in subdirectory usually
requires a command a lot like the ones
used for finding out what's in a direc-
tory.
After opening the Apple Orchard file
folder, we decided we wanted to take a
look at the document called 1984
Budget. In order to do that, we once
again followed the procedure of select-
ing something (the document) and then
performing some action upon it (open-
ing it). The icon zoomed open into a win-
dow and the document became visible
(see Figure 5).
How would we perform a similar func-
tion with a conventional system? Well,
first we would have to enter some com-
mand to run a spreadsheet program
from our hard disk. Then, after the
spreadsheet was loaded, we would enter
a command in the spreadsheet to load a
file, then type in the file name.
Transend stands for innovative electronic communi-
cations for your personal computer. Quickly. Easily
Affordably
CA 951
Circle HelpCard No. 65
ansend. At com,
ailers nationwide
(408) 94
BM Pc 1 Machines. Corpor
n+ Apple isa
November 1983 17
Oops—what if we've forgotten the
name of the file we wanted to load? No
problem. Just enter the spreadsheet’s
command for listing a catalog. After you
find the file’s correct name, just go back
to the spreadsheet’s load command and
type in the file's name. Counting the
command which started the spread-
sheet, we're up to about 15 keystrokes (it
would have been more if we had used a
name longer than 1984 Budget for our
document).
By the way, for those of you who
haven't been counting, we have so far
used the Lisa’s keyboard a grand total
of... uh, we haven’t used it yet. In fact,
that’s another cornerstone of the Lisa
Office System’s philosophy: the mouse
is used for making the Lisa do things;
the keyboard is used for entering text
and data. This fundamental separation
of tasks is one of the things which makes
the Lisa so easy to learn and use. There
are no cryptic commands to learn.
Actions are performed in the simplest
way possible, often by just pointing at
the thing you want to work with, then
selecting a menu item. The only time you
have to go to the keyboard is when you
want to type in some information.
Another interesting observation:
with Lisa, you don’t “run a program”
and “load a file.” These two actions are
combined for you into one simple action:
opening a document. This method has
many advantages. One of the most im-
portant is that you never have to remem-
ber the name of a program or file. You
never have to go through the frustration
of knowing something is out there on the
disk, but that you're just spelling it
wrong, surely one of the cruellest tricks
a computer can play on a human.
You may also have noticed that the
names of documents and file folders are
rather unrestricted. Unlike conven-
tional systems, which usually limit you
arbitrarily to short names composed of a
small number of characters, Lisa names
can be 63 characters long and can con-
tain any of the characters you can type
at the keyboard. By the way, the Lisa’s
keyboard is extremely versatile. In ad-
dition to typing all the standard type-
writer characters, you can type lots of
other symbols, including various com-
mon foreign characters, by using the
Lisa’s option key. This key acts as a
second shift key to give you more flexi-
bility.
I mentioned that the names of Lisa
objects are limited to 63 characters.
What happens if we try to exceed that
18 Apple Orehard
Da
oO: oO 4 im i
er cee
i A Fa in 1
1954 Boget Staff list
cupeara Krstacaset| freee
Figure 4
F File/Print Edit Type Style Page Layout Format _Prote
en ss
as Profile
eo!
6 Cells: Value: k dss
acai Be ee Lisenite |
LM Formula:
a
| f oI
Budget | Actual.
1.
Enpy Fe Senuary,
February
|) G i
cugeong) | estebaiet ote [ ctrore
Figure 5
8
a
: You cannot use more than 63 characters in
an object name.
This file folder nae an extramely long name which will be 1 1
i il — se
fe i (Cupboara astecasht Prope Prefermces
Figure 6
=
My company, International Datawares,
is a manufacturer and wholesale
distributor of media storage devices for
the computer industry. It has a line of
over 62 different items dealing with
media storage, mailing, shipping and
soon.
With more than 3,000 orders a year, the
staff was often processing, shipping
and invoicing 20 or more orders a day.
Getting better operational control of
the business, without adding more staff,
became my biggest headache.
“It took a little searching,
but I finally found VersaForm,
the business database”
What the business really needed was
a powerful database manager that was
easy to use. Impossible? Not at all.
VersaForm gives our company the
power and processing speed of a com-
puterized database, combined with
the simplicity and convenience of using
our familiar business forms.
“Now we process everything
that comes in or out of the
business with VersaForm”
VersaForm processes and records
(and even prints, when necessary)
everything that comes in or goes
out of the business. Orders. Invoices.
Packing Slips. Labels for shipment. The
shipment itself. And then, it provides
the best thing of all: monthly reports for
our accountant!
VersaForm is like an electronic file
cabinet that stores all this information,
and puts it at my fingertips when |
need it! And it's designed with a non-
technical user in mind, so we had
none of the usual technical database
headaches.
“Our accounting fees were cut
in half...and the accountant
loves it?
Since all the business transactions
are recorded with VersaForm, it takes
justa little over an hour a month to
“VersaForm saved us
hiring two people.’
By Ken Silverman,
President, International Datawares, Inc.
pull together every managing report that
our CPA needs. Including the Sales
Journal, Deposits for the month by day,
Receivables Journal, Tax Liability
Statement, even the Bank Reconciliation
Statement
This makes the work for our accountant
so easy, the fees were cut in half, and
his time is put to much more profitable
use. (He loves it).
“Our full-time bookkeeper is
VersaForm”
VersaForm does it all now. It locates,
controls, and interrelates
just about any kind of infor-
mation. It handles customer
orders and inventory. It
fills out invoices, statements
and mailing labels. It prints
reports for the accountant,
and does the calculating
for these functions auto-
matically. It even writes out
the checks. In fact, it
handles all the bookkeeping
so efficiently, we thought
it was about time to start expanding.
“Welcome to the line,
VersaForm”
There's no better endorsement we
could give than to carry VersaForm as
part of the company line. Speaking
from experience, VersaForm is the most
important database and bookkeeping
system a small business can buy. It's
truly in a class of its own.
We'll deliver VersaForm with a complete
30-day money-back guarantee. It's
available now for just $339.00 for floppy
disk system (Reg. $389).
And to make it even
easier for you to get
started, for a limited time
we'll send you a FREE
pre-designed Application
‘Template with your order
(worth up to $49.95).
So why wait? You've got
nothing to lose, and
control of your business
to gain. Fill in the form
below right now.
California residents add 614% sales tax. (Please allow 3-4 weeks for delivery.)
For ordering or to get more information, mail to: International Datawares, Inc., 910 George
Street, Santa Clara, CA 95050
Please send me. VersaForm Business Database Pro; -lunder — |
stand I may return these materials within 30 days of receipt for a full refund if not completely
satisfied. |
C1 Check or money order enclosed. |
CCharge to my: OVisa CO MasterCard
Exp. Date. Card No. |
OOC.O.D. (Add $10) |
TAME |
RW |
ADDRESS (NO BOKNO,, PLEASE) |
av SINE iP |
Hardware Choices and Cost: Template Choices:
CO Apple Il (floppy) $339 CInvoicing |
DApple Il (hard) $445 Ci Purchase Order
DApple Ill (floppy/hard) $445 Ci Mailing List |
IBM PC $339 O Cash Receipts Journal |
IBM XT $339 Expense Journal/Distribution |
Or phone: (800) 538-8157 x 934. Inside CA: (800) 672-3470 x 934
Circle HelpCard No. 75
limit? I’m glad I asked that question,
because if gives us a chance to see how
Lisa handles error messages. You can
see what happens by looking at Figure
6. Actually, the term “error messages”
isn’t really fair. Apple calls them alert
boxes, and this is a typical example of
what happens when something goes
wrong. Note the oval marked “Cancel”
on the right side of the alert box. As you
probably figured out, by pointing at this
oval (called a button) and clicking the
mousebutton, the alert vanishes and un-
covers whatever was behind it on the
Desktop. That’s what happens when
there’s an error: no muss, no fuss.
In order for the metaphor of the Desk-
top to be effective, it must truly allow us
to manipulate things in the computer by
using the icons. The Lisa Office System
lives up to this expectation. For exam-
ple, if we want to make a duplicate copy
of any of the documents or file folders,
such as Staff list, all we have to do is
select the document by pointing at it and
pressing the mouse button, then choos-
ing Duplicate from the File/Print menu.
This creates a new copy of Staff list,
which we can then put into any file
folder.
APPLE ///
RS232 DRIVER
“SLOT SELECTIVE”
$10
Need a second RS232 (Serial Port)
on your Apple ///? This new driver
is “SLOT SELECTIVE” and works
with the Apple Il Super Serial Card.
Just put the Super Serial Card in
any of the four slots in your Apple
///, edit the slot using the system
utilities, add driver to the boot disk,
and you now have two RS232 ports
available - one for a printer and
maybe the other for a modem.
Cost: $10.00
Order From:
INTERNATIONAL
APPLE CORE™
908 George Street
Santa Clara, CA 95050
614% Sales tax for California Residents
Circle HelpCard No. 32
20 Apple Orchard
The Lisa's floppy disk drives come to
life any time we insert a diskette into
either disk drive. After a few seconds a
new icon appears on the desktop: it’s a
picture of a diskette. If we opened the
diskette we would see that it contains
file folders and documents, just like
the ProFile.
What if we wanted to move a docu-
ment from a diskette to the ProFile?
Easy. We just point at the document and
hold the mouse button down while we
move the document over to the ProFile
icon. Of course.
Now let’s take a look at how some of
the Lisa applications work. Right now
our LisaCale spreadsheet, 1984 Budget,
is active. As I mentioned earlier, we
have complete freedom over the appear-
ance of the window. We can make it
larger or smaller with the sizing box; we
can move it anywhere on the Desktop.
We can also scroll through the sheet
with the scroll controls. If we want to
enter values in some of the cells, we first
select the cell by pointing at it and press-
ing the button; then we type in the
value.
If we want to add something to an
entry we've already made, here's the
procedure. We select the cell by pointing
at it and clicking. The pointer then
changes appearance: it turns tall and
thin (wish I could do that). This is called
the text pointer. Now we point between
the characters and click again. We can
now type our added characters. It’s im-
portant to realize that we have not been
put into an “insert mode” which we can
get stuck in. If we wanted to, we could
move the pointer (it would change back
into an arrow as soon as it was outside
this cell) and select something else.
What if we want to delete some text?
If you think we're going to get into
“delete mode”, you just haven’t been
reading very closely. To delete text, we
first select it. We do this by pointing at
the first character to delete, pressing
and holding down the mouse button
while we move the pointer to the last
character, and letting up on the button.
As soon as we let up on the button, the
text we've selected is highlighted on the
screen. Now we pull down the Edit menu
and choose Cut. Zap! The selected text
is gone. What happened to “delete mode”?
There was none, so nobody will ever get
hopelessly lost in it, deleting things they
don’t want to delete.
We've talked about insert and delete,
and there’s one other basic editing func-
tion: replacing some text with other
text. For example, if we had typed “big
old dog” and we wanted to change it to
“big happy dog”, we would first select
the word “old” by pointing in front of the
“o” and holding the button down while
we move the pointer past the “d”. Then
we would simply type “happy”, the re-
placement. Again, no modes in sight!
The best thing about these editing
features is this: anywhere on the Lisa,
anytime you need to edit text, these
techniques work exactly the same way
as they did here. Exactly. Always.
Whether you’re changing the name of a
document, entering a phone number ina
LisaList document, typing a letter with
LisaWrite, or putting in your budget,
text editing is consistent. The advan-
tage of this is incredible. Instead of hav-
ing to relearn basic actions in different
applications, the same techniques are
repeated throughout the Lisa Office
System.
Integration without Busing
Another Lisa feature is the ability to
take data from one document and put it
into another. For example, if you've got
a picture in a LisaDraw document that
you want to put into a different Lisa-
Draw document, Lisa lets you make a
copy of the picture and paste it into the
other document. You can also move infor-
mation between some documents of dif-
ferent types—for example, you can
make a copy of a schedule from a Lisa-
Project document and paste it into a
LisaDraw document.
Here, we're going to copy some of our
1984 Budget information and paste it
into the LisaWrite document called
Memo. In this case, we're after the infor-
mation for January through September.
Here’s how we do it. First we point at
one corner of the information we want to
copy and hold the button down; we move
the pointer to the opposite corner of the
range of cells and release the button.
This causes the cells between the two
points to become highlighted on the
screen (see Figure 7). Now we pull down
the Edit menu and choose Copy. This
tells the Lisa to make a copy of the selec-
ted cells. This is the information which
we will paste into the Memo in a mo-
ment.
But wait! The Lisa is supposed to rep-
resent things as physical objects on a
“desktop.” If we've made a copy of this
information, where is it? Well, it’s inside
another icon: the Clipboard. In fact, we
Page Layout Format Protect Cateuiate
z =
ProFile
|| 1994 Budcet. ||
Value:
Figure 7
I ga sks UHR TEST SiO EY ae EET 13 z
ProFile
Figure 8
" File/Print Edit Seorch Type Style Format Page Leyout
Figure 9
FRUSTRATED BY
ENTRY ERRORS?
NOT wit Astroflex>
UNIVERSAL
COPY HOLDER™
..increases accuracy, eliminates errors.
entry data positioned wherever it is most
comfortable for you
.. reduces eye movements, back and neck
strain.
specially comfortable for bi-focal
wearers.
...33" reach, clears clutter, swings away
when not in use.
all steel, computer white
clamps to any surface, tilts and swings
to any angle.
metal clip holds sheets of paper securely.
PHONE ORDERS ACCEPTED
(800) 824-7888
— — -AskforOperator 883. __ __
[B.R. Green (213) 652-4971
[ 410 N. Huntley Dr. |
Los Angeles, CA 90048
Quantity Item Bice il |
Copy Holder] $29.95 1
I cao-9 Merchandise Total |
Shipping’Hanating
| Sooper unk |
Tax (Cal. residents
| add'6°-%) |
| Total |
Name
Vases {
Voy |
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Gard Holder
[Signature
Circle HelpCard No. 74 21
can see it. If we point at the Clipboard
icon, select it, and choose Open Clip-
board from the File/Print menu, we see
the cells we just copied from the 1984
Budget document (see Figure 8). Great!
Now we have to open the Memo. We
can’t see most of the Apple Orchard win-
dow (where the Memo document is filed),
so we point at the part of the window we
can see and press the mouse button.
This uncovers the Apple Orchard win-
dow and makes it completely visible.
Now we can select the Memo icon and
choose Open “Memo” from the File/
Print menu, and it zooms open into a
window. We point at the place in the
Memo where we want the information to
be placed, then click the mouse button to
mark it. We pull down the Edit menu
and choose Paste, and we're done (see
Figure 9).
That’s it. We have just moved infor-
mation from our spreadsheet into our
memo, quickly, easily, and without enter-
ing one single command—we’ve done it
entirely by pointing at things with the
mouse. If you don’t think this is a remark-
ably easy and powerful way to do
things, try it sometime.
Prints Charming
One of the nicest things about the Lisa
is that it doesn’t force you to believe in
the “paperless office.” It acknowledges
that producing paper documents is a
very important part of any office sy
tem, and the Lisa’s printing capabilities
are astonishing. Using the Lisa applica-
tions you can create a large variety of
text and graphics, and everything you
see on the screen can be printed on Ap-
ple’s Dot Matrix Printer. This printer,
which Apple sells for less than $700, pro-
duces quality which must be seen to be
believed (so look at Figure 10!). This
printing of our memo was produced ona
dot matrix printer.
Almost as remarkable as the output is
the way the document was created. All
of the large text, boldfaced text, and
italics were created without the aid of
any “control characters” or special com-
mands in the text. Instead, the text was
selected with the mouse, and the special
type was chosen from the Type Style
menu. What's more, the large, boldfac-
ed, and italic text were displayed on the
sereen in the document's window. The
fancy term for this is visual fidelity, but
it’s more popularly known as “what you
see is what you get.”
22 Apple Orchard
Interoffice Memo
To: Bob Jones
Mike Smith
Dal ictober 27, 1984
Sutyect: Budget data
September
Thanks for your prompt attention
Bob--~
Here is the budget information you requested:
Budget Actual
January 1254 1260
February 1354 1400
March 1463 1354
April 1580
May 1706
June
July
August
to this most important matter.
Figure 10
These are just a few of the things you
can do with text on the Lisa. You can
also change fonts, choosing from 10, 12,
and 15 pitch, as well as proportional
spaced characters. And, of course, some
of the Lisa Applications, such as Lisa-
Draw and LisaGraph, help you create
marvelous graphics. Adding text to
these graphics is easy, and you can
usually choose from the same vast array
of fonts and type styles. All of this can be
printed on the Dot Matrix Printer. (In
case you're interested, printing a docu-
ment involves choosing “Print” from the
File/Print menu, then clicking “OK” ina
box that comes up on the screen).
By the way, Apple’s Daisy Wheel
Printer also works with the Lisa. Its
main advantage is that it produces fully-
formed characters rather than dense
dot-matrix ones. However, in order to
print all the Lisa’s different fonts, it
requires a change of type wheels.
And furthermore...
There’s an awful lot more to Lisa. For
example, to get your diskette out, you
have to press a button above the drive.
The Lisa will then politely ask you to
wait while it puts all the disk’s docu-
ments away before ejecting the diskette.
When you turn the Lisa off, it does the
same thing: it puts everything away,
then shuts off. There are lots of little
touches, too, such as the way it always
opens a window to the exact size and
shape it was in when you last worked
with it.
Lisa is a remarkably well-designed
system. The care that was taken in put-
ting the Lisa together is obvious. When
some of the other systems that use a
mouse and windows come along, run-
ning on computers which were really
designed to handle the lesser demands
of more conventional software, it will be
very interesting indeed to see how they
compare to Lisa.
On second thought, it probably won't
be a very interesting comparison at
all. @
EPSON PRINTER POWER
FROM APPLEWRITER II - //e
Unlike many word processors, Applewriter
I L-/e is able to take advantage of all that Ep-
son power and with GLOSSARYONE it's
simple! Using single, easy to remember
keystrokes, you can:
MM <> FM
BACKSPACE TU eg. MAKE # OR 8
COMPRESS WIDTH
DUUBLE STRIKE
EMPHASIZE
ITALICIZE
SUrERGcRieT AND sumecerer
UNDERLINE
DOUBLE WIDTH
COMPRESS DOUBLE WIDTH
COMBINE #Cr -+ Mn + ye + ve
USE FX ELITE & PROPORTIONAL SPACE
INSERT FX INTL. CHARACTERS
Mx LINE GRAFHIC CHARACTERS
& OTHER SPECIAL CHARACTERS
pe~ @s e309
Do all this and more! So order now and
stop memorizing control codes! For disk
and simple instructions send 17.95 (FX
19.95) plus 1.50 postage & handling to
Mike Iversen
MIJO CO.
#1 Jo-Lin Ct., El Sobrante, CA 94803
e
PHONE (415) 655-2158
Specify AW] [-MX or FX or AW//e-FX or MX version,
Circle HelpCard No. 43
\t
Ht
LA = =
f
INTRODUCING
WILDCARD PLUS.
THE COPYCARD THAT'S
MORE THAN A COPYCAT.
Manufacturers protect their software. WILDCARD PLUS.
WILDCARD PLUS protects yours. Aname that speaks for itself.
You have invested a lot of money in software for your Wildcard is the name that stands for uncompromising
Apple® Wildcard Plus makes sure that this investment is quality. Which is not surprising when you consider that
protected by making invaluable archival copies. Wildcard is the runaway leader in the field
Rather than copying disks track by rack, Wildcard Plus Others compare themselves to the Wildcard, some even
copies your total load programs right from the computer's copy us. But other copycards can’t match the Wildcard’s
memory. This creates an accurate and undetectable copy of capabilities and reputation.
the original program. When you're looking for a copycard you can rely on, look
Now you can back up twice as much in half the time. to Wildcard and Wildcard Plus. They are the back up cards
Because Wildcard Plus doesn’t stop at 48K or even 64K, but that stack the deck in your favor.
copies all the way up to 128K on an Apple® Ile. And does it Wildcard Plus is available for $189.95. Wildcard for
in less than 30 seconds. $139.95. Order by phone, (212) 355-2860 or complete the
coupon below and send your check, money order, Visa or
Mastercard No. to East Side Software Co., 344 E. 63 Street,
Suite 14-A, New York City 10021. Dealer inquiries welcome.
Fptcase send WILDCARD PLUS(S), $189.95 each. Total a
| Please send WILDCARD(S), $139.95 each. Total______
Include $4.00 for shipping and handling. Outside continental U.S. add $10.00 |
| forshipping and banding. New York Site residents add applicable sales ax.
D> heek enclosed Ci Visa) Master card
| Guano Expires |
Name on Card
In addition, back ups can be quickly booted with or [Name |
without Wildcard Plus and without messy packing or | Address (UPS delivery) |
complicated parameter settings. |Gy State |
“\,_No other card is faster, easier to use, or more powerful. | East Side Software Co.
344 E. 63 Street, Suite 14-A
WILDCARD PLUS |New York, NY 10021
unlocks the potential of your Apple.
Wildcard Plus offers a unique system that combines DAFORTANT NOTICE: Tie WEDCARD. hesris podenpe eaeings aed
? . cop you to make archival copies only. Under the Copyright Law you, as the owner of a copy
ROM and RAM. ROM allows for fast, easy copies ofa computer program, are entitled to make a new copy for archival purposes only and
using a simple menu driven system. The RAM. the WILDCARD will enable you to do so. The WILDCARD is offered for no other
i + purpose and you are not permitted to utilize it for any other use, other than specified.
permits, uulity modules to be loaded onto the card. Sofiware is not copy protected. System requirements: Apple II, II Plus or Apple Ie
This extends Wildcard’s function far beyond that of and DOS 3,3. Franklin Ace also supported.
mere copycard. Wildcard and Wildcard Plus are trademarks of East Side Sofiware Co.
(© 1983 East Sie Software Co,
Circle HelpCard No. 23
Your SOS Deserves a Clock
or
A 30 Minute, Do-It-Yourself Project
for the Apple ///
by Arthur E. (‘Skip’) Anderson //
ost likely, your Apple /// is missing its clock chip.
Having never had it, you’ve missed a great deal:
Automatic time stamping of files, the ability to use
Backup /// to automatically backup/restore files by date, the
ability to ask and receive the proper time and date, and
(almost) never having to set the time on computer power-up. I
know what you're thinking: “Why me? Why can’t I have a
clock chip too? How come I'm always the last guy on the block
to own a clockchip? Why can’t I keep up with the Joneses?”
Well, now you too can own one! And best of all the Apple ///
clock chip does not use any additional slots, nor will it cost you
an arm and a leg.
When the Apple /// was first introduced, one of its im-
proved features was a built-in clock. There were some prob-
lems achieving quality consistency, however, and the deci-
sion was made to kill time. Early /// purchasers got a refund
check for $50, and the clock was made to disappear. Apple
folks began asking, “What clock?”. If you have early versions
of the manuals, you know about the reserved variables in
Business BASIC and Pascal. But the clock chips have come
up in reliability, and that empty slot can now be filled.
Your Cost:
The author has used his clock for more than a year now and
has modified several Apple ///s. In the last month Peter
Weiglin, Editor and Publisher of Apple Orchard, has mod-
24 Apple Orchard
ified a half-dozen Apple ///s. If he can do it, almost anybody
can do it! We think that it’s possible for every Apple ///er to
have his own, but there is a cost (Ah ha!):
1. You must accept responsibility for tinkering on your Apple
///. Apple Computer Inc., Apple Orchard, and the author
can not be responsible for your work. It will undoubtedly void
your warranty (if you have one).
2. Installation will require approximately 30 minutes of your
time. Futhermore, you will need some technical ability, in-
cluding the ability to solder wires, a working knowledge of
ICs (which way they go in), and the ability to disassemble and
reassemble the bottom of your Apple ///. You may wish to ask
your dealer to perform the installation.
8. You will need to purchase the following hardware at an
approximate cost of $10.00 (Yes folks! That’s ten big
ones!):
a. One MM58167 clockchip. National Semiconductor man-
ufactures this integrated circuit and its technical data sheet.
Typical mailorder prices range from seven to ten dollars.
Many parts vendors stock these chips so shop around if you
like. Mailorder suppliers will often provide data sheets
upon request.
b. A battery holder that will hold two (or three) cells of the
penlight or “AA” battery size, and the battery clip that a 9-
ERROR:
ERROR
ERROR
ERROR
ERROR
ERROR
Locksmith 5.0"... Before It’s Too Late.
If something can go wrong, it will. At the worst possible
moment
That’s why you can count on a vital disk failing just when
you need it most. Maybe it simply wore out . . . or was
damaged by static electricity . . . or spilled cola rendered
the disk unusable. Without a backup copy, you'll quickly
find yourself at the end of your rope.
Fortunately, there is the new, state-of-the-art
Locksmith 5.0.
Two years of research went into this up-
dated version of the undisputed leader in
software backup programs.
The new Locksmith 5.0
deciphers the latest, most
sophisticated copy protection
devices. So you can make
OMEGA MICROWARE, INC.
222 S. RIVERSIDE PLAZA CHICAGO, IL 60606
(312) 648-4844
And, with the Locksmith 5.0, backups will be easy to
make. It offers you a new, highly detailed owner's manual
that clearly takes you step-by-step through each operation.
The cost? Locksmith 5.0 retails for just $99.95. And the
deal is even sweeter if you own an earlier Locksmith
version. Locksmith 4.X owners can upgrade for only
$24.95—3.X owners for only $39.95 (direct from Omega).
When your disks fail, don’t be left hanging. Back them up
with Locksmith 5.0. It’s available from
your nearest dealer now. If he’s out of
stock, order direct from Omega MicroWare,
Inc. by calling toll free:
1-800-835-2246
(Kansas residents call
1-800-362-2421). Or simply send
$99.95 plus $3.50 for shipping
™
backups of virtually alll Apple-
compatible programs*—more
than any other nibble copier
now available.
copyright notices and serial numbers.
© Omega MicroWare, Inc. 1983
Note: Locksmith 5.0 copies everything from your original program, including all
Locksmith is a trademark of Omega MicroWare, Inc.
‘Apple Computer is a registered trademark of Apple Computer, Inc.
and handling charges to
OMEGA MICROWARE INC.
Apple liE-compatibie!
Circle HelpCard No. 48
volt battery or the holder plugs into. A two or three battery
holder will work fine. They cost about $1.00. Typical vendors
are mail-order vendors and Radio Shack, ete. You need 3 cells
to provide 4.5 volts for the clock when the computer is turned
off. 4.5 volts is the maximum. If you can find only a 4-battery
holder, use it, and wire a jumper in place of one of the bat-
teries.
c. Enough penlight batteries to fill up your battery holder,
i.e. two or three “AA” cells. Approximate cost is $1.00. These
batteries ensure that the clockchip can continue to keep time.
Two batteries will provide three volts, which will keep the
chip operating. But the time between replacements is much
longer if three batteries are used.
d. Two lengths of wire, 20 to 24 inches long. Prefer No. 24
size wire, and different colors (e.g., red and black) for the
wires. Because you will mount the battery pack next to your
Apple /// speaker and run the wires down to the main cireuit
board, you will need about 24 inches of lead length.
e. In order to attach the battery pack onto the Apple ///
chassis (next to the speaker), you will need something sticky.
Scotch (3M) brand double-sided adhesive mounting squares
work great. Some people prefer to use adhesive Velcro strips
for this. The mounting squares are available at stationery
stores, ete., for about $1.00.
Installation:
Thanks to Apple Computer, Inc., about 99% of the hard-
ware installation job and 100% of the software installation is
done!! (Great folks there at Apple, even if they won’t ad-
mit it!)
To install your clock:
1. Gather together the above mentioned parts.
2. Gather your tools together. You will need a Phillips screw-
driver, a flathead screw driver, a small soldering iron (i.e. 20-
40 watt), and a small amount of 60%-tin rosin core solder.
Don’t usea soldering gun, and don’t use acid-core solder. Also,
don’t use “non-corroding” paste flux.
3. Chances are that your battery clip came with two short
wires attached. Now attach the wire leads to these short
wires; red to red and black to black (or green to green, etc.)
Wrap these joints with electrical tape to insulate them. With
most battery clips, the positive wire is red. It’s the one going
to the female connector on the battery clip. Remember, the
male connector on the battery is positive, which means that
the female connector on the clip is positive. Check to make
sure which is which.
4. Disconnect power cables from your Apple ///. Take the top
cover off your Apple /// and remove all of the accessory cards
from the slots. The red LED on the main board, next to the
accessory cards, must NOT be lit. (If the LED is lit, then you
forgot to disconnect the power.) Remember where each card
needs to be re-installed.
5. Carefully remove the large bottom plate from the bottom of
your Apple ///. This plate has the Apple/// main circuit board
mounted on it. Note where each of the external wires connect
onto the main board, just in case you accidently pull a connec-
tor off!
26 Apple Orchard
6. Feed the battery-holder wires down through a hole next to
the speaker. Using a screw driver, connect the negative lead,
under the screw as illustrated in Figure 1. Solder the positive
lead to the printed circuit board at the hole as shown in Figure
1.
7. Insert the MM58167 cloekchip in the IC-socket at the front
of the main board as shown in Figure 1. This socket is located
at board coordinate: B-3. The socket is labeled 58167. Make
sure the MM58167 is inserted in the socket with the notch fac-
ing forward, like the adjacent ICs. (This insures that pin #1 is
aligned properly.) Be sure that all pins are seated proper-
ly.
8. Re-attach the connectors to the motherboard, and replace
the bottom of the Apple ///. Be sure each of the external con-
nectors are still attached to the main board.
9. Insert all of your accessory cards back into their proper
slots.
10. Insert the batteries into the battery-holder, and attach the
battery pack next to the speaker using a double-sided ad-
hesive mounting square. Remember to put the batteries in
properly.
11. Putthe top cover back onto your Apple ///and reconnect
the power cord.
12. Using your System Utilities diskette, set the time. If
your clock chip is working properly, then you should see the
seconds ticking away in the top left corner of your screen. If
not, then you must recheck your work. If your clockchip com-
pletely loses its time setting when you power down the Apple
///, then something is wrong with the battery pack or its
installation.
To make fine adjustments to the clock, there is a poten-
tiometer (actually a variable capacitor) under the Apple ///’s
keyboard, which you adjust with a screwdriver. If, as we
found with one motherboard, the clock runs at about 10 times
normal speed, get the motherboard fixed or replaced. This
could bea problem until Apple acknowledges the existence of
the clock; they won’t fix what they claim doesn’t exist!
A Clockchip in time, saves your mind:
The Apple /// clock chip will save you a great deal of trou-
ble. SOS will time/date stamp your files each time you save
them! You will always know when you last updated a file (or
the last time you messed up a file!). If you keep regular bac-
kups of your work, you'll know which file to retrieve. That
alone is worth a fortune!
Now that you have time on your hands (ha, ha, ha), you
might want to play with your clock. But what software ean
use this clock, you say? The following is a list of some pro-
grams which are known to use the clockchip:
1. SOS. Automatically time & date stamps files. Any files
saved through SOS (such as AppleWriter, Pascal, VisiCalc,
ete.) automatically enjoy this benefit! I have yet to find a pro-
gram that didn’t enjoy this benefit! Also you can make the
direct SOS calls: GET TIME and SET TIME.
2. Apple /// Pascal. You ean use the Pascal filer to set and
read the time and date. You can use the procedures:
DATE(D), TIMEOFDAY(T), CLOCKINFO(...), and SET-
eq
341-0035-00
ol 3) Apple
i nlltantiaid
yaa 4
solder positive wire
ert negative wire under screw
eter Figure 1
8304 q
7289
tss9
clock chip here time adjust
TIME(...). Information is on Page 50 of Volume 2, Apple
Pascal Programmer’s Manual . . . at least the edition I
have.
38. Apple/// Business BASIC. You may run the timeset pro-
gram. The reserved variables DATE$ and TIMES are avail-
able even though they are not mentioned in the later editions
of the manuals!!
4. Apple/// COBOL. You can use the COBOL utility “date”.
The compiler time stamps the listing.
5. Softeard /// (CP/M card). You can use the time utility to
set and read the internal Apple ///clock.
6. Backup ///. This fine utility will reference the clockchip
as the date and time that the backup was taken. Furthermore,
since SOS now time stamps your files, you may backup/
restore files by date/time!
7. AppleWriter ///. You may set the date/time using the
SOS commands menu entrl-O.
8. Apple ///Utilities. This program allows you to set the
date/time. The screen will also contain the current time.
9. The [AC's CP/M —} SOS Textmover. The current time is
contained on the screen.
10. Volition System’s Modula-2. Support of Applestuff unit
and all Pascal calls relating to time.
Fun Projects for the Hardcore:
For those of you with an uncontrollable desire to play with
the clock chip, I have three project suggestions. However, the
three suggestions are not trivial!
It has been published that the Apple ///’s A/D converter
has an analog switch, or multiplexer, on its input. This mul-
tiplexer allows selection of one of the eight inputs: the four
different joystick inputs, a ground reference, a 2.4 volt refer-
ence, an unused input, and the clockchip battery. It would
therefore be possible to examine and report the clock’s bat-
tery condition from a program. See references 1 and 3 for
further reading.
Your clockchip is rumored to have an output that drives pin
#4 on your color port connector. The Apple /// Owner's
Guide, page 132, calls this PDI. Nothing more is said. (Clever,
huh?) The MM58167 has a Power Down Interrupt mode (de-
scribed by the data sheet as a ‘standby interrupt’). This out-
put allows the clockchip to set off an alarm (i.e. pin #4) at a
predetermined time. One good use of this would be a wakeup-
during-low-telephone-rates and send/download a message
program. See reference 1 for more information.
The MM58167 clockchip has a small calibration adjust-
ment (also adjustable from under the keyboard). This vari-
able capacitor should be adjusted so that the clockchip and
the 32KHz cystal keep accurate time. A smart program could
measure the timing error and display it on the screen. Inter-
nal measurements could be made via the video field rate, the
VIA timers, software timing loops, etc. See reference 1 for the
circuit description.
T hope this article shares some valuable information with
you , and helps you to tinker your way into an inexpensive
Apple /// clock. It has been a pleasurable accessory for my
Apple /// and I hope you enjoy it as much as I have.
References:
1. National Semiconductor's MM58167 Data sheet. Dated July 9,1979.
About 6 pages long, including pinouts, timing diagrams, and circuit
examples.
2. “It's /// O'clock and All's Well”, by John Jeppson, page 69, Softalk,
November 1982.
3. “Hot Rod ///, Start Your Engines!”, by George Oetzel, page 90, Sof
talk, August 1983. rm
e
November 1983 27
Inside Apple
Vol. 1, No. 3
le’s new
ieee I,
A sight for
sore eyes.
If you've been using aT V as
a monitor, perhaps you can get
a friend to read this for you:
Apple's brand new Monitor
IL will improve your vision.
It features all the latest
ergonomic improvements in
monitor technology.
For example:
Studies have shown that
the leading cause of eye fatigue
for computer users is Tack of
contrast between the displayed
characters and their background.
So we designed the Monitor
ILaround a high contrast green
phosphor CRT that provides an
extremely dark background.
That means you can read text
at a lower brightness. And
that means you can be more
productive — working longer
and more comfortably.
Toward that same end, we
also gave Monitor Ila tilt screen.
So you can angle it perfectly for
your working position, without
scooting your chair around or
sitting on phone books.
And we made that screen
antireflective to reduce glare
from ambient light.
Monitor Il also features
a high bandwidth video
amplifier and a high tolerance
linearity circuit. The former
keeps characters from smearing
accurate graphics.
Designed as the perfect
system partner for the Apple’ Ile
Personal Computer, Monitor II
requires no monitor stand. It’s a
perfect fit, aesthetically as well
as technically. So it’s pleasing to
the eye even when it's turned
off. See for yourself.
At your local authorized
Apple dealer.
on the screen and eliminates the
annoying “ghosts” left by a fast
moving cursor. The latter keeps
characters crisp, legible and
prevents “keystoning” right up
to the edges of the display. Both
add up to superior display of
80-column text and extremely
Screen tilts for
best working position.
Antireflective screen.
Interior of CRT is etched to reduce
glare and improve crispness.
Fits perfectly atop the Apple Ile.
Now Apple
plots color
Since color graphics are
becoming ever more important
in business, we ve been hearing
more and more calls for a color
plotter as reliable as an Apple.
Here it is:
Apple's new Color Plotter
can generate all kinds of presen-
tation graphics, engineering
drawings or anything else you
have to illustrate in up to eight
brilliant colors.
And it can perform its art on
any size paper up to 11"x 17"
Or, with optional transparency
pens, it can draw right on
transparent film for overhead
projection.
Measuring just 4.8"H x 16"W
x 12"D, it’s the smallest four-
color, wide bed color plotter you
can buy — about half the size
of conventional flatbed
>) plotters. So it takes up
less space on your
desk and can easily be
moved to someone else's desk.
There are two color plotter
accessory kits to choose from
to assure a perfect marriage with
your Apple II or Ile, or Apple III.
Each kit comes with eight
color pens — red, blue, green,
black, burnt orange, gold, violet
and brown. Plus a starter
package of plotter paper. Plus
all the manuals, documentation
and cables appropriate to
your particular kind of Apple.
So you can get up and coloring
right away.
Apple also offers a complete
selection of 24 different pen
packages — so you can choose
whatever colors you need in a
variety of widths for a variety of
applications and media types.
As you might expect, all of
the above is available at many
of our authorized Apple dealers.
High tolerance
linearity circuit.
High bandwidth
video amplifier.
Carry onwitl
Carry-In
No matter how long you've
owned your Apple system,
you can now get a long term
service contract at a very
reasonable cost.
h AppleCare
Service.
AppleCare Carry-In Service | 2
is a service plan that will
cover most Apple-branded
components in your system,
for one full year.
Tt covers an unlimited
number of repairs and is
honored by over 1500 authorized
Apple dealers nationwide.
Apple-trained technicians
assure you of the highest quality
service, fast — in most cases less
than 24 hours.
AppleCare
Carry-In Service is ideal
for anyone who needs to
know ahead of time the cost of
maintenance for their system.
So check out the details —
ou'll find it’s the lowest cost
ealth plan an Apple can have.
Apple Computer Inc, 20525 Mariani Ave., Cupertino, Calif, 9014. For the authorized dealer nearest you, call (800) 538-9696. ©1983 Apple Computer In.
‘AppleCare is a service mark of Apple Computer Inc
i
Circle HelpCard No. 3
The Videx Ultraterm
by Neil D. Lipson, P.E.
hen someone told me that Videx was coming out
with anew card, I wondered what else they could
do to surpass the Videoterm. Well, was I in for a
surprise. The Ultraterm has all the features of the old Video-
term, and has many other features as well.
These features include the following:
1. 24-line by 80-column display
24-line by 96-column display
32-line by 128-column display
24-line by 132-column display
48-line by 80-column display
Videoterm emulation of 24-line by 80-column operation
Normal/High-resolution character set
Normal/Inverse video
Highlight/lowlight characters
. Stable, flicker-free display with fast hardware scrol-
ling
11. Displays al] 96 ASCII characters with true descenders on
lower-case characters.
12. 15-character line-drawing set as part of standard char-
acter set
13. 7-character block graphics font as part of standard char-
acter set
14. 7 by 9 dot character font
15. Operates in any peripheral slot except Slot 0
16. Can be used in the Apple Ile with extended memory card.
Sworn .H4sHwN
One of the best features of the card was the fantastic
manual provided. To call it awesome is an understatement
(do I sound like a Valley Girl?). (Schuylkill Valley.— PCW.)
Everything is covered. If you still have questions after read-
ing this manual, then go back and re-read it. It appears that
very little or nothing is left out. My compliments to Videx on
producing one of the best manuals that I have ever seen.
There are special sections on checkout and troubleshooting,
30 > Apple Orchard
and the manual is beautifully typeset. There is a trend now
towards these high quality manuals and I am thankful for
it.
Video Monitor Selection
The most important aspect of using this card to the fullest
is to have the correct monitor. I personally have the NEC JB-
1201M Green, but it has a fast phospor. I had a problem,
however, as in the interlace modes of some of the displays, I
got vibrations from the screen. The card draws half of the
dots on the character, then quickly draws the other half, and
then continues to alternate. If you have a fast monitor, you
will see this alternation. It wasn’t intolerable, but could be a
problem for some people. If you want the correct monitor for
* this card, look at the Amdek 300A. It has a slow phospor, and
works perfectly with the card. Better yet, check out monitors
at your dealer. My fear was that a monitor with a slow
phosphor would have “ghosts” when playing games, being
that the display changes rapidly. However, when I tried it out
with the Amdek 300A, I found very few problems. It appears
that this is the monitor of choice in this situation.
Believe it or not, they even have a special 160 character
mode, but you have to adjust most monitors to reduce the
horizontal width to actually see all the characters. Also, the
monitor should be 15 MHz or higher for most of the above
applications. I don’t think many people will use the 160 char-
acter mode, but you never know.
Installation
Iquestioned having a section here on installation, as it is so
easy, but I will tell you anyway. You plug the card into Slot 3,
one of the video cords (the male) into the computer, and plug
your monitor into the female cord. It’s that simple. The soft-
switch is built into the card. I wondered how the card senses
a
: RET aE ay
OPEN YOUR APPLETO A
WORLD OF COMMUNICATION
Videx’ new PSIO D
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