Text content (OCR)
Ahetter machine. A better magazine, /
res
==
Vv | Saas
www.macaddict.com {| AUGUST 2000
Pssst!
9 of the world’s top
creative pros reveal their best
Mac tips and tricks...
Not their secrets on
graphics, music, and special effects?!
Wow! What are they?
Nah, you’ll have
to buy the magazine... yoni <9
In-tlepth interviews with Moby, Roger Black,
Thomas Dolty Robertson, Josh Gabriel, Frank Kozik, Eric
Chauvin, Chank Diesel, Michael Kamen, and Andrew Coppa
| ii 096
How to use iMovie with your old Mac
The secret lives of Mac usérs and Microsoft pro
confession*®
=
a
}
To,
3
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9
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re)
&
S$
a
2
3
(© 2000 Microsoft Corporation Alt rights reserved. Microsoft isa registone trademark of Microsoft Corporation In the United States and/or other countries, Apple, Mac, and Macintosh are registered tademarks of Apple Comouter, Inc.
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A better machine, a better magazine.
‘| NO. 48 | AUGUST 2000/ VOLUME 5 | ISSUE 8 |
highlights _
how fo
28 The Mac OS X
| Geek—English
| Dictionary
If your head is spinning
from the geeky OS X
terminology that devel-
opers, Apple, and
certain hoity-toity Mac |
magazines have been |
throwing around, relief |
is on the way. Letthe |
confusion stop here.
BY DAVID REYNOLDS
AND IAN SAMMIS |
MAYBE NOW WE'LL KNOW : *
ona Sc,
what the heck Dave and
| tan are talking about.
| 36 Secrets of
the Mac Pros
| Electronic music master
Moby (tight), poster
artist Frank Kozik, design
| guru Roger Black, and
| six other leading Mac
| pros spill the secrets of
their success. Find out
| how they do it.
| BY CATHY LU AND
|
ROBERT CAPPS
FLOATING HAND: $50. The
stunned admiration of the
Mac world? Priceless,
82 Reflect upon
Photoshop
Learn to fake a reflection
‘on your favorite photo.
Now that’s a mouthful.
BY CHRIS VANDERHOOF
IF YOU SEE two of these, |
| |
you're deeply disturbed.
86 Ignore Apple's
iMovie Advice
Apple's stated system
requirements for iMovie
translate roughly to “buy a
new Mac.” Surprised? No?
Here's how to ignore that
advice safely.
BY DAVID REYNOLDS
OSHA SAYS: Never stand
ba reper wean ne
Yes, you could check your
email between waking up
and getting on the train to
work, but that would
require facing the ultimate
horror—setting your
alarm to go off a few
minutes earlier, Here's -
how you can automate
the process and get every
last wink.
BY JOSErH 0. aMule
THAT'S THE LAST TIME I get
drunk and surf Matchmaker.com.
REPRINTS
For reprints, contact RMS at 717-399-1900. Please phone customer service toll-free at 888-771-6222,
CREATIVE Director Wayne Allen
makes his MacAddict debut as
designer of our chatty cover
Volume 5, Issue 8
MacAddict (SSN 1088-548%) js published monn by Imegine Media, Ino., 150 Noth Hill Dr, Brisbane, CA 94005, USA. Perocical-class postage paid at
Brisbane, CA, and at additonal maling offices. Newsstand distribution is handled by Custis Circulation Co. Basic subsoription rates: one year (12 issues +
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Imagine Med, Inc. also publishes Mexinum PC, Business 2.0, Games Business, Next Generation, cigitalFOTO, PC Gamer, and PSM. Enlre contonts copy-
SUBSCRIPTION QUERIES
Tight 2000, imagine Media, Ino. All ights reserved. Reproduction in whole or in pet is prohibited. imagine Medi, Inc, is not afliated with the complies or
products covered in MacAddict. Riie-Along, enclosed in the following edltions: A3, , 81, 82, 88, PRODUCED IN THE UNITED STATES OF AMERICA.
AUG/00 | MacAdaict| 5
|
every month
10 Editor's Note
Don’t worry, Toto—you're still in Kansas.
14 Letters
Have our readers lost their spunk?
18 Get Info
Holy OS X interfaces, Batman! We've got
the complete interface specs for Apple’s
next OS. We also look back at eight
months of iBorg madness, consider
‘the current state of WebObjects and
QuickTime, and provide our very own
TELAT, HE ALREADY TRIED THROWING it against a
wall to see if it would stick...
PUBLISHER Peter Hirschfeld
EDITOR INCHIEF Robert Capps
EDITORIAL.
EXECUTIVE EDITOR David Reynolds (technology)
MANAGING EDITOR Jenifer Morgan
SENIOR EDITOR Cathy Lu (features)
ASSOCIATE EDITORS Narasu Rehbaprayada (reviews),
Jan Sammis
iDIGITAL MEDIA EDITOR Ktis Fong
CONTRIBUTING EDITORS Raf Anzovin, Steven Anzovin,
Joseph 0, Holmes, Buz Zoller
ART
ART DIPECTOR David Ross
ASSOCIATE ART DIRECTOR Christopher Imlay
CONTRIBUTING DESIGNERS Chris Vandethoof, Gevin Shaw
CREATIVE DIRECTOR Wayne Allen
MACADDICT.COM
PRODUCER Niko Coucouvanis
CONTENT EDITOR Rich Pizor
PRODUCTION
PRODUCTION DIRECTOR Richard Lesovoy
PRODUCTION COORDINATOR Hans Hunt
ADVERTISING
ASSOCIATE PUBLISHER Don Kimenker
REGIONAL AD MANAGERS Michelle Paredes
SR. ACCOUNTS MANAGER, DIRECT SALES Ana Epstein
26 Scrapbook
This month, we step back in history with our trade show button retrospective and
show you some of the best Mac slogans ever pinned to a T-shirt, jacket, or knapsack.
62 Reviews
Power to the people! Write your own apps with REALbasic, master your music with
T-RackS 1.1.2, and win beaucoup bucks in Who Wants to Be a Millionaire, 2nd Edition.
Pius, get the 411 on the |-JAM portable MP3 player, Epson PhotoPC 30002
digital camera, Virtual PC 3.0 with Red Hat Linux, Hard Disk Toolkit 4.0, and more.
80 Powerplay
It's our annual rundown of game
announcements and goings-on from
the Electronic Entertainment Expo. Find
out what games are coming to the
Mac just for your sweaty little hands.
We certainly can't wait!
98 Ask Us
Smackin’ you with technical info and
answers until you call us “daddy.”
128 Shut Down
And Bingo was his game-o. Don’t worry—it just goes downhill from here.
Downhill all the way to laughs, that is!
PREPARE to go on a Halo bender!
DIRECTOR OF MARKETING Mary LaChapelle
‘MARKETING MANAGER Balin Brandt
AD.COORDINATOR Matt Wheeland
BUSINESS MANAGER Doug Hayrie
CIRCULATION
GROUP CIRCULATION DIRECTOR Kate Bailey
NEWSSTAND DIRECTOR Erie Alekman
NEWSSTAND SALES MANAGER Jonathan Vernier
ONLINE MARKETING MANAGER Mayumi Stroy
FULFILLMENT MANAGER Peggy Mores
DISTRIBUTION COORDINATOR Quyen Nauyen
DIRECT MARKETING SPECIALIST Melissa Moste
ies Presider HF
\Sencal Counc!» Chares Sonu
IMAGINE BUSINESS DIVISION
President » Michela '
nace 3
!waGiNe COMPUTING DIVISION
‘ot Engara
ch Mahan 5 Mani ache Netw Maximum
Gs "Pe Retwork gar OT Oh
IMAGINE ENTERTAINMENT DWISION
President « Jona ‘Bin
(PC Gamer FSM, PC Accelerator,
Next Generation, Games mee
on for games, For
ie hotnterot hese are passions we hare
alin fud your passion wh te gress no
Imapiatie. We fove to Innovele, we lve to have un, and we havea eastiron rule,
tera toler spectacle au at
RES |
(Gana ealoneeee
— -
The utr New leseres th itomaicn nen of rope of pop who hae «pasion, We an 1 iy the
at offer superb val
information, muttile
Find and purchase products
mentioned in MacAddict at
SeeMeBuyMe. Visit http://
www.seemebuyme.com and
enter a product code, or call
See ya in a week, Ill be in the lab testing
Hawaii 5.0.
‘wun thefuturenetwork-ple.uk
Media with Passion
888-220-1145.
Beth London Mian Munich NewYork Pavis San Franciaco
6 | MacAadict | AUG/00
rell,at least you.
can control your fonts.
So many things are out of your control in this world... even your personal space. If you're
feeling crushed by your surroundings, just practice this simple technique:
Breathe in, Imagine a world where your fonts are organized. Where you're able to quickly
preview fonts, print out sample pages, and make sure your workgroup has access to the
same fonts. A place where your system runs faster and crashes less. Breathe out.
Suitcase’9 inclades Still feeling pressured? Get new Suitcase 9, the font management solution from Extensis.
three free connections It will take you to a peaceful valley of orderly fonts...in a world that’s out of control.
to Suitcase Server,
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Extensis Suitcase 9
© 2000 Creativepro.com. ine. All rights reserved. Extensis and the Extensis logo are trademarks of Creativepro.com, nc. Suitcase isa trademark of Symantec Corporation.
‘All other trademarks are the property of their respective owners.
Things Are Heating Up...
$0 Chill Out with The Disc! the hype-lights
3 (g) Strata 3D 3.0 Full Version
The folks at Strata continue their streak of generosity,
this time with the multiple-award-winning 3D modeling
and animation package, Strata 3D—and we're giving it
to you for free! Whether you're cursed with a newbie
handicap or have been sprouting 3D-rendered tree rings for
years, this easy-to-use package provides all the tools you need
to build, animate, and render anything you can imagine. Create your
absolute dream date, walk on the wild side of your own prehistoric
universe, or design and animate your own cool fantasy creature and
impress George Lucas. What's on your mind?
@ Last Call Demo
We know you can pound ‘em down, but can you mix them? We're not
talking about the kind of mixing that'll leave you plastered to the ground,
praying to the ol’ porcelain god! We're talking rea/ bartending. This
animated bartending simulation puts you behind a fully stocked bar,
tending to customers and mixing drink orders to earn tips. Not
alcohol-savvy? Better break out that recipe book, quick. Timeliness and
friendliness will get you far—incompetence may get you eighty-sixed!
iG) Mike’s Edge 1.0
IN LAST CALL, YOU PLAY a ReGaisr aun Abracadabra... shazam! Make backgrounds, foregrounds, or any grounds
making great drinks, flirting, and pulling in the disappear in the blink of an eye. This cool masking tool can pull any
big tips before your shift is up. subject matter out of the picture, creating masks you can slip into other
photos, videos, or Web pages. So you like that picture of yourself, but
not with your ugly ex bouncing up and down like a monkey by your
side? Remove yourself from the scene of the crime with this tool and
drop yourself into a different background in any image-editing program.
@ Z-Write 1.0.1
Your story line, character sketches, and scenarios may be all over the
place, but your pages don’t have to be. This nonlinear word processing
i 2 application allows writers to scrawl their ideas and prose in any order
WEASEL ANY SUBJECT out of its and still keep the documents together as one file without endless
background in a great disappearing act. scrolling up and down pages. Great for those scatterbrains whose
= eS thoughts and ideas flip-flop from one idea to the next, or for the rest of
us who appreciate a better-t filo -out text editor.
‘The Pros.mov
ORANGE YOU GLAD we're
giving you Strata for free!
mate -cuune: nay set oe
rerrocs na grat anppearng eo)
MUSIC, MOVIES, MACS, AND
MAYHEM! Meet the nine Mac pros we
‘tracked down for our special issue.
‘They walk! They talk! And they rock!
Tapp tren emia To
prwcate 3 mach ater Wout set
NOW IF ONLY we can get it to invent everything, too.
8) MacAadict | AUG/00.
2 eoe sr & 2
Creation is the easy part...
Keeping oth under control
is anothe er story. _
i
W
wl
i
w
™
| Mac NTERACTIVE Maxis" is a brond ASIP NR
————— un
‘of Electronic Arts™ Authorid Electronic Arts™
000 Electronic Arts Inc. The Sims, SimCity, Maxis, and the Mi are trademarks or registered trademarks of Electronic Arts in the U.S. and/or other countries.
All rights reserved. The Aspyr Media logo is trademark of Aspyr Media, Inc. The teractive logo is a trademark of Westlake Interactive, Inc.
istered trademark and the MacOS logo is a trademerk of Apple Computer, Inc. All ofner trademarks are the property of thelr
Ors NOTE
Oh my goal What the heck did you do to MacAddict?!
ell, boys and girls, you’re now gazing upon the fruits of quite a bit of labor on the
part of MacAddict’s art staif. Over the last several months, we revisited the layout of
our beloved magazine and decided it was time to
spruce things up a bit. It has, after all, been four
years since we originally put together the look and
feel of this magazine, and while we're ahead of our
time, we're not ¢hat ahead of our time.
Now, I realize that the modifications we've
made to our interior design may have a few of you
alittle panicked. It shouldn't, though. MacAddict is
still MacAddict. We're not getting serious, backing
off, changing subjects, or toning down.
Just io make sure we're staying true to our orig-
inal purpose, I dusted off my copy of MacAddict
issue 1 and reread Cheryl England’s original
Editor's Note, in which she laid out exactly where
MacAddict stood. While a few things have changed
(we're not that into OpenDoc and Performas any-
WSs,
Staff Rants
Jenifer Morgan
memory?
A. Editing our July Calendar feature—
specifically, round 24 at 3 am,
a. Ifyou were aac, which model
would you be?
A. I'd be an iMac DV SE because I have
audio-syne problems.
more), the fundamental elements of the magazine JUST A SQUIRREL lookin’ for a nut...
are indeed the same now as they were back then. To
reassure you, I’ll list what I consider to be the three pillars of the MacAddict philosophy:
At its heart, MacAddict is a how-to magazine. We view the Mac as an iibertool. We
‘will always dedicate ourselves to showing you how to do cool stuff, tweak old machines
and software for better performance, and take your Mac use one step further. In that vein,
we try to make our techniques and ideas as accessible as possible—whether by putting
the tools you need on The Disc or on the Web site, or by writing in easy-to-understand,
layperson’s terms, But just because MacAddict magazine is fun and easy to understand,
don’t make the mistake of thinking we lack tech savvy. We build robots, stream video, trick
out LCs with butane torches and hydraulics, generate fake IDs, and overclock G4 proces-
sors. We're badasses, and we do it all so we can show you how to do it, too.
© MacAddict is a graphical magazine, Someone at Xerox PARC came up with the notion
that a command line is a very difficult way to navigate through a computer. The Mac built
on that idea, developing the current graphical user interface you know and love. We at
MacAddict likewise feel that strict arrangement of text in
columns fails to provide a sufficient interface for navigat-
We‘re not getting ing through a how-to or conveying the feel of a cool new
serious, backing off, product, MacAddict is designed from the ground up to
“ : show rather than tell. Most often the best way to explain
changing subjects, an idea or technique is with graphics,
or toning down. © MacAddict is for people who are passionate
9 about their Macs. A very enthusiastic community has
grown around the Mac platform. We cater to that com-
munity. We throw ourselves into our Macs and into our magazine with hopes that you
will get to know us, know that we love our Macs, and feel like a part of our family. We
answer your questions, read your letters, and participate in the forums at MacAddict.com,
because the Mac community plays a big part in who we are and what we do.
Cheryl mentioned each of these things in the first-ever editor’s address to MacAddict
readers. I, as the newest editor, feel that these fundamentals form the foundation of our
magazine. We show you how to do cool stuff with your Mac, we teach you things visually,
and we embrace you as a community. Changing colors or logos or typefaces doesn’t alter
our goals, and it won't diminish what MacAddict has to offer. Our hope is that our new
design will enhance our offerings. Keeping our fundamentals and you, the readers—the
most important element of MacAddict—in clear view, we will continue to deliver all the
things you love. And the magazine will look better, too.
10 iMagaagicr AUG/00
lan Sammis
iBorg Procrastination Editor
a. ee
Macaddict memory)
A. Wow... eas
been a good year. The impromptu
game of office baseball that broke out
the other day (complete with foam
ball and base paths about two feet long)
‘was pretty cool, though.
Q. Ifyou were aMac, which model
would you be?
‘A. Mac Iii. The thing was the standard
‘Macintosh workhorse machine for more
than three years. Allowing for the fact that
‘it came out in late 1989, it was great.
Narasul
Rebbapragatia
Q. What's your fondest
MacAddict memory?
AA. When I telefragged Rob in Unreal
Tournament and he ended up in little
bloody pieces all over the floor. Oops, did
I say that out loud?
Q. If you were a Mac, which model
would you be?
A. I'd be the Mac SE/30. I think that’s the
one a French foreign exchange student
used to make my first fake ID.
SELF PORTRAIT BY NARASU REBBAPRAGADA
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You can also pull MP3
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] | a
A | WRITE TO US: MacAddfct, 150 North
| TALK TO Us
and other
Mac addicts
at ittpy/Awww
smacaddict
-Pomicebate. |
Hill Dr, Brisbane, CA 94005,
- or email to letters@macaddict.com.
| FOR CD PROBLEMS: Go to http//
| support.imaginemedia.com.
| FOR SUBSCRIPTION QUERIES:
| Call (toll-free) 888-771-6222.
HEY IAN, WE’VE GOT
AN IDEA...
You folks are demented! Who gives you the
tight to use marshmallows as a too] to express
your sick minds? Have y'all been drinking bong
water or something? Your movie this month
(Jun/00) is another sick attempt at producing a
marshmallow horror flick. It doesn’t sell. Here
isan idea: Talk Ian Sammis into standing on his
cartoon is much cheaper.
ees JAN, casualty insurance on a
nkie an head while riding a skateboard down that really
fou might crooked street in San Francisco, eating a
i ‘Twinkie, and playing Myth on an iMac, Much
more interesting, don’t you think?
—Tony McDerworr
BOW-WOW
Macs rule, your magazine rules, the Letters sec-
tion has some funny letters, but I have one major
issue: Doesn't anyone who has a Mac own a dog,
snake, goldfish, or any pet other than a cat?
C'mon! At least one letter every month is about
Mac addicts and their cats—can't they get a more,
uh...manly (or womanly) pet—a nice big pit bull,
ashark, or maybe just an innocent hamster? I hap-
pen to have a pet dog and a snake, and while they
don’t sit on my computer monitor or jump on the
keyboard and mess up my work, they are still my
loving, faithful companions. Think Different—get
a dog!—tosti SoroxIN
THANKS FOR THE TIP
Iwas reading in the June issue about using glass
cleaner and a lint-free cloth to enhance a scan.
My suggestion is to use a coffee filter, as they usu-
ally do not leave any lint —Jox Nisxnapa
WE KILLED BUGS
WITH OUR ISSUE, TOO
I just wanted to say thank you for putting out a
very informative issue this month (Jun/00). I've
ye ecco Aes |
|
managed to fix a lot of bugs on my Mac, and J
made it run a little faster, too —-JErr MUELIER
’ MICROSOFT DOES
ALL SORTS OF STUFF
BACKWARD
Tm not sure how many Web sites the fol-
lowing technique applies to, but it sure as
heck works at Apple.com. If you're
watching a QuickTime commercial and
click the Back button on your Microsoft
Intellimouse, the movie you're viewing
will play backward. The audio is only
semi-backward, but i's still pretty cool.
Also, witen checking out a QTVR, click-
ing the back button will rotate the VR to
the left, while clicking the forward button
will rotate it to the right. Yet another use for
the handiest mouse ever!—Jonamuan CrayDon
WHAT’S UP, DOCK?
In your June 2000 issue, you featured all sorts of
how-tos. One of these was to make your applica-
tion switcher look and function more like the OS X
Dock. Well, I checked out the program you sug-
gested, and I was pretty pleased—until I did some
searching around and found A-Dock (http//
jerome foucher.free.ft/ADock html). It attaches an
application switcher at the bottom of the screen
(Jes, you can move it if you desire), but the best
partis that the switcher expands! It’s just like the
Dock, except that you always see a little icon telling
you the name of the current application. You can
also customize it with one of three included skins,
or make your own according to the instructions.
‘The only bad news is that it’s $5 shareware, but for
all the Aqua-siyle goodness it sports, it's worth the
money—Coun Drea
IT’S NOT FOR EVERYBODY
Eyer since the beginning, I've been an avid
reader of MacAddict magazine, which at first
seemed innovative compared to more boring
publications such as Macworld. But lately I’ve
found the content a whole bunch of useless
garbage. As a seasoned Mac user, I've found
myself alienated from MacAddict’s targeted
readership, which seems to consist of newbies
and intermediate Mac users. The content fea-
tured in the past few issues contains nothing I
can't find for free on the Internet, and 1 no
longer find the tutorials and tips useful. Even
though 1 do enjoy the humor, you guys have
overdone yourselves now and the magazine
seems like a joke in itself. Since your target audi-
ence doesn't seem to include me, I don’t think
MacAddict will miss my membership. Nor will I
miss reading a magazine that has no real
‘content, —Anrtiony Wut
3
:
ILLUSTRATION BY DAVID *STRU
Man, J have to agree with those attentive readers
who say your magazine has become uninforma-
tive. Why, I only counted 70-plus informative
articles in the June/00 issue. You people are
really slacking off. Stop making your magazine
so fun and entertaining. I want to see the next
issue fun-free, ad-free, humor-free, and with 112
pages chock-full of Apple Tech Info Library arti-
cles, While you're at it, replace those staff videos
with a nice hour-long PowerPoint presentation.
‘What are you all thinking?)—Tuomas Hupson
I can't wait until my subscription to MacAddict
expires. Every month when the new issue
arrives, | open it and play the CD, hoping—nay,
praying—that I will find something, anything,
worth reading or using. Alas, I never do. In fact,
itseems to get worse. The attempts at humor are
pathetic, the Letters section is impossibly dorky,
and the information is usually out of date.
—Wittam Manicer
Tam an avid MacAddict reader, and I have
something to say bout the recently enlight-
ened PC user and the disillusioned reader's let-
ter Jjun/00, p14): First ofall, although I know
very well that PCs are glorified tin cans of junk,
I have occasionally (in dentists’ offices) read.
samples of PC magazines such as PC World. 1
know what the PC guy was saying—PC mags
are so boring! Not only that, they cover the
simplest tasks, proving that PC users are not
only robotic, humorless drones, but also hope-
Jessly backward!
On the other hand, I actually read MAD
Magazine, so I find the second letter untrue.
You deliver great, useful tips while still manag-
ing to be funny. Some other people have said
that you should keep MAD-style elements out,
but] disagree. PC World is a good example of a
humorless computer magazine. Macworld is,
too. Keep it up!—Drew Levirr
THEY'LL BOUNCE BACK
Have you people gone mad? Your June 2000
issue has—I shudder to say it—no Bungie ad
on the back! I know we're nearing the new mil-
Jennium and things are going to change, but I
really expected better of professional journal-
ists. What, is one of the writers feeling scorned
because Konoko wasn’t answering his or her
love letters? (She hasn't writer back to me,
either.) ANDREW FRATICELLL
It's true. Our June issue was the first in
MacAddict history that didn’t feature a
Bungie ad on the back. This is because,
for the first time since we launched
MacAddict, Bungie doesn’t have a game to
promote. We're sad too, but fear not. Halo
is gonna rock!—Ep,
KEEP WATCH ON THEM FOR US
T have some inside info on Peeps...
I work in Bethlehem, Pennsylvania.
‘That's where the headquarters of JustBorn is.
JustBorn makes Peeps!
| always suspected something creepy was
going on in that building.
It looks like a hospital.
Creepy, huh?
T'll do my part to stop the production of
those evil Peeps things.
You get that damn iBorg to work right—
“by the time you read this” (yeah, sure).
Jason THACKER
SEE ME SELLOUT?
SeeMeBuyMe seems like a sellout and makes me
wonder how independent the articles are. It's like
advertising within an article —Bruce VAN METER
It is too bad that with the SeeMeBuyMe tags,
you have joined the ranks of fashion magazines
in the gray area between content and
catalog. —SaraH BEckLeY KRAMER
SeeMeBuyMe is intended as a service for our
readers, not as a source of revenue, Please let
us know if you have similar concerns about
our intentions, or if, conversely, you value
SeeMeBuyMe as a service —Ep.
HE’S A BRITTLE GUY
Shame on you! in the June 2000 Get Info sec-
tion, I spotted poor little injured Max. He had
a cast on his right foot! You let those
Maximum PC people get him, didn’t you? I
hope you're taking good care of him now.
—Kari Jo Wantace
WE FORGOT
In Get Info (June/00, p18), an article called
“Graphite vs. Athlon Grudge Match” con-
cluded that the G4 is better if you remember to
up Photoshop’s memory partition, I assume
you mean assigning more memory to
Photoshop than the default amount shown in
the Get Info window.
Since this was the key item you performed
to improve Photoshop performance substan-
tially, don’t you think it would have been nice to
tell your readers what memory allocation you
made?—Srive Larrman
Yup. Our bad. To adjust an application's
memory assignmeni, select that applica-
tion and choose Get Info from the File
menu, Under the memory settings,
increase the number in the Preferred Size
field. We set ours to 250MB.—Eo.
SPEED THRILLS
I read with great interest the article in the June
2000 issue comparing a 64/500 with the AMD
Athlon 1GHz, I recently purchased a 64/350
with 192MB of RAM and an ATI 128 video
card, and I am surprised at how fast this com-
puter really is. I also recently built a PC with
an AMD Athlon 700 overclocked to 735MHz,
128MB of RAM, 4 Maxtor 10GB 7,200-rpm.
hard drive, and a Voodoo3 3000 video card. I
use both computers, and the G4 actually
seems a bit faster.
Apple should change how it rates machines.
Someone sees 350MHz or 400MHz and thinks,
‘That's not so fast.” But as your article confirms,
they really are just as fast or faster than a compa-
rable PC at double the processor speed. | have
been using Macs for 10 years, and the G4 is the
first one I can say is truly fast—Joun Ares
WE HAVEN'T, EITHER
We were repairing a G3 server in our shop, and
[logged on just as another tech working on the
server changed the settings. I got this message:
a “Oslo Middle G3 Server via AppleTatk”
server.
You will no longer be disconnected from the file
I'M SURE we can fix that.
Iwas glad I was no longer going to be dis-
connected! I've never seen this message
before!—Mark Hernpow
PEEPS WENCH?
Iwas willing to sit still for the murder of the Peeps
wench (does that make me an accessory?), but
what have you done with Kris Fong? The only rea-
son I bought your magazine (well, the main rea-
son after I crashed a hard drive with one of your
cheesy upgrades) was to hear the smooth, Zen-
calm, very soothing voice of Fong occasionally on
the staff video. And now she’s gone. What have
you done with her?—Q. Borsa
Check the masthead.—Ep.
You Know You're
a Mac Addict When...
|
..you feel a sense of peace parking
your car in lots labeled G3 or G4, and
you drive right past lots named P2 or
P3.—Jason T. Yow
you hase your self-esteem on
Apple’s stock price —GartH Hansen
..you say “Let’s rock like it’s halftime
1984.”—AnoREW SHERIDA
you tie up company bandwidth by
downloading QuickTime for Windows
to the Wintel machine they force you to
use, just so Steve can announce
record download numbers at the next
Macworld Expo.—Hamisk BLAIR
AUG/00 [Magadcer 15
erlers
WARNING: USE AOL
AT YOUR OWN RISK
Jan Sammis's “Share a Single Network Connec-
tion across Multiple Macs” (June/00, p41)
sounded good for connecting my G3 and iMac,
as I had already connected them via the built-in
Ethernet. The firewall option was the clincher. 1
thought it would be so simple. After download-
ing the 21-day trial of IPNetRouter from The
Disc, { decided Yd be thorough and get the full
documentation suggested in the Read Me file. I
was just about ready to begin installing
TPNetRouter when my eye caught the 22nd of 25
FAQs. It asked: “Can I dial into AOL and use
IPNetRouter to route to my private LAN?” The
answer: “No, IPNetRouter supports standard
OT/PPP negotiation. AOL 5.0 and earlier uses a
proprietary implementation of PPP to negotiate
connectivity to AOL's servers. Consider getting a
service provider that uses industry standard |
connectivity if you would like to use |
PNetRouter.” One would think Sammis could
have included the phrase “except for AOL”
somewhere in his article. 1 spent two full days
becoming educated about IPNetRouter, only to-
realize that my system won't work with it. Since |
AOL is the largest portal to the Internet, three
little words does not seem like too much to
ask. —James BaRgick
apologize for the confusion. Before I stopped |
using AOL, I managed to route an AOL con-
nection, despite the FAQ comment (which I
simply didn’t seel). I may have gotten lucky,
though—your mileage may vary.—IS
WE JUST USE A TEDDY BEAR
Your “MacAddict Super Product Slugfest” |
comparison (May/00) between cable modems
and DSL is off base. Any computer on a dedi-
cated network connection, even DSL, is vulner-
able to security breaches, and all of them |
should run a firewall. My cable modem rou-
tinely delivers between 3 and 8 Mbps, and with
a $79 copy of NetBarrier, I can sleep soundly
at night—MICHAEL GIBBS
While lagree that any dedicated network con-
nection is a security risk, cable modems
come with an additional risk in that others in
the same node of your cable network can see
your Mac via AppleTalk. In either case, you're
right: Folks should invest in some kind of fire-
wall with a DSL or cable-modem connection,
whether that’s a software solution, like the
one you suggest, or a hardware router firewall
such as the MacSense XRouter—-DR
"SCOTT AOSE shows oft his allegiance
, BRUSHED-METAL BLUES
Steve Jobs is scaring me. What the heck is he
thinking with AppleWorks 6, QuickTime, and
Sherlock? He's designing like he's friggin’ five
years old. The industrial design and interface
R&D guys should be rounded up and shot. ?'m
not looking for cute girly things. Aqua is great
for the toylike iMacs and iBooks of first-time
computer users, but can you see anybody with
any computer knowledge whatsoever using it? I
can just see the guys at Skywalker Ranch using
hockey-puck rainbow mice and flying, fruit-col-
ored, dysfunctional dialog boxes. —Don LAVELLE
HEY YOURSELF!
J was sitting around, pondering the imminent
breakup of Microsoft, and I noticed that my
64/500 was trying to get my attention! { know, I
thought it was odd too, but I think it really does
like me! Here’s the picture —Wavne RUGENSTEIN
WE CAN SUE YOU NOW
The April issue of MacAddict inspired me. Using
the “Hack Your Mac 2000” article (p24) and
my trusty scanner, I came up with this startup
screen for my Mac clone —Tom Ouva
pull my hair out trying to find good Mac games.
1 can just go to the local Wal-Mart and pick up
whatever Sony has to offer. The only drawback
is that it only runs PlayStation games written
and distributed in North America—therefore
PlayStation discs written for Europe and Japan
won't work. Then again, since I’m neither
European nor Japanese, I guess that really
doesn’t matter, does it?—Brian DELLINGER
IAN KNOWS WHAT HE’S
TALKING ABOUT
I benefited from the “How to Build an MP3
Player in REALbasic’ article (May/00, p68).
Tm not a programmer, but I’ve tried to study
and earn REALbasic. I found the step-by-step
directions clear, the code helpful, and the time
I spent on the project worthwhile. As a result, I
have a betier understanding of properties, list
boxes, and what you can accomplish with the
software.—Joux Fostay
[DS Terrell Smith, Tuesday, ILOVEYOU virus tor Macintas
1 2500 am
t: TLOUEVOU virus for Macintosh
Congratulations HIE
sou nov have. te ILOVEVOU virus for tacintesh |
This virus works on the honour susten.
you vitt nave te do the fettouing:~
1) Fleate ranonty alate gone of te {L148 in yor Syaten Folder
2 Forvard thie enatt to other Mae users
OH, NO! We caught the Mac love virus!
Mac OS
NOW ALL YOU NEED to do is send a check
to the artist.
BUT WHAT ABOUT UNREAL?
For the last several years (well, since the
early days of Mac gaming), everybody has
constantly bitched about the availability (or
lack thereof) of games for the Mac OS. Since
I ordered Connectix’s Virtual Gaming Station
for my 333MHz iMac, my bitch-
ing days are over. For a measly
20 bucks, my iMac now runs
every PlayStation game I’ve ever
bought. My performance has
been 99 percent glitch-free, the
graphics are superb, and saving
games is a breeze.
Connectix has given Mac
gamers the ultimate gaming
solution. Now I no longer have to
WE DON’T KNOW
Did anyone else notice that the rocket pack in
Unreal Tournament looks a lot like the You've
Got Pictures icon on the America Online 5.0
welcome screen? Of course, why am I on AOL
when there's so much fragging to be done?
—Steve “Toy” Zoni
YES, WINDOWS IS OUTDATED
AND BORING
| Not all of Microsoft’s products stink—a select
few are quite good. The new Internet Explorer 5
for the Mac, as well as Outlook Express 5 with
128-bit encryption, are examples. Not many
browsers can say the Macintosh version totally
Kills the Windows version. Internet Explorer 5
makes the Windows version seem outdated and
really boring —Curis Dave.
D’OH
T feel it is necessary to tell you about a mistake in
your review of Appleworks 6 (Jun/00, p68). You
said the text-wrapping ability was new. However, I
have been successfully using that feature since ver-
sion 4, and even then it worked remarkably well.
Please be more careful—a feature may not neces-
sarily be new just because you have recently dis-
covered it —Davip STEWART
Indeed, this was a mistake, and I apologize.
Chalk it up to temporary insanity. It does not
change our rating, bowever—IS
“Ken SeeQ
D flor
» Digital Image
Manvigital In
inna
_ at its very a
best pe et
19a9
g
eT INTO
New Macs, new apps, and new addictions,
Mac OS X Sighted Again
A Glimpse of the Mac’s Future
uring the annual Apple devel-
oper get-together this May at the
WorldWide Developer Confer-
ence, Steve Jobs showed off the
latest version of Apple’s forthcoming iiber
operating system, Mac OS X, hipping the
gathered masses to new features, promised
applications, and a revised release sched-
ule. Without showing off any groundbreak-
ing new features, Jobs demonstrated that
Apple’s engineers have come a long way
since the Mac OS X preview in January.
Perhaps the most impressively souped-
up part of the new system is Mac OS X’s
revamped OpenGL support. Although
OpenGL isn’t new to the Mac, this version is
special. It looks great, meshes well with the
rest of the system, and sports impressive
performance for a developer build. Jobs’s
demo showed a live update of a PDF com-
posite on a spinning OpenGL bottle, This
new bit of wizardry wowed the crowd and
demonstrated just how well Mac OS X fuses
with OpenGL. The unoptimized OpenGL
drivers perform impressively, too, squeez-
ing 57 fps out of Quake 11—just wait until
Apple fine-tunes that. This level of OpenGL
support in Mac OS X should make devel-
opers of games and 3D apps plenty happy
to see OS X ship.
Among ihe other improvements are a
more Mac-like Finder and a refined Dock.
The new Finder makes the Desktop in 0S X
ee eee +B)
oO Eke
Clean Up
Drange by Name
Hide oaks
show View Options 3)
The Interface
what's new and notable.
Contains menu commands for the currently active app.
B: The Apple in the center of the menu bar disappears when menus expand far
to the right to cover it.
C: Applications get shunted to the left side of the Dock to keep things tidy.
D: Documents gel shunted to the right side of the Dock to keep things tidy.
background, The last preview of Mac OS X placed the Dock icons on enlarged ti
F: This thin white line separates applications from documents in the Dock,
Apple’s done some tweaking of OS X's user interface since we first showed it off in the
March 2000 issue (“Apple's Revolutionary New OS X,” Mar/00, p27). Here’s a look at
A: The Apple menu has gone away to make room for the new application menu, which
enough
E: When you magnily items in the Dock, the icons enlarge without any surrounding
iles.
ap = =
tb ey
Borg Timeline |
ey November 1999—an ioses interest
roje in Borg. Rob threatens lan. lan
t regains interest in Borg.
18| MacAdaict} AUG/00
os
tL
As we write this, MacAddict’s first attempt at a mobile robot, the iBorg, continues to suffer from
poor engineering, time shortages, and a variety of other problems. To give you a feeling for the
history of the project, here’s a timeline from its start through the first half of this year—/S
January 2000—Pubtication of initial
[Borg article. New iBook arrives,
along with new control mechanism.
Senet
more like the current one; in previous
incarnations of OS X, the new Desktop
housed only aliases, The much-hyped and
berated Dock now handles aliases (instead
of actual files), and it also iries to elimi-
nate confusion by separating applications
and documents on the left and right
sides of the Dock, respectively, separating
the two regions with a white line. The
improved Dock shows that Apple is listen-
ing to what people had to say about the
first incarnation of the Dock and that the
company is willing to do something about
it. Expect more changes to the Dock before
8 X ships.
The Applications
The list of Mac OS X-native applications
is getting longer, too. Internet Explorer 5
is now up and running on Mac OS X, as is
an initial version of Adobe InDesign. One
surprising (and welcome) addition to the
Mac OS X developer list is Alias Wave-
front’s Maya, a kick-butt 3D modeling and
animation tool. Maya has handled anima-
tion duties in films such as The Matrix,
Stuart Little, and Star Wars: The Phan-
tom Menace. Besides Microsoft, Adobe,
and Alias Wavefront, the list of Mac OS X—
committed developers includes Canon,
Dantz, Digidesign, EarthLink, Epson, File-
Maker, Hewlett-Packard, id Software,
Macromedia, and Palm.
The Schedule
Hand-wringing and liberal interpretations
of the words optional install aside, Mac
OS X is largely on track. Back in January,
Jobs announced an aggressive release
schedule for Mac OS X: a final release of
the OS this summer, with the system prein-
stalled on all new Macs by January 2001.
Apple has reduced the summer release to
a public beta, although Jobs hinted that
the change is merely semantic. Either
way, delaying the “final release” until the
start of next year gives us the best of both
worlds. Enthusiasts can start using the
new system this summer, but Apple and
third-party developers will have an extra
six montks to polish and fine-tune their
products for the official release.
Mac OS X has the makings of a power
user's operating system that will appeal to
newbies as well. It will be stable, respon-
sive, and offer killer high-end applications
(such as Maya and Apache)—and it should
be pretty, too. Look forward to this drool-
worthy release. If you can’t wait to find out
more, check out this month’s article on
Mac OS X (“The Mac OS X Geek~English
Dictionary,” p28).—-DR
QuiekTime
Engults MPEGS
Apple Throws a Few More Codecs
into its Multimedia Stew
few months back, a sharp debate broke out
on Slashdot (the Nirvana of nerd-dom) over
the relative merits of the MPEG and Sorenson video
compression standards. Apple has apparently
decided to end the argument the same Way it
settled the AVI versus Cinepak controversy a few
years back: by including both in the next version of
QuickTime. Bue out “this summer” (Apple’s favorite
term for an arbitrary period of time between one
| month and half @ year), QuickTime will add support
for both MPEG-1 and MPEG-2 formats.
Besides featuring a few more PEGs, the new
‘QuickTime will also support Flash 4 (up from Flash
3) and cubic QTYR scenes (unlike the older
panoramas, these allow you to took straight up and.
down as well as side to side). It will also include a
Velocity Engine-enhanced audio encoder licensed
from QDesign (hitp:/www.qdesign.com), designed
to compress audio into QDesign’s streaming-
optimized proprietary audio format-—IS
WebObjects Sheds $49,301
Apple’s Application Server Suddenly Sells at Consumer Prices
hen Apple bought NeXT in late 1996, it acquired a company
that had spent nearly a decade searching for a way to turn the
technical skills of its staff into cash. After NeXT failed to make a prof-
it on either hardware or operating system sales, its second-to-last,
nearly best hope (besides getting bought by Apple for $400 million)
was WebObjects, a development tool that links databases and Web
servers to create complex sites like the Apple Store (http://www
apple.com/store). Until this spring, Apple kept WebObjects in a
holding pattern, effectively continuing NeXT’s strategy of selling a few
licenses for an exceedingly high price (a full WebObjects deployment
license went for $50,000).
Apple has apparently decided to get aggressive with WebObjects.
On May 15, Apple dropped the price by nearly two orders of magni-
tude, to $699. By lowering the price, Apple has turned what had been
a product aimed almost entirely at large organizations into one
available to high-end consumers (at $699, WebObjects is only a bit
more expensive than Photoshop and is cheaper than Macromedia
Director). Moreover, taken together with the revision of Mac OS X
Server (to version 1.2) and Apple’s recent “SciTech Road Show,”
Apple appears to be trying to move beyond the consumer base that
has anchored its comeback so far and regain the sort of broad
industry position it held before the collapse in the mid '90s—iS
February 2000—lan loses interest in
(Borg. Rob threatens lan. lan regains
interest in iBorg.
April 2000—ian loses interest in
iBorg. Rob threatens lan. lan regains
interest in iBorg. lan fixes iBorg
camera glitch.
AUG/O0! Mac Acaict!19.
ow that Apple’s started to release information on Mac OS
. =
A Field Guide 0 Aqua X, we can finally bring you some details on the rich vari-
ety of GUI elements that populate its new landscape. Here’s a
A Spotter’s Guide for Human Interface Watchers | guide for enthusiasts 15 & DR
Where: [ Documents za
PUSH BUTTON WE CAUGHT THIS SAVE POP-UP BUTTON THE QUIESCENT LOOK
(praepilatus detrudo) BUTTON inthe middie of | | (2raenllatus surprisius) of this Aqua Pop-Up
Function: Causes an action to occur. | a courtship display— Function: Provides alist of choices in} Button is a pose—
Size: The Aqua Push Button is 20 pivels | note tho rich blue color, | | 2S! space. i were you to clickit, it
high, and has a lozenge shape caused by Size: The Aqua Pop-Up Button is ‘would abruptly grow.
14-pixel, rounded borders on either side. pixels high and sports 9-pixel spacers on
Flock Behavior: Vertically stacked buttons typically separate either side of the button text with a 21-pixel-
themselves by 10 pixels, while horizontal lists of buttons tend to wide, double-arrow attachment on the right side.
Flock Behavior: When stacked vertically, Aqua Pop-Up
Buttons will maintain a 10-pixel space between individuals.
Defensive Behavior: Pop-Up Buttons use their ability to
maintain 12-pixel distances,
Mating Behavior: Push Buttons occasionally pulse from
their usual gray color into a deep blue. We assume this is a
courtship ritual. inflate from a relatively small 20-pixel height to much larger sizes
Habitat: Dialog to discourage predators. They typically demonstrate this behavior
when clicked.
boxes, sheets, and
I Habitat: Sheets,
other contral-tich
environments, dialog boxes, and
other habitats where
controls are
typically present.
@
Favorites
f Save image Preview ; ] = ] i le f
Computer) Home
CHECK BOX THE COMMON
(squaricus checkoboxi) CHECK BOX, in its
Apps
Function: Provides a way to choose one flashy, checked BEVEL BUTTON THIS FLOCK OF
‘of more options in a smal, tidy space. i (praepilatus softii) BEVELED BUTTONS
Size: The Aqua Check Box button is 18 by | #PRParance. Function: Causes an action to ocour: | as chosen a Finder
18 pixels. Provides a much bigger target than a. window for its nests.
Flock Behavior: When found in vertical groups, Check Boxes Push Button.
have a 7-pixel space between them, When found with text labels, the Size: Aqua Bevel Buttons vary in size, but
label will stand off to the left by 8 pixels. none are smaller than 20 by 20 pixels.
Camouflage: The Check Box has two appearances—the Flock Behavior: While Bevel Buttons can be social, they
more obvious checked appearance draws attention away from other aiways maintain a 6-pixel distance from each other.
Check Boxes, and the less obvious unchecked appearance blends in Size: Bevel Buttons can have one of three height settings, but most
with surroundings, breeders of captive specimens choose the smallest setting.
Habitat: Sheets, Habitat:
dialog boxes, and other) = Finder windows.
habitats where controls
are typically present.
20! MacAdaict! AUG/00
Cee aa
Behaviors f0 Wateh For
Window Layering
Unlike traditional Mac OS windows, Mac OS X windows don’t come in layers. Clicking a win-
dow wil! bring it to the front—all other windows stay in the background, even those that
belong to the same application.
Sheets
Mac OS X sports a new type of dialog box called a
‘Sheet that drops out of another window's title bar, like
this Save As box. Sheets clarify the relationship.
between dialog boxes and their associated windows—
otherwise you might find it difficuit to figure out which
window a given Save As box refers to, now that the
boxes don’t keep you from using other windows while
they're in place!
THIS SAVE AS BOX is
probably the most
common example of a
‘sheet. Note that the
sheet’s background is
slighily transparent.
Lucida Grande
‘Mac OS X uses a new font called Lucide Grande for its window titles, controls, and menu items.
As of press time, Lucida is the one true font—Apple’s made no mention of any ability to change
the system font.
New Command Shortcuts
;
C
Apple has declared two command-key combinations off limits to anything but the system under X: and SCS}
CD-RW ari
G #lllly & selillu Supports QPS Que!
USB CD-R\
Command-H is a shortcut for Command-M is 2 shortcut for
Hide This Application, Minimize Window (in other words, toss
the frontmost window inio the Dock).
Where Apple Fears to Tread
We Rush In to Peek at Apple’s Appearance Schedule
fier making big noises about the Internet, international markets, and the gaming
market, Apple disappeared from Internet World, the United Kingdom’s Apple Expo
2000 in London, and the Electronic Entertainment Expo gaming trade show. However, the
company did actually follow through on its DV squawking—it put on quite a show at April’s
National Association of Broadcasters convention. There Apple announced Final Cut Pro 1.2.5
and deals with Pinnacle Systems and Matrox, plus the acquisition of Astarte’s DVD-creation
technology—along with its engineers.
Here's a look at where Apple was—and was not—this spring-—DR
.CharisMacugom
Ce et
parisMac ee. |
1000 uy View Rd., Nevcastle, CA-95658 |
1800) 798-6726
are the property fhe espetvs owners.
‘©2000 ChaisMac Engineering, no. Al otter trademarks |
get info
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fyou’re the type who relishes James Bond-style secret spy gadgets,
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browser. You can tear off any number of Webcams, keep them on
your desktop, and choose how often you want them to update—
you'll have nary a need to bother with your browser anymore.
You'll find iCamMaster especially cool when you're looking for a
vicarious thrill abroad, want to see what's going on in another city,
or just want to figure out the best way to get home via a couple of
traffic cams. Unfortunately, in the finicky world of Webcams, you
can’t expect top-notch reliability—sometimes the cams don’t work
or aren't current. Also, while you can add links to Webcams you find
on the Net, they can’t use Java or streaming video; they simply display
still frames. Even so, iCamMaster is a great diversion —CL
a
> MONTH
TRAFFI
on the
it’s safe to go home now.
IC CAMS. It’s 9:30 p.m.
Bay Bridge—looks like TEAR-OFF CAMS. You can
tear off any cam so it sits
‘on your desktop, updating
market's daily
all by itself.
STOCK CAM. Get the
fascinating blow-by-
blow of the stock
happenings. Yawn,
Sony v. Connectix Update
na sharp blow to Sony’s legal fight against
Virtual Game Station, Connectix’s Playsta-
3Com
hitp://www.paim.com | $449
tion emulator, United States District Court
Judge Charles Legge dismissed seven of Sony's
original nine complaints against the emulator
maker. The dismissal came in a summary
judgment from the bench that ended Sony’s
copyright and trademark claims against Con-
nectix. Charges of patent violations, trade
N
22| MacAdaict| AUG/00
ow here’s a peripheral
straight out of science
fiction. The Picza PIX-4 scanner
scans 3D objects, creating
wire-frame models that you
can use in 3D modeling software
on your Mac. It’s limited to
scanning fairly small objecis
(just a few inches in size), but
it hasa resolution of down
to 50 microns. Keen! The
Picza is limited to a serial
interface at the moment,
so if you have a USB-
based Mac, you’ll have to
invest in a serial-to-USB
converter as well—DR
secret violations, and unfair competition are”
still pending. The judge: vacated the original
July 12 trial date,
If you haven’t been following Virtual Game
Station’s tortuous history, Connectix first
released it in January last year. Sony quickly
filed a nine-count suit against Connectix,
alleging trademark, copyright, and trade secret
violations as well as unfair competition. The
suit led to an injunction that prevented Connec-
tix from shipping any copies of Virtual Game
Station for most of 1999. The United States
Ninth Circuit Court of Appeals overturned the
injunction on appeal in a ruling that declared
Connectix’s actions protected fair use. Virtual
Game Station returned to the market immedi-
ately following the February 10 ruling. Sony
filed new charges of patent infringement at
that time —IS
bat hoa bare mt nee
SONGS
SIMPLY TASTE
It’s about speed and agility. Simply
add a Sonnet processor upgrade
card to your Power Macintosh
or PowerBook and leave the
competition in your wake.Whenever
speed is a factor, more people
depend on Sonnet. You should
too. For more information, call us
at 1-949-261-2800 or visit our
website at:
www.sonnettechnologies.com
Visit us at MacWorld New York
July 19-21, Booth # 1707
get info
Predictions for the Expo
We Attempt Psychic Presentism
ongtime MacAddict readers often comment on the long (usually
more than a month) delay between reality and our news cover-
age. In an attempt to shorten the lag, we've decided to use our best
psychic powers to bring you Macworld Expo news (or the Macworld
Conference & Expo, as its crack marketing team has dubbed it) as
it happens. Here are out futuristic...es...presentistic predictions.
et the end of Steve Jobs’s keynote, the audience at the Jacob K.
Javits Convention Center will spontaneously and inexplicably burst
into song, specifically the “Hallelujah” chorus of Handel's Messiah.
Developers will sing bass, the press will sing tenor, casual attendees
will take on the alto part, and Apple employees themselves will star
as sopranos. A videographer will film the musical miracle on a DV
camera and edit it in iMovie. The preview will be available exclu-
sively through Apple’s QuickTime site-—NR
The air conditioning in the Jacob K. Javits Convention Center
will break down, New York City will see record-high temperatures
and humidity the week of Macworld, and Steve Jobs will still be
wearing a black turtleneck and jeans. —CL
Preparing for the
An Apple PR representative will spontaneously burst into flame
when just one more attendee says “Mac OS Ex” instead of “Mac OS
Ten.”"—DR
Steve Jobs action figures will be the hot-ticket item of the Expo,
and Phil Schiller will add another inch to his mullet —RC
Jonathan Ive will appear onstage to announce the new
porcelain-and-hardwood Macintosh cases, available in teak, walnut,
mahogany, oak, and cherry. He’ll then spend the next 15 minutes
arguing that the new iBook cases look nothing whatsoever like
toilet bow! lids is
ILLUSTRATION BY S.BaITT
Things to Do Before the Party Ends
s of press time, Napster—the Robin Hood of digital music—
will stand trial for copyright infringement. With big-name
artists like Metallica and Dr, Dre ordering Napster to ban fans who
distribute their music illegally, users are downloading tunes by the
drive load in case the free MP3 party abruptly ends. Here’s our list
of steps you can take to cover yourself should Napster, Macster, and
Rapster go down.
* Download all the show tunes you can find. You never know.
Someday you might need them, and you definitely don’t want to pay
for them. Ditto for ditties by Hanson and the BeeGees.
© Download dead people’s music. Jim Morrison's not going to
techinfotidhit
‘opefutly, you've never heard a series of beeps when starting up your New World-based Mac (those are the
translucent ones, for the non-Applish speaking)—but if you have, you know it means something is terribly
wrong. Often the beeps are the last thing your Mac does before it Just stares blankly at you.
You can do something, though. Count the number of beeps—you can translate that number inte one of five
Death of Napster
sue you from six feet under Paris (although DCC Compact Classics
at http://deccompaciclassics.com might!)
© Live dangerously. Download Puff Daddy's music. With so
many artists sampled in those tracks, the group’ll have to fight for
the right to sue you. Of course, that could backfire and they could
all stand in line to sue you.
Escape. Move to the Cayman Islands and resume your illegal
activity, It’s worked for high-profile bankers, lawyers, and the mob.
© if you can't beat ’em, join ’em. Start a band (preferably one
with antiestablishment overtones), have a friend swap your music,
and sue Napster yourseli—NR
What Tho. se Nasty Beep: S Cries for help on your Mac's part. Here's how they break down. In any case, when you hear these beeps, you
Should probably contact your authorized Apple service station for more help. You’ find all this info and much
at Startup Mean more at Apple's Tech Info Library (http:/tiLinfo. apple.com) —DR
coe moeeimeros [eee Tee Reeemeer
1 No RAM installed or detected Ditto
2 | Incompatible RAM installed Ditto
3} No RAM banks passed memory tests No good RAM banks
4 Bad ROM checksum No good boot images in boot ROM or bad system configuration block
5 Bad checksum for ROM boot block Processor not usable
my) MacAddict} AUG/0O
Y/ho says you can’t take your
office with you on vacation?
With VST's line of portable USB, FireWire® (IEEE 1394) and laptop
aes: peripherals, you can get away from the office this summer
without missing a beat.
VST's portable USB products, such as the CD-R/W
Drive and the Tri-Media Reader, provide a
convenient way for you to easily back-up and
transfer your data. If you'r looking for a faster
storage solution, VST’s FireWire Hard Drives
and Zip Drives are perfect for quick data
transfer and even storing digital video files.
Or, for the best of both worlds, the VST
USB/FireWire Combo Hard Drives provide the
versatility you need to keep you on the go.
Apple PowerBook users can increase
productivity without sacrificing mobility with
_ VST’s line of Expansion Bay storage devices
and power peripherals. With such products
as the Zip and SuperDisk® Drive to the Auto
Adapter and Dual Battery Charger, keeping up
to speed while on the road is a breeze.
So for all of your portable computing needs stop
by www.vsttech.com to learn more about these
et, and other exciting products designed with your mobility,
productivity and convenience in mind.
Slop by Cooth #S47 and enter for your
chance te win «a FireWire per¢aheral/
G ia FS
USB CD-RW PowerBook Tri-Media FireWire UsB/FireWire
Drive peripherals Reader Hard Drive Combo Drive
E: www.vsttech.com
omega, the lomega logo, Zip, and The Capacity To Do More, are
trademarks of lomega Corporation. All other trademarks are property
of other respective holders. lomega patents protected by patent
Microsoft® Mac applications pending in the US and other countries. Apple, Macintosh,
Window$98 the Mac OS logo, PowerBook, and iBook are registered trademarks of
Apple Computer, Inc. SuperDisk is a trademark of Imation Corporation. SmartDisk Personal Storage Systems
form of buttons with sharp pins on the back.
A blast from the past in the’
Bountiful Buttons
by David Reynolds
| ae reader Alejandro Andreatta sent us a collection of pins
compiled from the past 14 Macworld Expo shows, and it brought
back so many memories for us that we thought we'd share themn—
afier drying the tears, of course.
the annoying
click
Although it’s not strictly a button,
this clicker from lomega was
sufficiently annoying in 1998 to
burn a place in the memory of
anyone who had to listen to its
incessant noise.
Although this button
doesn't have anything to
do with the Mac universe,
we liked its locks. It's
about the cheese, after all.
‘The slogan probably should
have said “| bought it” to have
guaranteed the Newton's
‘success on its release in 1993.
B.A.: Before Adobe
Back when Aldus was stil around in 1993, they used a jolly
multicolored too! palette pin to promote PageMaker 5.9.
26) MacAddict | AUG/00
brief look at megaheriz
In 1996 and '97, Exponential promised to ship its 583MHz
PowerPC-compatible microprocessor—that is, before Apple pulled
the plug on the operation. After three years, we still haven't hit
533MHz, although the G4s are a lot faster at 500MHz than
Exponential’s chip would have been at 533MHz.
in 1995, e+ World was stil
around, and Apple had
printed e*World stickers to
promote the company's
@ online service. The sticker
lasted longer than the
service—e * World started in
| 1994 and went dark in 1996.
SACIWAGIUGS
As part of the campaign to promote
‘System 7 in 1992, Apple created
seven different buttons proclaiming
feasons to get psyched about
‘We're not sure where this button came from
or what it refers to, but the message is apt for
developers today: Carbonize or die! (Any 720
players out there?)
PHOTOGRAPH BY AARON LAUER
OU_-ARE V
|
YOU ARE THE DIFFERENCE BETWEEN THE
BIG HOUSE AND A’ BIG HOUSE IN MALIBU:
e YOU ARE THE FASTEST DRIVER |
THE ENTIRE CRIMINAL COMMUN
Film your own classic 70’s car chase Surveillance. Tailing. Deliveries. Getaway through real pedestrians, No tracks, Just 4 sprawling urban
using incredible Director-Mode. Heists. And serious 70's muscle cars. traffic signals, traffic...and cops! downtowns from NY to San Fran.
“A HiGH SPEED THRILL RIDE!” a
NEwsweek
Driver ©1999 Infogrames, Inc. All Rights Reserved. Created by Reflections Interactive Limited, an infogrames. Inc.
‘studio. Published : Lit Cie by: Geseibacg eal! and the: paneer es ae Esl ol ete
interactive Limited, nfogrames Inc and te Infogrames logo are trademarks of Infogrames. Inc. *
wwwawizarcworks.com/macsofty
‘Al oer. trademarks are the property oftheir respective companies.
THE MAC C
X GEEK —
A Journey to the | S
ike a highly anticipated blockbuster movie, Mac OS
X will hit this summer—in public beta format. After
five years of fits and starts, Apple has finished the under-
pinnings of an entirely new operating system and is busily
putting the finishing touches on its Brave New World.
According to Steve Jobs, in a speech at the Worldwide
Developers Conference last May, Mac OS X is to software
what the current model lineup is to hardware-—a com-
pletely revolutionary change in the way we compute. Mac
OS X will put the cosmic powers of Unix into the hands of
everyday Mac users, and it won't confound them with
arcane commands and a spit-and-baling-wire user inter-
Onl Me 4+! 2liinn
face. Mac OS X will be an elegant, powerful operating sys-
tem that will appeal to beginners and power users alike. It
won't just look different—it will be more responsive,
more stable, and more stylish than any other operating sys-
tem out there, and it will have better Internet integration to
boot. Unfortunately for the average Mac citizen, Apple and
the press have conducted most of the preliminary discus-
sions about Mac OS X in a hazy technobabble language,
tossing around words like Carbon, Cocoa, Mach, and BSD
as if you should know what they mean. But it’s OK if you
don’t get it—you're far from alone. Now, for the first time,
we go below the surface of the candied OS X user interface
ENGLISH DICTIONARY
"andl How X Will Change Your Life
lus!
known as Aqua and translate portions of its technical
schematics from a language known as Geekspeak into
plain English. We'll give you the inside scoop on the defi-
nitions of threads, tasks, and shells; tell you why you'll love
protected memory; and describe what Carbon, Cocoa, and
Classic will do to bring you new power while letting you
run your current Mac OS applications without upgrading.
All this, and we'll explain everything using words you've
actually heard before, in a language you can understand.
Also in this issue, find a much more visual Aqua guide in
Get Info, p20, because when it comes to user interfaces, a
picture is worth a thousand words.
chs Ofust/dict
hownmcaddict.
AUG/00| MacAadaict} 29
WHEN WORLDS COLLIDE!
Let's start with an overview of OS X and compare it to the current state of affairs on OS 9. It may help you to visualize each OS as
tig a planet—a separate ecosystem capable of supporting life. Okay, maybe that won't actually help you, but it sounds kind of cool.
30| MacAdaict| AUG/00
‘The World as We Know It
The current Mac OS (versions 8.x and 9.x) is the world we're leav-
ing behind. After many long years, it's become apparent that it’s just
not the place it used to be, especially after we've taken a look at what
some of the shinier, newer operating systems have to offer. The cur-
rent Mac OS is missing well-defined layers that mind their own busi-
ness, thus preventing crashes—the kind of structures you find in
more modern operating systems, such as Linux and Windows NT.
Instead, archaic things like extensions and QuickDraw, the graphics
layer, permeate the entire Mac OS, all the way from the Finder's
windows-and-folders surface to deep in the heart of the System's
memory management. This is a dangerous position to be in.
Engineers have patched the current Mac OS to do tasks it was never
designed to handle (for instance, the original Mac OS supported
eight colors and could only run one application at a time!)
The result is a system that’s poorly suited for many tasks. For
instance, itis difficult to write a Mac application (such as Photoshop
or even Stuffit Expander) that doesn’t hog so much processing power
that every other program on the machine stalls, Also, most Mac
Internet servers are profoundly slow due to an aging Mac OS core
that handles multitasking poorly, especially when the tasks are
network requests. Even so, Apple engineers have done a remarkable
job of keeping all of the OS's different components working together
relatively smoothly for a long time.
The New World
Darwin
{encompasses BSD and Mach)
Metaphorically speaking, Mac 0S X is a geologist’s dream. Its well-
defined layers work nicely together—only the parts that need to talk
to each other can talk to each other, and they do so while minding
their own business. This keeps Mac 0S X stable and makes it easier to
swap out various parts of the operating system (such as the network-
ing stack) when necessary. For example, the layer of Mac OS X that
runs older Mac OS 9 applications needs to talk to the core of Mac OS
X (for processes such as networking), but it can’t crash the core of
the operating system. As a result, Mac OS X has greater stability over-
all. Aqua, which also sticks to its own layer, wraps all of the other lay-
ers up in one package.
‘Mac OS X has no application that overreaches its boundaries as the
current Mac OS Finder does. Instead, the OS X Finder is an app like any
other, It makes polite requests to lower layers of the operating system
without brutally tunneling to the center to perform its tasks. The latter
approach can cause instability or create problems with portions of the
operating system that change from one revision to the next,
THE MAG OS X GEEK —
| Geekspeak: Mach 3.0 ||
English: \mak thré-d\ n: An operating system
microkernel initially developed at Carnegie Mellon
University, designed to provide operating systems with
advanced memory management, interprocess com-
munication, and thread-handling capabilities.
THE CHANGE IN ARCHITECTURE
Mac OS X
Mach 3.0
Current Mac OS
The bowels of the System File
thread
Geekspeak: thread
English: \thred\ a: A single point of execution in a program such as an
Internet Explorer download in progress.
Geekspak: memory management
English: \mem-cé ma-nij-mant\ n: The allocating of memory (real or
virtual) to individual tasks. Mac OS memory management, although
advanced for a personal computer in 1984, has become dated—it
does not prevent applications from accessing memory that belongs to
other applications or the system itself, and it makes receiving more
memory for a running app difficult. Mach has neither of these prob-
Jems, so it's impossible for programs running on OS X to bring down
the entire operating system when they crash.
Geekspeak: interprocess communication
(Ipc)
English: \in-tar-pri-ses ko-myii-na-ka-shan\ n: The passing of infor-
mation from task to task. Mach makes IPC very, very fast by tying it to
memory management—it can send messages by simply reassigning
the memory that contains the message from one task to another,
avoiding the slow memory copying necessary with the current Mac
OS—or with other OSs, for that matter.
Geekspeak: task
English: \task\ n: A running application or server program.
Geekspeak: scheduling
English: \ske-jiil-a ng\ vt: The art of allocating time on the CPU—or |
CPUs on a multiple-processor system—to the currently running
threads. Mac OS initially provided only the simplest scheduling capa-
bilities, and the requirement to maintain backward compatibility with
older Mac OS software has put a limit on improvements since that
time. Mac 0S X will have full preemptive multithreading and multi-
tasking and will handle multiple processors smoothly, making it much
more responsive than the current OS—with the added benefit of giv-
ing Macs with multiple processors much more power under Mac OS
X than under Mac 0S 9.
WHAT ALL THIS MEANS The core of the current Mac OS is eas-
ily the worst part of the system, making it very difficult to run servers
or computationally intensive programs (such as 3D applications) with
any degree of efficiency. Mach replaces this core and is one of the
ENGLISH DICTIONARY
most beautifully executed operating system cores in existence. It
makes programs behave by controlling how much processor time
they get, how much memory they receive, and what portions of the
operating system they can alter, leading to better responsiveness and
stability.
WHY YOU SHOULD CARE With 0SX, you won't have to set mem-
ory partitions for individual applicatioas—so we can all stop explain-
| ing to neophyte Mac users why their lovely new systems with 256MB
of RAM are crashing on out-of-memory errors. Poorly written pro-
grams can’t destabilize the system or other applications, which means
that Mac OS X will crash less and that one crashing application won't
bring down the entire computer. Applications won't stall out other
| apps; well-written multithreaded apps won't even stall themselves out,
meaning that you won't have to spend precious minutes staring at
Progress bars or the spinning wristwatch. There are some other
advantages as well.
¢ Multiple Processors The current Mac OS can't easily take
advantage of multiple processors—developers must specially pro-
grain applications in order for them to detect and spawn threads onto
additional processors. If they don’t, these additional processors sit
idle. Mach, however, automatically assigns each thread to whatever
processor is least busy at the moment, so a two-processor system will
nearly always run much faster than a single-processor system—and
not just when it's running specially written code.
Multiple Operating Systems in Parallel Mach acts only as
the inner core of the operating system, so it’s very easy to build dif-
ferent, higher-level operating system components that all work in
parallel on top of Mach. Mac OS X takes full advantage of this.
Engineers have reworked portions of the current Mac OS to run
above Mach, providing the Carbon (see “Carbon,” p33) subsystem
| that runs in parallel with the original OpenStep calls (see “Cocca,”
p33). This lets Apple provide a way for developers to port older
applications easily without forcing the removal of some of the out-
standing systems developed by NeXT. This means we'll get a rich
assortment of software for OS X. Neatly all of the usual Mac OS
developers will be able to move their software to the new system
with ease, and a new pile of software originally developed for
OpenStep and other Unix variants will also become available on
Mac 0S X.
| Geekspeak BSD 4.4
English: \bé-es-dé for-for\ n: An acronym for Berkeley
Software Distribution 4.4, the latest version of the first
nonproprietary Unix flavor.
THE CHANGE IN ARCHITECTURE
Mac OS X Current Mac OS
BSD 4.4 CodeWarrior, good geek-toy
shareware (such as
\PNetMonitor), top Mac server
programs (WebStar, NetPi Z,
Eudora Internet Mail Server),
Geekspeak: Unix
English: \yii-niks\ n: A multiuser, multitasking operating system devel-
oped by Bell Labs in the late 1960s, jargely used by university folks
and server jockeys. Later, Unix split into many flavors, including BSD,
Sun0S, and Linux,
AUG/90| MacAadict!31
THE MAC OS X GEEK — ENGLISH DICTIONARY
Geekspeak: shell
English: \shel\ n: A text interface between users and the operating sys-
tem in which users can enter powerful and arcane commands (such
asa command that finds every occurrence of the word /emur in every
document on the hard drive and dumps them into a new text docu-
meni). The shell (or terminal) Jets you read a text file, compile an
application, or even delete the contents of a hard drive. Because this
raw power lurks beneath the surface of Mac OSX, you won't ever have |
to use it unless you want to—Apple has promised to make everything
Geekspeak: PDF
possible in Mac OS X without making you “pop a shell.”
Geekspeak: EGCS
English: \egs\ n: An acronym for Enhanced Gnu Compiler System.
EGCS is the standard compiler both BSD and Mac OS X use to build
Unix applications irom easily downloadable source code.
WHAT ALL THIS MEANS The BSD 4.4 Unix layer in Mac OS X
means happy developers, lots and lots of geek toys, world-class server
applications, and unlimited cosmic power for power users.
WHY YOU SHOULD CARE Don’tlet all the tech talk put you off—
having a version of Unix hanging out under Mac OS X’s hood is a very
good thing. Even if you don’t plan on getting your hands dirty in BSD,
you'll benefit. Here’s how.
+ Happy Developers BSD 44 (andits compiler system, EGCS)
will make Mac OS X a fantastic developer platform. As part of their
education, most developers learn how to program using the BSD fla-
vor of Unix, which means a large number of people who might never
haye considered coding for the Mac OS before can write applications
for Mac OS X via its BSD layer. Add to this BSD’s mature development
tools, such as EGCS, and you have a dream come true for anyone who
‘wants to write Mac OS X applications.
| Geekspeak: Quartz
English: \kworts\ n: An advanced 2D graphics display
system based on Adobe's PDF technology.
THE CHANGE IN ARCHITECTURE
Mac 0S X
Quartz
Current Mac 0S
QuickDraw
English: \pé-dé-ef\ n: An acronym for Portable Document Format.
Adobe developed this technology to make electronic documents
look exactly the same on all systems, Quartz uses PDF technology
for its display.
WHAT ALL THIS MEANS Mac 05 X will have kick-ass graphics
(including great graphics effects) built in. Mac OS X-native applica-
tions will have the ability to save documents as PD¥s for free.
WHY YOU SHOULD CARE Quartz is the window between Mac 0S
| Xand you. It handles the drawing of every single pixel you see, from
the lowliest window to the high-tech application dock. Quartz also
makes the Aqua interface possible. It’s the engine behind the spifiy
drop shadows, translucent menus, and every other graphic trick Aqua
has to offer. Aliso wrapped up in Mac OS X's graphics layer is OpenGL
(the killer 3D technology that powers the latest games and 3D model-
ing software) and QuickTime. In fact, these two technologies are so
tightly integrated that QuickTime image, movie, and audio file pre-
views show up inside Mac OS X browser windows.
By moying to the PDF-based Quartz from the antiquated
| QuickDraw graphics system, Apple can offer some free whiz-bang
¢ Tons of Software Thanks to the killer programming tools |
built for BSD, Mac OS X users will be able to do what Linux and BSD
users have been doing for years—download and use the fons of pow-
erful programs already available for BSD Unix. These are mostly
power-user tools, such as server applications and scientific programs,
but they include lots of interesting stuff, such as streaming MP3
servers, Web servers, and the like. Another benefit to having these |
built-in application creation tools: Developers can build programs |
from BSD source code they download from various archives—and
often it requires very little tweaking. This should give us access to
many of the specific-purpose applications (servers, numerical appli-
cations, and so on) that we've never seen on the Mac before—which
should officially silence those Mac foes who use the absence of such
applications as an argument against our platform,
© World-Class Server Applications BSD Unix is widely used
in Internet servers, which means that the best server applications (such
as the kick-butt Web server Apache and the cool Icecast MP3 streamer)
already run on BSD. With a tiny bit of tinkering (most likely at the
hands of the enthusiastic college students who compose a good part of
the Mac shareware contingent), almost all of these applications will run
in OS X’s BSD layer, making the Mac a killer system for serving Web
pages, FIP sites, streaming audio—you name it.
32) MacAadict| AUG/00
graphics effects, such as transparency, drop shadows, antialiased vec-
tor images, and painless production of PDF files, to all applications.
| Also, you can easily map these PDF documents onto OpenGL objects.
‘This is especially important for the graphics crowd, which can now
create spectacular graphics documents and save them as PDEs, an
increasingly important format in the prepress world, Oh, and Apple
doesn’t have to pay licensing fees for PDF as it does for PostScript, so
the company can charge less for the system than for the PostScript-
based Mac OS X Server (which costs $499).
Geekspeak: Classic
English: \kla-sik\ n: A virtual machine environment
running an older version of Mac OS. Shims into Mach
have replaced the current Mac OS hardware drivers.
THE CHANGE IN ARCHITECTURE
Mac 0S X Current Mac 0S
Virtual PC, if there was a version
that emulated a Mac
The Classic environment
Geekspeak: shim
English: \shim\ n: A piece of code that looks like a hardware driver to
higher-level software but passes the data it receives to some other device
(often something quite different). A well-known example is the shim in
‘Mac 0S ROMS that makes the current USB keyboards look like ADB key-
| boards to the Mac OS startup sequence, thus allowing you to use startup
key combinations such as Command-Option-P-R to zap the PRAM.
THE MAC 0S X GEEK ~ ENGLISH DICTIONARY
WHAT ALL THIS MEANS With the entire operating system com-
pletely overhauled, Apple has to provide a way for you to keep using
your current software until you get a chance to buy apps written in
Carbon or Cocoa (see “Carbon,” and “Cocoa,” this page). The company
elected to emulate a Mac running OS 9 in software, thus letting you run
existing code on your Mac—the process is similar to running Windows
in Virtual PC, except that it's much faster and the program windows inte-
grate nicely with Mac OS X windows. The upshot? The bulk of your exist-
ing software will run in the new environment (with the exception of
some games and utility software, which typically try to touch the hard-
ware directly—a no-no in a well-structured operating system).
Unfortunately, all of the problems associated with the current Mac 0S
are still present in the Classic layer. For instance, you stil! need to set
memory partitions, applications can stili crash one another, and so on.
‘The Classic layer can use the CPU without emulation or translation since
it relies on the same processor as the rest of Mac OS X. Therefore, you
won't see any real speed hit as you would with emulators like
Connectix’s Virtual PC (http://www.connectix.com), which has to trans-
late instructions for Intel processors into instructions the PowerPC CPU
can understand,
WHY YOU SHOULD CARE Classic lets you switch to Mac OS X
gradually, much as the 680X0 emulation routines let Mac users buy
early Power Macs without having to purchase entirely new software.
The one caveat, and it’s a doozy, is that you can't use third-party hard-
ware drivers in the Classic layer. Since Classic runs on a virtual
machine, it can’t see the hardware directly.
carbon (diamond structure)
| Geekspeak: Carbon
English: \kar-ban\ n: A collection of Application
Programming Interface calls and shared libraries that
lets applications written to the Carbon specification
Tun in Classic Mac OS while getting all the benefits of
Mac OS X.
THE CHANGE IN ARCHITECTURE
Current Mac 0S
Macintosh Toolbox
Mac OS X
Carbon
Geekspeak: Reentrant
English: \ré-in-trant\ a: Programming code that can be invoked simul-
taneously multiple times without crashing or corrupting data. Vital for
any modern operating system that needs to perform lots of tasks at the
same time without stalling. (The current Mac OS isn’t reentrant-
capable—which is why a single sluggish Mac OS application can stall
out everything else on the system.)
WHAT ALL THIS MEANS Mac OS developers don't have to
rewrite their programs entirely to get them to run under Mac OS X,
thanks to Carbon. Instead, they will have to rewrite only 10 to 20
percent of the code,
WHY YOU SHOULD CARE Carbon is the brilliant idea that will
keep current Mac OS developers (such as Adobe, Macromedia, and
Microsoft) happy. Because they only have to rewrite a small portion of
each current application to make the apps Carbon-compliant (and
Mac OS X-native), the major development houses are much more
likely to make the changes and adopt this new operating system than
ifthey had to rewrite the entire code, Carbon applications will be 100
percent PowerPC code and will run under earlier versions of Mac OS
(versions 8.x and 9.x). They'll be more stable, more responsive, and
able to grab more memory as needed without your having to lift a fin-
ger. They'll also take on all of Aqua’s eye-candy characteristics. Expect
to see a lot of Carbon in Mac OS X's early days.
Geekspeak: Cocoa
English: \ko-k6\ n: Collectively, the tools and interfaces
(based on dynamic languages Objective-C and Java)
that NeXT developed for graphical application develop-
ment in its NextStep and OpenStep operating systems.
THE CHANGE IN ARCHITECTURE
Mac OS X
Current Mac 0S
Higher-level Mac OS APIs, or
a framework such as
Metrowerks PowerPlant
Cocoa
Geekspeak: Dynamic Language
English; \di-na-mik lang-gwij\ n; A computer programming language
that waits until code runs to create, type-check, bind, and link objects.
This usually adds flexibility, making programs easier to write and
maintain, at some performance cost.
WHAT ALL THIS MEANS NeXT’s development environment has
always been one of its strong points—indeed, rumor has it that a
demonstration of Cocoa convinced Gil Amelio to buy NeXT back in late
1996. This should make application development under Mac OS X
both easy and entertaining for developers.
WHY YOU SHOULD CARE If the last decade has taught us any-
thing, it’s that the one resource Apple simply cannot do without is the
strong base of amateur and semiprofessional developers responsible
for creating the vast majority of Mac shareware in existence. Cocoa
should make these folks very happy—it lets a relative beginner
quickly create a fairly impressive application. This means more and
better shareware than we've ever seen before. Unlike the lower-level
BSD layer, Cocoa is designed to work with the full graphical environ-
ment of OS X, so the applications written for Cocoa will closely resem-
ble the software we know and love on the Mac—and there'll be more
of it available. Much more.
Jan Sammis and David Reynolds are already drooling over Mac OS XI’s direct neural interface.
AUG/00 | MacAdcict|33
UyetiWue Vek eek UCC CRS
eWCeMVeeweeLee eee EE ERE ERT
WV UVEWUUVOUOECCEUUEOOOS
If you've ever missed information
or lost a great idea written on a
whiteboard, then you need a mimio*
Whether you're leading the meeting
or transcribing the notes, mimio will
truly amaze you. Attach mimio to
any whiteboard and it captures
everything you write or draw in
color and transfers it to your Mac
in real time.
Print, fax, See the new
i mimio for Mac at
e-mail, drag
‘www.mimio.com or
Elaremel col Mam call 1.877.696.4646
for a live demo.
into any Mac
application, or send notes across
the Internet. With mimio, you can
collaborate and share ideas easily,
accurately and instantly. And
another amazing thing: mimio
is only $599 complete. Don’t wait.
Get one for your next meeting.
Think it. Share it.”
A.
|” READ filer
36 | MacAdaict | AUG/00
composer, a photo illustra-
A tor, a Web design guru, two audio
entrepreneurs, a musician, a poster
artist, a Hollywood effects specialist, and a font designer.
No, that’s not the name of ABC's newest sitcom; it’s a list of the
people we spent the last few months badgering for informa-
tion—about their careers, their vision, and their Macs—to pass
along to you. Among them is the man who brought the San
Francisco Symphony and Metallica together; a former art direc-
tor for Rolling Stone and the New York Times, the guy who
makes the girls inside Maxim look inhumanly beautiful;
and a man who built a Star Destroyer’s docking
bay in Star Wars by hand. These are the
people behind the magic,
and we've got the magic
behind the people.
um, Nine is at the peak of his
respective industry, and each
owes the Mac a certain amount of grat-
itude for helping him get there. The com-
puter of choice for creative professionals is
an amazing tool in the hands of someone with
talent and vision, so read on for insight, inspira-
tion, or just to get some really cool tricks from the
ultimate Mac pros.
FE ach of our Magnificent...
f the
by Cathy Lu and Robert Capps
photography by Rafael Fuchs
ROGER BLACK, Web and print design guru
THOMAS DOLBY ROBERTSON AND JOSH GABRIEL,
music and sound innovators
ANDREW COPPA, photo illustrator and retoucher
MICHAEL KAMEN, film score composer
FRANK KOZIK, poster artist
CHANK DIESEL, font designer
MOBY, musician
ERIC CHAUVIN, special effects wiz
AUG/00 | MacAddict |37
| Sites That Work
FIND ADOBE
ILLVSTRATOR 6.0
nite Roger Black
print designer, Web guru,
creative director of Circle.com
MAG: PowerBook 3 (FireWire)
APPS OF THE TRADE: Adobe illustrator and
Photoshop (htt:/vwwadobe.com),
‘QuarkXPress {http://www.cuark.com), Netscape
Catendar (htip:/Awww.netscape, com)
CLAIM TO FAME: Art director for Rolling Stone,
the New York Times, and Newsweek; redesigned
Men's Health, the New Republic, and the San
Francisco Examiner; designed MSNBC.com,
HBQ.com, Newsweek.com, and
Barnesandnoble,com
1970s no one told him he wasn’t one, We'd say he’s in the clear—
nobody is going to tell him he isn’t one now. The prolific Black has
played art director at some of the biggest publications in the world, includ-
ing Rolling Stone and the New York Times. He has worked as a redesign
gun-forhire at other magazines and papers such as the Los Angeles Times
and Fast Company, In the 1990s he brought his sizable reputation and
finely honed design skills to bear on the World Wide Weh, setting the look
for several prominent sites and releasing the book Web Sites That Work
(Adobe Press, 1997), He has founded multiple design-related companies,
two of which (Roger Black Inc. and Interactive Bureau) officially merged
Q&A with Roger Black
R oger Black jokes that he became an art director because in the early
MacAddict: What are the different challenges of designing a maga-
zine and designing a newspaper?
Roger Black: Newspapers are much more [about] designing a system.
You don’t really have that much hands-on detail control, You have to
set up a number of methods or formats or techniques for putting out
the pages in a hurry. That's very similar to Web sites. What we're
designing is not a page; we’re designing a system so people can make
a Web site that looks like it was designed. Newspaper work is pretty
close to that, intellectually.
38 |MacAcaict) AUG/00
ay
last year into Circle.com, a worldwide media company offering a complete
range of Internet services, Black is currently the creative director of Circle
.com, Black, who first ventured into publishing as an editor at a student
magazine, focuses his design style on simplicity, ease of use, and editorial
functionality, Among his top design rules in Web Sites That Work are “Make
everything as big as possible” and “The first color is white, the second color
is black, and the third color is red.” He avoids overloading readers, and he
always puts content first. Convergence is a word Black uses often, implying
the interconnected nature of content, design, marketing, focus, and engi-
neering in a Web site. Though he’s convinced the Web still hasn’t found its
way out of the dari ages, he’s optimistic for the future,
MacAddict: What's different in magazine work?
Roger Black: Magazine work is,..an art director's job, Newspapers are a
designer's job, At 2 magazine, if it’s well done...you're ordering or creat-
ing or editing the art in the publication, the illustrations, and the photog-
raphy, People became very design-oriented in the '70s and '80s, and many
Magazines now are not yery well art-directed, but they're beautifully
designed, It’s as though they forget about the pictures. It's weird. Where I
came from...the art directors were art editors. They helped develop or
assign or choose the pictures. And that’s kind of a lost art.
MacAddict: What made you want to design for the screen?
Roger Black: think the transition had to do with already working on the
screen, Once we got into desktop publishing, you really were imaging all
of your stuff on a screen, Very often the scan looked better or the type
with the very white background looked better than it did when it was
printed....It had its own design artifact quality—so why not just give peo-
ple that?
Also 1, like many designers, have a certain wish that [I] had gotten
info movies—editing sound or animation [or] photography...why
not...design with that?... was at a Seybold conference six years ago in
Boston, and John Gage from Sun was showing Mosaic....He was showing
“The Web” with some live copy and some...pictures. And it was like,
“‘Whoa!”. I'm [also] interested in the media aspects [of the Web] —live-
ness, getting things out there....The Web... [is] instant. You just put it out
there, and it’s done.
MacAddict; As you made the transition to the Web, did you ever
find yourself frustrated at all? In print you can run big photos. And
‘on the Web...
Roger Black; Photos are horrible, yeah. In this stage of development the
Internet is for transactions—whether for sales or for information. One-
way media—broadcasting or publishing—is for storytelling. It may be
that we ultimately get storytelling to work [on the Net} somehow, but at
that point it would be a convergence situation. You're getting video on
demand or whatever, but you're still in a passive mode....But the Web
metaphor is really transactions....People want to find something out. They
go there, they get it, they get out, And that’s a wonderful thing, It’s an
amazing thing,
MacAddict: What's your opinion of the design of most Web sites out
there right now?
Roger Black: \ think they'ze all pretty horrible. But then again, most of
them are trapped in Windows. That, 1 think, is a disastrous thing for
them. Most people cringe like a stray dog [does] when you [lunge] at
it—that’s the basic human reaction to Windows. You open up the PC
and you have the same cringe as the cowardly dog because it’s such a
horrible thing. Even if you accept it, it reminds you of homework, it
reminds you of work.
Protect the Baseline
ne of the biggest hurdles Roger Black and the design department at
Circle.com have to tackle is making type sharp and readable on the
Web. Circle.com was willing to share the following trick with us—always
protect the baseline of type. If the baseline stays sharp, the text usually
looks good as well. Here’s how.
Type
© Cutting and pasting from Adobe lilustrator
is unpredictable—you often end up with
muddled type. Remake type with Photo-
shop’s type tool for GIFs and JPEGs.
®@ When making type in Photoshop, set
your canvas to 100 percent magnification.
If you zoom in or out, it can alter your
type's baseline and make it fuzzy.
® Vary a type’s point size and see if it looks
any better—sometimes going up or down
a single point will make a huge difference.
© Try sharpening your type with Photashop’s
Unsharp Mask filter.
Type
TYPE created in Illustrator
(top) is just slightly fuzzier
than type created in
Photoshop (bottom).
ONE OF ROGER BLACK’S
biggest Web endeavors
was the look he gave the
MSNBC.com site.
MacAddict: Why do you think that Is?
Roger Black: it’s the ghastly interface design, followed by the Microsoft
hegemony coming through in the design....If you take Windows and then
put [Internet Explorer] inside it, and then you get your Web site, you’re
already lost in most cases. There are a lot of other frustrations [as well].
You have no control over typography, so the type is almost illegible.
Yammering clients want to put more stuff on every page. So they resolve
that by making the type so small only eight-year-olds can read it... think
we have a long, long way to go.
MacAddict: What are some design faux pas on the Web?
Roger Black: ve already mentioned my number one pet peeve, which is
the tininess of all the type....The second one [is that] nobody edits. There
are a hundred things on every page. They put the banner ads on, and they
all start twinkling 2t you—[it} drives you out of your mind. There is a
kind of moronic sameness about all Web sites. Why is that? Why do they
all look exactly alike now? I call it Yahoo-ization.
MacAddict: What advice would you give to a print designer who’s
stepping onto the Web?
Roger Black: 1 think the main thing is pretty much to work as you would
in print design. A good designer always focuses on the reader or the cus-
tomer, the viewer, whatever the end user is....1 do not believe the techno-
logical hurdles are that big....Most of the stuff we do on the Web is not
particularly difficult. Almost anybody, particularly anvbody under 30
growing up in our society, has enough technological culture to work with
it. Don’t get scared. It’s not that big a deal.
Apropos
Applications
Re Black’s designers kindly shared with us some of the
shareware apps they find indispensable.
iView Multimedia
(http://wwwv.iview-multimedia.com)—A tool for making slide
shows. It can also easily export a foider of images into an
HTML slide show.
Snapz Pro
(http:/Avww.AmbrosiaSW.com)—The premiere screen-shot app.
Drop Rename
(http://infomac.acornsw.com/infomac/_DISK_AND_FILE/DROP-
RENAME-35 .HTML)—A utility for renaming batches of files.
Makes changing groups of file names a snap.
AUG/00 |MacAcolct 39
The Sound Masiers
0 MIXMAN
mas Dolby
t first glance, it may not seem obvious why Thomas Dolby Robertson and Josh
A Gabriel are in business together, Dolby Roberison’s company, Beainik*, focuses on
providing the tools to put sound on the Web sans download or buffering time.
Gabriel’s company, Mixman, is in the business of empowering musicians and nonmusicians
alike with song-mixing tools. But take a look at their pasts—and where they believe music
technology is headed in the future—and it starts to make sense why their two companies
merged last December, Both Dolby Robertson and Gabriel have been involved in the music
and technology revolution since the 1980s; both have been pushing the limits of their Macs
from day one—Dolby Robertson on a Classic, Gabriel on a Plus. Now their collective goal
is to help millions of people experience music and sound via the Internet. Witness what they
call eMixes, a fusion of the two technologies (http://www. beatnik.com/groovegrams/index
-html), which allow any average tone-deaf Jill or Joe to remix tracks like Smash Mouth’s “All
Star,” even Thomas Dolby Rohertson’s own “She Blinded Me with Science.” As both Dolby
Rebertson and Gabriel tell it, the Internet is the last entertainment or multimedia experi-
ence that Jacks an edifying sound experience, Their goal? To change that forever.
Thomas Dolby Robertson wn
Tmusician, founder of Beatnik
Josh Gabriel oa.
Musician, founder of Mixman
MACS: Dolby Robertson: G3 PowerBook and Quadra 950;
Gabriel: G3 PowerBook
APPS OF THE TRADE: Dolby
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