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MAC GAMING SUPERGUIDE
THE ESSENTIAL
MACINTOSH® RESOURCE
www.macworld.com
Mac Gaming
Is Back witha
Vengeance! -
EXCLUSIVE
Tomb Raider Il
Reviewed
Top 20 Mac Games ;
Holiday Gift Guide
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4RBT20038094 74302556 2H 276-08
PLUS MAR 00
LLOYD A ROBINSON BALA
Macworld Lab Tests 2003 SUNKYYIEH LA #1152
- MOUNTAIN VIEW CA 94040-3839
19 Flat-Panel Displays
UnbeccleE Lecccll lect blelltel ted
PROTECTION.
You can never be too careful when
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That's why LaCie Tape Back-Up*
has a wide range of sizes, speeds
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WN@|= Made fonda
Features
70
Tvs holiday shopping season again.
Macworld advises you on the best
‘ways to part with your paycheck.
72
20 Unforgettable Games
BY CAMERON CROTTY Present-
ing this year’s Game Hall of Fame.
78
10 Delightful Discs
BY CHRISTOPHER BREEN Our
top ten picks for CD-ROMs that
inform and entertain.
82
Supreme Stocking Stuffers
Excellent goodies for your Mac-
loving friends and relations.
86
What, Fruitcake Again?
BY ANDY !HNATKO Creative
ways to avoid the embarrassment of
pathetic gift giving.
88
The World Is Flat
By JULIE PoLITO The latest flat-panel
displays are sleek, easy on the eyes, and
downright affordable. Is it time to banish
your bulky CRT? Macworld Lab tests 19
flat-panel displays to help you decide.
December 1998 MACWORLD
D
113
117
ECEMBER
1998
GWOr
Graphics
Photoshop Retouching
Techniques
BY DAVID BLATNER Master
tricks for cleaning spots, lines,
and other unwanted flotsam from
any Adobe Photoshop image.
Print
Easy Tables in QuarkXPress
Use these
tools and techniques for over-
coming QuarkXPress’s_ table-
creation illiteracy.
BY BRAD WALROD
Motion
FileMaker Does Video
BY HENRY BORTMAN ‘Trans-
form FileMaker into a capable
video postproduction assistant.
Incorporating MacUser
Mac Gaming Superguide
72
Game Hall of Fame
BY CAMERON CROTTY Mac-
world’s Holiday Gift Guide pre-
sents the definitive collection of Mac
games. Do you have them all?
185
Nothin’ but Net
BY CHRISTOPHER BREEN Don't
blow away alien monsters and
enemy warplanes alone—set up a
gaming network and let your friends
join the bloodbath.
192
The Game Room
sy pHitip over Whatwere they
thinking? Pondering the Mac gam-
ing world’s low points in the Game
Hall of Shame.
When it comes to display technology,
thin is definitely in, page 88.
31
32
32
33
33
34
Will Microsoft and Netscape duel
to the death? page 196.
News
Let Your Browser Do the
Walking
Netscape’s Navigator upgrade
could make your Web life easier.
Desktop Color Separation
Xanté’s Accel-a-Writer 3G printer
and FilmStar 2 processing unit offer
near-imagesetter film quality for
about $7,000.
AppleScript Meets Photoshop
Main Event’s Photoscripter lets you
use AppleScript to automate image-
editing operations.
Adobe Expands Web Turf
Adobe's new ImageStyler software
brings Illustrator-like functions to
Web-graphics creation.
Product Watch
The latest products for your Mac,
including a pair of plug-ins that add
transparency capabilities to Adobe
Illustrator 8.0.
A New SCSI Standard
Ultral60/m SCSI promises to
deliver up to twice the speed of
Ultra2 SCSI.
15
27
196
10
Opinion
The Vision Thing
BY ANDREW GORE Things
are better than ever for Mac
gamers, but there’s still plenty of
room for improvement.
The Desktop Critic
By DAVID PoGue Whowill
die first in the Netscape Naviga-
tor/Microsoft Internet Explorer
suicide pact?
How to Contact Macworld
Apple's new 300MHz PowerBook G3 with DVD
lets you watch movies while on the go, page 38.
103
105
Secrets
What Do You Want
to Read Today?
BY JOSEPH SCHORR Discover
the lesser-known charms of
Adobe Acrobat Reader.
Quick Tips
BY LON POOLE
and shortcuts.
Tips, tricks,
ON THE COVER
Original art for Tomb Raider
created by Core Design Ltd.
Cover are digitally enbanced by
Job Lund.
Netscape and Microsoft offer hints of future
browser directions, page 31.
38
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ea)
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48
50
52
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www.macworld.com December 1998 3
Reviews
$844 PowerBook G3/300
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$8%% Keyboard-in-a-Box;
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Replacement keyboards compared
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886% WebSentinel 2.0
Web-security plug-in
$00 AFP Logger
AppleShare IP logging tool
68% 1999 Grolier Multimedia
Encyclopedia—Deluxe Edition
Reference CD-ROMs
1998. © & PUBUSHED By CDOS INTERACTIVE LIMITED 1998 ALL RIGHTS RESERVED,
TOMS RAIOER i LARA CROFT © & ™ CORE DESIGN UM
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Choose 43 at www.macworld.com/getinfo
EDITOR m CHIEF Andrew Gore
EXECUTIVE ASSISTANT (Cynthia A. MeDonald
EDITORIAL
o1roR Michael Penwarden
StwoR eoiton/news AN REVIEWS Stephen Beale
StuloR eorToR/DEPARTIENTS Naney Peterson
stwion ebiton/rearunts Jason Snel
SENIOR ASSOCIATE EOITORS Allyson Bates,
Linda Comer,
Scholle Sawyer
Laura Lindhe,
Brooke C. Wheeler
ASSISTANT EOITOR Michael Gowan
CONTRIBUTING EDITORS
David Biedny, Henry Boruman, Christopher Breen, Bruce
Deke McClelland, Rik Myslewski, David
Pogue, Lon Poole, Franklin N. ‘Tessler
Fraser, Ted Ls
INTERNATIONAL EDITORS
Steven Noble, Australia; Bernard Le Di
Borchert, Germany; Enrico Lott, Italy; Yoshio Moriya, Japan;
France; Andreas
Gert-Jan Oelderik, Netherlands; Tomasz Bitner, Poland; Daniel
de Blas, Spain; Lennart Hikansson, Sweden; Fred Jame, Taiwan;
Bahattin Apak, Turkey; Simon Jary, United Kingdom
LAB
tab DinecTOR Jeff Pittelkaw
ASSOCIATE LAB DIRECTOR Kristina De Nike
SENIOR LAB ANALYSTS Jelly K. Milstead,
Kevin Michell
ASSOCIATE LAB ANALYST Gil Loyola
ventory COORDINATOR Ulyssis Bravo
copy EDIT
MANAGING tDITOR Claire H. Breen
cory cute Paul-Michael King
SEMOR COPY EDITORS Blissa Rabellino,
Jon Zobenica
ART AND DESIGN
DESIGN DIRECTOR Eleanor Leishman
ART DIRECTOR Sylvia Chevrier
ASSOCIATE DESIGNERS Martha Katt,
‘Michael Rattary
Jackie Good
Jonathan Woolson
DESIGN ASSOCIATES
ONLINE
Puausnen Jeff Julian
DIRECTOR OF CONTENT Matthew Rothenberg
SENIOR ONLINE EDITOR. Philip W. Dy
CONTENT EweINeeR Jeff Cheney
ASSISTANT CONTENT ENGINEER Jessica Graves
DIRECTOR, BUSINESS DEVELOPMENT FOR ONLINE Nicholas Harvey
ACCOUNT MANAGER Diana Berry
Mitsubishi Is Changing The
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The Finesse Of Flat: Introducing
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DIAMONDTRON NF monitors are just flat-out
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DISPLAY PRODUCTS
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Choose 230 at www.macworld.com/getinfo
December 1998 MACWORLD
Macworld
PRESIDENT AND €£O Colin Crawford
ASSISTANT TO THE CEO. Sharon Sanderson
CHIEF FINANCIAL OFFICER Stephen Daniels
BUSINESS MANAGER Eos de Feminis
AcCOUNTING COORDINATOR Ronda Bittner
sr assistan Christian Semmel
DIRECTOR OF HUMAN RESOURCES Sue Murphy
uian nesounces coonomAaron Ada Yims
DISPLAY ADVERTISING SALES
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VICE PRESIOENT, MARKETING Vickie Welch
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TRADE SHOW/AVENTS COORDINATOR Nancy Galanty
MACWORLD GLOBAL PRODUCT SUPPORT CENTER
COORDINATOR Sharon Sanderson (415/243-3640)
PRODUCTION
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AD SALES COORDINATOR Rick Sandoval
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The OrangePC 620 answers the
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10 December 1998 MACWORLD
Macworld
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VPA.
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March 1998 January January 1998
EDITORS’
‘CHOICE
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ViewSonic’
‘open of thee respecte corpani See The Difference!”
— Lelong
Working Through Guilt
D AVID POGUE SHOULD KNOW
that he’s not the only one trapped in
a love/hate relationship with Microsoft
(The Desktop Critic, September 1998). I
too have been converted by Internet
Explorer 4's top-notch interface. Th fact,
as I read his article on Macworld Online,
T stumbled upon yet another nice touch:
as long as you’re not in a text field, press-
ing the spacebar will page down and
option-spacebar will page up.
James Muspearr
West Roxbury, Massachusetts
PON READING DAVID POGUE'S
confessional column where he, like
other Mac users, shamefully admitted the
benefits of a Microsoft product, I decided
to swallow my Netscape pride and try out
Internet Explorer 4.01. After wasting an
evening downloading the 12.4MB file and
spending over an hour trying to open a
Web page, only to have the program crash
my Mac each time, I’ve decided thar if
anyone should feel guilty, it’s Microsoft.
Mark CICHRA
Independence, Obio
PowerBooks in Europe
ED LANDAU’S “ONLINE ON THE
Road” (Secrets, September 1998) was a
good discussion of what you need to think
about when computing while traveling.
But he states in the sidebar “Go Mobile,
International-Style” that U.S. Mac users
will have trouble using their PowerBook
AC adapters in Europe, due to voltage dif-
ferences. Not true—PowerBook AC
adapters can use all voltages from 90 to 240
volts and line frequencies of 50Hz to
60Hz, thus covering all the European AC
systems. However, you will need a simple
plug adapter, available at utility stores in
many airports for around $10.
JON AALBORG
Oslo, Norway
The Ongoing Slot Controversy
NDREW GORE GOT IT EXACTLY
right in pointing out Apple’s misstep
in dropping down to three slots in the
high-end G3 machines (The Vision Thing,
September 1998). My base configura-
tions use a minimum of four PCT slots:
two video cards, one ultrawide SCSI
card, and a 100BaseT Ethernet card.
This is a very common and necessary
configuration in content creation as well
as prepress. I’m anxiously waiting for the
next-generation designs, and I hope that
in the short term, my souped-up Umax
$900’s will hang tough.
Joun Strut
Boston, Massachusetts
*M BEMUSED BY ALL THE BLEAT-
I ing from digital-video and other high-
end-graphics professionals about the lack
of six-slot G3’s—especially when they
complain about the expense or inconve-
nience of an external PCI chassis. Excuse
me? This | or 2 percent of Apple’s mar-
ket, who supposedly have dollars to burn
and would allegedly contribute so much
to Apple’s bottom line—they haven’t got
the money for an expansion chassis?
Would they, if it came down to the
crunch, rather change platforms—with
the corresponding loss in productivity
from retraining, the purchase of all new
software, and increased IS needs—than
buy and use an expansion chassis at a
minute fraction of the cost? I don’t get
what all the fuss is about.
CHUAN CHEW
Sydney, New South Wales, Australia
Peeved about Premiere 5.0
IM HEID IGNORED THE FACT
that Adobe has chosen to remove a
major speed enhancement from Premiere
(Reviews, September 1998). Premiere 5.0
does not use its preview files when build-
ing final movies—which effectively dou-
bles rendering time for video that has to
be compiled.
Furthermore, he ignores Premiere’s
interface downgrade. Version 5.0’s win-
dow adjustability is more limited, hinder-
ing interface customization. The Com-
mands window no longer offers color
coding or column-orientation options.
The Controller is now locked to the Pre-
view screen and is too large and cumber-
some even at its smallest setting.
The most staggering omission ofall is
one I discovered in the first ten minutes
continues
www.macworld.com December 1998 15
LETTERS
© Freddi Fish is a she, and her friend’s
name is Luther, not Norman (“Back-
to-School Guide,” Reviews, Septem-
ber 1998).
YankPro 2.0 (Reviews, October 1998)
is from Maui Software (831/689-
9314, wow.manisoftware.com).
|
Ambrosia Software's URL is wave
ambrosiasw.com (“Escape Velocity:
|
Override,” Reviews, October 1998).
Epson’s PhotoPC 700 has a list price
of $699 and requires NiMH batteries
(“Focus On,” October 1998).
of operation: all transitions render three
to five times slower than in version 4.2.X.
Add this rendering slowdown to 5.0’s
inability to utilize preview files, and [can’t
even calculate the overall addition of
hours to a project.
Jor AMADEO
Pleasant Hill, California
Yes, it’s true that Premiere 5.0 doesn’t use pre-
view files; this is caused by a bug that will be
‘fixed ina maintenance release that Adobe plans
to ship before the end of the year. As for the Con-
troller; you can unlock it from the Monitor win-
dow by clicking on the collapse button, Beyond
that, Premiere 5.0’s interface is greatly
improved over earlier versions’. The ability to
hide and collapse audio and video tracks, the fast-
editing convenience of the new Monitor window,
and the new Navigator window—these are all
terrific, timesaving enhancements. Spend some
time learning the new interface, and Vm sure
you'll find it preferable to 4.2. Premiere 5.0 is
indeed, however, often noticeably slower than
4.2, as the review pointed out, Adobe claims that
the maintenance update will address these per~
formance problems.—Jim Heid
Tip Troubles
ENCOUNTERED SOME PROBLEMS
with tip number 16, “High-Powered
Launcher” (“Macworld’s Top Tips,” Sep-
tember 1998). When the Recent Docu-
ments folder is moved out of the Apple
Menu Items folder, it is immediately
replaced by the system. The folder moved
to the Launcher Items folder is a non-
updating list of the items used at the time
16 December 1998 MACWORLD
the move was made. This is, obviously,
not helpful. Is this tip Mac OS 8-depen-
dent? It sure doesn’t work in 7.6.
D. B. AULD
Coventry, Rhode Island
Mea culpa. You're right—this tip did work,
and now, bizarrely, it doesn’t, Allow me to atone
by offering up an entire Web page of extremely
dazzling tips and tricks, all of which actually
work. They're at warw.macworld.com/more/.
—David Pogue
Sound Advice for PowerPoint
N “POWERPOINT GOES INTERAC-
i tive” Jim Heid recommends dragging
the sound icon off the edge of the slide
layout in order to hide it (Create, Septem-
ber 1998). This is not necessary. Instead,
once you've added a sound and selected its
Timing in the Custom Animation win-
dow, click the Play Settings tab, and check
the box for Hide While Not Playing. You
still see the icon in edit mode, but not
while your presentation is playing.
Concerning playing a portion of a track
from an audio CD during your presenta-
tion, I found that if you want to add a sec-
tion of audio from the middle ofa track, the
application takes so long to search for the
clip that the flow of your presentation is
compromised, Instead, I use a tip from Lon
Poole’s book Mac OS 8 Bible for adding
audio-only QuickTime movies. This still
adds to your file size, buta I-minute, 16-bit
stereo clip adds only 10.1MB to your pre-
sentation, versus 47.1MB for the 4:40 track
from which I selected the clip.
ALICIA CHASE
Cadyvitle, New York
You're correct about my sound-icon tip—this
was a necessary technique for the beta version of
Microsoft PowerPoint 98, but the final shipping
version has the handy Hide While Not Playing
check box. As for sound-only Quick Ti
they are certainly a viable option. Of course, you
can also avoid slow performance when taking
the audio-CD route if you play tracks only from
the beginning. —Fim Heid
e movies,
Wanting More on Linux
LTHOUGH YOUR REVIEW OF
4\ Tenon’s Power MachTen was infor-
mative, it implied that Machen was the
only Unix environment available for the
Power Macintosh (Reviews, September
1998). Not one, but zwo, versions of Linux
have been available for the Power Mac for
some time now: MkLinux, the microkernel
version, and LinuxPPC, the monolithic-
kernel version. Both have brand-spanking-
new releases (check out www.mklinux.apple
.com and www.linuxppe.org). And unlike
MachTen, both are free—with their source
code freely available. Yet nary a peep about
either Linux has emerged from Macworld.
What gives? An in-depth look from you
guys on these rock-solid alternative operat-
ing systems is way overdue.
DAN CAUGHERTY
Research Triangle Park, North Carolina
Web-Server Dissension
DISAGREE WITH THE COMMENTS
and ratings you gave to WebTen and
Quid Pro Quo Plus (QPQ) server soft-
ware (Reviews, September 1998). I've tried
to install three successive versions of
WebTen on my server, and none worked
within a reasonable amount of trouble-
shooting time. On the other hand, QPQ
took two minutes to install. T also wonder
how you came up with QPQ'’s lousy per-
formance in your benchmark. I gave QPQ
20MB of RAM anda 10MB cache, set the
‘Tasking Time and Sleep Time to Best Per-
formance (in QPQ’s Global Settings), and
left QPQ as the front-running application
on the server (QPQ is substantially slower
when running in the background). And
I got great performance—certainly much
better than that of Apple’s Personal Web
Sharing. The server is stable and user-
friendly—and the regular version of QPQ
is free. I would recommend QPQ over its
competitors for all but the largest Web-site
applications. But you are right about
QPQ's support—it stinks, The good thing
is, you don’t need it.
ETIENNE
Dovaze
Singapore
Letters should he sent to Letters, Macworld, 301
Howard St., 16th E., San Francisco, CA 94105; via
fax, 415/442-0766; or electronically via CompuServe
(70370,702), MCL Mail (294-8078), AppleLink
(Macworld1), or the Internet (letters@macworld
com). Include a return address and a daytime phone
d,
we can't respond personally to each letter, We reserve
number. Due to the high volume of mail ree
the right to edit all letters. All published letters
become the property of Macworld. ™m
a»
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Windows/Macintosh’ Sess a4
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Jou rirren
Macs Get With the Game
The Vision Thing
by Andrew Gore
1998 ELEVATED MAC GAMING TO A NEW LEVEL. BUT THERE'S STILL ROOM TO IMPROVE.
HERE'S NO QUESTION
that 1998 will go down
as a watershed year for
Macintosh gaming.
‘Twelve months ago,
before Apple’s turn-
around became the
stuff of business legend,
there was serious doubt
as to whether any game developer would
do anything new on the Macintosh again.
But here we are with the holiday season
upon us, and we have the single-best
library of cool Mac games to choose from
in the history of the platform (see “20
Unforgettable Games,” in this issue).
But lest we forget, Philip Dyer’s “Game
Hall of Shame” (see The Game Room, in
this issue) reminds us that we still have a
long way to go before Mac gaming is on a
par with PC gaming. As always, [havea few
humble suggestions on how Mac gaming
can catch Wintel gaming and—who
knows?—maybe even surpass it.
More versus Better
Which would you rather have: a lot of
games or the best games? If it’s the latter—
which it should be—then don’t be too
threatened by the sheer volume of games
on the PC platform. Let’s not mince words
here: all too many of those PC games are
nothing more than rip-offs of other PC
games. Doom clones, Tomb Raider clones,
WarCraft clones. Sure, some games suc-
ceed in improving on the original—
Quake, for example, is a-vast improvement
over Doom—but most do little more than
demonstrate that imitation isn’t always
flattering; sometimes it’s just repetitive.
Ofcourse, there are plenty of games on
the PC that aren’t knockoffs—they’re just
bad. Once you filter out the poor copies
and the bad originals, what you have left is
a precious few PC games that are really
worth the plastic they’re burned into.
And therein lies the challenge: those
great games still come out first for the
PC, and if they ever come to the Mac,
their arrival often takes months (our cover
girl, for example, stars in a game that has
been available for PCs for over a year).
Rather than try to convince every game
developer to do a Mac version, Apple
should focus on the hottest studios and
ensure that the best PC games arrive on
the Mac simultaneously.
Timing Is Everything
The reason for doing simultaneous
releases is simple: publishers put a lot of
marketing money behind the launch of
their major games, which means that the
developers’ best opportunity to pick up
the maximum number of Mac sales is to
strike when the overall buzz about the
game is loudest.
Of course, the trick for Apple is to
encourage the right publishers to bring
the right games to the Mac. Itcan be hard
enough to pick the winners before they
leave the starting gate, but the subtle dif-
ferences between Mac and PC gamers
make it even more difficult. As Philip
Dyer points out in “Game Hall of
Shame,” runaway PC hit Deer Hunter is
selling sluggishly on the Mac. No won-
der: the game is mediocre in terms of
graphics and game play, and let's just say
that if it’s an accurate simulation of what
the sport is like, most trophy bucks must
die of boredom.
But I digress. The point is that Apple
must be selective in persuading main-
stream developers to publish their games
for the Mac, Because if too many of the
wrong titles are brought to the plat-
form—and therefore fail—game develop-
ers will once again shy away from ship-
ping Mac games.
Mac First
Which brings me to an all-too-often over-
looked strength of the Mac gaming mar-
ket: cost of entry. To put it bluntly, some-
times it’s better to be a big fish
in a small pond. It can cost a
small fortune to launch a new
game in the PC market and get
any attention. Contrast this
with launching a game for the
Mac platform, where the size of
the market and the relatively
small number of distribution
channels make the cost of entry
much lower. The Mac market
essentially amounts to a great
incubator for new games.
‘There's even a precedent show-
ing that this can work: Bungie,
creator of breakthrough games
such as Marathon and Myth,
started as a Mac-only game
developer during one of the
weakest moments in Mac gaming. Thanks
to the excellence of its products, Bungie
built up a solid business that was eventual-
ly strong enough to go cross-platform—
and succeed.
As you can see, things are looking up
for the Mac gaming market. Let’s just hope
Apple can continue its efforts to make the
Mac into a compelling place to introduce:
the hottest new games, If it does, then 1999
will be a very good year, indeed. m
Andy “High Score” Gore is taking
feedback (and Tomb Raider tips) at
visionthing@macworld.com.
www.macworld.com December 1998 27
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Inc. Macintosh is a trademark of Apple Computer, Inc. Norton is a trademark of Symantec, Inc
Choose 46 at www.macworld.com/getinfo
DECEMBER
SMART BROWSING FINDS
INFORMATION BEFORE
YOU KNOW YOU NEED IT
by Cameron Crotty
our Internet experi-
ence is hardly com-
plete unless you've
spent hours wading
through multiple
search engines. But Netscape
claims that the next release of
Communicator—version 4.5
—will do much of the leg-
work for you. Meanwhile,
Microsoft is beginning to
release preliminary details
about the next version of
Internet Explorer.
Smart Browsing The next
version of Navigator—cur-
rently available as a preview
version on the Netscape Web
site—will use the company’s
own databases and Web
indexes to implement what
the company calls Smart
Browsing. One Smart Brows-
ing feature, What's Related,
attempts to quickly guide you
to alternate sources of infor-
mation. When you click on
the What's Related but-
ton, Navigator automatically
checks the current URL
against Netscape’s NetCenter
databases and provides links
to information and services
related to the site you’re cur-
rently viewing.
1998
Another Smart Browsing
feature, Internet Keywords,
lets you use Navigator's Loca-
tion field to find Web sites
based on keywords in addition
to URLs. For instance, typing
“ford ranger” into the Loca-
tion field automatically lands
you at the Ford Ranger page
of Ford’s Web site.
Get the Messenger Net-
scape’s Messenger e-mail/
newsgroup client sports a
Let Your Browser Do the Walking
three-pane interface with
folders and newsgroups on
the left side of the screen,
similar to the presentation in
Microsoft’s Outlook Express.
Other Messenger enhance-
ments include improved mes-
sage-search and filtering
options, a revamped address
book, and the ability to syn-
chronize Messenger addresses
with a 3Com PalmPilot.
Communicator 4.5 will
also add a new feature called
Roaming Access, which
stores your profile (including
preferences, bookmarks, and
address books) on a directory
server. You can then log on to
the server from multiple
machines—even a borrowed
computer—and access the
Web, and your e-mail, as if
you were using your person-
ally configured browser.
continues
www.macworld.com December 1998 31
Color Separations from Your Desktop
AN IMAGESETTER FOR $6,995? NOT EXACTLY, BUT THE
Accel-a-Writer 3G, from Xanté (334/342-4840, www
-xante.com), when used in combination with Xanté's Film-
Star 2 processing unit, can produce color separations on
positive or negative film with 175-line halftones (by com-
parison, the halftones you see in Macworld are printed at
433 lines). Xanté describes the output as “near imagesetter
quality.” Maximum output size is 13 by 35.5 inches.
How does it work? Xanté took a Fuji-Xerox laser
engine, boosted the resolution and halftone capabilities,
and added software that compensates for the printer's ten-
dency to shift images on the page. You can also produce —
film separations on the company's PlateMaker 3 printer.
‘Once you've made the film, you run it through the FilmStar
2 processor, which increases toner density to improve
image quality. The Accel-
iter 3G also functions as a
PostScript 3 monochrome laser printer—sTEPHEN BEALE
To make maintenance
easier for IT managers, Net-
scape has added a Roaming
Access control to the Mission
Control desktop, a centralized
application for managing
Netscape clients and servers.
As of December, the
company had not announced
when the final version of
Communicator 4.5 would
be available.
Microsoft Hedges As this
article was going to press,
Microsoft was beginning to
release details about the next
version of Internet Explorer
for Windows. Early docu-
ments published for develop-
ers indicate that the company
will improve the browser's
page-rendering performance,
particularly for Dynamic
HTML. The documents also
32 December 1998
indicate that Explorer 5.0
will support XML (Extensi-
ble Markup Language) and
will extend the capabilities
and accessibility of both Cas-
cading Style Sheets and
Dynamic HTML.
The new version of
Explorer will also allow other
developers to create what
Microsoft calls “browser-less
applications”—Internet appli-
cations built from HTML,
ActiveX, and Java that don’t
use the standard browsing-
software interface. However,
bear in mind that Microsoft
maintains separate develop-
ment teams for its Macintosh
products, and the existence of
a feature on the Windows
side is no guarantee that the
feature will appear in the next
Mac version.
MACWORLD
Vendor Brings
AppleScript to
Photoshop
PHOTOSCRIPTER ALLOWS
AUTOMATED IMAGING
by Stephen Beale
dobe Photoshop has
long been among the
primary graphics tools
for publishing pro-
fessionals. However,
through all the program’s
many revisions, it has never
supported AppleScript. You
could automate many Photo-
shop functions by using the
Actions feature, introduced in
version 4.0, but this was only
a partial solution for publish-
ers looking for the customiza-
tion that only a full scripting
language can provide.
Publishers may now have
the answer in Photoscripter, a
Photoshop plug-in from Main
Event Software (202/298-
9595, www.mainevent.com)
that brings AppleScript sup-
port to the popular image-
editing program. When you
run the plug-in, it presents a
dictionary of AppleScript
commands that represent 75
to 80 percent of Photoshop
functions. You can then write
scripts that automate these
functions.
More Action Photoshop’s
Actions feature provides a
simple way to create macros
that automate repetitive oper-
ations. But scripts created in
Photoscripter can go much
further. Because AppleScript
supports such programming
techniques as loops and con-
ditional branches, you can
write scripts that intelligently
process images. For example,
you could write a script that
scales images by 50 percent
unless they are smaller than
400 by 300 pixels.
AppleScript’s other big
advantage is its ability to com-
municate across multiple
applications. Many publishers
have created custom produc-
tion environments with scripts
created for QuarkXPress.
With Photoscripter, publi
ers can now _ incorporate
Photoshop into these custom
workflows.
A Few Hiccups Photo-
scripter does have some limi-
tations, primarily the 20 to 25
percent of Photoshop func-
tions that it does not support.
You can’t control tool set-
tings, most preferences, or
features accessed through the
Print dialog box. You can con-
trol filters and other plug-ins
that are installed with Photo-
shop, but third-party filters,
such as those from Extensis
and Alien Skin, are not sup-
ported—at least for now.
Photoscripter is sched-
uled to ship by the time you
read this, Final pricing has
not been set, but Main Event
will offer it for $299 under an
introductory promotion.
Projectors Get
Slimmer and
Cheaper
NEW MODELS INCLUDE
A 4.9-POUND UNIT
by Michael Gowan
orget the slides. ‘The
latest multimedia pro-
jectors are lighter,
smaller, and less expen-
sive than ever before.
One vendor, Lightware (503/
641-7873, | www.lightware
com), plans to ship a 4.9-
pound projector this Novem-
ber, and InFocus (503/685-
AaNoto TIOSeI0.
SUZANNE ROADY
8888, www.infocus.com) has
announced a slightly heftier
unit that pumps out 700 ANSI
lumens for added brightness.
New projectors from Box-
light (360/779-7901, www
-boxlight.com), Sanyo (818/
998-7322, www.sanyoled
.com), Sharp (201/529-8200,
www-sharp-usa.com), and
CTX Opto (408/
541-6060, www
.ctxopto.com) weigh
in at about 10
pounds, and the
heavyweight of the
bunch—the Power-
Lite 5300, from
Epson (310/782-
0770, www.-epson
-com)—is still a rela~
tively svelte 13.7
pounds. All of these
projectors offer 800-
by-600-pixel resolution.
A New Beetle The Light-
ware projector—code-named
Beetle—achieves its slim
dimensions by using a single
1.6-inch LCD panel. The
$2,995 unit produces 400 to
500 ANSI lumens, suitable
for most low-light confer-
ence rooms.
If you want something
brighter—and don’t mind if it’s
a little heavier—In Focus’s
$5,999, 6.8-pound LP425 pro-
duces 700 ANSI lumens using
Texas Instruments’ digital
light-processing technology,
an alternative to the LCDs
used in many other projectors.
Triple Triple Three new
projectors—each sporting a
trio of 0.9-inch LCD panels
for added brightness—weigh
in at just under 10 pounds.
Boxlight’s CP10T—tentative-
ly priced at $4,399 at press
time—produces 600 ANSI
lumens and features a built-in
PCMCIA slot, allowing you to
store your presentation on a
PC Card. Sanyo’s $6,995
PLC-SU1O0N also has a PCM-
CIA slot; the projector pro-
duces 550 ANSI lumens.
Sharp’s $6,295 Notevision4
produces 600 ANSI lumens.
Budget-conscious_ presen-
ters who don’t mind some extra
heft may want to look at the
$2,995 EzPro 585, from CTX
Opto, which weighs slightly
more than 10 pounds. Due this
November, the projector uses a
single-panel, 6.4-inch LCD
and has a brightness of 500
ANSI lumens.
Lightware's Beetle weighs 4.9 pounds.
High Lumen-essence If
brightness is more important
to you than a slim design,
check out Epson's 13.7-pound
PowerLite 5300, which pro-
duces 1,200 ANSI lumens. It is
scheduled to ship this October
for $8,499.
Adobe Grows
Web Turf with
ImageStyler
SOFTWARE BASED ON
ILLUSTRATOR TOOLS
by Stephen Beale
dobe Systems recent-
ly announced new
versions of PageMill
and Illustrator and
used the Seybold San
Francisco show to preview K2,
its next-generation page-la
out program. But the graph-
ics-software giant—smarting
from poor financial perfor-
mance and an aborted
takeover bid by Quark—has
provided the biggest hint of its
long-term product strategy
with the introduction of
ImageStyler, a $129 program
that brings Illustrator-like
capabilities to. Web-graphics
creation. It is scheduled to ship
by year’s end.
For Business ‘largeted at
what Adobe describes as the
creative business user, Image-
Styler makes it easy to create
and modify such standard
Web-site elements as buttons,
navigation bars, and ad ban-
ners. Many of these objects
are used multiple times in a
Web site; much of Image-
Styler’s power lies in the pro-
gram’s use of object styles to
simplify updating of such
repeating elements.
The styles define the look
of the object and can include a
wide range of attributes:
color, gradients, opacity, tex-
ture, 3-D effects such as
bevels and embossing, and
distortion effects such as twirl
and spherize. You can apply
these attributes in any combi-
nation on up to five layers,
which can be copied from one
style to another.
One you've applied. the
styles to your graphics, you
can quickly change the look of
an entire Web site by modify
ing the style or applying differ-
ent styles to the objects. The
package includes more than
100 preset styles.
Simple JavaScript Image-
Styler also makes it easy to cre-
ate JavaScript rollovers in
which buttons change their
appearance based on mouse
actions. You simply define the
graphic’s appearance for the
mouse-over or mouse-down
actions, and the program cre-
ates an HTML page with the
appropriate JavaScript code.
The program also eases cre-
ation of image maps with
embedded HTML links.
Once you've defined your
graphics, you can export
them—with optimized color
continues
Transparent Illustrator As
Adobe prepates to ship tllustra-
tor 8.0, software vendors are fast
on its heels with plug-ins that
add transparency capabilities to
the illustration program. Hot
Door's (530/274-0626, www
hotdoor.com) $39 Transparency
4.0 changes Illustrator art into
live transparency lenses. Lucid
Dream Software's (847/202-
8424, www.luciddream.com)
$45 TransparencyFX 2.0 lets you
create lens effects between two
objects; lenses in the previous
version worked only with placed
images. The software also cre-
ates transparent masking effects.
Pantone’s (201/935-5500, www.
-pantone.com) ColorReady is a
$139 color-management package
consisting of a QuarkxTension for
QuarkXPress, a plug-in for llustra~
tor, and an Xtra for Macromedia
FreeHand. Each plug-in provides a
color-preview window showing
how spot colors will look before
they are printed.
‘Migrating Macs Miramar Sys-
tems’ (805/966-2432, www
.miramarsys.com) PC Migrator is
an $89 file-transfer utility for PC
MacLAN. It moves Mac files to a
Windows 95, Windows 98, or
Windows NT computer, attaching
appropriate extensions and delet
ing illegal characters en route.
Native Norton It’s PowerPC-
native and it's here. Symantec
(541/334-6054, www,symantec
com) is shipping Norton Utilities
4.0 for Macintosh, a long-awaited
continues
upgrade Boe 5 disk-repair
utility that supports Apple's new
HFS+ format. The current release
requires 2 PowerPC CPU; Syman-
tec says it will ship a version for
68040 systems by year's end.
Milder
Designs’ (415/331-4560, www
Commotion Puffin
.puffindesigns.com) Commotion
LE is a stripped-down, $795 ver-
sion of Commotion, the compa-
ny’s $2,495 video-painting soft-
ware, It includes the painting,
cloning, and video-playback fea-
tures of its high-end sibling but
lacks the latter's wire-removal
tool, complex rotosplines, and
motion-tracking functions. Its also
limited to a maximum frame reso-
lution of 768 by 576 pixels.
Store More SyQuest (510/
226-4000, wwwsyquest.com) an-
nounced a SCSI version of its 1GB
SparQ removable-cartridge drive
and said that it plans to ship the
previously announced SparQ USB
drive this November. Each drive
sells for $249; a three-pack of 1GB
cartridges sells for $99.
Font
ware (760/804-9900,
Fixer Insider Soft-
www
insidersoftware.com) has re-
placed Font Box, its font-mainte-
nance utility, with FontAgent 2.7.
The new version lets you recover
unstable font sets and provides hot
links to the company's Web site for
the latest documentation and
technical support. The standard
single-user version costs $69.95.
The $29 Limited Edition analyzes
fonts on a single hard drive.
—EDITED BY MICHAEL GOWAN
palettes—in a variety of
image formats, You can also
export entire layouts as
HTML pages for editing in
Adobe PageMill or another
authoring tool.
Following on the heels of
ImageReady—a $299 image-
creation program based on
Photoshop—ImageStyler is
Adobe’s latest attempt to
leverage its key software
assets for the production of
Web graphics. As the compa-
ny struggles to improve its
financial performance, don’t
be surprised to see similar
attempts in the future.
New SCSI >
Standard
Introduced
ULTRA160/M SCS! TO
DOUBLE DATA SPEED
by Macworld Staff
he computer industry
may be buzzing with
talk of FireWire and
the Universal Serial Bus
(USB), but there’s still
life in one of the tried-and-true
hardware interfaces: SCSI. A
group of well-known peripher-
als vendors has announced sup-
port for Ultral60/m SCSI, a
new standard that promises up
to twice the speed of Ultra2
SCSI, currently the fastest ver-
sion of the technology.
Ultral60/m SCSI—the
number stands for the inter-
face’s maximum throughput of
160MB per second—is an
implementation of the Ulera3
SCSI standard recently ratified
by the SCSI Trade Association.
Vendors announcing support
for Ultral60/m SCSI include
Adaptec, Fujitsu, Hewlett-
Packard, LSI Logic, and
Quantum. Ultral60/m SCSI is
[ News
Workstation Features Rear-Projection Display
YOU'VE HEARD OF REAR-PROJECTION TELEVISION, BUT
a rear-projection computer display? The $7,495 Collaboration
Station, from Lumavision Display (650/917-1144, www
ldisplay.com), combines a height-adjustable, 72-by-48-inch
desktop with a 40-inch-diagonal rear-projection screen driven
by the InFocus LP425 LCD projector. Designed for use by
artists working in collaboration, it can be outfitted with option-
al speakers and LCD monitors. The display offers 24-bit, 800-
by-600-pixel resolution and also runs video from DVD drives,
VCRs, or other sources. The projector can be removed for use
as a stand-alone presentation device MACWORLD STAFF
a subset of Ultra3 SCSI, but
given its critical mass of sup-
port, the former is likely to
become the industry’s pre-
ferred implementation. The
first Ultral60/m SCSI prod-
ucts should appear by 1999.
Ultral60/m SCSI has
three key features: double-tran-
sition clocking, which incre
data-transfer speeds by utiliz-
ing the connection more effi-
ciently; cyclical redundancy
checking, which improves data
protection; and domain valida-
tion, which provides a way of
testing storage networks. The
latter feature will enable ven-
dors to develop products that
intelligently scale their perfor-
mance to the network's capabil-
ities; if the network appears
unreliable, an Uleral60/m
SCSI device can reduce trans
mission speed to ensure accu-
rate data throughput. The
interface is backward compati-
ble, so you'll be able to run cur-
rent SCSI devices with future
Ultral60/m SCSI boards.
Apple's Take Apple has
committed to FireWire and
USB as its future hardware
interfaces—the former for
peripherals that require high-
speed data transfer and the lat-
ter for most everything else.
So don’t expect to see
Ultra160/m SCSI as a built-in
feature for your Mac. Howev-
er, you can expect that vendors
will introduce Ultral60/m
SCSI PCI cards that enable
‘Macs to use forthcoming stor-
age devices that support the
new standard.
Surviving in a Windows world
just got easier.
. Upgrade to award-winning
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k
N
ie Being a Mac user in a Windows world can be a pain.
ih But with MacLinkPlus Deluxe 10.0, it couldn't be easier.
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R
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View the text of word processing
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Get important information ___—2
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modification dates. documents. Then open this
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Select a file or group a r : documents with just one click!
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translate, decompress
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Files with incorrect Types &
Creators cause problems when
double-clicked. Solve problems
simply by clicking "Fix" then
double-clicking the file to open
it in the proper application.
View files quickly, without
opening the application
that created them.
The #1 selling survival kit for Mac users in a Windows world just got better.
Isn't it great to know there’s a software company as committed to Mac as you are?
For more information and to order, call 1-800-270-0030 ext.133.
Visit our Web site at www.dataviz.com/easier
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Now your iMac can do Windows”
Get the best of both worlds! Use the Mac you love and the
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et Connectix!
1 RAM Doubler 8 allows you to runOS 8
and the Microsoft Office” 98 suite on a standa
ac-without the hassle of adding more t
Speed Doubler 8 delivers faster file
keyboard)shortcuts to minimize rept
| Speed Doubler 8
New Surf Express Deluxe lets you surf and search
|= the web faster. It's the only internet accelerator
that works with all the leading browsers that are
pre-installed on your iMac.
Surf Express Deluxe aes
PowerBook 63/300
DVD ADDS NEW DIMENSION
TO HIGH-END PORTABLE
PPLE MIGHT HAVE STUMBLED
onto the next killer feature for
mobile computing: the portable
cinema. The company’s new flag-
ship portable, the PowerBook
G3/300, offers several nice improvements
over previous Mac laptops. But the most
exciting new feature is hardware and soft-
ware that lets you play off-the-shelf DVD
movie titles. For a hardened road war-
rior, nothing could be sweeter than pop-
ping a favorite movie in your PowerBook
the next time you have to suffer a cross-
country flight in coach class.
Marquee Performance
The PowerBook G3/300, which repre-
sents the high end of the portable line, is
the only Apple notebook bundled with a
DVD-ROM drive and an MPEG PC
Card, both of which are needed to run
DVD movies. If you have a different
PowerBook G3 model, you'll need to
buy a DVD kit for movie playback, and
none were available as we went to press,
even though one is on Apple’s price list
for $499. Due to supply constraints,
Apple suspended the build-to-order
option for PowerBooks at least until
October, but the company says it does
not plan to offer the DVD kit separately
at that time. Once the kit ultimately does
become available, it will work with all
PowerBook G3 models introduced since
last May—as long as they have an active-
matrix display. (Passive-matrix screens
can’t properly support DVD due to their
lower refresh rates.)
Luckily, this PowerBook configura-
tion is an exceptionally good value: a
300MHz PowerPC G3 with a 1MB back-
side cache; an 8GB hard drive; 64MB of
RAM; 4MB of SDRAM for video; and,
of course, the DVD-ROM drive and
MPEG PC Card—all for $4,999. Com-
pare this with the same configuration of
the 292MHz G3 portable that this
machine replaces, which cost $600 more
and didn’t include the DVD kit.
You also get a supersharp, 14.1-inch,
color, active-matrix screen, which will
now be standard equipment on all new
PowerBook models except for one
under-$2,000 “value” configuration with
a 12-inch passive-matrix screen. (Apple
has also boosted performance on the low
end of the line by adding a much needed
512K backside cache to the 233MHz
PowerBook G3.)
As for the DVD capability, you have
to see it to believe how great a movie can
look played back full screen on the
PowerBook’s active-matrix display. Video
Reviews you can trust: Macworld rates only final shipping products, not prototypes. What we review is what you can actually buy.
OUTSTANDING: $8668
VERY GOOD: $68$ coop: $$#
FLAWED: $6 UNACCEPTABLE: §
38 December 1998 MACWORLD
SUzANE ROADY
purists may find fault in the modest pixel
interpolation required to take native
DVD resolution up to the PowerBook’s
full 1,024-by-768-pixel display, but you
always have the option of shrinking the
image down to 720 by 480 pixels.
Of course, playing a movie won't do
you much good if the battery runs out
during the cliffhanger, which might hap-
pen if you don’t manage your power
wisely. In tests where virtual memory was
on and the hard disk stayed spinning, bat-
tery life fell short of 14 hours. But with
virtual memory off, we could eke out two
hours, enough for most full-length
movies. However, we noticed occasional
video stuttering as the hard drive
accessed vital routines.
One solution to the power drain
would be to put the laptop to sleep and
pop in a fresh battery, but this doesn’t
work because the Apple DVD Player
quits if you invoke the sleep option. Luck-
ily, the DVD software lets you jump
directly to a scene, so you can get pretty
close to where you left off, should you
need to switch batteries. However, this
works only if the DVD title supports
scene selection.
Despite the inability to put a movie
to sleep, Apple’s DVD software is easy to
use and supports all major DVD features,
including subtitles and second audio-
program tracks.
Speeds and Feeds
The PowerBook G3/300 also supports
resolution switching, another standard
feature on new Apple laptops. Instead of
being locked into the single 1,024-by-
768-pixel resolution of the previous G3
PowerBook models, the new portables
can reset the built-in display to 800-by-
acworid
B TEST
computer has gone to sleep.
‘Ta view this DYD diac, restart Appte OVD Player.
Cx)
No Rest Apple's DVD Player software supports all major DVD fea-
tures, but you can't put your movies to sleep.
600 or even 640-by-480 resolution.
However, the PowerBook’s antialiasing
(pixel smoothing) is fairly primitive and
leaves images at these lower resolutions
looking somewhat out of focus. What-
ever you do, don’t combine lower reso-
lutions with DVD video—the results
aren’t pretty.
We saved CPU performance for last
because it is the least-interesting
improvement on this model. While Apple
kicked up the processor speed from
292MHz to 300MHz, it reduced the bus
speed from 83MHz to 66MHz. The
result is largely a performance wash (see
“Faster by a Nose”).
A couple of other nice performance
tweaks: as on the iMac, Apple has added
support for the V.90 protocol to the
modem built into all new PowerBooks.
In our tests, the modem could more con-
sistently make faster connections than
could older modems following the
Faster by a Nose
Best results in red. Reference systems in italics, SpeedMark scores are relative to that of a Power Mac 7100/80, which is assigned
K56flex protocol. (Apple plans
to offer a software patch for
download from its Web site
so you can upgrade older
modems to V.90.) Apple has
also added ATT’s latest low-
power 3-D-acceleration chip
set, Rage LT Pro. This, com-
bined with the built-in 4MB
of video RAM, makes for pret-
ty snappy portable game play.
Apple DVD Player cannot continue after your
Macworld's Buying Advice
Being a mobile-computing afi-
cionado and a movie buff who's
already invested heavily in the
DVD format, this reviewer
greeted the arrival of the new
DVD-equipped PowerBook
with a mixture of joy and cha-
grin. Joy, because no product could be bet-
ter suited to his travel needs than a DVD
theater that fits in a briefcase. Chagrin,
because like any good PowerBook fanatic,
he had already bought a high-end Power-
Book without DVD.
However, sore feelings aside, the new
PowerBook is a good step forward for a
product that was already at the top of its
class in price and performance. For some
high-end users, the DVD alone will justi-
fy buying a new PowerBook G3/300 and
passing your DVD-less notebook down
the company food chain.—anorew core
RATING: $868$ PROS: Built-in DVD; many
minor improvements; a good value compared with
the model it replaces. CONS: Can't put DVD
movies to sleep; lower resolutions cause slight
blurring. COMPANY: Apple Computer (408/996-
1010, www.apple.com). LIST PRICE: $4,999.
a score of 1.0. MacBench 5.0 scores are relative to those of a Power Mac G3/300, which is assigned a score of 1,000 in each test.
SPEEDMARK MACBENCH 5.0
I Overall Performance | [ Processor Disk Graphics ]
‘Apple PowerBook G3/300 — =o = 7 a - 1,392
Apple PowerBook G3/292 ——EqEo C— 7 — 1,377
Apple Power Macintosh G3/300 I Ra: 100 —- 1 a:
[Longe bar re beter:
7,000
i
Behind Our Tests
For Speedark testing, the desktop system was set to 832-by-624-pixe|
resolution, giving that system an advantage over the PowerGooks, which
were set to 1,024-by-768-pixel resolution. For MacBench testing, the
desktop system was set to 1,152-by-870-pixel resolution. For detailed
information on our tests, see www.macworld.com/tests/—Macworld
Lab testing supervised by Kristina DeNike
www.macworld.com December 1998 39
[ Reviews
Replacement Keyboards
KENSINGTON, DATADESK OFFER INPUT ALTERNATIVES
ESPITE ALL THE PUBLICITY
surrounding the potential health
risks of computing, most people
don’t give more than a passing
thought to choosing a new or
replacement keyboard for their Macintosh.
That’s a shame, because keyboards are
probably responsible for the lion’s share of
computer-related injuries (see “Occupa-
tional Hazards,” November 1998).
Although they’re not meant to
directly compete with each other, two
new keyboards from Mac-peripheral
veterans Datadesk Technologies and
Keyboard-in-a-Box (left) and the SmartBoard
Kensington Technology Group illus-
trate the range of choices available.
Generic Input
‘True to its name, Kensington’s Keyboard-
in-a-Box offers a no-frills option for
people on a budget who need a full-size
keyboard. The keyboard sports a row of
15 function keys across the top, a numeric
keypad at the far right, and a standard
complement of cursor-control and page-
navigation keys in between. The supplied
six-foot cable connects the Mac to an
ADB jack on either side of the keyboard.
Like Kensington’s other input devices, the
solidly built Keyboard-in-a-Box carries a
five-year warranty.
The Keyboard-in-a-Box’s nearly
silent keys feel a trifle spongy when
pressed. As with other conventional key-
boards, the Keyboard-in-a-Box’s keys are
laid out in neat rows that tend to make
your palms angle upward as you type,
which puts stress on your wrists. Plastic
40 December 1998 MACWORLD
feet at the back of the keyboard let you tilt
it upward slightly; unfortunately, this
position only accentuates the bend in
your wrists, adding to the strain. (To be
fair, these drawbacks are shared by all
conventional keyboards, And to Kensing-
ton’s credit, the brief manual includes a
helpful section on workspace ergonomics
and proper typing technique.)
Split Layout
Datadesk’s SmartBoard is designed to over-
come the deficiencies of conventional
designs like that of the Keyboard-in-a-Box,
although there’s no guarantee
that ergonomic keyboards can
prevent or lessen injury.
‘The most obvious differ-
ence is the setup of the keys:
instead of being arranged in
horizontal rows, they’re split
into two groups that are angled
away from each other. This
odd-looking layout, popular-
ized by Microsoft’s Natural
Keyboard, helps you keep your
hands and forearms ina straight
line when you're typing, which
minimizes the strain on your
wrists. The two groups of keys
are also angled slightly upward at the cen-
ter, which allows your arms to assume a
more natural position.
Unlike those of most keyboards, the
SmartBoard’s fold-down feet—Datadesk
calls them Wrist Levelers—are located at
the front, so they tilt the keyboard back-
ward slightly when they’re deployed.
Negative tilt minimizes bending at the
wrist, which may help prevent some
computer-related injuries.
Unique Keypad
The SmartBoard sports another unusual
feature that is claimed to provide addi-
tional ergonomic benefits. Instead of
being uniform, like the key caps on most
other keyboards, the SmartBoard’s keys
vary in size, with the largest keys located
farthest from the center. According to
Datadesk, this makes it easier to type on
the Smar
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