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SEP 99
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PASSING THE TEST: NEW C3 MACS RATED, (J N\e= a
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www.lacie.com/mwtx.htm toCie TX-8000 and the LaCie logo are trademarks of LaCie, Lid, ©1996 LaCie, Lid. All rights reserved. ‘ .
ASTRONOMICAL.
The capacity of the LaCie TX-8000°
__ is simply colossal. It can store up to
one quarter terabyte in eight RAID
accelerated drives with either Ultra2
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And four scaleable towers combine
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Made for ideas.
66
74
80
Features
Cover Story
The Macworld Web Traveler's
Companion
BY SHELLY BRisBiN All plugged
in with too many places to go?
Streamline your online excursions
with Macworld’s guide to the best the
Web has to offer. Plus: the best
browser, search tips, and utilities
every traveler should have.
Put Your Files in the Fast Lane
BY BRUCE FRASER Fasten your
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The Beauty of the Beast
BY STEPHAN SOmMOGY! ‘The
power of Unix can be yours on the
Mac today—but it’s not for every-
one. See how Linux and Mac OS X
can bring speed and stability to a
Mac near you.
2 April 1999 MACWORLD
APRIL th) =) %)
GWOr
The definitive travel guide
for discerning Web
wayfarers, page 66.
‘Are you being served fast
enough? page 74,
Incorporating MacUser
ON THE COVER
lustration by Paul Rogers
Create
93 Presenting with HTML
sy Jim HEIO Use the language of
the Web to make truly portable
presentations.
Web
97 Dynamic HTML without Tears
BY TOM NEGRINO Create groovy
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Print
103 Extend QuarkXPress
BY DAVID BLATNER Learn why
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ionship, and which are its choicest
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All sped up with nothing to
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Page 29.
27
28
28
29
30
News
NetBoot Your Mac
Apple’s new Mac OS X Server
opens up the door to network
computi
QuickTime Sprites Finally
Take Flight
New animation programs take
advantage of interactive features in
QuickTime 3.
Packin’ In the Pixels
Epson unveils the high-resolution
Expression 800 flatbed scanner.
Product Watch
The latest products for your Mac,
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Building for the Forbidden
Interface
Micro Conversions and Formac
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off-limits mezzanine port.
Underused QuickTime animation
goodies finally get their day in the
sun, page 28.
23
164
10
87
89
Presto, change-o—your URLs
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Opinion
Letters
The Vision Thing
BY ANDREW GORE What
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The Desktop Critic
BY DAVID pocue The
unvarnished truth about cable
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How to Contact Macworld
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Quick Tips
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and shortcuts.
Tips, tricks,
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Lili
Lit
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www.macworld.com April 1999 3
BUY YOUR MAC FROM APPLE
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MACWORLD
Macworld
s01T0R i Hitt Andrew Gore
EXECUTIVE ASSISTANT Cynthia A. MeDonald
EDITORIAL %
toro “Michael Penwarden
StNlon EDITORINEWS AND REVIEWS Stephen Beale
stuon eorroniperarrients Naney Peterson
skilon eorroniFearunes Jason Snell
stiuion associate eorrons Allyson Bates,
Linda Comer,
Scholle Sawyer
ASSOCIATE EDITOR Brooke C, Whi
ASSISTANT EDITOR Michael Gowan
CONTRIBUTING EDITORS
David Biedny, Henry Borunan, Christopher Bre:
Fraser, Ted Landau, Deke McClelland, Rik Myslewski,
Negrino, David Pogue, Lon Poole,
Stephan Somogyi, Franklin
Tessler
INTERNATIONAL EDITORS
Steven Noble, Australi
Bernard Le Do, France; Andreas
Borchert, Germany; Enrico Lotti, Italy; Yoshio Moriya, Japan;
‘Tomasz Bitner, Poland; Daniel de Blas, Spain; Lennart
Hikansson,
Simon Ja
weden; Fred Jame, Taiwan; Bahattin Apak, Turkey;
inited Kingdom
LAB
TECHNICAL OIRECTOR Jeff Pitelkau
Las pinector Kristina De Nike
SEOR LAB ANALYSTS Jefly K. Milstead,
Kevin Mitchell
ASSOCIATE LAB ANALYST Gil Loyola
Invewrory coonDinaTor Ulyssis Bravo
Copy EDIT
MANAGING sBITOR Claire H. Breen
ASSISTANT MANAGING EDITOR Paul-Michael King
cory cmier Jon Zabeniea
stor cory eo1roR Elissa Rabellino
ART AND DESIGN
tsiGN oIRECTOR Eleanor Leishman
ART DIRECTOR Sylvia Chevrier
ASSOCIATE DESIGNERS ‘Martha Katt,
Michael Rattary
tston Associarts Jackie Goodman,
Jonathan Woolson
ONLINE
VICE PRESIDUNT, SALES, 4 PUsLISiER Matt Sweeney
DinecroR oF cowrent Mathew Rothenberg
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ASSISTANT CONTENT ENGINEER Jessica Graves
DIRECTOR, BUSINESS bEVELOPMENT FOR ONLINE Nicholas Harvey
ACCOUNT MANAGER Diana Berry
ONLINE TRAFFIC MANAGER Nicole Nestel
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8 April 1999 MACWORLD
Macworld
PRISIDINT AND CEO Colin Crawford
ASSISTANT TO THE CEO Sharon Sanderson
CHIEF FINANCIAL OFFICER ‘Stephen Daniels
BUSINESS MANAGER Eos de Feminis
ACCOUNTING CooRDINATOR Ronda Bittner
Ir assistant Christian Semmet
DIRECTOR OF HUMAN RESOURCES Sue Murphy
HUMAN RESOURCE MANAGER Marisa Chow
DISPLAY ADVERTISING SALES.
VICE PRESIOENT, SALES, & PUBLISHER Matt Sweeney.
ASSOCIATE PUBLISHER Steve Plevin (415/243-3509)
SALES COORDINATOR Karla Kyrias (415/278-8542)
SALES ASSISTANT Bryan Famsworth (415/243
7)
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RESEARCH
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coonDINATOR Sharon Sanderson (415/243-3640)
PRODUCTION
VICE PRESIDENT OF MANUFACTURING
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oO} 4 inal: 432 am
ie
4
1
1
The
New
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10 April 1999 MACWORLD
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{EEF NEUMANN
Ax Elers
On the Road
N HIS ESSENTIAL EXTRAS FOR THE
PowerBook G3 (“Road Gear,” January
1999), Stephan Somogyi noted that
unless you own the PowerBook G3/300,
you'll need to get the DVD-Video Kit
from Apple.
I've had an order in for a DVD-Video
Kit since July 1998. My local Apple deal-
er has received zero kits. I’ve been round
and round with Apple’s customer rela-
tions, all to no avail. The bottom line is, if
you already have your PowerBook, forget
about getting a DVD-Video Kit. You'd be
better off returning your existing machine
and purchasing new, because the only way
you are going to get the kit is to buy one
of the high-end machines that includes it.
CHRISTOPHER RANTS
Sioux City, Iowa
N “ROAD GEAR,” YOU MENTION THE
wireless modem service of Metricom’s
Ricochet but miss the best part. Rico-
chet works in many airports, in addition
to the areas it officially covers. By stay-
ing ata hotel close to an airport, I always
have access to the Net without any
hassles. I used to run an ISP, and I
know—Ricochet is a very good ISP.
MARK SHapPiRo
San Jose, California
Ricochet does work in several airports. For a full
list of coverage areas, go to www.ricochet.net
Aeoveragecitylist.btml.—Ed.
PowerBook Blues
il FOUND MANY OF THE TIPS IN
David Pogue’s “Survival Skills” very
interesting (January 1999). At one point
he says there is never any need to shut
down the PowerBook between routine
uses. While this is theoretically true, I
have discovered some problems with the
sleep feature. Often, when the Power-
Book is reawakened for the second or
third time, I run into memory problems,
slower processing, more frequent freeze-
ups, and control-strip malfunctions. Over-
all, the PowerBook G3 has not met my
expectations for performance and often
does not meet my modest needs.
JONAH VicTOR
Bloonsfield Hills, Michigan
Share More
ERIOUS SHAREWARE” ONLY SERVES
Sa a reminder that Macworld should
regularly cover shareware, since it is such
an important part of the Macintosh expe-
rience (January 1999). I suggest that you
make shareware coverage a monthly fea-
ture. I am sure every reader will be disap-
pointed that some favorite item was not
covered (although previous issues have
mentioned many shareware applications
and utilities in passing). Outside such indis-
pensable interface enhancements as Finder-
Pop, GoMac, Kaleidoscope, and Window
Monkey, my favorite is the PIM Consul-
tant, which is so sophisticated it could easily
be marketed as a commercial product.
Dana SUTTON
Corona, California
We love shareware and agree that it is worthy of
as much coverage as it can get. However, until
someone finds a way to download shareware by
clicking on paper, the Internet is still the ideal
medium for shareware coverage. :-) That is why
we maintain the www.macdownload.com site
(through ZDNet), which is loaded with reviews
of shareware products. —Philip Dyer
Making the Grade
READ DEKE McCLELLAND’S REVIEW
of Illustrator 8 (Reviews, January 1999)
and was surprised to see in the summary,
“Cons: Gradient Mesh tool is more sizzle
than substance.” Maybe it needs more
control, but I think it is the best tool I
have ever seen in 2-D design. What it can
do is very impressive and high-quality. In
addition, some effects are quicker with
this tool than with the previous gradient.
BERRY FARAH
Montreal, Quebec, Canada
NUM-ing Upgrade
COMPLIMENT STEPHAN SOMOGYI
on his review of Norton Utilities for
Macintosh 4.0 (Reviews, January 1999). It
was thorough, fair, and deservedly critical.
T’ve relied upon Norton’s software since
continues
www.macworld.com April 1999 17
Go ho
early
fora
Work faster,
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with QuicKeys!
Ever wonder what it would be like to
knock off early? QuicKeys tums dreams
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©1999 CE Software, Inc. Quickeys is a
registered trademark of CE Software, Inc.
18 April 1999 MACWORLD
LETTERS
my first Mac purchase five years ago, and I
have always found it strong and reliable.
But that changed with my upgrade to
version 4.0. Merely opening the program
freezes or crashes my PowerBook 1400.
Norton hasn’t been able to suggest how to
get the program to even run, Somogyi hit
the nail on the head in stating that this
release was not yet ready for sale.
TERENCE A. TuNGsETH
Las Angeles, California
Into Intuos
McCLELLAND’S REVIEW OF
D the Wacom Intuos (Reviews, January
1999) described its innovative new axial
rotation, simultaneous multiple pointing
devices, tool memory, zoom, combination
buttons, and ergonomic design (am I for-
getting anything?), then marked it down
because current software doesn’t yet sup-
portall of its newest features and its driv
er isn’t compatible with older tablets.
This is like docking Sherlock because
most Web sites’ search engines don’t sup-
port it. Come on! All other reviews of the
Intuos I’ve read give it excellent marks.
GAGGAN Borarat
Pittshurgh, Pennsylvania
The Missing Link
S CHRISTOPHER BREEN NOTED,
MacLinkPlus Deluxe has room for
improvement (Reviews, January 1998). If
MacLinkPlus Deluxe wasn’t like the
opposite sex (can’t live with it, can’t live
without it), it would be easier to take.
When is someone who understands Macs
going to work for DataViz? Apart from
the problems Breen pointed out, there are
several others, ranging from annoyances
to serious problems. For instance, Apple-
Works 5 isn’t supported, and the program
crashes regularly on Word files. I’m
thinking of divorcing version 10 and
going back to my old flame—version 9.7.
Davip Crowe
via the Internet
Remember the Faithful
HY IS THERE NO SE
age of high-end programs such as
Newtek’s Lightwave 3D? I appreciate
David Biedny’s fondness for Electric-
IOUS COVER-
Image Animation System 2.8 (Reviews,
January 1999), but that is not the only
high-end 3-D program on the Mac!
In general, Macworld doesn’t seem to
bother with high-end applications. The
iMac is here—we know already. I under-
stand that you want to pick up all the new
members of the Apple family, but you
must remember who else is reading your
magazine. A lot of us are trying to push
the envelope a little, and we would like to
stay on the Mac platform.
Scorr Davis
New York, New York
Game Options
HILIP DYER FORGOT ONE OTHER
low-cost option for playing PC
games—the low-end PC (The Game
Room, January 1999). Especially when
compared with the cost of Orange
Micro's “solutions,” you really come out
ahead. Right underneath my copy of
Macworld is a pile of PC ads and cata-
logs that have 200MH>z to 300MHz PCs
for under $600! A good PC box and
an A/B monitor switch work great for
my job, where I constantly encounter
both platforms. We tried the Orange
Micro cards and, for the money, we were
sadly disappointed.
Jay DRew
Valparaiso, Indiana
°VE ALWAYS BEEN JEALOUS OF THE
il variety of titles available for Windows.
As Philip Dyer points out, PC emula-
tion—using software or hardware—is
slow and expensiv
There’s another, hidden problem with
PC emulation: it reduces the incentive for
game companies to make Macintosh ver-
sions of their games. Why hire Mac-savvy
programmers and pay more production
costs if the Mac users are buying the Win-
dows versions? PC emulation is fine for
translating an occasional spreadsheet, but
if we use it as a long-term solution to
gaming, Mac-native games will always be
too little, too late, and too slow.
The Mac just isn’t a gaming platform.
Why make a silk purse from a sow’s ear?
Either bite the bullet and buy a full-
fledged PC, or save yourself a thousand
bucks and get a game console.
Artie MOFFA
Amberst, Massachusetts
continues
Now
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@ Integrated Visual Computing (IVC) architecture
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© | 28MB ECC SDRAM (expandable to 1GB)
(©6GB Ultra ATA hard crive (expandable to 28GB of storage)
or optional Ultra2 SCSI hard drive
3 available PCI slots on two 64-bit PC! buses
1.44MB floppy drive, 32X max. CD-ROM
eintegrated 10/100 Fast Ethernet
eiEEE-| 394; paraltel, serial, USB, viceo and audio ports
‘elntegrated analog video; composite and S-video
© Microsoft® Windows NT® Workstation 4.0
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performance.
Wicked pricing,
STARTING
Silicon Graphics 320 $ 4 604)
Single Intel® Pentium® Ill processor 450MHz .
© |28MB ECC SDRAM
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# Upgrade to the Sticon Graphics 1600SW 17.3" digta flat
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Silicon Graphics 320 5 154
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© Upgrade to the Sifcon Graphics I60SW 17.3” digital flat
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Silicon Graphics 320 $ 4. 134
Single Intel® Pentiun'® Il processor 400MHz p
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squeal eine nde Wino KT Winston 40 Prices quoted ate fe US cay.
1999 Sen Gopi Alas sane Sic Copia ested adem and be Sco Gps on, Shan Capi 32, iba an con Cagis YD eck. of Scan Gach ac
eps adem lke Capatin Mtn, ides ard Vin a teges Wecaras Muro Capen Oe Peers epee pe
‘rel he el de oo at Pot a
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$3,395
pentiume///
put our
Mi
Let the Macworld Lab help you make the
right purchase decisions. Whether you
depend on the stamp of approval of an Editors’
Choice award, a five-mice
rating, or the authoritative
test data presented in
our benchmark charts —
you can put our lab to
work for you.
Something obvious happens when a publication is backed by
the most experienced, capable and thorough product testing in
the Macintosh industry — more serious Mac buyers rely onit to
make smart purchase decisions.
Macworld
Macworld ict
20 April 1999 MACWORLD
LETTERS
Put the ‘Book Back
ANADA’S NEW NATIONAL
paper, National Post, launched
ber 26 using Macs from end to end.
Our executive editor gave ever,
reporter a choice: we could take either a
desktop or a PowerBook.
After wrestling with the choice,
almost every reporter here, including
me, went with the desktop. Yes, it would
be convenient to take the PowerBook
home, but it would be a hassle to plug in
the power cord and hook into the corpo-
rate network every day,
The desktop’s full-size keyboard is
still more comfortable than a portable’s,
and a 17-inch monitor is still a lot more
screen real estate than a PowerBook
offers. And while the TrackPad is a great
pointing device, I’ve yet to find the per-
son who prefers it to a good old-fashioned
one-button mouse.
Portable computing devices, includ-
ing the PowerBook, may one day free us
from our desks, Here in Toronto, though,
reporters of National Post, when given the
chance to be free, decided to stay down on
the cubicle farm.
DAVID AKIN
Oakville, Ontario, Canada
Letters should be sent to Letters, Macworld, 301
Howard St, 16th FL, San Francisco, CA 94105; via
fax, 415/442-0766; or electronically, to letters@
macworld.com. Include a return address and day-
time phone number. Due to the high volume of mail
received, we can't respond personally to each letter.
We reserve the right to edit all letters. All published
letters become the property of Macworld.
To dear the RAM disk on a PowerBook,
press 8-option-P-R (“Survival Skills,”
January 1999).
In “Comin? at Ya” (January 1999),
the captions for Micro Conversions?
Game Wizard and ATI Technologies’
Xclaim VR 3-D accelerators were
reversed. Also, Tomb Raider II needs
Rage II or better for RAVE to work,
not Rage Pro.
In the infographic “The Lay of the
Land” (“Road Gear,” January 1999),
the VGA-out and S-Video-out labels on
the PowerBook G3 were reversed, m
We could tell you lots
of nice things about
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Bargain Hunters, Beware
The Vision Thing
by Andrew Gore
WITH A LITTLE COMMON SENSE, YOU CAN SHOP THE WEB SAFELY
F YOU'VE EVER BEEN IN
midtown Manhattan, you've
probably seen the Going Out of
Business businesses. You know:
“Lease Expired! Closing After
20 Years! Our Loss Is Your
Gain!” Banners like these are
spread across the windows of
dozens of little shops, declaring
unbelievable discounts. Of course, most
of these shops have been going out of
business for a decade or more. In fact, the
only thing you're less likely to find in
New York than a polite cabbie is a Going
Out of Business business that actually has.
And as for those big discounts, it’s true
you can save 50 percent or more—if you
don’t mind that the original price was
double the normal retail price. These
stores bank on the gullibility of casual
consumers, impulse buyers, and tourists.
Only in New York, right?
Caveat Emptor
As it turns out, the Internet has proved
to be fertile ground for its own unique
breed of hucksters. With just a little bit of
pocket money, a savvy designer, and a
Web server, anyone can set up an elec-
tronic storefront that looks slick, profes-
sional, and credible faster than you can
say Ponzi scheme. Internet newsgroups are
bulging with stories of Web merchants
who have overcharged customers, not
delivered products as promised, or just
plain taken the money and run.
Even with the Web’s honest operators
it can still be hard to know if you're really
getting the best deal. It’s amazing how
many Web sites claim to have the lowest
prices fora particular item. Let’s say you're
trying to buy a copy of The Truman Show
on DVD, First you check out Amazon.com
and find your DVD in stock for $20.99—
about 30 percent off the retail price. Not
bad, but at VideoBuy.com it’s only $14.99.
And even at that kind of price, the
Web’ not necessarily a bargain. None of
these discount prices include shipping and
handling or taxes. At VideoBuy.com and
Amazon.com that’s an extra $4.95. That
can kill your savings in a hurry.
Of course, all this assumes that the
products you want are in stock. Suppose
you're ordering several DVDs, and one is
on back order. You have two choices: wait
several weeks for that one title to arrive, or
split your order in two parts and pay sepa-
rate handling charges for each.
And just because all this shopping is
being done via computer, don’t assume
there’s no opportunity for human error.
I’ve ordered products that weeks later I
was told never existed. This past Christ-
mas I used Amazon.com to buy my
mother a book about yoga for people
over 50. The company shipped her a
book on modern architecture, complete
with festive holiday gift wrapping.
To its credit, Amazon.com quickly
shipped her the correct title and credited
me the shipping charge. But still, imag-
ine my mother’s surprise when she
unwrapped her Christmas present.
Tips for Safe CyberShopping
Now, you might think I’m down on
Internet commerce. I’m not. What I am
down on is the unqualified enthusiasm
with which buying over the Net is being
pushed these days. I believe shopping on
the Web is a good thing, since it gives
busy consumers another way to save time
and money, but it’ good only when used
wisely. To help you avoid some of the pit-
falls I’ve run into, here are five tips:
1. Size Matters For now, it’s too
hard to tell the good guys from the bad,
so stick with the big-name sites, unless
you know someone who’s already had a
good experience with a no-name vendor.
2.Research Gotoa good newsgroup
site, like DejaNews, and do a search on
the name ofa site. If you find 10,000 mes-
sages that start off with “Boy, these guys
stink,” you may want to shop elsewhere.
3. Shop Around Even
among the major brands there
can be a real difference in
price. And don’t forget to fig-
ure in the shipping charges!
4. Start Small Keep your
first purchase from an unfa-
miliar site relatively inexpen-
sive. This way, if you get stuck,
you won't be out much money.
5. Click “No” When in
doubt, just click “no.” You can
always come back later and
pick up where you left off,
hopefully with a higher com-
fort level.
‘Take these few common-
sense precautions, and you
increase the odds that your
online buying experience will be a good
one. It amazes me that while people will
obsess over sending their credit-card
number over the Web, they won't give a
second thought to the much more likely
possibility that what they order will come
late, broken, or not at all.
Oh, yes, and one final tip: just like
those Going Out of Business come-ons, if
adeal seems too good to be true... itis. m
Has Andy got a deal for you: send bim
your comments at visionthing@macworld.com,
and he'll read them—no charge!
www.macworld.com April 1999 23
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TechTool Pro 2 checks and repairs more aspects of
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But just because TechTool Pro is the most advanced
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ALPER Aba At9i9 9:
NETBOOT FEATURE LETS
MACS SHARE SYSTEM
FILES, APPLICATIONS
by Stephen Beale
he scene during Steve
Jobs’s Macworld Expo
keynote was impres-
sive: a network of 49
iMacs, mounted in a
grid of metal racks, each run-
ning a QuickTime movie
from the same server. It was a
dramatic demonstration of
NetBoot, a feature in Apple’s
new Mac OS X Server that
allows multiple Macs to be
booted and configured from a
single machine.
NetBoot comes close to
fulfilling the dream of a net-
work computer: cheap PCs
that share applications, data
files, and other resources
stored on a powerful server.
You don’t even need a hard
drive or any other local stor-
age on your Mac. Instead, the
Mac boots from a partition on
the server, which you also use
to store your documents and
system preferences, On a
network it should be nearly
transparent: you might have
to enter a password to access
your files, but otherwise the
Mac experience won’t be
much different.
Diskless imac? Thanks to
NetBoot, Apple could theo-
Apple Introduces 0S X Server
retically offer steeply dis-
counted iMacs, sans local
storage, in bundles that
include Mac OS X Server.
Indeed, as part of his demon-
stration, Jobs showed an
iMac, its hard drive removed,
booting from the server.
However, citing econ-
omies of scale, Apple says a
diskless iMac would not be
much cheaper than a standard
model, and the company has
made it clear that it has no
intention of offering such a
machine. NetBoot’s main sell-
ing point, in Apple’s view, is
the control and convenience
it offers network administra-
tors, not cost savings made
possible by stripping down a
popular consumer machine.
With NetBoot, you can
perform a single installation
of system software and appli-
cations and make them avail-
able to any Mac on the net-
work. NetBoot also includes
system-management tools
that allow yon to control
access to applications and
other files. For example, some
users on the network might
have rights to all applications,
while others are restricted to
using Microsoft Office. Be-
cause the files reside on a
server, you can use them from
any Mac on the network as
long as you have the correct
access privileges.
continues
www.emacworld.com April 1999 27
Going to School The cen-
tralized control that NetBoot
permits will have particular
appeal for schools, which can
use the software to run a
classroom full of iMacs from
one Mac OS X Server. Even if
schools have to pay close to
retail price for the iMac
clients, the server itself won’t
strain most budgets: Apple
charges $995 for a software-
only version or $4,999 for a
version bundled with a
400MHz Power Mac G3.
NetBoot, of course, is just
one part of Mac OS X Server,
which evolved from Apple’s
Rhapsody development efforts.
At the server's core is the
same Mach microkernel that
will provide the basis for Mac
OS X, Apple’s next-genera-
tion operating system. The
server also includes the BSD
4.4 version of Unix; the
Apache 1.3.3 Web server; and
WebObjects 4, a development
tool for large-scale dynamic
Web sites, The latter repre-
sents the Macintosh debut of
the Web authoring software,
| Mews
which was previously avail-
able only for Unix and Win-
dows NT workstations.
Adobe Brings
CyberStudio
into the Fold
GRAPHICS TITAN GETS
PRO-LEVEL WEB TOOL
by Jason Snell
hen Adobe Sys:
tems (408/536-
6000, www.adobe
com) announced
in January that it
was buying GoLive Systems,
maker of the popular GoLive
CyberStudio Web authoring
package, many industry ana-
lysts asked, “What took them
so long?” But for loyal Cyber-
Studio users, excitement
about the acquisition has to be
Midrange Scanner Packs In the Pixels
IT'S NOT THE CHEAPEST FLATBED SCANNER YOU CAN BUY,
but the new Expression 800, from Epson America (310/782-
0770, www.epson.com), offers 36-bit, 800-dpi optical reso-
lution for less than $1,000. Three versions are available: the
$699 Executive bundle, which includes Xerox Textbridge
OCR software and a limited edition of Adobe Photoshop 5.0;
the $799 Artist bundle, which adds Monaco Profiler Lite for
scanner calibration; and the $999 Professional bundle, which
further adds a transparency adapter—MACWORLD STAFF
28 April 1999
MACWORLD
mixed with some trepidation.
The deal appears to make
sense. CyberStudio users tend
to be professional designers
and developers, the same folks
who rely on such Adobe prod-
ucts as Photoshop, Illustrator,
and ImageReady. Adobe's
only foray into HTML edit-
ing is PageMill, a consumer-
level tool that has long been
eclipsed by CyberStudio,
Macromedia’s Dreamweaver
software, and other packages.
Lessons Learned? Adobe's
track record with PageMill is
raising fears among Cyber-
Studio boosters that their
favorite Web tool will get
short shrift. Once the toast of
the Mac Web design crowd,
PageMill stalled when Adobe
turned its attention to creat-
ing a Windows version. The
result was a dated Mac pro-
gram that couldn’t handle
many of the hottest new Web
innovations.
CyberStudio loyalists are
understandably _ concerned
that Adobe will again turn its
attention to the Windows
market and deprive Mac users
of a top-notch Web design
tool. There’s no doubt that
Adobe will offer a Windows
version of CyberStudio:
GoLive was working on one
even before the Adobe deal
went through.
Nevertheless, Adobe mar-
keting vice president Bruce
Chizen says that Adobe has
Jearned the lesson of PageMill
and recognizes the need to
keep CyberStudio as a Web
design counterpart to its
other professional-level soft-
ware packages. A cross-plat-
form presence could even
offer unexpected advanta;
for CyberStudio users: many
Web authors who prefer
CyberStudio were forced to
Macromedia’s Dream-
weaver when their organi:
tions insisted on purchasing a
cross-platform product. Adobe
has not said when the program
will be available on Windows.
use
CyberStudio’s develop-
ment team in Hamburg, Ger-
many, will continue to devel-
op the software as Adobe
employees, and GoLive CEO
Andreas Politza will join
Adobe as an Internet-strategy
consultant—both signs that
Adobe intends to exploit Go-
Live’s Net savvy, not crush it.
PageMill Prospects? Page-
Mill’s future is also up in the
air. Chizen and Politza say
they will compare the tech-
nologies in PageMill and
CyberStudio and decide
whether Adobe needs a con-
sumer-level Web design tool.
Their choices? Merge the two
programs, continue selling
PageMill as a low-end prod-
uct, or kill PageMill and offer
an entry-level version of
CyberStudio similar to Go-
Live’s current $99 Cyber-
Studio Personal Edition.
QuickTime
Sprites Finally
Take Flight
QUICKTIME ANIMATION
PROGRAMS DEBUT
by Jeffy K. Milstead
he interactive-anima-
tion features buried
within QuickTime 3
will soon get their day
in the sun, courtesy of
new tools from Electrifier
(formerly Lari Software; 919/
968-0701, www.electrifier
.com), Totally Hip Soft-
re (604/685-6525, www
totallyhip.com), and others.
The: programs support
Qui ime’s new wired sprites
—graphic elements that can
perform defined actions based
on user input.
Electrified After an ex-
tended paid beta period, Elec-
trifier has finally shipped
Electrifier Pro 1.0, a $595
program that lets designers
integrate any QuickTime-
supported media into an
interactive movie. The pro-
gram’s long gestation has
resulted in many refine-
ments for an_ initial
release, including a
tab that provides an
instant preview of
your movie.
Electrifier lets you
place graphic elements
known as actors in a
movie window. You can
then assign actions to
each element by dragging
icons from palettes. These
actions control how an actor
will respond to mouse-clicks
or behave over time. For
example, you can attach a
URL to a moving graphic, or
define on/off buttons for
playing an embedded Quick-
Time movie. Movies can
incorporate the full range of
QuickTime media, including
QuickTime VR panoramas.
30-day trial version is
available from Electrifier’s
Web site.
Electrifier has already
announced version 2.0 of the
software. Set to ship by mid-
year, it is expected to add fea-
tures relevant to Apple’s
upcoming QuickTime 4
release. (Apple was set to
unveil QuickTime 4 at the
recent Macworld Expo in San
Francisco but delayed the
announcement for unspecified
reasons. ‘The new QuickTime
will reportedly offer real-time
streaming capabilities.)
Scripted Sprites “Totally
Hip’s new LiveStage software
takes a different approach.
Targeted at Web authors who
might otherwise turn to Java,
DHTML, or Flash to pro-
duce animations, LiveStage
provides a QuickTime script-
ing language that resembles
Macromedia Director's Lingo.
A LiveStage project con-
sists of sprites driven by
associated scripts. You can
use expressions and variables
to program complex behav-
iors, from simple mouse-
over button effects to a com-
plete game of Tetris or
Minesweeper. It’s all deliv-
ered to the Web
er asa single, compact
ime file.
Totally Hip offers a $199
developer release bundled
with Web Painter 3.1, the
company’s Web animation
program, and Apple’s Quic
‘Time 3 Pro software. The ini
tial version will support only
bitmapped and vector images,
System 7 sounds, and MIDI
sound fil You can build
wired QuickTime VR movies
by setting up sprites—such
as navigational controls—in
LiveStage and then using
QuickTime Pro to composite
them with a QTVR pano:
ma. Totally Hip offers a sav
disabled demo version of
LiveStage on its Web site.
Although they support
multiple data types, Electrifier
and LiveStage rely on Quick-
‘Time's vector format to keep
file sizes small. While
LiveStage uses its bundled
companion program, Web
Painter, to generate still
graphics in the vector format,
Electrifier can directly import
Adobe Illustrator files and
convert them to the Quicl
Time format. Unlike bit-
mapped graphic formats,
these files are minuscule and
can be smoothly enlarged to
full screen.
More Wires Other ven-
dors have introduced their
own tools for creating wired
sprites. Deep Forest Multi-
media (www.mountain-inter
snet/~bmeikle/) is offering a
demo version of its forth-
coming WiredZone, which
will sell for $99. Squamish
Media Group (www.smgvr
.com/msVRmain.html) has
announced mapsaVR, a $99
program that lets you add
sprite-driven directional indi-
cators and navigation controls
to multinode QTVR panora-
mas. A freeware program
called Spritz (http://home
-earthlink.net/~dmegavran/
spritz/download.html) _ lets
you create wired QuickTime
movies that function as simple
interactive elements, such as a
button bar for navigating a
Web site. The program
requires Mac OS 8.5.
Media Limited
for 8x CD-Rs
VENDORS SLOW TO
OFFER DISCS CERTIFIED
FOR NEW RECORDERS
by Michael Gowan
Il CDs are not creat-
ed equal. If you want
to take full advantage
of the new 8x CD
recorders from APS
Technologies, Smart and
Friendly, and others, you'll
need 8x-certified CD-R
media. As of mid-January
1999, only a handful of media
vendors were offering certi-
fied dises, but most of the
leading players plan to offer
8x media in the near future.
Sensitive Layers A re-
cordable CD is constructed of
multiple layers, including dye
and polycarbonate plastic
strata. Because it records at
such a high speed, an 8x
mechanism requires a dye
continues
Product
WATCH
Latest LaserJet Is there still a
place for monochrome laser print-
ers? Hewlett-Packard (800/752-
0900, www.hp.com) thinks so.
The HP LaserJet 2100, which:
replaces the LaserJet 6P/M, offers
1,200-dpi resolution and a 10-
pages-per-minute print engine in a
$699 package. The LaserJet
2400M, with HP's PostScript-
clone interpreter and extra RAM,
costs $799. The LaserJet 2400TN,
with an HP JetDirect E10 print
server and an additional 250-
sheet paper feeder, costs $999.
Modeler Marches On auto-
des-sys (614/488-8838, www
formz.com) has released version
3.0 of Fort-2, its flagship model-
ing program for 3-D-graphics pro-
fessionals. Added features include
a customizable user interface, ani-
mation tools, and a host of new
modeling functions. The base
package sells for $1,495; a ver-
sion with rendering capabilities
costs $1,995.
XTension Trio Gluon (212/
343-1755, www.gluon.com) has
released three new QuarkxTen-
sions. XPressimage lets you
export QuarkxPress documents in
a variety of formats, including GIF
The $149 utility can use hot fold-
ers to automate the export
process, QC is a $225 quality-con-
trol tool that locates problems in
text formatting, spot colors, and
other document elements. Cloner
XTension, priced at $129, copies
an element or group of elements
to any page or page range.
continues
Product
WATCH
For Older Macs Looking to
resurrect that old Mac Quadra or
Centris? Sonnet Technologies
(949/261-2800, www.sonnettech
.com) has announced the Presto
PPC, a $399 upgrade card that
features a 100MHz PowerPC 601
and a1MB L2 cache. Sonnetis also
shipping G3. upgrades for the
Power Mac 5400, 5500, 6400,
6500, and other “upgrade-chal-
lenged” Mac systems; prices range
from $399 to $599.
Slide to Your Mac The new
SprintScan 4000, from Polaroid
(800/816-2611, www.polaroid
com), scans 35mm slides, film-
strips, and Advanced Photo Sys-
tem film at 4,000 dpi. The scanner,
with a street price of about
$2,000, can capture a slide at full
resolution in less than a minute.
Scheduled to ship in March, it’s
bundled with PolaColor Insight Pro
scanning software and Adobe
PhotoDeluxe.
New Homes? Don't be sur-
prised to see some familiar Mac
products in unfamiliar territory.
lomega (801/778-1000, www
jomega.com) announced that it
has acquired the assets of SyQuest
Technology, which declared bank-
tuptcy this past November.
SyQuest products include the
SyJet and Sparq removable-media
drives; lomega has not announced
its plans for the storage devices.
- . . CalComp, developer of the
Creation Station graphics tablets
and CrystalJet large-format print-
ers, has ceased operation and is
seeking a buyer for its products.
—EDITED BY MICHAEL GOWAN
that marks easily and a poly-
carbonate layer with clearly
defined ridges, You can burn
4x CD-Rs in an 8x drive, but
only at the lower speed.
Fortunately, you probably
won't have to pay a premium
for the higher-speed discs.
APS Technologies (800/862-
6831, www.apstech.com) and
Smart and Friendly (818/772-
8001, www.smartandfriendly
.com), which sell CD-R drives
that use the same 8X Sanyo
mechanism, both offer 8x-
certified recordable discs for
$20 per 10-pack, about what
you'd pay for name-brand 4x
discs. The drives themselves
sell for about $500 each, com-
pared with $300 for 4x drives.
Brand Plans Among
name-brand manufacturers,
TDK (516/625-0100, www
.tdk.com) offers 8x discs for
about $2 each. Imation (888/
466-3456, www.imation.com)
says it will soon offer 8x
media—at prices 10 to 15 per-
cent higher than what it
charges for 4x discs. How-
‘APS Technologies, one of two vendors with an 8x
CD-R drive, also offers 8x media.
ever, in Macworld testing, we
were able to record Imation’s
4x-certified discs at 8X on
both 8x recorders.
Maxell (888/262-9355,
www.maxell.com), Sony (941/
768-7669, www.sel.sony.com),
and Hi-Val (714/953-3000,
www.hival.com) say they plan
to offer high-speed discs but
have not provided timetables
for doing so.
Maxell currently offers
6x-certified media; Sony says
its CDs have been tested at up
to 6x but are certified only for
| News
4x recording. Hi-Val, a dis-
count brand available at
CompUSA, offers 4x CDs for
about $1 apiece.
iMac Boards
Use Forbidden
Interface
NEW CARDS PLUG INTO
iMAC MEZZANINE SLOT
by Kristina De Nike
hen Apple devel-
oped the iMac, the
company made it
clear to hardware
vendors that one
component was off-limits:
the mezzanine slot on the
iMac motherboard. But the
engineers at Micro Conver-
sions (817/468-9922, www
amicroconversions.com) and
Formac (www.formac
.com) didn’t listen.
Both companies
have developed ex-
pansion boards that
plug into the forbid-
den slot—despite
warnings from Apple
that customers may
void their iMac war-
ranty if they use the
products.
iMac Wizard
Micro Conversions has
announced an iMac version of
the Game Wizard, a
3-D-graphics accelerator
designed for use with popular
computer games. The $199
board features 3Dfx’s Voodoo2
chip, which has become a stan-
dard for game acceleration in
the PC market. It sports SMB
of RAM, compared with a
maximum of 12MB for the
PCL version. The card is tight-
ly sandwiched between the
iMac motherboard and chas-
sis, and concerns about heat
ventilation preclude additional
memory, the company says.
Thin scs!_ Formac, a Ger-
man company that designed
the Vision 3D Pro graphics
cards sold in the United
States by Mactell, has intro-
duced a $100 Ultra Wide
SCSI card that plugs into the
mezzanine slot, letting you
use scanners, external drives,
and other SCSI peripherals
with your iMac. The card fea-
tures a single external SCSI 3
connector; these are thinner
than standard SCSI connec-
tors and the cables can be
hard to find, but they are
available. Drives connected to
the card can be used to boot
up the iMac.
Formac will bundle the
card with its Power RAID
Control software, which lets
you set up RAID levels 0 and
1 storage systems. Formac
says the card will work with
other drive-formatting pack-
ages as well. The card is
scheduled to ship by the time
you read this. The company
also plans to offer a $149 mez-
zanine board that incorporates
a SCSI connector, a TV tuner,
and an S-Video in port.
No Piece of Cake Install-
ing a mezzanine card can be
tricky: you have to open the
iMac and remove five screws
that hold the motherboard in
place; the slot is on the flip
side of the motherboard. To
install the Game Wizard, you
must also reroute the iMac's
internal video cable to a con-
nector on the board. Micro
Conversions and Formac
expect that most customers
will opt for dealer installation.
The new multiflavored
iMaes lack a mezzanine slot,
so the cards will work only in
the original Bondi blue
model. However, Formac says
it is developing an adapter
that will essentially restore
the slot to the newer iMacs,
allowing use of the mezza-
nine cards.—JEFFY K. MILSTEAD
CONTRIBUTED TO THIS REPORT.
ARnioLo TIOsEI0
Mitsubishi Is Changing The
Face Of Desktop Monitors.
new DIAMONDTRON NF
(Natural Flat) CRT technology represents an
unprecedented improvement in the way you'll
look at monitors from this moment on. The revo-
lutionary, truly flat-faced CRT creates distortion-
free, intuitively correct images that are much
easier on your eyes. Conventional CRTs produce
curves and distortions that are hard on your eyes,
increasing fatigue and reducing productivity.
DIAMONDTRON NF CONVENTIONAL FLAT
Setgun surlaea y svemern
mane suriace Enere stra:
inneemneve
You've come to expect crisp, clear images from
Mitsubishi’s award-winning DIAMONDTRON
monitors, and now the innovative Diamond
Pro 900u takes monitor performance to an even
higher level. The Diamond Pro 900u delivers
consistently accurate image quality
side, center to corner. In addition, Mitsubi:
patented CRT manufacturing process makes the
Diamond Pro 900u stay brighter up to twice as
long as conventional CRT designs. First ina
family of DIAMONDTRON NF monitors, the
19-inch (18.0-inch DVI*) Diamond Pro 900u has
a maximum resolution of 1600 x 1200/75 Hz. For
added flexibility it also features a self-powered
USB hub that allows two independent computers
to share the display and a single set of USB
devices. DIAMONDTRON NF monitors are
just flat-out better. 1998
For more information Eddy
contact Mitsubishi
Electronics tox
April 1989 anwary 19, 1999
Choose 261 at www.macworld.com/getinfo
te MITSUBISHI
DISPLAY PRODUCTS
Innovation On Display,,
DESKTOP MACS'
ENHANCEMENTS ARE MORE
THAN SKIN DEEP.
NE GLANCE AT APPLE’S NEW
two-toned Power Macintosh G3
series reveals that the iMac was no
aberration. With their bold blue-
and-white design and inclusion of
such new technologies as FireWire and
USB, the new Power Mac G3* continue
down the road paved by the iMac.
The new desktop Macs are as notable
for what they lack as for what they
include. For example, you'll find no
floppy drives or serial ports on these
machines. Thankfully, neither will you
find the underpowered graphics chip sets
included with earlier Macs. All four mod-
els include ATI’s powerful Rage 128 2-D/
3-D graphics card with 16MB of
SDRAM, along with two FireWire ports,
two USB ports, an ADB port, and a
10/100BaseT Ethernet port.
You'll notice no mention of SCSI.
Apple has drawn a line in the sand with
this series of computers—FireWire is in,
SCSI is (mostly) out. If you want SCSI,
you'll find it in the 400M. i
form of an Ultra II PCI S!
want it in the less powerful Macs
must purchase a SCSI card separately.
Kind of Blue
Initially, the most striking features of the
new Power Mac G3’sare the translucent-
blue faceplate, backplate, and top; the ice-
Power Macintosh 63s
F
colored side panels revealing the ghostly
G3 logo beneath; and four sturdy handles
protruding from the corners of the case.
The front panel sports a CD-ROM or
DVD-ROM drive, an empty drive bay, a
speaker port, a power switch, and pro-
grammer’ and reset switches.
The keyboard and mouse—dead
ringers for the iMac’s—may disappoint
some users. This keyboard f cheap
compared with the huge Apple keyboards
of old, and some people may mourn the
loss of three function keys, the end key, and
the option and control keys on the right
side of the keyboard. (Kudos to Apple,
however, for including a USB extension
cable for those who plan to store their new
Mac under a desk.) And although the
mouse looks great, many users will find it
unacceptable: because of the round design,
it’s impossible to tell the top of the mouse
from the bottom by touch.
Open Sesame
You may forget your disappointment with
the input devices of the G3’s when you see
their side door, which folds down to
expose the inner workings. With the door
open, you have ready access to every com-
ponent you're likely to touch—the moth-
REAL PROD
REAL RATINGS
EJ Reviews you can trust: Macworld rates only final shipping products, not prototypes, What we review Is what you can actually buy.
OUTSTANDING: 8846
VERY Goop: $49 _ coon: $44
FLAWED: $$ UNACCEPTABLE: §
32 April 1999 MACWORLD
SUZANNE ROAOY
erboard containing the G3 processor,
four SDRAM slots, four PCI slots (three
33MHz, 64-bit slots and one 66MHz, 32-
bit slot, occupied by the graphics card),
modem connector, and internal battery is
attached to the door and lies flat when
the case is open. This is a brilliant design.
The layout for internal drives is just
as remarkable. At the bottom of the
Power Mac’s case is a metal tray that holds
the Ultra ATA drive and offers space for
two additional internal storage devices.
To mount a new device, simply remove a
single screw, disconnect the data and
power cables from the ATA drive, and
slide out the metal tray. To place addi-
tional drives in any of the free, numbered
spaces, fasten the drives, put the tray back,
and plug in the drives. Note, however,
that placing a 1.6-inch drive in the middle
space makes it impossible to close the
door. Two additional power connectors
are included, although you must provide
your own data cables.
It’s swell that the internal workings
of the new Macs are so easily accessible,
but it’s unfortunate that opening the door
reveals so few PCI slots. With virtually no
FireWire peripherals available at the
moment, users who need fast external
storage devices must rely on SCSI and
therefore tie up one of the three open PCI
slots with a SCSI adapter card.
High Performance
It should come as no surprise that these
machines turned in convincing MacBench
scores (see the benchmark, “Blue Blazers:
New G3¥s Shine”). As you might expect,
the new 300MHz model, with its 512K
backside cache, fared worse in the Pro
sor test than our baseline system—the for-
mer top-of-the-line Power Mac G3/300,
which has a IMB backside cache. The Pro-
cessor scores for the more powerful Macs,
with their 1MB cache, fell just about where
we expected—I4 to 30 percent faster than
New Desktop Systems Compared
Blue Blazers: New G3’s Shine
Best results in red. Reference system in italics. MacBench 5.0 scores are
relative to those of a first-generation Power Mac G3/300, which is assigned
a score of 1,000 for each test. The Adobe Photoshop 5.02 scores are also
relative to that of the baseline system, which is assigned a score of 1.0.
MACBENCH 5.0 PHOTOSHOP
U processor Disk Graphics. | ' Overall Seare
‘Apple Power Macintosh G3/300 W926 1,272 2,604 1.1
‘Apple Power Macintosh 63/350 1,145 GN 1,362 2,882
‘Apple Power Macintosh G3/350 DVD — mm--1143 SNNNN-7.337 MND: 2.969
‘Apple Power Macintosh 63/400 1 310 1,405 3.019
‘Apple Power Macintosh G3/300***— BEM---1,002° EB 956 mm 1,404
Lge are et
* Previous G3 architecture
Test unit differed from MacBench reference system in OS vession, screen resolution, and hard drive.
Behind Our Tests
We performed five tasks in Adobe Photoshop 5.02 (Gaussian Blur, image resize,
RGB-to-CMYK conversion, file save, and scroll). We averaged results and then
normalized them to the baseline system. For detailed information on our tests, see
‘wvewmacworld.com/tests/—Macworld Lab testing supervised by Gil Loyola
that of the baseline system.
More surprising—and welcome—
were the Graphics scores. With the ATT
Rage 128, the entry-level Power Mac
achieved a Graphics score nearly twice
that of the baseline machine; in the more
powerful new models, the card yielded
more than double the graphics perfor-
mance of the baseline Power Mac. Also
impressive was 3-D-gaming perfor-
mance: Running the RAVE version of
Quake, none of the new Macs pulled
fewer than 50 frames per second (fps)
from the game. The baseline system,
which uses a Rage Pro graphics chip set,
achieved only 23 fps.
Adobe Photoshop tests revealed the
benefits of having a SCSI drive for certain
operations. The ATA drives in the
300MHz and 350MHz models were not as
quick as the baseline system’s SCSI drive at
performing Gaussian Blur and image-
resize operations (adding more RAM to
the new Power Macs improved Photoshop
performance). On the other hand, Photo-
shop scrolling was much sprightlier on the
new Power Macs—approximately twice as
fast on all configurations.
Macworld's Buying Advice
The beauty of these new Macs goes much
deeper than their striking exteriors. They
are clearly the fastest Macs to grace the
market; they're also solidly built, easy to
upgrade, and attractively priced. Although
users with legacy SCSI and serial devices
will have to add a SCSI PCI card as well as
aserial adapter to use their old peripherals,
these components are readily available and
not prohibitively expensive. Less forgivable
for professionals are the small allotment of
PCI slots and the inclusion of input devices
that emphasize form over function. But
these inconveniences are mitigated by the
fact that the new Maes introduce FireWire
and USB to the desktop—technologies that
are sure to be staples of computing in the
twenty-first century.—cHRISTOPHER BREEN,
Mouse List Price Backside ¢D/DVD Zip
Company. Product Rating (as tested) Phone Cache RAM Hard Drive Drive Drive
‘Apple Computer Power Mac G3/300 $008 $1,599 408/996-1010 512K 64MB__6GB Ultra ATA 24% CD-ROM 0
Power Mac G3/350 088 $2,499 408/996-1010 4MB 428MB 12GB Ultra ATA 24x CD-ROM e
Power MacG3/350DVD $88 $1,999 408/996-1010 aMB 64MB___6GB Ultra ATA 32x DVD-ROM _O
Power Mae G3/400 #8) «52.999 408/996-1010 —«1MB~=~SC«C2MG~=«COGBUItalNSCSI_-24xCD-ROM ©
@ = yes: 0 = no.
www.macworld.com April 1999
[ Reviews
Macromedia Director 7
MULTIMEDIA TOOL BECOMES
AKE A DEEP BREATH AND
recite the full name—all 18 sylla-
bles of it. Macromedia Director 7
Shockwave Internet Studio is the
most Web-savvy Director yet.
Not that Macromedia is ignoring cre-
ators of games, CD-ROM titles, or
interactive kiosks; many of Director’s
new features are just as welcome in these
non-networked applications. But the
program’s Internet focus is unmistak-
able. And for creating hybrid projects—
such as a CD-ROM that retrieves
updates from a Web site or a multiuser
game that enables distant players to lock
horns—Director 7 is a dream.
In Director's Chair
Director veterans will feel at home in
Director 7. It has all the familiar trap-
pings: the Stage, where you position and
arrange your project’s media elements;
the Cast, which holds media elements that
you import or create using Director’s
built-in tools; and the Score, a timeline-
like window where you choreograph your
projects flow and interactivity.
Creating a project in Director gener-
» ally involves working with these key com-
ponents as well as with Lingo, Director's
built-in programming language. You’re
also likely to work with behaviors, which
are canned Lingo scripts that perform
common tasks. When you've finished,
you can create a projector, a double-click-
able version of your project that you can
distribute to others. For Web-destined
projects, you can create Shockwave
movies that rely on Macromedia's popu-
lar browser plug-in. You can also create
Java applets, although these provide only
limited support for Director's capabilities.
Director 7’s body may be similar to
that of previous versions, but its engine is
new, In Director 7 you can have as many
as 1,000 channels in the Score window, up
from 120 in Director 6.x. Projects can
play back at speeds of up to 999 frames
per second, up from 500. In short, it’s
hard to imagine a project that would
exceed Director 7's playback capabilities.
One downside of this engine
rebuild: Director 7 bids farewell to
680X0 Macs and to Windows 3.1. It’s
34 Ap
1999 MACWORLD
MORE POWERFUL—AND MORE APPROACHABLE
bad enough that you can no longer
deyelop projects on these systems—you
can’t even create projectors for them. If
you want to create titles for elderly com-
puters, Director 7 isn’t for you.
New Media, New Control
Director has long provided built-in tools
for creating richly formatted text and bit-
mapped graphics. In Director 7 there’s a
new data type on the block: vectors. Direc-
tor 7's new Vector Shape window provides
Better Behavior
Director's heritage as an animation pro-
gram has always complicated the creation
of interactive projects. Implementing
simple interactivity—such as creating a
set of buttons that enable users to branch
to different screens—meant writing
scripts in Lingo.
Director 6 streamlined authoring a
bit by introducing behaviors—canned
scripts that perform common tasks. In
Director 7, behaviors are dramatically
improved, A new Library
iy
palette provides fast access to
dozens of behaviors in cate-
cate Baton pemen Se gories ranging from animation
veer Eon pe to navigation to Internet
streaming (see “Director
SE ponies
Behaves”). ‘Td assign a behav-
Director Behaves
dozens of built-in behaviors that simplify authoring.
a FreeHand-like pen tool for drawing
bandwidth- and memory-friendly shapes,
complete with Bézier control points and
optional solid-color or gradient fills.
Director 7 automatically antialiases vector
shapes. Even better, you can control every
property of a vector shape using Lingo
scripts. Combine this with Director 7’s
Internet-access features, and you could
create a dynamic bar or line graph that
changes depending on certain data
retrieved from a Web site.
Director 7 can import bitmaps con-
taining alpha channels, thus simplifying
the creation of special transparency effects,
such as feathering and drop shadows.
Director 7 also adds support for the PNG
graphics format and for animated GIFs.
Director 7 greatly simplifies such
common animation tasks as rotating
media elements. For example, to create
an animation of a spinning star in previ-
ous versions, you had to create multiple
versions of the star, each rotated to a dif-
ferent angle, and then laboriously swap
one for the next to animate the rotation.
In Director 7 you can simply use
keyframes or Lingo to rotate or skew any
media element. That means much less
work for you, and smaller, more mem-
ory-efficient projects.
Director 7's Library palette is the gateway to
£1 ior to an item, you simply drag
and drop that behavior’s icon.
Director 7 provides
behaviors for the most-com-
mon interactivity chores, and they work
well. Even if you don’t know a lick of
Lingo, you can create an interactive pro-
duction containing branching buttons,
QuickTime movies, animations, and
streaming audio.
Lingo still lurks beneath the surface
of every behavior, and you'll need Lingo
mastery to modify a behavior’s scripts. But
the good news is that unlike Director 6.x
behavior scripts, Director 7’s are laden
with comments that make them easier to
understand and tweak.
And speaking of Lingo, it too has
evolved. Programmers can now use
space-efficient dot syntax to get and set
properties. Common in modern lan-
guages such as JavaScript, dot syntax
makes for less verbose scripts.
Text (and HyperText) Power
Director has had first-rate text features
since version 5 introduced the word pro-
cessor-like Text window, antialiased text,
kerning, and the ability to import Rich
Text Format (RTF) files. But Director
developers always faced the specter of
missing fonts: to ensure that text would
look as intended, they either had to
license and distribute custom fonts or set-
tle for using ubiquitous (and often boring)
fonts such as Helvetica and Times.
Director 7 changes this by enabling
you to embed any fonts installed in your
system directly in a project. Director
compresses its so-called Shocked fonts so
that they take up only about 10K to 20K
apiece. You can trim this even further by
embedding only those characters that you
actually need. Shocked fonts are available
only to the project in which they’re
embedded, so there are no licensing or
copyright issues to contend with.
Also new is the ability to import
HTML files with most formatting intact.
You can even import Web pages over the
Internet by entering a page’s URL in the
Import dialog box, although this often
yielded error messages in our tests. Direc-
tor 7 does a reasonably good job of retain-
ing a page’s formatting, recognizing
tables, fonts, and common formatting
tags. Director 7 doesn’t import images
referenced in HTML pages, but it does
retain hyperlinks. You must use Lingo
programming to have a hyperlink launch
a Web page, but one of Director 7’s built-
in behaviors can handle this for you.
Director 7’s other Internet-related
enhancements include behaviors that post
text entries to a CGI running on a Web
server, and a new multiuser server that
makes it possible to create networked
games and chat spaces.
For bandwidth-friendly audio, Direc-
tor 7 also includes Headspace’s Beatnik
Xtra, which includes behaviors that let you
play and control Beatnik music files.
Director 7 also supports the Shockwave
Audio format, which lets you deliver
streaming audio using a conventional Web
server (see “Making Waves with Stream-
ing Audio,” Create, February 1998).
Tribeworks iShell: Free Authoring at a Price
IF YOU DON'T LIKE DIREC-
tor—or you can't spend
$1,998 to develop for both
Mac and Windows—look into
ishell, from Tribeworks (415/
732-7004, www.tribeworks
com). From the developers of
Apple's defunct Apple Media
Tool, iShell combines solid
authoring features with an
unbeatable price tag.
Tribeworks has put a
unique twist on the open-
source software-distribution
approach popularized by
Linux. iShell is free: register at
Tribeworks' Web site, and
you get a download pass-
word. To create a Mac or
Windows run-time version of
project, you register for a
free run-time license file.
Tribeworks hopes you'll
like {Shell enough to pay
$2,000 for a one-year “full
membership,” which gets you
technical support, the ability
to create run-times without:
registering each project you
create, and the full source
code to iShell itself.
iShell's interface differs
from that of Apple Media
Tool (AMT), but the pro-
grams are conceptually simi-
lat. As with AMT, iShell’s only
content-creation function is a
rudimentary text too—you
create your content in other
programs and then import it.
As you import media ele-
ments, you can assign events
and commands that branch
to other screens, play
movies, move items across
the screen, and so on.
Many of iShell’s author-
ing features pale alongside
Director's. But iShell provides:
excellent support for Quick-
Time, including QuickTime
VR and QuickTime 3 effects.
The program can't display
HTML pages—as Director 7
can—but can access files over
the Web, making possible CD-
ROM-Web hybrid projects.
iShell lacks Director's
depth and maturity, and its
documentation is literally a
work-in-progress. Still, iShell
deserves a look. Budget-
minded developers will love
its price tag, and Director
haters will appreciate its
object-oriented authoring
style. If Tribeworks’ open-
source gamble pays off,
iShell could evolve into a
major contender.
Sear
But remarkably, the Macintosh ver-
sion of Director 7 provides no way to
compress Shockwave Audio files; the
manual tells you to use Macromedia’s
SoundEdit 16, which is no longer includ-
ed with the Director suite.
Bundle of Joy
How has Director 7’s supporting cast
changed? Gone are the Xres image editor
and Extreme 3D modeler. For image edit-
ing you get Macromedia Fireworks,
which is a solid, all-around image editor
particularly adept at creating Web graph-
ics (see Reviews, October 1998),
For sound editing, Mac
users get Bias’s Peak LE while
Windows users get Sonic
Foundry’s Sound Forge XP.
Both are scaled-down versions
of first-rate audio editors. We
prefer Sound Forge XP to
Peak LE—it was more stable
rato
eee rene
pete
‘AaBbCcDdl
[ss
in our tests and its interface is
less cluttered—but either is
sufficient for simple sound-
editing and conversion tasks.
Even if you already have
sound- and image-editing pro-
Fonts and Vectors Director 7 can embed some or all of a font's
characters in a project to ensure typographic fidelity. Also visible
here: Director 7's new Vector Shape window.
grams, you cannot buy Direc-
tor 7 separately unless you're
a registered user of a previous
version, in which case you can
buy the upgrade for a steep $449. Macro-
media should make Director 7 available
separately. You'll still need to buy the
Windows version of Director to create
projectors for the Windows platform.
Macworld's Buying Advice
For a major upgrade, Director 7 is
remarkably well behaved. But it isn’t per-
fect. Some bugs in its text-handling fea-
tures can cause crashes in text-heavy proj-
ects. And a change in the way the Stage
works causes display problems with
movies in a window, which many Direc-
tor developers use. A little Lingo script
generally fixes this. But by and large,
Director 7 is an outstanding upgrade,
packing more power and introducing new
features that finally make Director
approachable for beginners.—i1m He10
RATING: §$$$ PROS: Simplified authoring;
excellent Web features; beefed-up_ playback
engine; vector and alpha-channel support
CONS: Mac version can't compress Shockwave
‘Audio files; some text-handling bugs; application
not sold separately. COMPANY: Macromedia
(415/252-2000, www.macromedia.com). LIST
PRICE: $999 (Director-only upgrade from earli-
et versions, $449; full Studio upgrade from ear-
lier versions, $499).
www.macworld.com Apri] 1999 35
"Reviews
Dreamweaver 2
MACROMEDIA DREAMS UP IMPRESSIVE UPDATE
AST VERSIONS OF MACRO-
media’s Dreamweaver were solid
but hard to love, with a clunky
interface that discouraged the
exploration that allows mere users
to become wizards. But witha new empha-
sis on usability, added to new cutting-edge
features, Dreamweaver 2 promises to
delight both designers and code gee!
Winning Features for Designers
Dreamweaver 2 is packed with improve-
ments to its page-design tools. The best
addition, the Tracing Layer, recognizes
the fact that in many shops, a designer
creates a comp for a Web page in Adobe
Photoshop or QuarkXPress and hands a
color printout to a Web jockey, who then
apply text and other formatting to rows,
columns, or an entire table; select and for-
mat noncontiguous cells; and sort table
contents. Splitting and merging table cells
is a snap, and an included JavaScript
extension lets you swap the ai
Previously, Dreamweaver’s many
floating palettes were a recipe for screen
clutter. In version 2, you can dock palettes
together into a single tabbed window.
‘The program now makes excellent use of
contextual menus and has fewer annoy-
ing modal dialog boxes. It also includes
precoded objects, such as one that lets you
quickly create image-rollover effects. And
anew, smart eyedropper tool lets you pick
up a color from anywhere on your desk-
top; Dreamweaver snaps it to the nearest
Web-safe color.
Home
Serints
eviews kitlisher Inv
Tne crue
|
|
Spinions |
|
|
jook Review Headline
Dreamweaver takes advan-
tage of all the features in the
4.0 browsers but also offers
backward compatibility. You
can lay out pages using layers
and then convert the layers to
backward-compatible tables
| with a single menu command.
You can use JavaScript behav-
iors that target specific brows-
er versions, or go for lowest-
common-denominator effects,
Comp Tracing
ible as a dimmed image in the background).
re-creates the page in HTML. Dream-
weaver lets you take a GIF or JPEG
comp image and place it in the back-
ground of the document window as a
guide (see “Comp Tracing”). New rulers,
snap-to guides, and grids make it easy to
match the comp.
Once you've created a page, you save
it as a reusable template with both
editable and locked regions. Combined
with check-in/check-out page control
(which tells users when a particular page
is being changed), Dreamweaver’s tem-
plates give designers the comfort of
knowing that writers and editors can
change content without inadvertently
mangling the page’s design.
Dreamweaver’s support for table edit-
ing is also vastly improved. You can now
36 April 1999 MACWORLD
I'm moving this Dreamweaver 2 layer into place,
based on the position of the comp image in the Tracing Layer (vis-
Because it’s available for both
{ac and Windows, Dream-
weaver tries hard to cover all
the platform and browser
bases. As before, you can check your pages
for HTML compatibility against profiles
of Netscape Navigator and Microsoft
Internet Explorer, but version 2 adds pro-
files for Opera Software’s Opera and
Microsoft’s WebTV browsers.
Happy Geeks Are Productive Geeks
Nothing annoys HTML coders like hav-
ing a visual tool arbitrarily rewrite their
carefully honed code. Dreamweaver has
always respected custom HTML, and the
new version continues and extends this
tradition. The program won’t change tags
it doesn’t recognize, instead highlighting
unknown tags in yellow; italso recognizes
(and won't change) code that works with
server-side tools.
Dreamweaver comes with a nice set of
prewritten JavaScript behaviors, includ-
ing form validation and layer and timeline
control, and can trigger Shockwave or
Flash content. You can preview multi-
media content right in the Dreamweaver
document window, without having to
switch to a browser.
The new version catches up to
GoLive CyberStudio (now an Adobe
product) in site management by adding a
visual site map, the ability to check and
repair broken links, and an improved
FTP tool for uploading and downloading
sites. The supercharged find-and-replace
function fixes tags and files throughout a
site and accepts regular expressions.
A feature unique to Dreamweaver is
the program’s amazing extensibility, going
far beyond mere scripting. While com-
petitors such as CyberStudio allow devel-
opers to create new JavaScript functions,
Dreamweaver supports a Document
Object Model that lets programmers use
JavaScript and HTML to write custom
menu commands, behaviors, inspector
palettes, and objects. There’s even a way
to create plug-ins in C.
Dreamweaver 2 seems to be faster
than previous versions, though just as
RAM-hungry; with larger sites, the pro-
gram complained about memory until I
boosted its RAM footprint from the sug-
gested 20MB to 32MB.
Macworld's Buying Advice
Thanks to its interface improvements,
Dreamweaver has outgrown its ugly-
duckling phase and is much easier and
more fun to use. Smart innovations like
the Tracing Layer show that Macro-
media has been paying close attention to
the way designers work in real produc-
tion environments, and Dreamweaver’s
first-do-no-harm approach to HTML
shows a nice appreciation of the chal-
lenges that Web coders face. Fully com-
petitive with CyberStudio, but with
unique strengths of its own, this striking
upgrade should win Dreamweaver many
new converts.—ToM NEGRINO
RATING: $§$$/2 PROS: Superb table han-
dling; excellent design and layout tools; very good
code control; excellent extensibility. CONS:
RAM-hungry and not always polite about it
COMPANY: Macromedia (415/252-2000, www
macromedia.com). COMPANY'S ESTIMATED
PRICE: S299
Fool God.
Introduci
ng the revolutionary seri
es
of Sony FD Trinitron’ displays.
ae
GDM-F400 19" (18" VIS)
GDM-F500 21" (19.8" VIS)
ee If you think God is in the
details, then we have the display
for you. The new, virtually flat FD
Trinitron display series is the most
revolutionary advancement in image
technology since the invention of
Trinitron in 1968. The colors are
remarkably sharp and bright, the
resolution incredibly high, and the
focus amazingly precise from top
to battom, side to side and corner
to corner. In fact, the images on
screen are so real, they can fool
just about anyone.
Sony FD Trinitron displays
give you the tightest aperture grille
Ditch (0.22mm) and the broadest
“horizontal scan range availble. Not
to mention USB peripheral ports
that make connections miraculously
simple. Call us perfectionists. But
when.it comes to image perfor-
mance, no detail is too small. *
DISCOVER THE SONY FD TRINITRON DISPLAYS IN DETAIL:
VIRTUALLY FLAT FD TRINITRON CRT
for minimized distortion and
reflectivesglare. .
TIGHTEST APERTURE GRILLE pitch
available (0.22mm across the
screen) for unprecedented
sharp and clear images.
DIGITAL MULTISCAN® TECHNOLOGY
for broadest horizontal scan
range and highest resolutions:
30-121kHz for resolutions up to
1800x1440 @ 80Hz (F500);
30-107 kHz for resolutions
up to1600x1200 @ 85Hz (F400).
SMART CABLE DESIGN for shorter
display depth oadesktop.
Unique DisplayMouse™ control for quick, smooth adjust:
‘ments of digital controls through comprehensive OSD.
HiDENSITY™ ELECTRON GUN Wit!)
Enhanced Elliptical Correction
System™ technology for consistent,
accurate focus throughout the
screen — even in the corners.
GEOLOCK PLUS™ ciRCUITRY fOr
improved color and brightness
uniformity.
ACTIVE SIGNAL CORRECTION (ASC™) >
technology for one-touch instant
image sizing and centering.
DUAL INPUT CONNECTIVITY
provides 15 pin mini D-sub
and 5 BNC connectors for
simultaneous connection to
two computers.
USB Hut connectivity ports (1 upstream, 4 downstream)
for easy connection to USB peripherals.
www.sony.com/FD
~
FD Trinitron
| Reviews
Offline Web Tools
ONCE BENEFICIAL, NOW NECESSARY?
S THE MAC AND ITS BUNDLED
software applications adopt new
features, some third-party soft-
ware is relegated to the “old and
in the way” pile. Take Microsoft
Internet Explorer 4.0 and Mac OS 8.5’s
Sherlock search utility, for example.
Now that Internet Explorer lets you save
Web pages as offline archives, are utili-
ties that perform a similar function still
useful? And since Sherlock can search
the Web for items that interest you—and
that support Internet Explorer channels.
Each of the applications also has a
more comprehensive set of filters than
does Internet Explorer. With the latter,
you can exclude files attached to a Web
page in only a general way—you can fil-
ter all images, sounds, and movies. With
Web Buddy and WebWhacker, you can
be more selective about which MIME
types you download.
While Web Buddy and WebWhacker
share some advantages over Internet
Explorer, they aren’t twins.
Web Buddy is the easier to use
when you're surfing the Web,
because it’s available to you
from within your browser; to
use WebWhacker, you must
switch from your browser into
the WebWhacker application.
And if you want to perform
scheduled downloads, Web-
Whacker must be running;
‘Web Buddy launches itself at
the appointed time.
Web Buddy offers other
convenient features you won't
find in WebWhacker: you can
create and file bookmarks with
a single click, and a translation
feature lets you turn Web
Delivery Service You can configure Web Buddy 2.0's schedule
to determine when your favorite Web pages are downloaded.
rank them by relevance—do you need a
like-minded utility? Those are the ques-
tions we put to two
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