Text content (OCR)
JUNE 2000
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His Master’s Voice
It Really Works! Use Your Voice to Write Documents
and Control Your Mac, page 66
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JUNE 2000 | 3
Incorporating MacUser
Features
Cover Story
66 Listen Up
BY DAVID POGUE Speech
recognition for the Mac has
finally arrived. Here’s how it
works, and a tour of the prod-
ucts that make it happen—plus a
review of IBM’s ViaVoice.
74 Bridge the Gap
BY CHRISTOPHER BREEN XTend your reach in QuarkXPress, page 93.
Want to hook up a new }
ing peripherals, or an older
Mac to recent USB devices? Our
connectivity guide shows you how.
ac to
‘Speak up! Mac voice recognition is
ae ek cosas Create
BY CHRISTOPHER BREEN Your
Mae can roam free with Apple’s Print
wireless AirPort technology— 93 Extend Your Efficiency in
follow our expert tips and set up QuarkXPress
a wireless network in a jiffy. BY DAVID BLATNER Make
XPress work the way you want
with X'Tensions.
Web
96 Flash with Substance
BY FRITH BREITZER Bring
your ideas to life with Macro-
media Flash.
Web
99 Animation in a Flash
BY DAVE McFARLAND Keep
Snip that cord and go wireless your creativity flowing: let
with AirPort, page 82. Macromedia Flash handle the
grunt animation work.
4 june 2000 MACWORLD
26
28
28
28
News
Are Internet Devices in
Apple's Future?
Apple may be mulling an entry
into the Internet-appliance
market. Analysts say the move
could make sense.
Adobe Puts It All Together
Updates to Illustrator and
GoLive continue Adobe’s
migration toward interoperable
applications.
Product Watch
New products for your Mac,
including a new line of printers
from Hewlett-Packard and a 42-
inch plasma display from NEC.
Pantone's More Colorful
World
The color-standards provider has
updated its reference products for
graphics professionals.
The Whole World in
Your Hands
Symbian’s Quartz computing
platform brings multiple applica-
tions under one roof.
ON THE COVER
Photograph by Mark Jobann;
Cisco provided by Bow Wine
Productions
Is Apple gearing up for a Net
appliance? page 25.
17
23
61
172
12
89
91
Opinion
Letters
The Vision Thing
BY ANDREW GORE Computer,
speakable items are not enough.
The Game Room
BY CHRISTOPHER BREEN M.
tering the subtle art of the
Deathmatch.
The Desktop Critic
By DAVID POGUE OS Xisjust
around the corner. How scared
should we be?
How to Contact Macworld
Get cozy with the new iBooks,
page 36.
Secrets
The Mac for Many
BY JOSEPH SCHORR Secrets
for maintaining your multiple-
user Mac.
Quick Tips
8Y LON POOLE
and shortcuts.
Tips, tricks,
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June 2000 MACWORLD
Macworld
¥P OF conTent/t0sT0R W CHEE Andrew Gore
[x€cUTIVE ASSISTANT TO THE VP OF CONTENT Shane Clark
torron Michael Penwarden
t0170%, macwonto.com Jason Snell
S190 FoITOR, FEATURES Scholle Sawyer
ston torTon, reviews Linda Comer
stwox tortor, maceuy.com Suzanne Courtean
stox torr0R, MACWORLO.cOM Lisa Schmeiser
Associate cortons Philip Michaels,
Terri Stone
ASSISTANT EDITORS Frith Breitzer,
Brett Larson,
Kelly Lunsford,
Jonathan Seff
EDITORIAL ASSISTANT David Read
CONTRIBUTING EDITORS
Henry Borman, Christopher Breen, Bruce Fraser, Jim Heid,
» Naney Peterson,
Ted Landau, Deke McClelland, ‘Tom Negeit
David Pogue, Lon Poole, Stephan Somogyi, Franklin N. ‘Tessler
Lap
tas omnccton Kristina De Nike
SOWOR LAB ANALYST Jeffy K, Milstead
ae anatyst Gil Loyola
ASSOCIATE TECHNICAL ANALYST Ulyssis Bravo
copy EDIT -
AcTING MANAGING EDITOR Paul-Michael King
cory cnite Jon Zobenica
cory eo1ron Charles Purdy
ART AND DESIGN
DESIGN OIRECTOR Eleanor Leishman
ART DIRECTOR Sylvia Chevrier
ASSOCIATE DESIGNERS Jackie Goodman,
Jonathan Woolson
INTERNATIONAL EDITORS
Australia; Bernard Le Du, France; Andreas
Borchert, Germany; Enrico Lot, Italy; Yoshio Moriya, Japan;
Tomasz Bitner, Poland; Daniel de Blas, Spain; Nils Holm,
Sweden; Anderson Huang, Taiwan; Bahattin Apak, Turkey
Simon Jary, United Kingdom
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Circle 83 on card or go to www.macworld.com/getinfo
10 June 2000 MACWORLD
Macwor't
PRESIDENT AND CEO Colin Crawford
ASSISTANT TO THE CEO/OFFICE MANAGER Elizabeth Lilly
oFrice assistant Franck Zamora
aecerniowst Cheryl Richardson
VPVCHIEF FINANCIAL OFFICER Stephen Daniels
“ Eos de Feminis
ACCOUNTING COORDINATOR Ronda Bittner
BILLING MANAGER. Ricardo Sandoval
DIRECTOR OF HUMAN RESOURCES Sue Murphy
HUMAN RESOURCE MANAGER Su-Tyen Wit
INFORMATION TECHNOLOGY DIRECTOR ‘Michael Dawson
IT MANAGER
it Jose “Peps” Jara
DISPLAY ADVERTISING SALES.
\vP OF SALES/PUBLISHER Steve Plevin (415/243-3509)
associate runusnen. cast Cymthia Ramsey (973/243-1197)
NATIONAL SALES DIRECTOR Liz Pabon (415/243-3526)
sates & mancering cooroiwaTOR Laura Ross (415/243-3642)
SALES ASSISTANT Katherine Lebioda (415/243-3577)
SALES ASSISTANT Brock Keeling (415/243-3662)
mamiowat accounts mawacer Jessica Ross (415/243-3583)
account execute Coretta Wright (415/243-3615)
NATIONAL ACCOUNTS maNAGER Sara Culley (970/327-4499)
Account executive Margaret Level Green (415/243-3582)
NATIONAL ACCOUNTS MANAGER Paul Bonarrigo (508/533-4020)
AccoUNT extcuTIvE Jo Zottareli (631/277-4134)
SHOPPER ACCOUNT MANAGER [Niki Stranz (415/243-3664)
sworreR ACCOUNT MANAGER Carol Johnstone (415/243-3691)
SHOPPER SALES COORDINATOR Alissa Mach (415/243-3628)
MARKETING
DIRECTOR OF MARKETING Hilary Weber
MARCOMM MANAGER Sharon Sanderson
MARKETING EVENTS COORDINATOR Tara James
PRODUCTION
PRODUCTION DIRECTOR Steve Spingola
DicITAL AD COORDINATOR Alan Anzalone
scold pebestion of Mac Pubihing, LLC. Macwerld san
Independent journal not affliated with Apple Computer, ic
raps, Quick Tp. Star Ratings, Buyer Teo Stetwise Shopper,
and Conspicuous Consumer ae reghtered
Pubahing. LLC. Apple, the Apple logo, Mac, and Macintosh ate
registered ademas, nd Mscltter and PowerBook ae tae
demarks of Mac
of Aspe Compute, Ic. Printed in the United States of Americ,
Copyright © 2000 Mac Pabtohing. LLC. Allright reserved
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Circle 140 on card or go to www.macworld.com/getinfo
June 2000 MACWORLD
Macworld
HOW TO CONTACT MACWORLD
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© 2000 Adobe Systems Incorporated. All rights reserved. Adobe, the Adobe logo, tagline “Inspiration becontés reality’ Adobe Premiere,
After Effects, GoLive, Illustrator, LiveMotion and Photoshop are trademarks of Adobe Systems Incorporated, Flash is a trademark of Macromedia, Inc.
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The successful candidate likes
working on a team, doing intense
and rewarding work, and being
around cool, creative and intelligent
people. Experience with graphics
software or server-side
development is helpful
Baltimore * A small
suburban ad agency seeks a Print Designer
who displays grace under pressure to handle
everything from proofing to design to pre-press
production. You must be a QuarkXPress expert,
exhibit acute attention to detail and have the
ability to work independently.
PHreitnmowl1led ge
Circle 97 on card or go to www.macworld.com/getinfo
Dave curr
a Lellers
X Marks the Spot
S X REPRESENTS A COMPLETE
bastardization of the Mac interface
(“Mac OS X Unveiled!” March 2000).
Nearly everything about the new user
interface is repulsive, counterintuitive,
gimmicky, and unnecessary. The worst
feature of the new interface is its nauseat-
ing motion. No one wants throbbing but-
tons, oozing icons, or sliding windows.
There are other problems, too. For
example, the window control buttons are
identical and very small. The Mac OS
used to representa truly easy-to-use, log-
ical, and elegant interface. Apparently,
Apple’s lust for dollars and newfound
bravado, arrogance, and profitability have
made the company lose its foc
STEPHEN R
SaveR II
Oxford, Ohio
Top Secret 0S 9
HANK YOU FOR YOUR FEATURE ON
OS 9 (“Top Secret OS 9,” March 2000).
I'd been pulling my hair out for two weeks
because I could not get Netscape Commu-
nicator 4.7 with 128-bit encryption booted
up. [ downloaded ita second time—almost
a two-hour undertaking—just to experi-
ence the same problem. But then Macworld
told me to remove the Talkback folder from
the Communicator folder. Hats off to you,
Macworld—I'm back on the Internet.
Jerry $
Antigo, Wisconsin
HUNKE
Quicken Ain't So Swift
APPRECIATED YOUR ARTICLE ON
using Quicken 2000 (“Easy Money,”
March 2000), but you failed to mention
one of Quicken’s great failings: its
inability to divide in the Portfolio view.
If you use Portfolio to keep track of
your stocks and a stock splits, the Aver-
age Cost Per Share function doesn’t ¢:
culate the average cost per share. Quick-
en’s fix is simply telling users to do the
math themselves. What's next? Rather
than printing through my printer, might
Quicken suggest that I get a pencil and
paper and simply jot words down as I read
them off the screen?
ANDY MILDER
Santa Monica, California
L QUICKEN 2000 IS THE MOST
wretched kind of bloatware. Intuit took
a product that once did something well
and then added a lot of bells and whistles,
and now the program no longer does the
thing that made it so wonderful.
I've used Quicken for years, since
my old Apple IIGS. I don’t need a mon-
ster program, but there is no basic ver-
sion for Macintoshes—only the Deluxe
version. I was forced to upgrade when
Quicken SE 96 turned out to be not
Y2K compliant.
My credit union insists that I’m
downloading QIF files, but Quicken 2000
doesn’t recognize them, even though I've
updated it as you suggested. Once I enter
the data by hand and begin to reconcile
(the only reason T have the program in the
first place), am faced with what Intuit’s
extremely limited tech support calls a
“known issue”: since only the first three
digits of a five-digit check number are
shown in the reconciliation window, all
my checks appear to have the same num-
ber. I don’t call this progress.
Davip Hart
Anchorage, Alaska
YALEN GRUMAN'S REVIEW OF
Catobe PressReady missed most of
what the product does (Reviews, March
2000), He incorrectly thinks the program
is another low-end PostScript translator
for ink-jet printers.
PressReady is the first affordable
color-printing tool for designers that
accurately simulates CMYK print colors
as they would appear on a Heidelberg or
other press.
‘The program provides huge cost sav-
ings over other proofing methods such as
Iris prints, film prints, and Matchprints.
In our office, we’ve found that our Epson
3000's PressReady proofs are amazingly
close to our final output. This has saved
us hundreds of dollars in incorrect film.
Gruman entirely missed the fact
that PressReady simulates Pantone spot
colors without forcing designers to load
an entirely different set of Pantone sim-
ulation color files into Adobe Illustrator
or QuarkXPress.
continues
www.macworld.com June 2000 17
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LETTERS
PressReady also simulates printing to
coated and uncoated paper stock—a real-
world printing-press concern—and applies
ink-dot gain accordingly. It lets us give
our clients proofs that correctly set their
expectations for color.
With all these features, PressReady is
asteal with a street price of around $200.
Heck, it paid for itself during the first job
by eliminating the need to rerun one set
of film and Matchprints.
Gruman’s review cast doubt on a very
exciting product for designers. Press-
can deliver fool-proof Portable
Document Format files for high-end
color work. It should have received four
mice (not five, only because it’s not a
stand-alone raster image processor that a
workgroup can use).
Dave
DANLBERG
Bountiful, Utab
Your CADdish Review
FTER READING CHARLES SEITER’S
A review of DenebaCAD 2.0, I came away
unable to discern the basis for several of his
perceptions (Reviews, March 2000).
I take issue with his insinuation that
contracts are won by dazzling renderings
at presentations. While effective render-
ings do help win a client’s approval, the
strength of a design is the real deal
maker—or breaker—for modern archi-
tects. CAD is not the same as rendering.
I was particularly baffled by the
reviewer's assertion that DenebaCAD’s
lack of a scripting language is not prob-
lematic because “today’s processors deal
with complex objects at lightning-fast
speeds, negating the need for such lan-
guages.” Savvy CAD professionals realize
the value of a scripting language lies
not in processor speed but in the design
flexibility it provides its users.
Every leading CAD application—
AutoCAD, MicroStation, VectorWorks,
and ArchiCAD—has moved to object-
based scripting languages. Advice counter
to this trend further exposes an utter lack
of understanding of today’s CAD tech-
nology and breaches the trust of Mac-
world’s well-informed readership by sug-
gesting that inferior functionality is offset
by processing speed.
Lastly, the reviewer displays a lack of
familiarity with the CAD-software mar-
ket by suggesting that DenebaCAD’s
only direct competitor is one that costs
five times as much and takes longer to
master. This is truly irresponsible jour-
nalism. There are several similarly priced
CAD programs with a comparable learn-
ing curve that not only adequately com-
pete with DenebaCAD 2.0 but also
completely outperform it.
BARTON GREER
Diebl Graphsoft, Columbia, Maryland
Diehl Graphsoft produces VectorWorks, a com-
peting CAD program.—Ed,
Steely Interfaces
COMPLETELY AGREE WITH DAVID
Pogue’s assessment of Apple’s interface
direction (“Why Stainless-Steel Soft-
ware Stinks,” The Desktop Critic, March
2000). It seems to me that the popularity
of successful Apple products can be
summed up in one word: simplicity. The
concept that has set Apple apart from its
competitors is its ability to put a simple,
friendly, intuitive face on a potentially
intimidating technology.
As Windows has evolved in the direc-
tion of the Mac, the Mac has unfortu-
nately gained some of the baggage that
makes PCs so difficult. As the new Mac
hardware delivers on the promise of sim-
plified technology, the new software
seems to be moving in the opposite direc-
tion. I’m sure that some focus group was
impressed with the QuickTime Player's
cluttered, oversize interface, but I was sad
to see the old, simple one go.
Tuomas Hatt
Phoenixe
le, Pennsylvania
AM VERY DISAPPOINTED IN DAVID
Pogue’s tone. First, I like the look of the
brushed-stainless-steel windows. I think
they have a more elegant look-and-feel.
But my disagreement goes further than
mere aesthetics. If you look at the screen
shot of the Mac OS X desktop on page 70
(“Mac OS X Unveiled!”), you can see a
new QuickTime window with the stan-
dard Mac OS X controls in the upper cor-
ners. Also, the annoying thumbwheel vol-
ume control has been replaced with an
easier-to-use sliding button.
Apple is listening and making the
necessary changes to its software. If the
folks in Cupertino are feeling little arro-
gant, I say let them! They've earned it.
Curis Tatian
Portland, Maine
The Man behind the App
WAS EXTREMELY DELIGHTED TO
see Sustainable Softworks’ IPNetRouter
1.4.3.3 win an Editors’ Choice award in
the network-utility category (“The 15th
Annual Editors’ Choice Awards,” March
2000). I have used IPNetRouter for over a
year, and it’s a great product.
But that’s only half the story. Peter
Sichel, the man behind the application,
works in a way that should be copied—he
creates well-written applications that
don’t hog memory or processing power.
And he lets users try out full working ver-
sions for a period of time. His software is
backed by a philosophy of honesty and
humility and a support system that can’t
be beat. Peter has always responded to my
e-mail questions within 24 hours.
Peter’s product made life at our little
union office much easier—no more
yelling into the next office to make sure
someone else wasn’t already hooked up on
their computer before going online.
Thank you, Macworld, for recognizing
a great application and a great programmer.
Eric ODIER-FINK
Brooklyn, New York
Free Macs for All?
| ee JUST HEARD THAT APPLE IS
not allowing FreeMac.com to distribute
free iMacs, even though FreeMac.com is
offering to pay full price for them.
Ihave the ability to purchase an iMac,
but the single mother next door doesn’t.
FreeMac.com’s program would have
brought many new people to the Mac plat-
form without Apple having to do anything
Steve WaTson
Dallas, Texas
Letters should be sent to Lerters, Macworld, 301
Howard St., 16th Fl,, San Francisco, CA 94105;
fax, 415/442-0766; or electronically, to letters@
macworld.com, Include a return address and day-
time phone number. Due to the high volume of mail
received, we can't respond personally to each letter.
We reserve the right to edit all letters. All published
letters become the property of Macworld
The illustration for “Getting Into In-
Design,” (Create, March 2000) was
created by Gordon Studer.
S
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Circle 29 on card or go to www.macworld.com/getinfo
www.macworld.com June 2000 19
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The Vision Thing
SURE, YOU CAN TALK TO YOUR MAC—BUT WHO KNOWS IF IT
N A FINE SUNNY DAY, A
man sits down at bis com-
puter and goes to work. But
instead of grabbing the
mouse or pecking at the key-
board, be leans into a micro-
phone and begins to speak.
“Computer, open
‘Vision Thing’ for June.”
I'm sorry, Andy, but I can’t do that.
“Computer, why not?”
I don't understand.
“Computer, open the document s
enteen dot zero six Vision Thing dot A G.”
I'm sorry Andy, but Lcan't do that either;
“Computer, why not?”
I don't understand “the document s
teen dot zero six Vision Thing dot A G.”
“Computer, open the volume The
Tron Age.”
Volume The tron Age is open.
“Computer, open the folder Vision
Thing Stuff.”
Folder Vision Thing Stuff is open.
“Computer, open the document sev-
enteen dot zero six Vision Thing dotA G.”
Document seventeen dot zero six Vision
Thing dot A G is open.
“Computer, start ViaVoice.”
sorry Andy, but I can’t do that.
n-
“Computer, WHY NOT?”
I don't understand “ViaVotce.”
“Computer, close the folder Vision
Thing Stuff.”
Folder Vision Thing Stuff is closed.
“OK. Computer, open the folder
Applications.”
Folder Applications is open.
“Computer, start ViaVoice.”
ViaVoice started.
e Over
“Start dictation.”
“Speech recognition on the Mac has
been a long time coming. Few may
remember this now, but the Mac had
command-and-control speech recogni-
tion long before the PC did. I was at the
debut—former Apple CEO John Sculley
on stage with speech-recognition wun-
derkind Kai-Fu Lee—as the first com-
mand was given to Casper, as what would
ultimately come to be known as Plain-
Talk was then code-named. It worked.
And the audience went wild.
“Correct ‘skull.’ C:
“Once Plain Talk arrived in the §
tem Folder it was allowed to languish,
never more than a cute trick you could use
to entertain your friends. It wasn’t until
many years later that speech recognition
in the Mac OS got a much-needed
update. With OS 9, command-and-con-
trol in the OS finally got usable.
“And, of course, Apple didn’t deliver
the biggest innovation in recognition:
dictation. Thanks largely to IBM’ efforts,
dictation now works, and works well, on
the Macintosh. Yes, there is still some
work left to perfect it, especially in terms
of integration with other applications, but
IBM’ ViaVoice continuous speech recog-
nition is an amazing step forward.
“Correct ‘four words.’ Pick 1
“Want to know more about how to
get speech recognition to really work on
your Mac today? Check out our special
report in this issue.”
by Andrew Gore
WILL UNDERSTAND YOU?
Speech Impediment
“The real shame is, as far as we have come,
the Mac is still behind Windows in speech
recognition, especially in getting it to
work consistently in all applications. I
don’t blame this on the developers. I
blame this on Apple. Apple could be doing
a whole lot more to make it possible for
companies to fully integrate speech soft-
ware into the operating system. Users
shouldn't have to build their own Apple-
Scripts to get speech recognition to do
basic things, like access menu commands.
“And there should bea standard way of
connecting dictation to applications so that
all features work in all applicable software.
For example, we shouldn't have
to give up direct correction
of misinterpreted words just
because we happen to be using
an unsupported application.
“Correct ‘mist interpreter.’
Pick 2.
“And perhaps the best op-
portunity Apple has to fulfill the
potential of this technology is just
around the corner: Mac OS X. In
the modern Mac OS, Apple could
reinvent the user interface by
making voice a standard way of
interacting with the Mac. Not as
an add-on, but asa fully and ele-
gantly integrated input method.
“Too bad Apple seems con-
cerned only with making the Mac
OS X interface look pretty. The company
could be doing for voice what it did for the
mouse two decades ago, instead of agoniz-
ing over what shade of blueberry the buttons
should be. With voice, you wouldn’t even
have to look at the screen to get work done.
“Transfer to Word.
“Computer, print document.”
I'm sorry, Andy, but I can’t do that.
“Computer, stick it where the sun
don’t shine.”
Sorry, Andy, I can’t find that volume. 1
Questions? Comments? E-mail them to
Andy at visionthing@macworld.com.
www.macworld.com June 2000 23
The Seven Deadly Macintosh Sins:
Software Conflicts
r\
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Hardware
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Memory
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Viruses
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Software
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Circle 67 on card or go to www.macworld.com/getinfo
JUNE 2000
NEW PRODUCTS COULD
EXTEND INTERNET
PRESENCE
by Philip Michaels
obile phones that
let you send and
receive e-mail; Web
terminals in your
kitchen that
download recipes; cars equip-
ped with on-board computers
able to locate restaurants,
print out directions, and even
help you phone ahead for
reservations—devices such as
these are either already on the
market or at least in the plan-
ning stages. They’re part of a
growing universe of Internet
appliances—basic consumer
devices that offer easy access
to the Internet. And, if one
Wall Street analyst proves
correct, Apple could soon join
that universe.
Appliances Ahead? In a
report issued after a February
visit to Apple, Merrill Lynch
computer analyst Steven
Fortuna wrote that he
expected Apple to unveil an
Internet-appliance strategy
this summer, possibly at
Maeworld Expo in July. Such
an announcement would “add
some meat” to the Internet
strategy Apple announced
earlier this year, wrote
Fortuna in an earlier report.
can
Apple’s reaction? “That
would be speculation,” spokes-
woman Rhona Hamilton says,
“and we wouldn’t have a com-
ment on it.”
Analysts say Apple may be
keeping mum about an
Internet-appliance strategy in
public. But that doesn’t mean
the company isn’t mulling
over such a plan behind closed
doors. “They have no inten-
tion of getting out of the PC
business. They’re very firm
about that,” says Tim Bajarin,
president of consulting firm
Creative Strategies. But, he
Are Internet Devices in Apple's Future?
adds, “if you’re Apple, you’d
be crazy not to look at” devel-
oping the Mac OS for another
company’s Internet device or
even producing an appliance.
Net Growth Consider the
potential market. The number
of Internet appliances should
top 37 million in 2002, reports
Jupiter Communications, an
Internet-commerce research
firm. That's a jump from 1.2
million in 1997.
Compaq, IBM, Hewlett-
Packard, and Microsoft have
either expressed interest in
the Internet-appliance market
www.macworld.com
or started rolling out
stripped-down devices, But
don’t expect other companies
to force Apple’s hand. Devices
such as Compaq’s iPaq target
the corporate market—not an
area that Apple tries to woo,
says Gerard, Klauer, Mattison
& Company analyst Lou
Mazzucchelli.
“Apple’s always been a
maverick,” Creative Strategies’
Bajarin says. “I don’t expect
them to march to [someone
else's] drumbeat.”
There are other reasons
continues
June 2000 25
Apple might not pursue an
Internet-appliance strategy.
‘The company already has a
successful consumer prod-
uct—the iMac—that prom-
ises easy access to the
Internet. An Apple-branded
Internet device may harm
iMac sales, And after
putting its house in
order with a series of
successful product
launches, Apple may
want to avoid a
Newton-like disaster,
ll, Apple may
decide that Internet
appliances make per-
fect sense. While
Internet devices won’t
ever replace PCs,
their sales should
skyrocket in the next few
years. By 2005, Bajarin esti-
mates, Internet appliances
could outsell PCs by as much
as a 4-to-1 ratio.
“Apple is the top brand in
the world,” Bajarin adds.
“There's no reason to believe
they can’t make hay with an
Internet device.”
A Friendlier
Linux?
APPLE VETS BUILDING A
CONSUMER VERSION OF
POWERFUL OS
by Frith Breitzer
or the past few years,
Linux _ proponents
have trumpeted the
merits of their grass-
roots, Unix-like oper-
ating system. It’s free, it’s fast,
and because it enjoys broad
support among program-
mers, bugs are easy to fix. But
Linux’s command-line inter-
face may have put off many
power users, keeping the
26 June 2000 MACWORLD
| News
operating system from gain-
ing wider acceptance.
‘That could soon change.
Former Apple employees
Andy Hertzfeld, Michael
Boich, Bud Tribble, and
Susan Kare have teamed up
at a new company called
Eazel. The!
a new graphical shell, code-
named Nautilus, for Gnome
2.0 (a popular Linux desktop
environment and applica-
goal? To build
tion framework), and to
offer Internet services that
will help users install, con-
figure, and update the oper-
ating system.
Apple Seeds Eazel’s
core management team has.
experience building an inter-
face simple enough for anyone
to use. Boich, the company’s
president and CEO, founded
Apple’s software-evangelism
group for the Macintosh.
Hertzfeld designed and imple-
mented much of the original
Mac system software, while
‘Tribble managed the original
Mac software team. Kare
worked on the first icon
designs for the Mac OS.
The question now: Can
these Apple veterans do
for Linux what they did for
the Mac?
“The graphical shell is
the glove through which the
user touches the rest of the
system,” says Hertzfeld, who
has kept the title “software
wizard” from his days as a
Mac programmer. “It really
is a key point in terms of
usability. But the toughest
part is the system’s care,
feeding, and maintenance.
The real opportunity here is
to use the Internet to pro-
vide the knowledge base that
can keep your computer
running smoothly without
any_ technologi-
cal expertise on
your part.”
Programmers
and developers
make up the bulk
of Linux users.
About 89 million
copies of operat-
ing systems were
sold in 1999,
search firm
IDC says. Linux
made up 4 per-
cent (by compari-
son, the Mac OS accounted
for 5 percent),
Source of Strength
Eazel believes that the open-
source nature of Linux is the
OSS s . With open-
source developers
are free to distribute and
change code. Therefore, the
software-development pro-
cess becomes a collaboration,
and no single company really
owns the code.
A big focus at Eazel is
developing custom interfaces
for various file types. For
example, the file manager
might recognize a directory
as being made up of music
files and display it in a partic-
ular way. Users could then
view the files in a mode that
resembled an MP3 player,
complete with song titles and
running lengths.
Gnome 2.0—including
Nautilus—will be free for
people to change and distrib-
ute. Eazel plans to turn a
profit by providing Internet-
based services to Linux users.
“Our overall goal is to make
Linux and open-source soft-
ware in general easier to use,”
Hertzfeld says.
For now, Gnome is
aimed at current Linux users.
In time, Eazel hopes it will
appeal to novice computer
users. A beta release of
Nautilus is scheduled for
this summer, and all the
components of Gnome 2.0
should be ready for distribu-
tion by this fall.
Adobe Puts It
All Together
ILLUSTRATOR, GOLIVE
UPDATES OFFER MORE
SHARED FEATURES
by Frith Breitzer
ith Adobe's (800/
833-6687, www
sadobe.com) lat-
est versions of
Illustrator — and
GoLive, users will find that
the company’s applications
have more in common than
ever before.
ke the updated Web-
authoring tool, GoLive 5.0.
Tt includes Photoshop tech-
nology that allows users to
automatically resize and opti-
mize native Photoshop files
within GoLive. What's more,
GoLive, Illustrator 9,0, and
the recently unveiled Live-
Motion can share objects
with one another. Clicking
on an image in GoLive will
automatically launch the
Adobe application that cre-
ated it. After you've edited
the source file, it’s automati-
cally updated in GoLive.
Illustrator 9.0 shares fea-
tures with other Adobe pro-
grams, including Photoshop.
Users can export files to
Photoshop with intact, edit-
able type layers. Designers can
use Photoshop and third-party
filters on vector images, and
the vectors remain editable.
Web Wonders The
Illustrator upgrade includes
ciwsow
Web-savvy features that
users may recognize from
other Adobe products. Illus-
trator 9.0 can export to
Flash, GIF, JPEG, PNG, and
SVG formats. Users of
Adobe ImageReady will find
that Illustrator 9.0 makes use
of a Save For Web feature
similar to the one in Live-
Motion. This Web optimiza-
tion tool allows users to see
how changes in compression
and optimization affect
image quality.
GoLive 5.0 and Illustrator
9.0 add many other new fea-
tures, including a few that
designers have been request-
ing for some time.
For example, Illustrator
9.0 supports transparency.
Designers can use effects
including ghosted type, fades,
and soft shadows. They can
control feathering to soften
transitions between fore-
ground and background
objects. In addition, users
can turn any object into an
opacity mask that controls
how objects underneath it
show through.
Common Code GoLive
5.0 includes new features
such as a QuickTime editor
for audio and video files that
lets designers place Quick-
Time and Flash files on a
timeline. GoLive is compati-
ble with other forms of code,
such as ASP, ColdFusion, and
XML, because the program
won't change code it hasn’t
created itself,
Taking a cue from
Macromedia’s highly exten-
sible Dreamweaver HTML-
editing program, GoLive 5.0
is extensible via a software
development kit. GoLive 5.0
includes an integrated devel-
opment environment for
JavaScript that lets program-
mers customize features such
as palettes, inspectors, and
menu items.
GoLive 5.0 also supports
the WebDAV standard, so
designers can avoid over-
writing each other's work.
Illustrator 9.0 is slated to
ship during the second quar-
ter of 2000. It will cost
around $399, with upgrades
priced at $149. CorelDraw
and Macromedia FreeHand
users can purchase Illustrator
9.0 for $249. Customers who
bought Illustrator 8.0 after
April 5, 2000, are eligible for
a free upgrade. GoLive 5.0 is
expected to ship in June
2000. At press time, Adobe
hadn't set a price.
Photo Printing
Comes Home
PRINTERS MAY BE A
BOON FOR DIGITAL
CAMERA USERS
by Frith Breitzer
ore-powerful cam-
eras have brought
the digital photo
market into focus.
Some recently
introduced printers that cater
to digital shutterbugs may
push the digital photo busi-
ness to the next level.
Photo printers have been
available for years,
but only recently
have digital cam-
eras been able to
produce the high-
resolution image
files that make
traditional photo-
quality _ printing
possible. And this
time around,
more-affordable
photo printers
could encourage more people
to give digital cameras a try.
Epson (800/873-7766,
www.epson.com) claims that
its new Stylus Photo 870,
Stylus Photo 1270, and
Stylus Photo 875DC ink-jet
printers can reproduce the
look-and-feel of traditional
silver-halide prints. Epson’s
printers feature a continuous
edge-to-edge 4-by-6-inch
snapshot printing system
similar to those used in com-
mercial photo labs. All three
Epson printers —_ feature
1,440-by-720-dpi resolution
and new inks that the com-
pany says last longer than its
earlier products.
The $299 Stylus Photo
870 and the $399 Stylus
Photo 875DC were set to hit
the market in early April 2000.
The $499 Stylus Photo 1270
should ship in May. It has a
wider, 13-inch carriage, mak-
ing it compatible with more
print sizes.
The Dye Is Cast Fujifilm
(800/800-3854, www.fujifilm
.com) has leveraged its expe-
rience with conventional
film-based photofinishing to
offer a different type of
printer. The portable FinePix
Printer NX-500 uses Fuji-
film’s Thermo-Autochrome
dye-sublimation __ printing
technology to produce 4-by-
6-inch, 306-dpi prints in two
minutes.
Unlil
ke ink-jet printers,
the FinePix requires no inks,
toners, or ribbons. Instead, as
in conventional photo print-
ing, the dyes form in the
paper. The FinePix should
ship in May for $299.
Like Fujifilm, Sony (800/
686-7669, www.sel.sony.com)
uses a dye-sublimation print-
ing process. Sony’s UP-DP10
photo printer uses special
paper to produce laminated
4-by-6-inch borderless photo
prints with 300-dpi resolu-
tion. The printer was to ship
in April, priced around $389.
Windows
2000: Server
with a Smile?
GIVES MAC USERS MORE
THAN WINDOWS NT
by Philip Michaels
ac users most likely
took little notice of
Microsoft's (425/
882-8080, www
-microsoft.com)
splashy launch of Windows
2000. After all, the new oper-
ating system caters to the
high-end computer-network
market—not exactly the
home turf of Apple’s Mac OS.
Still, Mac users on net-
works run by Windows NT
Server 4.0 may have reason
to welcome Windows 2000.
Microsoft promises that
Windows 2000 Server will
provide easier-to-manage file
sharing and remote access for
Mac users. Cross-platform
networking specialists call
the upgrade’s Mac support a
big improvement over what
NT offers.
Corporate networks com-
monly include Macs, and
Windows NT is often the
server of choice. “There are
probably just as many Macs
connected to NT servers as
there are connected to
AppleShare,” notes John
Rizzo, editor of the cross-
platform integration Web site
MacWindows.com.
Windows Dressing?
Still, NT Server 4.0 had a few
problems supporting the
continues
www.macworld.com June 2000 27
Print It Pretty Hewlett-
Packard (800/552-8500, www
hp.com) has given graphics pro-
fessionals more printers to choose
from with its release of the HP
Color LaserJet 8550 printer
series. The new printer line
includes the 8550GN, aimed at
the graphics market. The 8550GN
features 11-by-17-inch full-bleed
printing, automatic Pantone color
calibration, a 300MHz processor,
and 128MB of RAM, Prices for
the new printers start at $4,500,
with the 8550GN retailing for
around $8,500.
Bigger Is Better Continuing a
quest for ever larger and ever flat-
ter display screens, NEC (800/
632-4636, www.nectech.com)
has produced a 42-inch plasma
display. The PlasmaSync 42MP1
is designed for conference-room
presentations, videoconferencing,
and training programs. It's com-
patible with conventional video,
HD video, computers, and DVI
digital inputs and sells for $9,995.
‘The Note to End All Notes
Weary researchers should be
happy to hear that ISI
(800/554-3049,
www.isiresearchsoft.com) has
ResearchSoft
upgraded its bibliographic soft-
are. EndNote 4.0 features a
new user interface and more lev-
els of customization. It also fea-
tures autocompletion of new
entries and automatic inclusion of
entries in terms lists. The program
retails for $299, though ISI
ResearchSoft has special upgrade
prices and student rates EDITED
BY FRITH BREITZER,
Mac. Early tests of Windows
2000 Server indicate that it
corrects those flaws. For
example, Windows 2000 sup-
ports Apple File Protocol over
TCP/IP, whereas Windows
NT allows Mac clients to share
files only through AppleTalk.
The addition of TCP/IP sup-
port via Windows 2000
MacFile feature makes it eas-
ier for Mac users to share files,
Microsoft says. There's also
the potential for faster data-
transfer speeds with TCP/IP.
Another new feature,
MacPrint, lets Mac users send
documents to printers con-
nected to a computer runt
Windows 2000 Server. Win-
dows 2000 users can also send
documents to printers on an
Apple'Talk network.
With Windows NT, Mac
users couldn't dial in to the
server and access the network
remotely. Windows 2000
Server fixes that by letting
Mac users dial in using the
Mac OS's Remote Access con-
trol panel. The upgrade also
fixes a bug in Windows NT
that incorrectly reported the
size and remaining space of
volumes mounted on a Mac.
Windows 2000 Server also
offers consistent security for
Mac and PC users across a
network—a benefit for net-
work managers, Rizzo says.
Even with those benefits,
though, not every network
administrator will rush to
upgrade. Besides using more
memory than Windows NT,
the new operating system
may have some glitches to
overcome—as many as
63,000 bugs, according to an
internal Microsoft memo.
“Once that’s shaken out, I do
think Windows 2000 Server
will benefit Mac users,”
Rizzo says.
Microsoft is selling
Windows 2000 Server with
ten-client access licenses for
$1,199. The advanced version
of the server sells for $3,999.
Upgrades cost $599.
newly unveiled Quartz design — develope
(650/598-4747, www.symbian.com) can com
and a mobile phone to offer features such z | as « [
browsing, telephony, and wireless connectivity with other
devices. The idea
behind Quartz is
‘to make it easier
for handheld de-
vices to commu-
nicate with each
other, Motorola,
a partner in the
‘Symbian consor-
tium, plans to release a Quartz-based phone
of 2001. Symbian Partners E Ericsson and Psion have aa
Quartz as well. No word on | whether Quartz devices will also.
do windows.—PHILIP MICHAELS
Pantone’s
More Colorful
World
UPGRADES ADD COLORS,
PAPER STOCKS
by Philip Michaels
ixty-four colors may
be enough for a box
of crayons, but
graphics profession-
als are a little more
demanding. Enter color-
standards provider Pantone
(888/726-8663, www.pantone
.com) with updates to its ref-
erence products that bring
the total number of colors
in its guides and chip books
to 1,159.
“When you take a prod-
uct that’s 37 years old, you
have to revamp and revise it
based on the needs of the
people who use it today,” says
Richard Herbert, Pantone
executive vice president.
The upgrades add colors
across the spectrum, as well
as a more diverse palette of
earth tones. Pantone says the
new paper stocks are cleaner
and brighter, and the com-
pany has added a matte—
coated-paper edition.
The upgrades include
revised color guides and chip
books that show off the new
colors and paper stocks. Pan-
tone’s $109 Formula Guide
should be on shelves by this
May, as should Pantone Solid
Chips, a three-volume binder
that will sell for $289. Also
coming out this spring, the
Solid to Process Guide, which
compares Pantone colors to
their closest matches in
CMYK process color, will
sell for $109, while Solid to
Process Chips will sell for
$229. Pantone’s $129 Process
Guide and two-volume $229
Process Chips are already
available.
Pantone also plans to
release two enhanced kits this
May, the $219 Pantone
Survival Kit and the $279
Ultimate Survival Kit.
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PowerBook 2000
MILD-MANNERED UPDATE,
OR SUPER-POWERBOOK?
POWERBOOK IS MORE THAN A
computer. It’ a loyal companion,
an indispensable assistant, a home
entertainment system, and a gate-
WA way to the world, The mobility
of the PowerBook, combined with an
uncompromising feature set, makes it a fix-
ture in the lives of mobile users. The only
thing holding it back is a single wire lead-
ing from the back of the portable to a
phone or Ethernet jack.
No more.
With the release of the latest Power-
Book G3, Apple has added a host of
improvements to a product that just
ago Macworld deemed without pet
the list ofimprovements is long and impr
sive, one new feature makes the release of
the latest PowerBook a watershed event in
the history of mobile computing: the addi-
tion of an internal AirPort slot. With a $99
AirPort card installed, the PowerBook cuts
its last tie to the earth, leaving users free to
roam their homes and offices.
\
il
\
A Featured Player
How can you one-up yourself when you
already make the most feature-rich
portable on the market? Simple: Pile on
even more features.
All the features from the bronze
PowerBook remain intact, including last
year’s industrial design (see Reviews, Sep-
tember 1999). But fear not: while the new
PowerBook’s chassis is unchanged, under
that black polycarbonate skin is a totally
new logic board that gives this portable
more in common with Apple’s supercom-
74 desktop machines than last
year’s PowerBook.
Because the G4 is too power-hungry
to make a good processor for a portable,
the new PowerBook features a G3
what a G3! The high-end configu
still priced at a moderate $3,499, clocks
in at SOOMHz; the $2,499 model, at
400MHz. Better yet, Apple has
surrounded these speedy G3s with state-
of-the-art G4 logic boards. Highlights of
the new board include the ATT Rage
Mobility 128 graphics controller with
8MB of SDRAM and support for 2-D and
puting
3-D graphics, the AGP 2x graphi
tecture to push those pixels even faster, a
100MHz memory bus capable of sup-
porting up to 512MB of PC100 RAM,
and an Ultra ATA/66 hard drive with as
much as 18GB of storage capacity.
Perhaps most incredible is what you
get in the base model: a 400MHz G3 pro-
cessor, 64MB of RAM, a 6GB hard drive,
and a DVD-ROM drive. Yes, now all
PowerBooks come standard with DVD-
movie-playback capability, giving you the
best seat in the theater on your next cross-
country flight. The high-end model adds
another 64MB of RAM; 6GB of disk stor-
age; and of course, the S00MHz G3 pro-
cessor. (A $3,997 system with an 18GB
ibe
REAL RATINGS
VERY GooD: $466 Goop: $$$
Reviews you can trust: Macworld rates only final shipping products, not prototypes. What we review is what you can actually buy.
OUTSTANDING: $99¢%
UNACCEPTABLE: $
32 June 2000 MACWORLD
drive, an extra battery, and an AC adapter
is available only from the Apple Store.)
By the Numbers
Like cold, hard numbers to back up a
product’s claims? The results of Mac-
world Lab’ testing should impress even
the most-skeptical shoppers.
Using MacBench 5.0, we compared
the 2000 PowerBook to both of last year’s
models and a 400MHz G4 desktop (see
“More Power to Go”). We found that the
new PowerBook’s logic board delivered
seriously improved disk and graphics per-
formance, especially compared with its
1999 predecessor. For example, the 2000
PowerBook’s graphics score is more than
60 percent higher than the 400MHz
bronze PowerBook’s. The 500MHz
PowerBook delivered especially impre:
sive graphics numbers, coming within
shouting distance of the G4 desktop.
Our biggest surprise when testing the
new PowerBooks wasn’t speed results but
battery life. You would expect battery life
to go down as performance goes up. Not
so with the new PowerBooks, which actu-
ly offer improved battery life. Using our
office-software test and default energy-
aver settings, we ran the 400MHz model
for 3 hours and 26 minutes on one bat-
tery charge; last year’s 400 MHz model
ran out of juice 25 minutes sooner. The
500MHz model delivered slightly le:
than three hours of battery life.
No Strings Attached
When you've got that extra battery life,
what's the first thing you want to add to
your portable? More power-hungry f
tures, of course.
This PowerBook is the first to offer
AirPort wireless networking, and we
couldn’t be happier. Until you've had the
pleasure of showing someone a favorite
Web site while cradling your PowerBook
in one hand and running your other hand
underneath it to demonstrate that there
are no visible connections, you just can’t
appreciate how liberating wireless net-
working at Ethernet speeds can bi
While wireless technology offers the
greatest impact for portable users, it’s not
the only important new capability in the
2000 PowerBook. This portable also adds.
two FireWire ports to the back panel, at last
putting a stake through the heart of SCSI
on the Mac platform. The PowerBook is
the ideal home for FireWire—who better
than mobile professionals to take advantage
More Power to Go
Best results in red. Reference systems in italics. MacBench 5.0 scores
are relative to those of a first-generation Power Mac G3/300, which
is assigned a score of 1,000 for each test.
MACBENCH 5.0
Processor
Disk Graphics 1
Apple PowerBook G3/500 FreWite) — 1S 1257 2,725
Apple PowerBook G3/400 (FiteWire) — 1231 12) 2,487
Apple PowerBook 3/400 Con) —- 7,224 2 1,501
Apple Powerbook G3/333 (ome)$$—_ = 948 2 = 1.385
Apple Power Macintosh G4/400. a 20 52,126
Behind Our Tests
‘We tested each system with Mac OS 9, a 2MB system disk cache, and virtual
memory disabled. All machines were tested with 64MB of RAM, except the
S500MH2 PowerBook, which ships with 128MB of RAM—Macworld Lab testing
supervised by Gil Loyola
of tiny, light, hot-swappable hard drives
that don’t require separate power sourc
Then there's the matter of being able
to directly download video from a Fire
Wire-equipped DV camera to the Power-
Book. Apple has foolishly left iMovie off
the hard drive, expecting PowerBook
users to pony up $999 for Final Cut Pro if
they want to join the DV revolution.
Sorry, Appl
boat on this one,
, but you clearly missed the
Bugs and Boos
Tt may take a while to learn all of the
PowerBook’ idiosyncrasies and figure out
whether you can really live with them. For
example, the first PowerBook G3. to
include USB had several bugs a
with using that port, including losing USB
Those bugs, it turned out, were
ssociated
devices.
not fully addressed in the bronze Power-
Book; Apple added to the list of petty
annoyances DVD drives that would sud-
denly cease to function, and a tendency for
the PowerBook to crash when waking up
from sleep mode on a new network
We're happy to report that with the
new PowerBooks, the USB problems
seem to have been resolved at last. So,
too, have the mysterious problems with
the DVD drives. However, after a couple
ting we noted that the
hing glitch began to rear its
of weeks of t
sleep-c
ugly head. As we went to press, Apple had
posted a bug-fix that seemed to have erad-
icated the problem,
One other bug the new PowerBook
seems to have inherited—not from earlier
models but from the iBook—is date reset.
Whenever you reset the system by push-
ing the button on the back panel, the
computer zaps all parameter RAM,
including date and time—which are reset
to 1/1/1904, 12:01 a.m.
Macworld's Buying Advice
What can we say? Apple’s done it again
with the release of the new PowerBook.
Yes, the company blew it by not bundling
iMovie, but for most mobile professionals.
that won't matter much. And yes, the
date-reset bug is unfortunate. Otherwise,
this is as close to a perfect PowerBook as.
you can get. Now, for next year’s model,
let’s talk about wireless communication
for when you're away from an AirPort
base station. .
ANDREW GORE
PowerBook 63/400
RATING: $$98Y2 PROS: Absolutely amazing
feature set for the money; leaves very few
reasons to step up to more-expensive configura
tions, CONS: No iMovie bundle makes DV fea-
tures inaccessible; annoying date-reset bug.
COMPANY: Apple Computer (800/795-1000,
wwwaapple.com). LIST PRICE: $2,499.
PowerBook 63/500
RATING: $§8#% PROS: Fastest Mac portable
ever made; mind-blowing feature list. CONS:
No iMovie bundle makes DV features inaccessible;
annoying date-reset bug. COMPANY: Apple
Computer (800/795-1000, www.apple.com).
LIST PRICE: $3,499.
www.macworld.com June 2000 33
G4 Processor Slot Upgrades
[Reviews
SQUEEZE A FEW MORE YEARS OUT OF YOUR POWER MAC
PPLE DOESN'T SEEM TO LIKE
beige. The public doesn’t seem
to like beige. You may not like
beige. But if you have a beige
Mac on your desktop, you might
want to consider upgrading it rather than
going graphite. The latest G4 upgrade
cards are surprisingly stable and bring
older Power Macs’ performance close to
that of new Macs. With prices ranging
from $600 to $850, G4 upgrades aren't
cheap, but many users—particularly
those with a significant investment in
peripherals—will find them an econom-
ical alternative to new 400MHz G4 sys-
tems, which start at $1,600.
Maeworld Lab took a look at all the
U.S.-made G4 processor slot upgrade
cards, in both 350MHz and 400MHz
configurations: Newer Technology's
Maxpowr G4, Powerlogix’s Pow
Force G4, Sonnet ‘Technologi
Crescendo G4 PCI, and XLR8’s M:
Carrier G4. These upgrades work by
G4 Upgrade Cards Compared
Clockwise from upper left: Newer Technology's Maxpowr G4, Sonnet Technologies’ Crescendo G4 PCI,
and Powerlogix’s PowerForce G4,
Company's
Mouse _ Estimated
Company Product Rating Price Contact Pros Cons
Newer Technology ‘Maxpowr G4 iil $599 316/943-0222 Easiest card to install; on-board No DIP switches.
350MHz wwwwnewertech.com —_speculative-processing fix.
Powerlogix PowerForce G4 008 $599 877/849-2504 Includes fan; DIP switches let you Documentation is only
350MHz wivw.powerlogix.com select optimal bus and processor _for the technically adept.
speed.
Sonnet Technologies Crescendo Ga Pcl 944 $500 800/786-6260 Easy to install; excellent ‘No DIP switches
350MHz wwwsonnettech.com documentation.
XLRE. ‘Mach Carrier Ga $90 $719 888/957-8867 ZF card allows for future upgrades; Most expensive 350MHz
350MHz wovw.xlr8.com DIP switches let you select optimal upgrade at press time.
bus and processor speed.
Newer Technology ‘Maxpowr G4 one $799 316/943-0222 Easy to instal; on-board specu- Expensive; no DIP switches.
400MHz www.newertech.com _lative-processing fix.
Powerlogix PowerForce Ga ry $850 877/849-2504 Tncludes fan; DIP switches let you Most expensive at press
400MHz www-powerlogix.com select optimal bus and processor —_time; documentation is only
speed. for the technically adept
‘Sonnet Technologies Crescendo G4 PCI eee $650 800/786-6260 Easy to install; excellent Expensive; no DIP switches.
400MHz wwwsonnettech.com documentation.
XLRB ‘Mach Carrier G4 60% $849 888/957-8867 Upgrade comes on small carrier Expensive,
400MHz www.xlr8.com ZIF card for future ZIF upgrades,
34 June 2000 MACWORLD
DIP switches let you select opti-
‘mal bus and processor speed.
replacing the Mac’s original CPU with
a new one driven by a G4 processor.
They’re for use in the Power Macin-
tosh 7300, 7500, 7600, 8500, 8600,
9500, and 9600; the DayStar Genesis
and Millennium; the Power Comput-
ing Power'Tower Pro and PowerWave;
and the Umax J700 and $900.
Do You Need a G4?
The big difference between a G4 pro-
‘ssor and a G3 processor is that the G4
s AltiVec (called Velocity Engine by
Apple). AltiVec offers a major speed
boost, but only to applications that take
advantage of it; multimedia and graphics
software will see the biggest perfor-
mance improvements.
In addition, not all software has been
optimized to derive a performance benefit
from the G4 processor (to see a list of soft-
ware currently optimized for the G4, go to
hetp://macworld.zdnet.com/2000/03/01/
g4acceleratedtable.html). If the applica-
tions you commonly use aren’t on that
list, you may want to consider getting a
G3 upgrade for your Mac instead; a G4
upgrade won't give you much of a boost.
All the G4 slot upgrades we tested
delivered similar performance—not sur-
prising, since they’re all based on the
same processor. What is remarkable about
the upgrades is how close they come to
matching the performance of new G4
machines. In most of our tests, each
upgrade running in a Power Mac 7300
was nearly as fast as a graphite G4 with
the same processor speed. Surprisingly,
the only time the upgraded 7300 lagged
noticeably behind was when we ran the
Quake III tests—though, to be fair, the
upgrades were running in a machine that
previously would allow you to play Quake
III only grudgingly.
Hardware Issues
All sophisticated computer proc
use a technique called speculative pro-
ing—moving data they think they
will need into the cache—to improve
overall performance. The G4, since it
usually runs four or more times as fast
as the system bus, has a lot of time to
speculate. (For more information on
speculative processing and G4 up-
grades, go to www.macworld.com/2000/
06/reviews/g-+upgradewoes.html.)
Getting a G4 upgrade to work in an
older Mac means adding a bit of code to
the Mac’s open firmware (data stored on
your Mac that controls some of its most
basic functions) to prevent the new pro-
cessor from making catastrophic mistakes
while speculating. Newer ‘Technology's
upgrades have a ROM chip that contains
this data; when the upgrade starts up, it
puts the data into the Mac’s open
firmware. All the other upgrades take a
ces
in minutes:seconds.
‘Newer Technology Maxpowr G4 400MHz ——
Powerlogix PowerForce Ga 400MHz
Sonnet Technologies Crescendo G4 PCI 400MHz
XLRB Mach Cartier G4 400MHe
Newer Technology Maxpowr G4 350MHz
Powerlogix PowerForce G4 350MHz —
Sonnet Technologies Crescendo G4 PCI 350MH2
XLRB Mach Carrier G4 350MHz —
‘Apple Power Macintosh G4/400 ——
Apple Power Macintosh G4/350
‘Apple Power Macintosh 730/200 ——
Behind Our Tests
software approach, requiring you to add
the code to your Mac’s open firmware
from a floppy disk when you install the
upgrade card.
The problem with the software
approach is that you can accidentally
delete the added code simply by zapping
the PRAM. If this happens and your Mac
refuses to start up, you need to remove
the upgrade and reinstall the original pro-
cessor, then run the open-firmware
updater again, and finally reinstall the
upgrade. If you think you'll remember to
hang on to your old processor and the
firmware floppy, then buy the least-
expensive G4 upgrade you can find; if
you're the belt-and-suspenders type and
don’t want the extra worry, you may want
to go with a Newer ‘Technology card.
Macworld's Buying Advice
This latest crop of upgrade cards offers
terrific performance, nearly matching
that of Apple’s current systems. Newer
‘Technology’s solution to the speculative-
processing issue is more robust, but all
the cards are stable and perform well.
The upgrade market is competitive, so
be sure to check current prices before
buying; prices drop often. No matter
which card you choose, you'll enjoy the
performance boost. You may suffer from
graphite envy, but these upgrades make
it cool to be beige.—pavio rean
G4 Slot Upgrades Add Muscle to Older Macs
Best results in red. Reference systems in italics, Photoshop results are in seconds. Bryce and SoundJam results are
PHOTOSHOP 5.5 BRYCE 4 SOUNDJAM QUAKE III
(Gaussian Blur Lighting Effects Unsharp Mask | | Render Scene | ! MP3 Encode Frames/Sec. |
= 82 @ oo =, 39 = 2340 249 MD 24.6
= 38 @ 8. == 26 =! 2330 241 248
= 64 56 me 35 am 242 236 26.0
= 62 @ ‘a. =z 25 36 = 2:36 27.1
— 78 @ oo =z, 46 2:27 2:52 GM 24.1
= 67 = 65 BA on 2615 3:00 23.6
= 6 = 63 40 Mn 25:50 254 NM 24.6
= 68 = 4 =z 36 = 2608 255 C. 25.8
i 67 = 52 = . = 225 224 Cm 313
— 99 5° = 78 Boon 254 244 M303
es 2 74:42 725 112
[Longer bv ae ete
We tested each upgrade card in a Power Macintosh 7300/200 with Mac OS 9, 128MB of RAM, a 2MB system disk cache, virtual memory
disabled, and an ATI Rage Orion graphics accelerator. We performed Photoshop tests with a 30MB file. We tested MP3 encoding with an
audio-CD track that was 9 minutes and 25 seconds in length, We tested Quake Ill at a resolution of 640 by 480 pixels, with graphics set to
Normal—Macworld Lab testing supervised by Gil Loyola
www.macworld.com June 2000 35
[ Reviews
iBook, iBook Special Edition
MORE POWER, SAME PRETTY FACE
HOSE OF YOU WHO HELD OFF
purchasing an iBook until Apple
resolved the original model’s
problems should get your wallets
ready: beefed-up RAM and
increased hard-disk space make Apple’s
latest portables more than just pretty
faces. Both the iBook and the iBook Spe-
cial Edition (SE) offer a more reasonable
64MB of RAM (expandable to 320MB)—
double the skimpy 32MB that subjected
the 1999 iBook to crashes and other prob-
lems (see Reviews, January 2000). And if
you thought the original iBook’s 3GB
hard disk seemed cramped, you'll be
pleased to know that the 2000 models
offer twice the space.
‘The iBook still comes ina rugged, eye-
popping tangerine or blueberry curved
clamshell case, while the iBook SE sports
ssy graphite and ice exterior and a
ssor speed—from 300MHz
to 366MHz. Apple is probably hoping the
iBook SE will be as successful as the hot-
selling iMac DV Special Edition. But
unlike the iMac DV SE, which offers twice
as much RAM and a larger hard drive than
the iMac DV, the iBook SE offers only one
technological advantage when compared
with the iBook: a faster processor. This,
and the graphite case, will cost you a cool
$200 extra—the same as the difference
between the iMac DV and the iMac DV
SE. Still, the color alone may appeal to
users who shied away from the Day-Glo
tangerine and blueberry models.
New Books, Same Story
Macworld Lab tests confirm that the iBook
SE%s faster processor brings improved per-
formance (see “An iBook by Any Other
Name”). Users will find the speed increase
negligible, however; whether surfing the
Web or working in a word-processing
application, you're not likely to notice a
difference between the iBook and iBook
SE. Fortunately, the changes to the iBook
hardly compromise its battery life: the
iBook SE’s battery lasted about 4 hours,
only 15 minutes less than that of the new
iBook or the 1999 model.
Everything else about the new iBooks
is the same—the 12.1-inch TFT display;
24x CD-ROM drive; 56-Kbps modem;
10/100BaseT Ethernet; and AirPort card
slot, which lets you take advantage of wire-
less networking. And because AirPort 1.1
An iBook by Any Other Name
Best results in red. Reference systems in italics. MacBench 5.0 scores
are relative to those of a first-generation Power Mac G3/300, which
is assigned a score of 1,000 for each test.
MACBENCH 5.0
! Processor Disk Graphics !
Apple iBook Special Edition 366MHz — 7,016 1,200 SE -1,377
‘Apple iBook 300MHz (2000) — 419
Apple iBook 300MHz (1999)*- 1,290
Apple iMac 350MHz 1005S 2236
“No longer sold.
Behind Our Tests
We tested each system with Mac OS 9, 64MB of RAM, a 2MB system disk cache,
and virtual memory disabled —Macworld Lab testing supervised by Gil Loyola,
36 June 2000 MACWORLD
includes a working preview of AirPort Soft-
ware Base Station (see the feature story
“Cut Loose,” elsewhere in this issue), you
can now use any AirPort-equipped Mac as
a base station.
As before, the iBook weighs in at 6.6
pounds—a bit heavy considering the
PowerBook 2000 is only 6.1 pounds. And
the Mac’s Location Manager is still
plagued by byzantine complexity, making
it difficult for novice users to manage set-
tings as they change locations.
We still wouldn’t recom-
mend the iBook as a gaming
machine. Its ATI Rage Mobil-
ity graphics controller, 4MB
of SDRAM, 66MHz_ bus
speed, and relatively slow pro-
cessor just can’t keep up with
demanding games.
Macworld's Buying Advice
Budget-conscious buyers who
need a portable computer—but
don’t need a lightning-fast pro-
cessor, FireWire, an extra USB
port, a PC Card slot, or VGA-
and S-Video-out ports—will appreciate
the iBook’s value. And if the graphite case
is worth $200 to you, by all means get the
iBook SE. Road warriors who need more
options and more power should consider
the new PowerBook (see the PowerBook
review elsewhere in this section) or an
older-model PowerBook. But remember
that for $100 less than the price of an
iBook SE, you can get an iMac DV Spe-
cial Edition with a 400MHz processor,
128MB of RAM, a 13GB hard drive, a
DVD-ROM drive, FireWire, and iMovie
video-editing software.—raitH sreirzer
iBook
RATING: $$$'/2 PROS: Striking design; more
RAM and hard-disk space. CONS: Limited con-
figuration and expansion options. COMPANY:
Apple Computer (800/795-1000, www.apple
com). LIST PRICE: $1,599.
iBook Special Edition
RATING: $$$ PROS: Elegant design; more
RAM and hard-disk space. CONS: Extra money
buys only marginal performance improvements
COMPANY: Apple Computer (800/795-1000,
www.apple.com). LIST PRICE: $1,799.
add life to the web
Flash
websites have
mass appeal.
Flash feeds the masses. Already the standard
with over 100 million users, people drive
through Flash Websites every day*
Serve up a high-impact experience with Flash.
www.macromedia.com
macromedia
DIRECTOR SHOCKWAVE DREAMWEAVER FIREWORKS (FLASH) (FREEHAND) GENERATOR
Choose 36 at www.macworld.com/getinfo
Carrara
[ Reviews
METACREATIONS' 3-D-MODELING DEBUT
FTER CORNERIN:
the low-end and midrange Mac-
intosh 3-D-software market,
MetaCreations has introduced
Carrara 1.0, a completely new
3-D-modeling, -rendering, and ~anima-
tion package. Designed to replace Ray
Dream Designer and Infini-D, Carrara
takes the strengths of those packages
adds a wealth of powerful fea~
tures that will prove attractive
to beginning and professional
3-D developers alike.
e Rooms, Nice Previews
Like other MetaCreations prod-
ucts, Carrara sports a unique
interface. It distributes 3-D-
production tasks among five vir-
tual “rooms”: the Assemble
room is for scene building and
lighting placement; the Model-
ing room, for modeling; the
‘Texture room, for texture map-
ping; the Storyboard room, for
rough animation scripting; and
the Render room, for creating
final output. MetaCreations touts this
“compartmental workflow” as a way of
simplifying the creative process. Though
the idea is interesting, the modal approach
actually slows things down and makes
some actions more difficult than they'd be
in a document-centered program. And
although the interface is beautiful to look
at, I'd happily exchange it for larger win-
dows and a more expansive workspace.
‘To its credit, Carrara provides excel-
lent OpenGL support, with full interac-
tive shading and lighting and good per-
formance. Well-designed previews and
swatches make it much easier to set up
complex effects in Carrara than in higher-
end programs such as autodessys’s form-Z
or Play's Electric Image.
Model Modules
Carrara offers a number of modeling
environments. In the Assemble room, you
can create and position simple primitives,
including basic geometric shapes and
infinite planes. There’s a powerful Bryce-
like terrain generator, as well as automat-
ic fire, cloud, and fog generators.
38 June 2000 MACWORLD
When you're ready to model more-
complex shapes, simply decide whether
you want to create a spline, polygonal, text,
or metaball object and drag the appropri-
ate modeling primitive into your scene;
ara places you in the appropriate mod-
cling room and provides the necessary
tools. Ground, y, and z planes make it easy
to place objects. As you drag an object
Multiple Modules —Carrara's interface divides 3-D tasks among
different rooms. Shown here is the Assemble room, where objects
are placed and animated.
around the screen, shadowy outlines on
each plane help you position objects accu-
rately, and the Collision Detection option
prevents objects from intersecting.
In addition to sweeping, extruding,
lathing, and lofting tools, Carrara’s pow-
erful polygonal modeler provides vertex-
level editing. The vertex editor, which lets
you select and name groups of vertic«
, is
one of the best I’ve seen. You can grab and
manipulate vertices to easily “sculpt” your
digital shapes. And Carrara’s Sphere Of
Attraction tool makes it simple to move a
natural collection of vertices, preventing
weird, pointy edits. You'll also find full
Boolean controls and creasing and
smoothing commands, although controls
for beveling and rounding are conspicu-
ously absent. Spline-modeling tools are
quite powerful: in addition to extrusions,
lathes, and skins, you can easily create
twists, sweeps, and spirals and add cross
sections to existing objects
The Texture room is an excellent,
full-featured texturing environment with
complete multichannel shaders. With
support for multilayered shaders as well
as a hierarchical shader tree, Carrara’s
shading controls are impressive. Unfor-
tunately, the drag-and-drop approach to
applying shaders might make texturing
difficult if you're working on complex
models with many parts.
Animation and Rendering
Although the animation module is packed
with powerful features, animation script-
ing is Carrara’s weakest component. The
program's timeline is easy to use and lets
you animate any property of an object, but
the program’s tools can be frustrating to
use. Unfortunately, its velocity controls—
simple dialog boxes that present different
keyframe-interpolation methods—are a
far cry from the function-curve editors
in more-powerful 3-D programs. And
because Carrara doesn’t automatically cre-
ate motion paths between keyframes, refin-
ing an object's motion is difficult.
Multimedia and game designers will
appreciate the program’s powerful resolu-
tion controls for reducing the geometry
of an object. Broadcast and film users,
however, will be frustrated by the lack of
support for the NTSC-standard 29.97-
frame-per-second rate, motion blur, and
field rendering.
Carrara’s automatic-animation compo-
nent is well designed and fun to play with,
and the rendering engine is speedy. The
hybrid ray tracer is the most impressive of
several rendering options, providing ray-
tracing quality at Phong shading speeds.
Unfortunately, the program bogs down
when presented with large polygon counts.
Macworld's Buying Advice
Carrara is an impressive achievement,
especially given its version 1.0 status. If
you're in the market for a well-rounded
3-D package, it’s definitely worth a look.
However, it’s difficult to say if these good
beginnings will ever bear fruit. Meta-
Creations has announced that it’s selling
off its graphics products but claims it will
continue to develop them until a buyer is
found. We hope the company will be true
to its word.—sen Lone
RATING: §$$$ PROS: Very good modeling
tools; powerful shading and effect
speedy ren-
derer. CONS: Weak animation scripting; poor sup-
port for broadcast and film animators; bulky inter-
face. COMPANY: MetaCreations (800/846-0111,
www.metacreations.com). LIST PRICE: $399.
WW
WWI
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[Reviews
Two-Megapixel Cameras ©
MODEST UPGRADES FROM KODAK AND OLYMPUS
ODAK AND OLYMPUS JUST
might have the best track records
for producing quality digital cam-
eras. They release more models
than any of their competitors, and
their products frequently rank among the
best on the market. The companies’ lat-
est two-megapixel offerings, the Kodak
DC290 and the Olympus C-2020 Zoom,
are well equipped with 3x optical zooms,
rechargeable batteries, and synchroniza-
tion sockets for external flashes.
But despite these strengths, neither
camera will set the world on fire, each
being no more than an incremental
upgrade to a model released last year.
The DC290 is the DC265 (66%; “Digi-
tal Cameras Develop,” September 1999)
with a higher-resolution CCD; the
C-2020 Zoom is the C-2000 Zoom
($844; Reviews, October 1999) with the
ability to record QuickTime movies.
Further dimming their brilliance, the
images these cameras produce can’t
match the quality of those produced by
Nikon’s Coolpix 950 (#6415 “Digital
Cameras Develop,” September 1999).
Everything Old Is New
The Olympus C-2020 looks awfully
familiar—the CCD, the resolution, the
optics, even the housing are the same as
the C-2000'. The only noteworthy new
feature is the camera’s ability to record
15-frame-per-second, 320-by-240-pixel
QuickTime movies. It’s lots of fun, sure,
but considering the camera’s limited
capacity—an 8MB card fills up after
15 seconds—and inability to record
sound, it’s more of a novelty than a gen-
uine productivity feature.
The Kodak DC290 is the meatier
upgrade, adding 700,000 pixels to the
image sensor. But despite the box’s claim of
ixel resolution, the true resolu-
3 million pixels—only
about 9 percent higher than that of the
C-2020 and the Coolpix 950. Like the
Two-Megapixel Cameras
Company Kodak Olympus
Product DC290 = €-2020 Zoom
Mouse rating frm ow
‘Company's estimated price 5899 $799.
Contact
800/235-6325,
wwwkodak.com
800/347-4027,
wwwwsolympus.com
Dimensions (w x hx 4, in inches) 46x42%25 43%29%26
‘Weight (with batteries, in ounces) “16 B
ECD resolution (in millions of pixels) 230 211
‘Maximum image size (in pels) ° 1,792 x 1.200 7,600 x 1,200
Default memory 20mB MB
Removable-media format CompactFlash SmartMedia
Storage capacity (in images) ce oe
at maximum image size **
Closest focal distance (in inches) 12 8
Optical zoom function yes (3%) yes (3)
Focal length (35mm-equivalent) 38mm-=115mm 35mm-=105mm
Bulltinflash/external
strobe hot syne yes/yes yes/yes
LCD preview/playback yes/yes = vyesiyes
Optical viewfinder yes yes
Rechargeable batteries with charger yes yes
‘Macintosh connectivity serial, USB serial
* Excluding interpolation. ** Varies according to compression.
40 June 2000 MACWORLD
C-2020, the DC290 captures splendid
detail when an image is printed at high
resolution, but the quality declines when
you zoom in. By contrast, a typical image
captured with the Coolpix 950 looks good
no matter how close you get.
The DC290 ships with a 20MB mem-
ory card; can be connected to your Mac's
The Olympus C-2020 Zoom (left) and Kodak DC290
USB port; and provides a terrific, user-
friendly menu system. Butyou can’t focus
on objects any closer than a foot aw:
which for the purposes of mac
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