Text content (OCR)
LEARN TO BE A EXPERT
Build Amazing Web Animations and Interfaces, page 60
Customize
Your Mac
20 WAYS TO
Improve Your Interface
Automate Your Actions
Get Your Stuff Faster
Modify Your Applications
Edit Your
Digital Video
Three Midrange DV Editors Pick Up
Where iMovie Leaves Off
a CanoScan D660U
re Scanner
CanoScan N656U
Scanner
CanoScan N1220U
Scanner
BJC-85 Printer
E& Mac
The Canon Think Tank System™
The $400, $450 and BJC-8200 printers all feature
individual ink tanks to reduce ink waste and save you money. Plus,
the ink sensor system alerts you when you're running low.
Peripheral
Take a quick look around. You'll find a Mac
compatible Canon peripheral for just about
any purpose you could imagine. From higt
resolution printers and scanners to the world’s
best-selling portable printer, we've got what ii
takes to keep Mac users smiling. And witt
Award-Winning Portable Printer
Need a traveling companion for your iBook™ or PowerBook
G3? Our 3.1 pound’ BJC-85 Color Bubble Jet Printer was namei
“Best of Show” at the Macworld San Francisco 2000 Expo.
(©2000 anon Compute Sten, ln. Cano, BC, Bubble et, Canse Kaw Ho, CanSean, Cato Think Tank Syste, MuliPASS and 7 trademarks ol Cano lz. Ma: 2nd he Mac log are trademars of pple Coat nc. restrd in the
BJC-8200 Printer
$450 Printer
Vi =
ision
$400 Printer
more than sixty years of imaging expertise
built into every single detail, the term “state-
of-the-art” is somewhat of an understatement.
Come and see for yourself. Visit us on the Mitinie eaeee
Internet at www.ccsi.canon.com/macfriendly
or call 1-800-OK-CANON for more information.
Canon knownow"
Visit us at Booth #707 in the Macworld Expo.
Advanced Flatbed Scanners Superior Multifunction Printers
Our new CanoScan® family showcases a host of innovative Print. Fax. Copy. Scan. After introducing the world’s first
features including our Z-Lid™ Expansion Top (on select models) and Mac-compatible multifunction printer, we've taken technology to
a built-in 35mm film adapter on the CanoScan D660U Scanner. a new level with our MultiPASS™ C555 Multifunction Printer.
and ther couse, ter produc and trond names ae trademars of thei espectivecnners.Speciatis sujet to change what tie. tS pounds wth AC adape and optional Baty pack In Canada, call 1-200-262-1121.
Disturb the peace. Tranquility is highly overrated. Earsplitting high
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1 A Harman international Company. ©2000 Harman Multimedia. Harman Kardon and SoundSticks are trademarks of Harman International. Toll-free 877-266-6202
idelity sound, like the kind you'll get from our new 40-watt, USB-enabled
check out www.harman-multimedia.com. harman/kardon
Circle 3 on card or go to www.macworld.com/getinfo
Opinion
9 The Vision Thing
ANDREW GORE Move ov
Eddy: h
21 Feedback
Readers respond.
it's the Andy Awards
125 The Game Room
ANDY IHNATKO.
return to those old board
games once in a while—on
your Mae, of cou
196 The Desktop Critic
DAVID POGUE Is the
piracy getting in the way
of progress?
Buzz
26 Macs in Playboy; comic-book
artist Scott McCloud; iSmell; and
joesparks.com, home of
Radiskull.
How-to
60 Macworld’s Flash 5 Expert Guide
70 Take Control of FileMaker Pro
scott Love T
ansfo!
FileMaker Pro's ger
databases into c
automated powerhouses \
the ScriptMake
feature.
74 Free Your Fonts in QuarkXPress
TERRI STONE AND AMY CONGER
Learn how XPress can handle
verything fror
letters to filling t
pictures and words.
pir
em
78 Quick and Easy Web-Site Plans
JEFF CARLSON Adobe GoLive
5 helps you map out blue-
prints and tum them into
nctioning sites.
83 Mac 911
CHRISTOPHER BREEN
Netscape m
bum CDs, and install
ith ease
lock plug-ins
macworld
Your Mac, Your Way
CHRISTOPHER BREEN
Whether or not you plan
to switch to OS X, you can
do a lot now to make your
Mac look and act the way
you want it to. Check out
our cool tips and tricks
for customizing your
operating system
and applications.
Macworld.com
Get the latest Mac
news and exclusive
online reviews, and
browse our subject-by-
subject index of post
Macworld stories.
On the Cover
Photograph by Tony David
February 2001
Incorporating MacUser
Go Beyond iMovie
GALEN FOTT
Apple's iMovie is an
excellent program, but
what happens when
you want to take your
moviemaking to the
next level? Macworld
looks at three pro-
grams that lie between
iMovie and the $1,000
Final Cut Pro to help
you find the best
digital-video editing
program—or pro-
grams—for your needs.
Far Out, Man
Let the charismatic
characters on
Macworld’s three
February covers
inspire your artsy,
workaday, or
techno aesthetic.
Macworld’s Flash 5
Expert Guide
PHILLIP KERMAN
Don’t slave over your
Web animations. Our
complete guide to
Macromedia Flash 5
will help you take
advantage of new
features that let you
work smarter and faster.
Reviews
Speech-recognition software
86 99% VioVoice Enhanced Edition
Internal ATA hard drives
88 $9$ APS/IBM Deskstar 75GXP
$49 Moxtor DiamondMax 80
$472 Maxtor DiamondMax Plus 45
$84 Quontum Fireball Plus LM
$89 Seogate Barracuda ATA Ill
$89 Seagate U Series 5
$68 Western Digital Caviar WO4008B
Compression utility
91 $9487 Cleaner 5
Adobe Photoshop plug-in
93 $8661 Eye Candy 4000
LCD pen tablet
95. $6%% Wacom PL500
Web authoring tool
97 $4$% PageSpinner 3.0
Audio-editing software
99 $688 Peak VST 2.5
Small-network firewall
100 $$$ WatchGuard SOHO:
Web-log analyzer
102 $681 Funnel Web 4.0
3-D-compositing software
104 $$#1% Combustion 1.0
3-D-modeling software
107 $996 Strota 3Dpro 3.0
AppleScript
Development Environment
109 #§$% Script Debugger 2.0
Flat-panel display
111 $44 Silicon Graphics 1600SW
Visor phone module
112. #69. Handspring VisorPhone
Professional digital camera
113 $88¢ Canon EOS 030
Font-creation software
115 $46 Fontlab 3.1
Web-site-optimization utility
117 $86 SpoceAgent 2.0
Charting software
119 $687 Chorts Pro 1.5
Statistics software
119 $986%2 IMP 4
Video-editing software
121 $1 Canon Video Home Edition
Cross-platform file-sharing utility
121 $868% MocSOHO
Research tool
121 $868 2001 Grolier Encyclopedia
Copyright software
123 $668 Official Copyright 1.5
MIDI accompaniment software
123. $68$ Home Concert 2000
SHE PUSHED THE BUTTON
THAT PRINTED THE COMP
THAT MATCHED THE EXACT COLOR
THAT THE CLIENT DESCRIBED
AS MORE FROM A DREAM
XEROX PRINTERS MAKE IT HAPPEN.
Tektronix Phaser 780 Tabold Color Laser
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THEDSCUMENT ComPANy X E ROX
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In color matching, “close enough” just doesn’t cut it. When color is critical, count on the Tektronix Phaser® 780 tabloid color laser printer,
now part of the Xerox family. With PhaserMatch” ICC custom profile software, you can match the output of a specific press, paper or ink, And with built-in
automatic color calibration, you'll get accurate, photographic-quality color at up to 1200 dpi from your first print to your last, on everything from postcards to 12° x 18° full bleeds.
To see what a difference precise color can make, call 1-877-362-6567 ext. 1720 or visit us at WWW.xerox.com/officeprinting/match1720.
Copyright © 2000 XEROX CORPORATION. Al ght ered. Kort, The Dacunet Cangas Phase and Phase ae raderaris of XEROX CORPORATION.
"eros a Wadena ol Teton, ne henae ie KEROX CORPORATION, “Estate US, al staring pce. Rael pce may vy.
Circle 32 on card or go to www.macworld.com/getinfo
www.nemetschek.net
1-888-646-4223
VectorWorks
Object-Based CAD for Professionals
am Design is ever changing, dynamic. From initial concept,
through production and revisions, the entire process
becomes faster and easier with Vector Works.
Productivity of Object-Based Design
VectorWorks’ next-generation Object technology accelerates the design process.
Now, creating common design elements is effortless. Objects such as doors,
windows, nuts and bolts can be created and edited with a simplemouse click.
an
Strength and Proven CAD Technology )
‘The Best Selling CAD software on the Mac and, an emerging standard on
Windows, Vector Works provides everything you need for 2D drafting and 3D
modeling. But, that’s not all. An integrated database tracks costs and materials,
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The VectorWorks Advantage
With VectorWorks you get it all—The productivity of Object-Based Design
combined with the flexibility and control of proven CAD technology.
Giving you an extra edge, VectorWorks ships FREE solutions for Architecture,
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Add-on Products Expand VectorWorks Core Capabilities
RRQ RenderWorks-Bring you designs and animations to life with realistic
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Circle 46 on card or go to www.macworld.com/getinfo |
ometime on the evening of
January 8, 2001, Macworld
will reveal the names of
the 30 best Macintosh
products of the year, the
recipients of our annual Editors’
Choice Awards. Selecting Eddy
winners is a long and arduous
process, in which the best minds
at our disposal and the only inde-
pendent testing lab in the Mac
market work for months to deter-
mine which—among the hun-
dreds of products that shipped
in the past year—are the best of
the best. You can see right now
who's been nominated at www
-macworld.com/subject/eddy/.
Because so many products are
evaluated and found want-
ing, it truly is an honor
just to be nominated
And keep an eye on that
URL; as soon as the
awards are handed out,
we will post the names of
the lucky few to receive
a golden statue.
The Eddy Awards are a sur-
vey of editorial preference. But with
the support of the Macworld Lab and
the 30-plus editorial experts who partici-
pate in the process, the result you get is
as close to scientific as possible. And that's
great. But it does leave one small hole: What
are our personal preferences? What products do
we use to sate our own Mac lust, and why?
That's where the Andy Awards come in. Like
the Eddys, these prestigious awards are also based
on a survey of editorial preference. It's just that
it's only one editor's preference—mine.
So without further ado, let me present the
Andy Awards.
The Amazing Kreskin Award
The winner is: Google (www.google.com).
I will admit to being a bit prejudiced on
this one, as I was a beta tester for Google for more than
a year before it was released to the public. However, |
got to be a tester because I've used so many Web-based
ANDREW GORE
The
Andy
Awards
A SCIENTIFIC SURVEY
OF ONE Man's
FAVORITE PRODUCTS
S
continues
search engines. And frankly,
none holds a candle to Google.
In my mind, the real test of a
search engine is the telepathy
factor: how often does it give me
what I want on the first page of
my search, when even /'m not
really sure what I'm looking for?
It's scary just how often Google
gets it right the first time.
The Oldie but Not Moldy Award
The winner is: SonicBlue’s Rio
500 MP3 player. There's nothing
more annoying than that feeling
you get when the state-of-the-
art computer you bought just
six months ago is now ready to
be put under glass at the Smith-
sonian. Besides death and taxes,
obsolescence in techno-
logy is the only thing
you can't avoid. That's
why I was so pleased
when it turned out that
my Rio 500 (one of the
very first they made)
wasn't rendered obsolete
when the Rio 600 shipped—
and its value was even
enhanced; my original Rio has
twice the built-in storage of its shiny
new sibling!
The We Know Better Award
The winner is: the Apple Pro Mouse. Yes,
it's optical; yes, it looks cool; and, yes, it’s not
round. All good reasons to like the new Apple
mouse, but not quite enough to earn it an Andy
Award. No, the reason I'm honoring the new
mouse is this: For years users have been begging
Apple for a two-button mouse. So what does
Apple do? Ship the world's first no-button mouse!
The Devil Made Me Do It Award
The winner is: Diablo II, Let's be honest—
we all know playing video games takes
us away from the important things
we should be doing. But we don't care;
we want to be corrupted. When it comes to products
designed to corrupt us, what could be better than a
www.macworld.com February 2001 9
"Everything worked fine
yesterday. Now, five
minutes before the
big meetitig, nothing
is working."
Big problem? No problem!
Just(Réwind to yesterday!
Reverse Disasters and
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With one click, Rewind™ takes
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Remember when everything
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before tragedy struck? By
tracking every change you
make, Rewind can take you
back in time to previous sys-
tems, preferences, or any file
versions. Better than backup,
it's quicker, more current, con-
tinuous, and complete. Rewind
even offers an emergency start-
up mode to get you up and
running in seconds, even with-
out a System CD. Best of all,
you won't see any performance
hit and Rewind needs as little
as 5% of your
disk space.
Remember:
In a Bind?
Click Rewind!
at
The gQdbi of Procctvty.
Phone: 800-344-9160 or 614-413-4000
email: sales@poweronsoftware.com
|tp://wwew.poweronsoftware.com/macworld
Circle 118 on card or go to www.macworld.com/getinfo |
10 Februory 2001 www.maeworld.com
game about the Devil? I've lost
more productive time playing
Diablo II than I care to think about.
But I have gained such inesti-
mable benefits as sleep depriva-
tion, alienation from my family, and
having something besides general
temperament in common with
100,000 teenage boys. And since
I've finally won the game and
freed myself of the Diablo II addic-
tion, all I can say is, I can't wait to
get my hands on the Diablo I!
Expansion Pack.
The Choice Editor Award
The winner is: Adobe ImageReady
2.0. Next to my e-mail, Web brows-
er, and, of course, word-processing
program, my most-used application
is an image editor, | use image edit-
ing for a vast array of tasks, from
building animated GIFs for my Web
site to viewing photos from my digi-
tal camera. | have access to all the
image editors available for the Mac,
but I've found only one that does it
all. No, not Adobe Photoshop
ImageReady. It slices, it dices, it
opens everything, and it has easy
and powerful text handling and a
nice slate of effects. I've even grown
comfortable using layers to edit
complex images. Frankly, | find
ImageReady to be superior to
Photoshop. There, I've said it; you
Photoshop and Fireworks fanatics
may begin the flame mail.
The Timex Award
The winner is: WebStar Server
Suite 4.2. When it comes to the
Internet, I'm a competent amateur
who doesn't have enough sense to
be afraid to try new things. When
i set up my first Web, e-mail, and
FTP server in my son's closet, | had
no idea what I was letting myself in
for. Different software, conflicts,
DNS configuration, caching—it
was a nightmare. Then along came
WebStar, and my server hasn't had
a down day since. (I wish I could
say the same for my Macworld
office e-mail.) It's reliable, fast, and
flexible. When I want to try some-
thing new, there's almost always a
plug-in available to do it, And
administering the server, even from
my office in San Francisco, couldn't
be easier. It's the Internet hedo-
nist's best friend!
The Swag Award
The winner is: Apple. When you
work in the Mac industry, the one
thing you can be sure of is, you'll
never have to buy another T-shirt
To see what I mean, just come
to Macworld Expo in January and
walk the floor for a day. You're
guaranteed to collect enough
T-shirts, hats, bags, and useless
tchotchkes to last at least a year.
Most of this stuff is wasted on
me, After 17 years in the business,
[ have enough T-shirts to start my
own Gap store, However, | did get
something at last summer's Expo
that I do use—every day, In fact,
I got it from a company not usually
known for being free with the
trade-show swag. Everyone who
managed to make it into the main
keynote hall got a free Pro Mouse,
courtesy of Apple. I hope Apple
not only continues this trend but
also tries to one-up itself. | know—
how about a free iMac DV to every-
one who shows up for Steve Jobs's
keynote speech in San Francisco?
I understand he's got a few spares
lying around. m
ANDREW GORE is Macworld's editor in
chief. To comment on this column, pleose
visit the Vision Thing forum at www
.macworld.com/columns/visionthing.
DESIGNED FOR THE WAY YOU WORK
Roy Fox, cag ts Hollis, Maine
Cire ot abe Comeipaeotware users a
a :
eT vs an >
| y \ 1 © | » 3
‘Small Business.
Smart Solutions.”
800.322.MYOB Antique frames. Quartz movements. Th
myob.com/us
to day
Macworld
VP OF CONTENTIEDITOR IN CHIEF Andrew Gore
BREAKTHROUGH STUDY REVEALS
THE VP OF CONTENT. Shone Clork
t01roR, MAcWoRLD.coM Joson Snell
‘xscunve fo1TOR Scholle Sowyer McFarland
stook rorrons, REVIEWS. Linda Comer,
David Weiss
sewtoR korron, MACWoRLD.COM iso Schmaitor
sem ¢HOW-T0 Torri Stone
om
ASSOCIATE EDITORS. Lotus Abroms,
Jennifer Berger,
Mathew Honan,
Kelly Lunsford,
STARTLING NEW DATA : ; pan ee
Jonothan Se
Brett Larson,
Adrienne Robillard
DITORIAL ASSISTANT Bonnie Hvle
CONTRIBUTING EDITORS
Henry Bortmon, Christopher Breen, Adam C. Engst, Bruce Fraser,
Jim Heid, Tod Landou, Dake McClelland, Tom Negrin, Nancy
Peterson, Dovid Pogue, Stephon Somogyi, Franklin N, Tessler
LAB
DUCT EVALUATION. Kristino Do Nike
esr manaoeR Jomes Galbraith
semion tan anatrst Joly K, Milstood
Lan ANALYST Gil Loyolo
PEOPLE AREN’T THE SAME SIZE. ASSOCIATE TEHNICAL ANALYST. Ulysis Brovo
Las aoministearor Joson Cox
copy eoiT
Iannone eo110R Jeoniler Scholl
ASSISTANT MANAGING EDITOR. Charles Purdy
corr eoitoRs_ Dione Ollis,
Sve Voolke!
ART AND DESIGN
Most furniture is built around DESION DiREcTOR Shoron Anderson
the average person. But, darn, ASSOCIATE DESIONER Jackie Goodmon
we've never met one. So we build Pisin asoowres: Moe Congas
workstations to fit you - your legroom, albie Neer
your reach, your equipment. To learn O ee
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more about our sized-to-fit AnthroCarts, TECHNOLOGY FURNITURE*
lifetime warranty and passion for MACBUY.COM
service, visit our website. It's more ‘assistant propucen Cothy Begien
fun and comprehensive than your
. INTERNATIONAL EDITORS
average trip down cyberspace.
‘AVAILABLE AT: Steven Noble, Australis; Bernard Le Du, Fronce; Andreas
WWW.ANTHRO.COM Borchert, Germany; Enrico Loti, Haly; Yoshio Moriya, Japon;
or 1-800-325-3841 Tomasz Bitner, Poland; Daniel de Blas, Spain; Nils Holmlev,
Sweden; Anderson Huang, Taiwan; Bohottin Apok, Turkey;
See us at Macworld San Francisco, booth #2007 Simon Jory, United Kingdom
12 February 2001 www.macworld.com
Think Storage
(then think lots of storage for lots of users)
D3ware
so
|
|
1.877.283.9273 * 1.650.327.8600 * www.3ware.com
Introducing the first Ethernet SAN for
the Mac, the 3ware NSU. The Network
Storage Unit delivers consolidated,
scalable storage that can be accessed by
all your MAC users. Now you can keep
all your data online — not stored on CD’s,
Zip cartridges or tape. From 240 GB to
terabytes if you need it, the 3ware NSU
provides high performance, reliable storage
that’s easy to install and manage.
What could be more simple?
orage, think 3ware.
2) 3ware
©2000 5ware, Inc. All rights reserved. Products mentioned herein may be trademarks of their respective companies.
Think this is the only way to
make project scheduling easy?
Think again.
So maybe scheduling a project isn't as simple as pushing a
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hen you use the right tool, FastTrack Schedule 7.0 make:
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hen you're on the go, you're schedules are
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editing. For a free demo version or to order, call
5 today at 800.450.1982 or visit www.aecsoft.com.
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14 February 2001 www.maeworld.com
‘VP/CHIEF OPERATING OFFICER
DIRECTOR OF FINANCE
ACCOUNTING COOROINATOR
‘VP OF HUMAN RESOURCES
HUMAN RESOURCE MANAGER
CHIEF INFORMATION OFFICER
i secciaust
nccerTIONIST
‘rice assistant
Colin Crowtord
Stephon Daniels
Eos de Feminis
Ronde Bitine
Ricardo Sondovol
Murphy
SucTsen Wu
lynn Heiberger
Jennifer Torres
Jose “Pops” Jora
Chery! Richardson
Morvella Simpson
DISPLAY ADVERTISING SALES
ineR
associat
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TT MANAGER
| ‘UBLISHER, EAST
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‘AccoUNT ExEcUTIVE
REGIONAL ACCOUNTS MANAOER
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SALES ASSISTANT
SHOWCASE ACCOUNT MANAOER
SHOWCASE ACCOUNT MANAGER
SHOWCASE SALES ASSISTANT
ONLINE SALES MANAGER
ONLINE Accounr excuTive
Stove Plevin (415/243:3509)
Cynthio Romsey (973/248-1197
Gabrielle Lindsley
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Pov Bonarrigo (508/533-402¢
Jo Zotarelli (516/277-4134)
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Morgoro! Level Groon
415/243-3582)
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Michalle Dovis
3.9577)
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Niki Stroni 243.9664)
Carol Johnstone
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Fronck Zamoro (415)
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Doug Detletsen
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Circle 84 on card or go to www.macworld.com/getinfo
MARKETING
DIRECTOR OF MARKETING. Hilary Weber
MARKETING COMMUNICATIONS
manaote Sharon L, Cordesse
anxenino stavices MANAGER Toro C. Gibb
ONLINE PROGRAMS MANAGER. Joo Rofletto
MARKETING COORDINATOR Bryan Irwin
PRODUCTION
pRDUCTION oInEcTOR Steve Spingolo
PRODUCTION MANAGER. Lowis Loe
RES MANAGER Alan Anzolone
| [AD COORDINATOR Megan Matteoni
ONLINE
sewton reeHNoLogy oiRecror Poul Forester
ONLINE PRODUCTION MANAGER Ron Neo!
ONLINE PRODUCTION ASSISTANT. Benjamin Edlovitch
wermastes Michoe! R. Evans
foah are regttered trademarks, and Macteter ond PowerBook ore
2000 Mac Pblshing, LUC Al igh revered 5
eres always room
for Belkin.
Go ahead. With USB hubs and accessories from Belkin, you can have everything you want—
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ou eG
belkin.com
Belkin Components + 310.898.1100 + Fax 310.898.1111 + Compton, CA » Atlanta, GA + United Kingdom + Holland
All rights reserved. All trade names are registered trademarks of respective manufacturers listed. ©2000 Belkin Components. 20AD339
Circle 64 on card or go to www.macworld.com/getinfo
SEE THE
BEST TALENT AT
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16 February 2001 macworld
HOW TO CONTACT MACWORLD
Subscription Information and Services
Phone 200/288-6848 or
850/682-7624, from the United States
cond Canada
303/604-7445, from all othe
US Mail Macworld Subscription Services
RO. Bor 54529, Boulder, CO 80322-4529
(Include @ mailing label with correspondence)
World Wid
hitp//srvie.mocworkd.com {for service) oF
E-mail data.com
aw and the address of which
fo not vend tachment)
Fox 850/683-4094, om tha United Stotes
‘ond Canoda
303/604.0518, from all other locations
Subscriptions
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[ |
What inspires the pictures
that inspire?
L _I
OLYMPUS
Inspiration | three in a series
“Sometimes your world gets shaken up.
Some force far greater than you could
imagine and totally out of your control
changes everything you knew to be true.
A photograph is an opportunity to
represent a state of mind. | guess for
me, a photograph is an opportunity.”
- David LaChapelle
David LaChapelle | used the Camedia E-10 SLR
ith 0.8x wide conversion lens for 7.2mm {28mm equivalent], AF mode - normal
‘xposure: Mai Ith}, aperture f9.0, ISO 80, manual white balance - 5500°K
ight: Studio uty dis —
OLYMPUS | digital
Presenting the latest in a long series of inspirations.
This is the camera that will change the industry.
With the development of the Camedia E-10 SLR’s 4.0 megapixel
CCD, even the most advanced lens designs became suddenly
outdated. That may sound hard to believe. Until you consider
that none were developed with the extra-critical tolerances in
mind that such an advanced CCD requires.
Asa result, our 14-element, fully multi-coated ED and aspherical
glass 4x zoom lens was completely rethought to yield even finer
focus and resolution. Combine it with shutter release lag times
equal to traditional SLRs, full control and our exclusive TruePic”
technology, and you have a camera like no other.
Would you like pictures like no other? Ask your Olympus reseller
all about the E-10 SLR. See what we've done with digital
photography. Then go out and see what you can do with it.
http://e-10.olympus.com. — —
The photo you've been trying to take your entire life may
have always been buried between frames two and three. To
help capture those hidden moments, Olympus created the
Camedia E-100 Rapid Shot.
The E-100 Rapid Shot fires in blistering bursts at speeds up
to 15 fps. Shutter speeds are as fast as 1/10,000th of a second.
We've even developed a pre-capture mode, to make sure you
never miss a shot. And it’s all done through a 10x Olympus
aspherical glass zoom lens (35-380mm equivalent} with image
stabilization and a 2.7x digital telephoto (1080mm equivalent).
We encourage you to ask your Olympus reseller about every-
thing this lightning-fast camera offers. It's our hope the E-100
Rapid Shot will help you see photographic opportunities you've
never seen before.
=—
http://e-100rs.olympus.com
CAMEDIA
The P-400 photo printer —
The finest digital images deserve to be the finest digital prints. The Olympus Camedia P-400
dye sublimation printer offers true photo-quality, continuous-tone prints and enlargements.
Allin just 90 seconds. Combined with our E-10 SLR or E-100 Rapid Shot, the P-400 gives
you rich, stunning, professional-level prints and enlargements.
OLYMPUS
Focus On Life
Call 1-800-8-CAMERA or visit wwrw.olympus.com/digital for more information. © 2000 Olympus America Inc.
‘TruePicis a trademark of Olympus America Inc. Specifications are subject to change without any notice or obligation on the part of the manufacturer.
FEBRUARY 2001
Feedback
M oy 1
Two G4s
_— forthe Price
of One
Deadly Modems
When you discussed satellite as an access method
(“Kill Your Modem," November 2000), you left out one
detail that’s important to me: latency. Satellite access
* methods are very fast, but there's a large time delay
ow Maliprcea Maas
There Chon, at Ty
ah ew A
tion travels to your dish from the ISP
Internet gamers call this high ping
Effectively, the information addressed
to you is delayed betore it reaches
your dish. Once it gets there, however,
you do get the full 400 Kbps, For surf-
ing the Web and exchanging e-mail,
it's fine. But for games such as Quake
or Unreal Tournament, satellite is fast
enough only for losing matches.
Todd Beaubien
Houston, Texas
get cable or DSL service in their
homes: it's called wireless broad-
band. My ISP installed a TV antenna
on my roof, similar to those used for
local radio-frequency transmission of
“wireless cable” television. You must
have line-of-sight to one of your ISP's
T here is hope for people who can't
antennas, but that's the only restric-
tion. Speed is based on what you're
willing to pay for, and there's a setup
fee that covers the needed hardware
Aside from some start-up glitches,
my service has been very good. It's
24/7, it's fast, and it doesn't interfere
with or even require a phone line.
David S. Angal
Medford, Oregon
nother high-speed alternative is
es: a service good for anyone
outside the three-mile limit of
coverage for DSL. Unfortunately,
IDSL does not provide concurrent
voice capability. as DSL does; it
simply provides high-speed Internet
access (in my area, a maximum of
144 Kbps in both directions). Also,
ISDN provides an important option
that was not fully explained. One
copper wire pair into your home,
connected to an ISDN terminal
adapter (router), provides two "chan-
nels.” Each can be used as a voice
line (you actually get two phone
numbers) or a data/Internet line
(at speeds up to 64 Kbps per chan-
nel). ISPs charge either for a single-
channel (64 Kbps) or dual-channel
(128 Kbps) dial-up. With dual-chan-
nel, you can make or receive phone
(compared with DSL, cable, or ISDN) when informa-
calls while online. The system
automatically drops one channel to
handle the phone call, and then re-
establishes the full Internet connec-
tion when you're done with the call
Ben Levi
Boulder, Colorado
IDSL is a useful alternative if your home or
office is too isolated for DSL. However, you
can expect to pay two to three times as
much for IDSL's drastically slower speed
around (144 Kbps), ISDN's voice features
can be useful, providing you purchase
equipment that utilizes them. To learn more
about ISDN's voice capabilities, see "Con-
nect with ISDN“ (October 1997) or visit
www.macworld.com/1997/10/features
/3915.html.—Ed,
Size Matters
espite Apple's claims to the con-
D trary, connecting the Cube to its
external power supply, monitor,
headphone adapter, speakers, key-
board, and mouse results in a morass
continues
www.macworld.com February 2001 217
of cables littering your desk. I'd much
prefer a headless PowerBook with
built-in UPS (the battery), expandabil-
ity (PC card slot), infrared to talk to my
Palm (without a cradle), and access-
ible media bays for quickly adding a
Zip, DVD, CD-R, or hard drive. Then
the detachable display could be
clipped on for portable use.
Of course, I'm biased. I've used
the G3 Series PowerBook as my
desktop machine since it was intro-
duced. Best of all, when I'm done
computing, | close it up, slide it out of
the way, and get my real desktop
back. Try that with a Cube
Anthony Burokas
Philadelphia, Pennsylvania
Keyboard Solutions
ne of the cons that was listed in
Macworld’s review of the Apple
Pro Keyboard was its lack of a
power key (November 2000). To
compensate, | created three simple
AppleScripts and assigned them to
function keys (F13, F14, and F15) so
I could use my keyboard for sleep,
restart, and shutdown commands.
To boot up, | still use the power
button on the front of my iMac. A
template follows (you can replace
sleep with restart or shut down
as desired)
tell application "Finder"
activate
display dialog "Sleep?" buttons
{'Cancel", "OK"} default button 2 with
icon stop
if the button returned of the
result is "OK" then
sleep
end if
end tell
Joshua Sucher
Brooklyn, New York
The Feedhag
No one has accused the Mac OS X
programmers of organizing a rash
of alien abductions—yet. But we've
received just about every other
conceivable comment about what
they've done with Apple's new
operating system.
Some conspiracy theorists allege
that “Mac OS X is really OpenStep
5"—and therefore just a retread of
Steve Jobs’s Next operating system.
Reader “Bone” was so excited that
he wrote, “I'll fork over $30 today
to get Aqua and Unix on my dual-
processor G4,"
Even in the Mac world, it seems,
we must agree to disagree. Take Jeff
Paris, who feels Apple could make
some good money by offering a
product for people who prefer the
good old days: “Start thinking about
a separate OS for us that leaves out
all the bloatware you keep adding
to your system upgrades, OS X
being the latest iteration.” Now if
only they could get System 7 to run
ona G4.
Then again, reader Tom Pittman
feels that Mac OS X is itself a retro
operating system, reminiscent of old
software—and not in a good way:
“The Finder is gone! They replaced it
with a feeble clone of Windows
Explorer.” Another concerned reader
said simply, “God help Apple if they
don’t keep OS 9.” OS 9 That's
already been taken back to the
mother ship in an attempt to figure
‘out voice recognition.
22 February 2001 www.macworld.com
coincidentally, your November
2000 issue arrived the same
morning as my (back-ordered)
Apple Pro Keyboard from the Apple
Store. While Franklin N, Tessler's
review was right on with respect to
the short USB cable, | discovered that
the box contained an extension cable
(about one meter long), apparently
at no extra cost. Thanks, Apple, for
doing the right thing for a good “out
of box” experience without even
being asked!
Lou Kreig
Colchester, Vermont
Double Vision
urely a magazine such as
Macworld, with its devoted and
discerning readership of graphic
artists, would know better than to
reverse a photo without correcting
asymmetrical elements (like the Apple
logo). And surely it would know better
than to place such a photo on the
cover (November 2000). And surely it
would know better than to do it in the
very issue that extols the history and
wonders of Photoshop!
Byron Salazar
Gainesville, Florida
‘Surely. Unless, of course, the designer was
trying fo achieve a mirror-image effect with
the second G4.—Ed.
Letters should be sent to Feedback, Macworld, 301
Howard St,, 16th Fl,, San Francisco, CA 94108; via
lax, 415/442-0766; or electronically, to letters@
macworld.com, Include a return address and day-
time phone number. Due to the high volume of mail
received, we can't respond personally to each let-
ler. We reserve the right to edit all letters, All pub-
lished letters become the property of Macworld.
The high-definition camera system described
in “Direct to Video” (Buzz, November 2000)
wos developed by Sony Electronics and
Panovision. m
I'd heard a lot of buzz about ATI's new RADEON™ MAC EDITION, it's stunning 3D
acceleration, 32MB DDR graphics memory and flexible display support. | wondered,
would this graphics accelerator really make designing, easier and faster? Wow! it didn't
take long to find out. RADEON™ MAC EDITION, rendered the most complex 3D
elements faster than I'd ever seen, even when working in 32-bit true color! My projects “ na
literally sprang to life with incredible detail and realism. But RADEON™ MAC EDITION isn't
all work and no play. The 3D gaming — on my lunch break of course, is just as incredible
with noticeably faster frame rates. With the fastest rendering speeds available, animations 7
are fluid and life-like. Plus, | can hook up to a TV for a Spoken experience. 3D rendering SAD Ex Ns
performance, awesome gaming and display flexibility make RADEON™ MAC EDITION one
wicked card!
“Overall the most advanced 3D and video graphics chip
to date for the Mac.”
www.xlr8yourmac.com, October 16, 2000
Copyright 2000 ATI TECHNOLOGIES INC. All rights reserved. ATI and RADEON are
trademarie andor eitoredraderars of Al Teenolgies Ie ll oer company andor Witt ati COM
Droduet names are trademarks and/or registered trademarks of their respective owners,
Circle 114 on card or go to www.macworld.com/getinfo
SHE CLICKED
WHICH SENT THE IMAGE
©
%
HAT PRINTED WITH SUCH DEPTH AND CLARITY
a
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EVERY SINGLE SLIMY DETAIL.
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Tabloid Color Laser printer, the next generation in the award-winning Tektronix Phaser line. Built specifically for graphic designers,
it has advanced color management tools and a broad range of colors for flawless continuous tones. Add auto duplexing,
full color printing at 6 ppm, and paper handling up to 13 x 18, and you've got a printer as spectacular as its output.
Xerox now has a full line of color and black and white printers for whatever your work demands.
To see what a difference realistic color can make, call 1-877-362-6567 ext. 1788 or visit us at
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THe DOCUMENT Company XEROX
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‘epi 0 201 XEROX CORPORATION. Ags eae eae The Doesnt ue ress ol XEROX CORPORATION Toe" a der elon, nk XEROK CORPORATION
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iBOoK VERSUS POWERBOOK
installed RAM, a 10GB hard drive,
FireWire support, and a DVD-ROM
drive. The difference? The iBook SE
packs a creater processing punch—
a 466MHz CPU—at a lower price.
It costs $1,799—$700 less than the
$2,499 PowerBook.
So it's the iBook in a walkover,
right? Sure . . . if processors and
price tags are your only criteria.
The showdown
is a closer
contest than you
might imagine.
But those aren't the only things
to look at when you're choosing
between an iBook and a PowerBook.
What you plan on doing with your
laptop is just as important. After all,
what good are 66 extra megahertz
or 700 saved dollars if the machine
you buy doesn't meet your needs?
We had the iBook and Power-
Book face off in eight categories,
from the technical to the aesthetic.
We looked at how fast each lap-
t first glance, it looks like an top was, how much each machine
obvious mismatch. Comparing weighed, and even how much
Apple's professional-end screen real estate each had to
PowerBook to the consumer-friendly offer—the sort of things Mac users
iBook? That's like Mike Tyson step- should consider when choosing
ping into the ring with TV's Urkel a portable machine
But before you write off the Turns out the Iron Mike—Urkel
News iBook's chances in a laptop show- showdown is a closer contest than
1
Views, and down, consider recent changes Apple you might imagine.—pHILip MICHAELS
has made to its portable products.
Chatter
While new PowerBooks are rumored ane Info:
from the to be in the works, the 400MHz G3 www.macworld.com/subject/portables
World PowerBook currently shares many fea. _| Macworld.com has the latest information
on Apple's portable products.
of Macs tures with the iBook SE—64MB of
26 February 2001 www.macworld.com
JLLUSTRATION BY BUD PEEN
| Mac WatcH
Behind the Books
Here’s how the iBook SE and 400MHz PowerBook compare in key categories. | Read It Only
CATEGORY | iBOOK SE 40OMHZ THE WINNER IS.
POWERBOOK | 1
Price $1,799 $2,499 (Apple was The iBook is hard to | or e | 00 S
offering « $200 rebate | beat if you're on a
‘online at press time). budget. It may not have been the first thing mag-
Performance | A 466MHz G3 proces: | But this PowerBook’s | The iBook is faster but
’ ine i
sor—only the SOOMHz | system bus is faster than | not by enough to really | ‘Szine:stand ‘patrons inoficed. cbout" the
PowerBook sports a the iBook’s: J]OOMHz | make a difference. October 2000 issue of Playboy. But right |
faster CPU. (versus 66MHz2) i 5 |
Screen Size | A 12-inch aclive-matrix | A 14,1 -inch octive- The iBook hos a good there on the cover—next to the winsome |
screen, surrounded by | matrix screen that goes | screen, but the | model, of course—is an iBook. Sure, the
« lot of plostic. right to the cosing’s | PowerBook is better for E
edge. video-intensive jobs. Apple logo is well covered, but that
Graphics Say hello to @ new s the same Rage | Let's call this one unmistakable blueberry-and-white plastic
ATI Rage Mobility 128 chipset you'll | a push. | x
chipset. find in the PowerBook. casing helps the laptop stand out—unless
Expandability | You can add memory | Want to swap out your | For travelers, the you're still looking at
but not much else. That | DVD drive for o Zip PowerBook's ability to
DVD drive stoys put. drive, a floppy drive, carry an extra battery the winsome model.
And removing the bat- | or an extra battery? —_| gives it @ clear edge
tery con bea chore, | You can. over the iBook. For Macworld
Ports Along with its USB ‘Two USB ports, two The iBook’s new Fire readers without the
connection, the iBook | FireWire ports, a slot | Wire port is a great
now has ports for Fire- | for o PC card, S-Video | addition, but the Power- time or inclination to
Wire and a composite | and VGA outputs, and | Book still beats the
video out. 3 world of poss iBook for flexibility scour the pages of
5 4
Battery Life | Our tests say you con | PowerBook batt The iBook consumes g Playboy, | stepped in
get more than three | lost about two hours. _| less battery power. The a a
hourk ofure/ouffefars |l\Botidorfifarget hat | Powerlleak offers tore 3 ond—just for research
single chorge. extra battery flexibility 8 pirpioeas;- mind you
Weight To carry the iBook, | Itweighs just over 6 | Travelers who haul their : ;
which weigh# neorly? | pounds, Remove the _| loplops.on the road, bought the magazine. Much io my dismay,
pounds, you'll need its | DVD drive, and it drops | take note: the Power- | couldn't find a single picture of a Mac
built-in handle. to 5.7 pounds. Book is narrower, too.
inside the issue. Until | got to the Center-
fold, that is. PHILIP MICHAELS
PLAYMATE DATA SHEET
vane: LROOK SE
MEASUREMENTS Bolom GE MB - 10GB
PLACE OF BIRTH:
turn-ons: PAAR PANTING, MBC OS4.0.44,
3
a
8
5
8
qurnorrs: POR SURGES, INSUFA CIENT
scene + |
proces? worry: SOM@NMES | FEEL UKE
b Wey Lime ibook teeeren in THe
Rody OF bel IND\@o, —__
FIRST THING PEOPLE Norice aBour you: MMA |
2
2
Zz
3
5
a
3
8
2
www-macworld.com February 2001 27
Want to
see more?
Coo. Sturr
Play On... And On...
When it’s time to work out, you wouldn't don decades-old sneak-
ers or use equipment left over from Jack LaLane’s boyhood gym
So why keep bringing that bulky music player along? The Nike
PSA/Play 120 weighs a scant 3 ounces. The rounded design slips
easily into a pocket or attaches to an arm band (included).
$3 (541/967-2450, www
tiohome.com), makers of
the Rio MP3 player, devel-
oped the $300 PSA/Play
120 with Nike, which
apparently is moving its
quest for global domi-
nation beyond athletic
apparel and Tiger Woods
ads. PSA/Play’s expand-
able 64MB built-in mem-
ory plays two hours’ worth
of MP3 and Windows
Media (WMA) files,
enough to accompany the
most grueling workout. The digital-display remote makes choosing
a playlist easy, even on-the-go. After all, those 30 minutes on the
StairMaster are hard enough without your MP3 player weighing
you down.—ANTON LINECKER
28 February 2001 www.macworld.com
QUICKTIME 5
Pay per Page View?
Let's say that rock concert everyone's been raving
about becomes available online. You go to the
Web to watch it through your QuickTime Player.
After a few minutes, the show stops. Pay a fee,
and you can see the rest.
Welcome to the world of on-demand QuickTime
content, brought to you by SealedMedia (415/394-
9999, www.sealedmedia.com). The company makes
downloadable digital-rights-management software
that lets Web publishers sell their online content to
credit card-carrying surfers. And its product will be
available as a plug-in for QuickTime 5.
“[Web sites will] run a movie for ten minutes
and then they'll scramble it,” says Alan D. Mutter,
president and CEO of SealedMedia. “If you like
it and get hooked, you can buy it and watch it.”
The plug-in lets you buy content on a view:
only or a permanent basis. “You download it once,
and it's permanently plugged into your QuickTime
Player,” Mutter says.—ADELIA CELLINI
Skipping Out
Apple's upcoming QuickTime upgrade beefs up
the multimedia system software's streaming capa-
bilities. QuickTime 5 will ship with MPEG-1
streaming support, as well as support for MPEG-3
(MP3) streams from Shoutcast.
More important, QuickTime 5—when used
with QuickTime Streaming Server 3—will be better
able to prevent transmission skips during playback
of streaming audio and video. It will buffer streams
and then fill in the blanks that occur with stream-
ing packet losses—a process similar to the way
a portable CD player reads ahead during a track
and fills in the blanks when it's jostled.
The result? QuickTime 5 can stream content
virtually without interruption. And heaven knows,
interruptions and skips are the last thing you need
when you're watching Keanu Reeves emote in '
that movie trailer you downloaded.—marHEW HONAN
eR
2
3
6
8
3
PHOTOGRAPH BY TOM GIBSON.
MACs AT WORK
WWF: Putting the Mac
in Smackdown 3
The glitter-suited behemoths
of the World Wrestling Fed-
eration are out to choke-slam
the Web. Clips of wrestlers
tuling the ring have made
FROM THE LAB
Increasing Your
Word Power
Mac users still mutter under their breath about
Microsoft Word 6, the memory-hogging word pro-
cessing program that was slower than a Richard
Marx ballad. Macworld Lab ran the software on a
typical computer from the Word 6 era—a Power
Mac 7600/132—and found, not surprisingly, that
its performance lagged significantly behind Word
WWEcom the Web's third- 2001's on a 400MHz iMac. But stick Word 6 on that
largest streaming-video site, yo ‘ iMac, and you'll see speeds comparable to the
' ;
DBP Webcast Track says. koe ‘Thee Rak get aks Hk latest version of Word. It looks as though Word 6
WWF's new-media department,
The WWF's Stamford, was a fine application—all it needed to run prop-
erly was a computer that wouldn't be invented for
Connecticut, offices are pre-
dominantly PC. But the
six Macs in the new-media
As does a basic computer
question: If a wrestler were another six years.
to smash a rival over the head vrearem | Sr Word count |rind
with a Mac, would it be an | | as
iMac or a G4? a | ee
“An iMac," answers vera i # es L
department created most
of the WWF's Web pages.
Using Macromedia
Dreamweaver and Adobe Barstow. “It would be more
Photoshop and Illustrator, the
designers update pages to
reflect the action in the ring.
The greatest challenge, New-
Media Creative Director Paul
‘All inves are in seconds, Test systems were @ Fewer Mac 7600/12 ond an iMoc
DV 400MHz (2000). Both systems had 128MB of RAM, Mac 0S 9.0.4 installed,
colorful.”—pavip FERRIS
WEIRD STUFF
Magliari says, isn't portraying
wrestlers such as The Rock;
it's making sure the WWF's
female grapplers appeal to
a male-dominated audience
After all, how do you make
Trish Stratus strong enough
for a tough guy but tender
enough for a lonely tough guy?
WWF Vice President for
New Media Lee Barstow
hopes for a day when the
WWF's Web sites supersede its
TV presence. As broadband
comes online, WWF wants
to expand its global reach—
currently 150 countries—with-
out worrying about foreign
broadcast rights. “The story
iSmell? No, You
Smell, Buddy!
Strawberry. Grape. Tangerine.
Old iMac colors? Nope—new
Mac aromas. Treading the thin
line between brilliant and
bizarre is iSmell, a speaker-size
device that adds a whole new
dimension to your computing
experience. Able to mix and
match elements from a hundred-
scent palette, the iSmell from
DigiScents (510/208-4300,
www.digiscents.com) can produce
thousands of unique odors.
Savor the aroma of the coffee
beans you're about to order online. Smell the spent shotgun casings—and your
opponent's fear—as you play a scent-enhanced first-person shooter game. Due
lines and the good versus for release at the end of 2001, the Mac version of the peripheral should make its
evil—it kind of translates into
any language,” Barstow says.
public debut at January's Consumer Electronics Show in Las Vegas. No matter how
7
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F
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3
§
5
fo
8
‘
.
:
3
@
5
=
.
8
5
4
2
Q
Fa
well it works, it’s sure to raise a stink.—GREG KNAUSS
www.macworld.com February 2001 29
Pro FILE
Dot-Comics
Q8A with SCOTT McCLOUD
Q: What was the “aha! A: I've got an old clone, a creaky
moment” for you when it came _ little PowerCenter150. I’ve also
to using computers in comics? got a PowerBook G3, but it’s time
A: It was gradual for me. | to upgrade the desktop machine
bought my first Mac, a Performa as well.
200, in late 1992, just as | fin-
ished Understanding Comics. |
wasn’t hostile to the idea of mak-
Q: What differences are there
between what you used then
Scott McCloud made his mark in the
comics world with his long-running and what you’re using now?
ing comics [on a computer], but |
ing [bra compote A: It’s a whole different world. |
had a copy of [Adobe] Illustrator
when it first came out, and it just
series, Zot! But the two books he's writ-
didn’t think computers were read
ten—Understanding Comics (Harper- i t
Perennial, 1994) and Reinventing Comics
(HarperPerennial, 2000)—have given the
for it. Then | fell in love. | got a
Quadra not too long after that.
“ i a i couldn't run on the Performa
jave myselt license to pla’ M
comic-book artist wider recognition. ‘Ive 9 : be ee eae 5 | think the biggest change is in
around and not try immediate
been on this crazy crusade since 1994 ie i Y Web-oriented tools. GiFmation,
- to turn it into a moneymaking
about comics and computers,” says ' I felt ol Fetch—those became very impor-
venture. | felt play was ve
McCloud, who now publishes Zot! online ee - tant to me. | also became a con-
ah important—to have fun first, to
at www.comicbookresources.com. “I'm vert to the idea that connected-
: see what happened and not try ;
forever evangelizing this stuff.” McCloud ness is a very important feature
to bend the process to my will.
sees a revolution coming in the comics, in computing. The window onto
with computers—and the Mac—playing Q: What machine are you the world of my desktop is just so
a leading role.—LisA SCHMEISER using now? radically different.
More Info:
www.macworld.com/2001/02/buzz/mccloud.html
Find out about Scott McCloud’s experiences with
publishing his comic series Zot! online.
Cuiick HERE
Radiskull Hate Buzz!
He is the Radiskull. He will kill us one by one. Or so says this disembodied,
toothsome skull. Radiskull and his sidekick, Devil Doll, are the animated stars
of joesparks.com, the product of Flash artist Joe Sparks’s fertile imagination.
Each episode of Radiskull and Devil Doll features the duo rapping to a heavy-
metal beat and lamenting such evils as snow, fruit, and happy. Radiskull, in
his own vernacular, “hate happy.” But Sparks offers more than a fun Flash car-
toon land. He dedicates several pages to production notes, detailing the hows
and whys of Radiskull, along with shots of his Mac workstations. Sparks also
offers Flash tricks and tips, such as how to generate 3-D landscapes. Radiskull
may not care for any of this—he "hate happy,” after all—but that doesn't mean
you won't get a kick out of it—maTHEW HONAN
arks.com
\w ote
AYN
NN
www-.joesp.
30 February 2001 www.macworld.com
edicine For Your
Nothing can ruin your day faster than a sick and ailing
computer, And while Macintosh is one of the most reliable
computers in the world, sometimes things can go wrong.
That's why we invented TechTool Pro. TechTool Pro is
the super-utility that can find and isolate almost any
problem on your computer. No other utility in the world
comes even close to covering as many aspects of your
Macintosh as does TechTool Pro.
But diagnosing computer maladies is only half the battle.
Besides repairing drives, recovering data and checking
the health of your Macintosh components, TechTool Pro
can now help protect you against virus problems and
software conflicts. TechTool Pro can also keep your Mac
running at its peak between problems. The program
optimizes your disk drive to make your computer run
faster and more efficiently. Our RAM panel even allows
6666
MacWorld
Aug, 1999
ac
you to see the inner configuration of your memory
without needing to open the case.
Do all these features make TechTool Pro complicated to
use? Not at all. The MultiTester feature allows you to give
your computer a full checkup with one click of your
mouse, TechTool Pro even creates graphic, easy-to-read
and understand reports. Now you can know the state of
your computer without having a degree in computer
science.
Every day, more and more Macintosh professionals are
choosing TechTool over other system utilities. In fact,
even Apple Computer includes TechTool Deluxe with
every copy of their AppleCare™ Protection Plan. Simply
put, TechTool Pro 3 is the most complete and powerful
troubleshooting and repair utility available for your
computer, Why would you settle for anything less?
Micromat Inc.
800-829-6227
707-566-3831
FAX: 707-566-3871
info@micromat.com
www.micromat.com
(©2000 Micromat, Inc.All rights reserved. Tech'Tool is a registered trademark of Micromat, Inc. Macintosh and AppleCare are trademarks of Apple Computer, Inc.
Circle 37 on card or go to www.macworld.com/getinfo
eVhat’s HOT
A QUICK LOOK AT THE WORLD OF TECH
1. Napster releases a Mac version of its MP3-
sharing software. Expect the subsequent lawsuit to
lag six months behind its Windows counterpart.
2. Steve Jobs vows to have speedier CPUs in 2001.
“510MHz or bust!” the cocky CEO declares.
3. Hackers break into Microsoft's corporate net-
work, After poking around the company's secret files,
the hackers added insult to injury by fixing dozens of
bugs in the Windows 2000 source code.
4. The G4 Cube gets nominated for a design
award from PC Magazine. It faces stiff competition—
the Beige Box from Dell, the Beige Box from Gateway,
and the Off-White Box from Compaq.
5, Despite U.S. woes, Apple’s German division
has its best year ever. The reason? Key lime iBooks
are now called “Hasselhoff green.”
y
€&>
ANNOUNCED
@ Tox-preparation soft- @ The departure of
wore by Intuit (800/446-
8848, www.urbotax.com):
TurboTax Deluxe—Intuit
has dropped the Macin-
company founder and
chairman Tim Gill from
Quork (800/676-4575,
www quark.com): In
October, Gill sold his
50-percent stake in the
Tox name—adds auto-
mated fax-return features
that let users automati-
cally download tox infor-
Product WATCH
design and desktop
publishing software
company he founded in
1981. He plans to
devote his time to
philanthropic efforts.
@ Certification of Macs
for E-Business Suite,
from Oracle (800/672-
2531, www.oracle.com):
Macs with Microsoft
Internet Explorer, Mac
OS 9.0.4, and Mac-
intosh Runtime for Java
mation from participat-
ing companies and
financial institutions.
TurboTax Deluxe sells
for $50.
@ Adobe Premiere (800/-
833-6687, www.cdobe
com): Premiere 6.0
adds extended digital-
video support and one-
step Web-output tools.
The DV-editing applica-
tion sells for $349; exist- can now access Oracle's
Web-based business
applications.
ing users can upgrade for
$149. The software will
ship in the first quorter
of 2001
32 February 2001 www.macworld.com
(@ New handhelds from
Handspring (888/565-
9393, www.handspring
com): The $449 Visor
Prism features a full-color
display and recharge-
able battery. The $299
Visor Platinum is o faster
version of Handspring’s
handheld PDAs.
@ An analog-to-DV
converter from Formac
Electronic (925/251-
0100, www.formac.com);
Formac Studio is a
video digitizer that
converts captured video
ond DV to DV streams,
and tronsfers QuickTime
movies to VHS. At press
time, pricing hadn’t been
set for the product,
which was scheduled for
a December release.
@ A FireWire tope drive
from Imation (888/466-
3456, www.imation
.com): The Travan
20GB FireWire Drive
comes with Retrospect
Desktop Backup soft-
ware from Dantz and
sells for $499.—Compiled
by PHILIP MICHAELS
LIGHTS...CAMERA...MP3?
Not Just for
Pictures Anymore
You're vacationing on a remote desert
island. You snap a couple of cool shots
with your digital camera. But there’s
no printer in sight. If you want prints
of your photos, you'll have to wait until
you're back on the mainland—right?
Wrong—if you have a C211
digital camera, from Olympus
(800/645-8130, www.olympus.com).
The $899 digital camera includes
a built-in Polaroid printer.
The C211 is just one of several new
digital cameras that do more than take
snazzy snapshots. “They'll probably stop
calling them cameras at some point,”
says Ed Lee, director of Lyra Research's
digital-photography advisory service.
Take the $699 Fujifilm FinePix 401
(800/800-3854, www.fujifilm.com),
which lets you listen to your favorite
tunes via an MP3 player while you're
taking photos. “The goal is to try to
go after young consumers who are into
MP3 players and are looking for some-
thing fun and different,” Lee says.
With the RDC-i700, Ricoh (888/
742-6410, www.ricoh-usa.com) has
added interconnectivity to its cameras;
the RDC-i700 lets you snap pictures,
check e-mail, send faxes, and track
stocks. It’s currently available in Japan
for $1,500. A U.S. version should
debut in early 2001.
What's next? Keep an eye out for
digital camera-cell-
phone combos, which
are already available
in Japan. “It may take
a while to see these
in the U.S. because
there is a lot of infra-
structure involved,”
Lee says.—ADELIA CELLINI
ICON ILLUSTRATIONS BY MARK MATCHO; PHOTOGRAPH BY SUZANNE ROADY
Pristine image quality. Adva functionality. Future-ready.
P ne | ui n k PanelLink Digital powers today
AL
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DRIVING DIGITAL s. k And digital is better
2 bated 7
, Explofelth@yfull fange of PanelLink-powered digital products at digital =better.com
= Circle 149 on card or go to www.macworld.com/getinfo
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For 1,000,000 Web developers, it's The Word.
MACROMEDIA’ DREAMWEAVER’ may not be the standard for hotel rooms, but it is the standard for
70% of professional Web developers who use visual tools. And the new Dreamweaver 4 Fireworks’4
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only does it tightly integrate text and visual elements, it generates code so clean you could eat off of
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macromedia.com/go/studio macromedia’ what the web can be."
(ered trademarks of Macromedia, tn
shamed loge, Dreamwegver, Fireworks, and “whet th
YOUR WAY
YOUR MAC,
Customize Your Mac and
Applications for a Completely
| Personal Experience
t
BY CHRISTOPHER BREEN
AN YOU IMAGINE A PLACE WHERE AUTOMOBILES come only
in black, ice-cream shops carry nothing but jamocha almond
fudge, and all the Village People dressed as construction
workers? Who would want to live in such a drab land?
Thankfully, our world offers myriad choices. Just look at the wide
variety of Macs available to us—an indigo iMac for Ivan the librarian,
marine-biologist Molly's Power Mac G4 Dual Processor, and young
Lauren's key lime iBook. We are fortunate to have a great many
remarkably colorful and configurable Macintosh options.
But those options don't end with the hue of the
case or the amount of installed RAM. No com-
puter—PC, Palm, or Psion—is more customiz-
able than the Mac, whether you'd like it to
conform to the way you work or simply want
your desktop pattern to match your mood.
Granted, the forthcoming OS X will provide the
greatest face-lift the Mac has seen in over a
decade. But while you're waiting for its final
telease,why not take matters into your own
hands? With the help of a pocketful of share-
ware utilities, a smattering of commercial appli-
cations, and some system and application
tweaks, you can make your Mac your own.
Make It Work Your Way
You may be perfectly content to dig through
your Mac's hard drive to launch applications;
rummage through volumes and folders in Open
and Save dialog boxes; traipse to the menu bar
every time you want your Mac to execute some
trifling task; and repeat a series of clicks and
drags to perform the same operation many
times. But we're here to tell you there's a better
way. These customizations are guaranteed to
make your Mac more productive.
Everything at Hand
Why wait for OS X's Dock? Files, folders, and
applications you routinely misplace can be
easily found—and launched—with the help
of some classic Mac OS utilities. (See "17 Mac
Makeovers" for details about the programs dis-
cussed in this article.)
Outto Launch Included with Mac OS
is Launcher, a program you can use to open
applications, files, documents, and URLs with
a single click. It doesn't do much more than
that, though. And while you can create up to
continues
www.macworld.com February 2001 37
eight separate cate-
gories of Launcher
THERE IS
items (arranged as
A only ies 10781
PR Frsticy
DQ He Laser
tara in
NO COMPUTER—
|
tabs), the process is |
hardly intuitive, and |
is],
1 pentnns ——
KIDS
" G Kaleidoscope Schemes
Action GeMac™
Q Rescate 213
2000, 309 981
2000, 9508
25,2000, 1209 PH
a 2000, 939 9H
PC, PALM, OR Launcher takes up a 3 ian se 20m
fair chunk of desktop | [FRM | Gswmowereta eet
PSION—MORE real estate. show(7uroriceDocol_@ Desktop folder 4 Glover)
If you're looking ms
CUSTOMIZABLE for more-powerful a Comet) Carer)
and less-obtrusive Lunch into Action Power On Software's Action Files 1.5.4
THAN THE MAC.
launchers, you'll
find plenty of third-
party utilities that let
adds more-exten:
you easily organize your favorite
applications and documents
into tidy, movable docks, James
Thomson's DragThing 2.9 ($#$¥2)
and Aladdin Systems’ like-priced
DragStrip 3.7.1 (##$¥2; both reviews
at www.macworld,com/2000/09/
22/reviews.dragthing.html) allow
you to place all of your favorite
goodies including applications,
documents, control panels, disks
and servers, folders, and URLs:
in floating docks. In addition,
both provide docks that, as
Apple's Application Switcher
palette does, display all currently
running applications. Of the two,
DragThing is the more refined,
featuring attractive palettes, sound,
hot-key support, and a number of
helpful AppleScript commands for
controlling the program's docks.
(See “Control Tabs.")
Sig Software's
DropDrawers 1.2.6 is another useful
Space Savers
launching utility. Instead of employing
docks, DropDrawers lets you place
your favorite items, including clip-
pings files, in floating “drawers” that
open and close when you click on
their handles.
You can also try Power On
Software's powerful Action GoMac
2.0.3 ($448; Reviews, February
2000). Like Windows’ Start menu
sive navigation controls to Open and Save diclog
boxes than Apple’s Navigation Services does.
and Task Bar, Action GoMac displays
running applications and lets you
launch your favorite applications
and files from a palette that runs
along the bottom of your Mac's
screen. A unique feature allows you
to quit running applications without
switching to each one. Just select
Quit and then the application's
name from a pop-up menu, and that
application quits in the background
Let Your Fingers Do the Working
Some of us dislike reaching for the
mouse, either because we think it
wastes time or because the ergonom-
ics fairy has warned us against it.
‘Two launching utilities that rely on
the keyboard rather than the mouse
are MindVision’s MindControl 1.1
($884; Reviews, January 2000) and
Stefano Ghielmi's SpeedApp 1.0.2.
With MindControl installed on
your Mac, you press %£-" to reveal a
window that contains your favorite
applications, documents, URLs,
e-mail addresses, recent applica-
tions, documents, and servers. You'll
also find common commands such as
sleep, shut down, and restart. Use
the mouse or the Mac's arrow keys to
access these items.
MindControl also places a com-
mand line at the bottom of your
screen where you can enter text. To
launch an item on your Mac’s hard
drive, begin typing the name of the
item you'd like to open—or the abbre-
viation you've assigned to it. Mind-
Control fills in its name; just press the
retum key to launch that item.
SpeedApp offers the same com-
mand-line feature in a more intuitive
way. Unless you configure Mind-
Control in the Command window, the
program requires that you type the
complete name of the item you wish
to open, beginning with the first let-
ters of the application. For example,
Adobe Photoshop is the default name
to type for Photoshop. SpeedApp—
which is limited to opening applica-
tions—allows you to type any portion
of the application's name.
Better Dialog Boxes
Your desktop isn't the only place you
can enhance navigation. Most of us
spend a fair amount of time shuffling
through Open and Save dialog boxes,
wishing for a more efficient way, for
example, to put files in the folders
where we always put them.
Many Mac users hoped that
Navigation Services—introduced
with Mac OS 8.5 as a new way to
view and move through Open and
Save dialog boxes—would offer a
greatly expanded set of navigation
options. Dialog boxes that take
advantage of Navigation Services do
provide quicker access to mounted
volumes and often-used documents
and folders, but they don't provide
the wealth of navigation options found
in the Finder, such as the ability to
produce a file's Get Info window.
Fast Filing St. Clair Software's
Default Folder 3.0.7 and Power On
Software's Action Files 1.5.4 (#946;
Reviews, February 2000) provide
some solutions. Default Folder places
additional commands in Open and
Save dialog boxes—commands for
producing a file's Get Info window, as
well as for renaming and trashing
files. It will also display a default folder
you've designated when an Open or
Save dialog box appears for the first
time after an
application
launches. This
is a real time-saver
if, for example, you
plan to save all your
Microsoft Word documents
in a particular folder.
Action Files offers even greater
enhancements. (See “Launch
into Action.”) In addition to the
same features as Default Folder,
it gives you the ability to sort files
by name, size, kind, and date;
change file and folder labels;
create an alias of a file or folder; and
even resize these previously nonscal-
able dialog boxes.
More from Your Menus
Menus provide another way to easily
launch applications and locate
favorite files on your Mac. Each new
version of Mac OS has made menus
more powerful by increasing the
number of keyboard equivalents for
common tasks—for example, creat-
ing an alias or moving items to the
Trash. But menus can be made to do
more, with utilities such as Jerry Du's
FinderMenuTuner 1.2.2, Connectix’s
CopyAgent 1.0 (###%; Reviews,
December 2000), and Power On's
Action Menus 1.0.2 ($###; Reviews,
February 2000).
"Your Mac, Your Way
Navigate with Ease Finder-
MenuTuner is a simple control
panel that allows you to assign
additional keyboard commands to
Finder menus—a boon for those
who've longed to press 86-T to
empty the Trash.
CopyAgent, though primarily a
tool for enhancing Finder copying,
also makes menu navigation easier
with its Keyboard Power component.
Using Keyboard Power, you can
access Finder and application menus
in the Mac’s menu bar with keyboard
shortcuts: for example, just hold
down control-shift-F to select the
File menu. Once you select a menu,
you can use another keyboard short-
cut to choose a command within
continues
Control Tabs
From James Thomson's DragThing 2.9, you can launch nearly any file on your Mac’s hard drive.
www.maeworld.com February 2001 39
WITH A LITTLE
EFFORT—AND
A COUPLE
OF UTILITIES—
YOUR MAC
CAN BE FUN AND
FUNCTIONAL.
that menu—such as
control-shift-O to select
Cnctade in Quickeys
Open—or the arrow
fae AY Oese Ba
keys to move from one
menu item to another.
Action Menus is the
be-all and end-all of
menu customization utili-
ties. It not only allows
you to assign keyboard
commands to menu 45 2) Gerwt ove
16. ton 10 FA
items, but also creates
ste adctionsl Step tare
additional menus that
Record Hore.) [Invert Keyateat..
cooeet) |
display applications,
files, folders, and servers
Macro-Made
you've recently
accessed—complete
with hierarchical submenus. And
you can place items in the Apple or
Applications menu by dragging them
there from the desktop.
Mega-Macro Programs
If you repeat some tasks frequently
on your Mac—copying blocks of text
from your word processor and past-
ing them into different fields in
your database program, for
example—you may long for a
way to alleviate this drudgery.
A macro program can auto-
mate many of these tasks. You
can use applications such as
CE Software's QuicKeys 5.0
($94; Reviews, October 2000),
Westcode Software's OneClick 2.0
($8%; www.macworld.com/2000/
12/13/oneclick.html), and Binary
Software's KeyQuencer 2.5.5 for
simple chores (launching applica-
tions or creating keyboard equiva-
lents for menu commands), but the
forte of these macro programs is exe-
cuting a series of actions at the click
of a button or the press of a key.
Automate Your Actions QuicKeys
is the easiest macro program to use,
thanks to its icon-oriented interface
and ability to accurately record the
Why repeat o series of keystrokes and clicks,
when you can record these actions one time and trigger them
all with a macro utility such as CE Software's QuicKeys 5.0?
actions you perform on your Mac.
Just click on QuicKey’s Record but-
ton, run through the task you'd like to
turn into a macro, and click on the
Stop button when you're done. Your
actions are recorded and ready to be
played back when you press the key-
board command or on-screen button
you've assigned to trigger the macro.
(See "Macro-Made.")
Still, QuicKeys lacks some of the
power found in script-based programs
OneClick and KeyQuencer, which
offer better control over actions that
include a series of variables—when
the appearance of a dialog box trig-
gers another action, for example.
OneClick gets its name from the
palette-driven interface that represents
macros as clickable buttons. Beneath
the simple interface is a scripting lan-
guage called EasyScript that allows
you to manipulate your Mac in many
powerful ways. For example, you can
create a OneClick macro that auto-
matically closes browser pop-up win-
dows—not possible with QuicKeys.
KeyQuencer lacks the action-
recording features of QuicKeys and
OneClick, but its scripting capabilities
allow intrepid users to create some
potent macros.
The Tricked-out Mac
You've changed your hairstyle, diet, and taste in music dozens of times
in the past five years. So why stick with the same-old-same-old Mac
experience when you can customize it in these exciting ways?
® Action Menus
Action Menus adds a number of new menus to the Mac's menu bar for
tasks such as opening recent applications, documents, and servers.
© Kaleidoscope
The combination of Kaleidoscope and Hideaki Kamada’s NotePaper
scheme lend a spiral-notebook feel to the Mac’s windows, scroll bars,
icons, and menus.
@ Action GoMac
Action GoMac’s Task Bar feature provides an area for launching favorite
applications and for switching between active applications. The Clock
Tray includes a clock, a calendar, and a place where you add control-
strip modules.
© DragThing
DragThing gives you easy access to all your favorite items. And Mac
OS 9's Application Switcher never looked as good as DragThing’s
Process Dock.
@ IconFactory
IconFactory is a rich resource for beautiful and whimsical icons.
"Your Mac, Your Way
Stick to the Script Of course
Apple includes its own free automa-
tion utility, AppleScript, with every
copy of Mac OS. AppleScript is
daunting to many Mac users, but
using it to create simple scripts isn't
difficult. You don't need to be a power
user to benefit from this excellent tool.
Using the Script Editor, found
inside the AppleScript folder within
the Apple Extras folder, you can
record many of the actions you take
on your Mac. For example, you can
create a script that will clear up the
clutter on your Mac’s desktop and
display files in alphabetical order.
First open Script Editor and click on
the Record button; then switch to the
Finder, hold down the option key,
click on the Close box in the active
window to close all windows, and
select By Name from the View menu's
Arrange submenu, You can then save
this script to the Apple Menu or your
desktop as a classic applet.
You can also create simple
AppleScripts to move items into the
Trash, copy files from one buried
folder to another, and tum the
Appearance control panel's window-
shade feature on and off. (To learn
more about AppleScript, see “Apple-
Script for the Programming-Shy,”
Secrets, November 1999.)
Make It Look Your Way
Having a more productive Mac may
placate the persnickety office man-
ager within us all, but a computer
can be competent without being
compelling. With a little effort—and
the help of a couple of utilities—your
Mac can be fun and functional.
Lovely to Look At
With the Appearance control panel,
you can change the visual elements
of your Mac's interface, selecting
continues
www.macworld.com February 2001 41
OLYMPUS
Focus On Life
The Olympus P-400 Dye-Sublimation
Photo Printer has arrived!
You won't find a more versatile, more
It’s a 26-pound
Digital Darkroom convenient printer than the Olympus
P-400. Its parallel and USB interfaces
The O| P- -sublima-
fe Olympus P-400 uses dye-sublima let you print from your favorite PC or
tion technology t duce t -
By Ie Poe er Mac photoediting application.
tinuous-tone images, just like traditional
photographs. Inkjet printers, on the other Even without a computer, you can
hand, can only create the illusion of con-
=. tinuous tones
=
print images directly from your dig-
ital camera’s removable media
by using a — including SmartMedia," Type |
matrix of and II CompactFlash® and Mem-
dots, That's ory Stick® thanks to the P-400’s
why even built-in SmartMedia and PC Card
the best ink- slots. Print on the spot, choosing
from numerous built-in print
functions—such as sepia-tone or
match for the P-400 when it comes black-and-white conversion,
to image detail and color vibrancy. crop and enlarge, borders and
vignettes,
Unlike typical inkjet printers, the
P-400 delivers fade-resistant
images with archival qualities
comparable to traditional photo-
graphs. And while inkjet printers
will test your patience, the P-400
(Olympus P-400 Dye-Sublimation Photo Printer
Finally, you should know the
Olympus P-400 can be yours for
under $1,000'—about one-fifth
the cost of competitive dye-sub-
limation printers of comparable
CAMEDIA
Digitally Inspired
can output an 8" x 10" print! in output size. You can learn more
\ about 90 seconds? at P400.olympus.com.
\
<a
Olympus America Inc. * 2 Corporate Center Drive * Melville, NY 11747-3157 * Call 888-55DIGITAL for more information. + ©2000 Olympus America Inc.
‘actual image area: 7.68 x 10/in. 2Approximate time alter acquisition of data to final output. SMSRP: $999. All rademarks and registered trademarks are the properties of their respective holders.
Circle 7 on card or go to www.macwerld.com/getinfo
"Your Mac, Your Way
elements. Here, the NextStep scheme gives our desktop that
retro look (bottom).
desktop pictures and patterns, alter-
nate system fonts, and hues for high-
lighting and menus. But if you want
to alter your Mac in more profound
ways, you need greater assistance:
download Greg Landweber and Arlo
Rose's Kaleidoscope 2.2.4.
Total Makeover Kaleidoscope
is a control panel that allows you to
load schemes that radically distort the
appearance of windows, menus,
buttons, icons, and progress bars.
(See “Interface-lift.") Be advised: it
may impede the performance of
your computer or make it more prone
to crashes. But with so many enter-
taining scheme options available,
many users will be tempted to install
it regardless of the consequences.
Many authors have created
schemes that transform the Mac's
44 February 2001 www.macworld.com
Interface-lift With Greg Landweber and Arlo Rose's Kaleid-
oscope 2.2.4, you can change many of your Mac's interface
interface into something
resembling Windows
98, the Be OS, Next-
Step, a Palm Pilot, or
even Mac OS X.
(Apple's legal depart-
ment has warmed
against replicating
OS X's Aqua theme.)
Hundreds of schemes
are available from the
Kaleidoscope Web site
(www.kaleidoscope.net)
and others. To locate
these additional
schemes and others,
use Sherlock or a Web
search engine.
Accessorize,
Accessorize Some
Kaleidoscope scheme
authors toss in icons to
replace Apple's drab
hard drive icons, but
many do not. If you're
looking for more inter-
esting icons—whether
or not you plan to use
them in conjunction with Kaleido-
scope—you can point your browser
to IconFactory (www.iconfactory.com),
the finest collection of free icons
on the Web.
If you're aiming for an OS X-like
look, consider one more visual
enhancement: Greg Landweber's
Power Windows 2.4.2. With this pro-
gram installed, when you drag a win-
dow across the screen, the entire
window and its contents remain vis-
ible, not just the dotted outline. Plus,
it can make windows translucent.
Custom-Crafted Applications
If you enjoy playing MP3 files on your
Mac, you know that MP3 players
include a variety of “skins” that
change a player's appearance. But
MP3 players aren't the only applica-
tions that support customization.
Beautify Your Browser In the
latest releases of Microsoft Internet
Explorer and Netscape Navigator,
Microsoft and Netscape supply the
means to make their browsers reflect
Apple's recent designs.
To style Internet Explorer 5 more
like your Mac, just select Browser
Color from the View menu and
choose from colors such as Bondi
blue, lime, PowerBook bronze, and
graphite. To change the way icons
and text are displayed in the tool bar,
control-click on the tool bar and
select Icon & Text, Icon Only, or Text
Only from the contextual menu. Then
choose from the listed colors.
Netscape 6 includes a variety
of themes that allow you to change
the look of this venerable browser.
Preview Release 3 includes the
Modern and Classic themes: Modern
has a rounded look reminiscent of
OS X, and Classic’s appearance
resembles the traditional Netscape
interface. To apply a new theme, you
simply select Apple Theme from the
View menu and choose from the list in
the submenu. This submenu also con-
tains a Get New Themes command
that prompts Netscape to connect to
the Web and download any addition-
al themes that become available.
Office Remodeling You can't
radically change Microsoft Office
2001's color or icons, but some Mac
users have found that the suite’s
Formatting palette lets you dispense
with many of the program's tool bars.
To change the appearance of this
palette in Microsoft Word, Excel, and
PowerPoint, select Customize from the
Tools menu, click on the Appearance
tab, and choose either the Office
2001 Appearance option (which
bears a slight resemblance to OS X)
or the Mac OS Theme Compliant
continues
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four Mac, Your Way
17 Mac Makeovers
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Binary Software KeyQuencer 2.5.5 $50 800/824-6279, www.binarysoft.com | Macro uilily
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Connectix CopyAgent 1.0 $40 800/950-5880, www.connectix.com | Menu-navigation tool
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James Thomson Drogthing 2.9 $20/shareware | _www.dragihing.com Poletie-based launcher utility
Jerry Du FinderMenuTuner 1.2.2 | $15/shareware | www.dragonone.com Menu cusiomizer
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option (similar to the classic Mac OS).
In the same window, you can choose
to increase the size of icons in tool
bars and in the Formatting palette.
Now Hear This
Before color displays, Mac users
had few ways to tart up their com-
puters. After all, you could create
only so many interesting desktop
patterns out of black and white
pixels. However, one advan-
tage the Mac had over its
PC counterparts was its
ability to play sounds
(PCs were nearly
mute back then).
Mac folk took this advan-
tage and ran with it, cre-
ating custom sound effects
and—with the help of utilities such
as Bruce Tomlin's SoundMaster—
linking them to events as varied as
ejecting disks, emptying the Trash,
and restarting the Mac.
Starting with Mac OS 8.5, Apple
included the Appearance control
panel, which contained a single
collection of sounds tied to system
www.maeworld.com February 2001
events: Platinum Sounds. But Cross-
Roads Solutions offers us Soundz 1.0, a
utility that substitutes custom sounds
such as popping corks and belching
for the staid set Apple includes with
its OS. If you don't care for the Crazy
Sounds collection included with
Soundz, you can to add your own;
read the documentation to learn how.
The Last Word
There are plenty of good reasons to
change the ways your Mac looks and
works: you can't wait for the cool new
functions of OS X, you'd like a better
launcher than the one supplied by
Apple, or you want your Mac's desk-
top to match your new earrings.
Ultimately, it doesn't make a bit of
difference why you want to customize
your Mac. What really matters is that
you can alter the look and feel of
your Mac simply because you have
the power and desire to do so. m
Contributing Editor CHRISTOPHER BREEN
pens Macworld’s Mac 911 column and
appears with alarming frequency on the
compucentric cable network TechTV.
47
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Circle 138 on card or go to www.macworld.com/get info
IT WAS LOVE AT FIRST SPLICE. From the moment you
first fired up your iMac DV, you and iMovie 2 (Reviews,
October 2000) made beautiful movies together. But
now, well, maybe it's just the seven-month itch, but you
think you've noticed a few imperfections. That cute
little Titles Speed slider seems a tad imprecise; those
effects don’t seem so special anymore; and when it
comes to video, the timeline definitely has a one-track
mind, Face it: iMovie is stifling your artistic freedom.
You need something more. e So you jump on the Web
to check out Apple's professional option, Final Cut Pro.
Its feature set looks great, but then you see its price:
$999! Does artistic freedom have to come at such a
G®@® BEYOND
Three applications take your digital
IM@VIE
videos to the next level. BY GALEN rorT
50 February 2001 www.macworld.com
high cost? © Don't despair. There are several attractive
DV-editing programs that let you move beyond iMovie,
without paying twenty times its price. I'll take a feature-
by-feature look at three of these packages—Adobe’s
$549 Premiere 5.1c, Digital Origin's $499 EditDV 2.0,
and Strata's $249 VideoShop 4.5.1—so you can deter-
mine which is best for your needs. Digital Origin also
has a free, scaled-down program called EditDV
Unplugged 1.6.1 not included in my comparison (see
“Making the Cut" for details on this and the other pro-
grams in the story). ILLUSTRATIONS BY OLAF HAJEK
G eB B E Y
Facing the Interface
Nowhere is Apple's knack for ele-
gant, efficient design more evident
than in iMovie's Aqua interface.
And although none of the three
applications | examined can match
iMovie in the looks department, their
ease of use can make up for a host
of physical imperfections.
Working with
VideoShop's Storyboard and Time
views should make iMovie users feel
The Screen Test
right at home, since they function
almost exactly like the Clip and
Timeline viewers in Apple's program.
Unfortunately, there's not much else
that will remind you of iMovie's ele-
gance. VideoShop's tiny buttons are
tiresome to work with, and there are
even a couple of misspellings in the
interface. And unlike iMovie, Video-
Shop doesn't offer device control,
so you have to operate your cam-
corder manually.
Premiere’s interface is no raving
beauty, but at least it functions effi-
ciently (see "Coming Attractions” for
a sneak peak at Premiere 6.0). Tools
are neatly organized, and the Monitor
window defaults to a professional two-
view setup—with a screen on the left
for working with individual clips and
ascreen on the right for viewing
your masterpiece-in-progress.
° N D
When VideoShop and Premiere
display DV footage on your computer
monitor, the picture is “stretched,”
making all your actors look
slightly fatter. Only
EditDV is able
to give you an
undistorted view
of your footage on
screen. It also has
by far the most
professional-feeling
interface of the bunch
(see "iSaver"), with
the overall deep gray
color reducing glare
from the screen.
The Final Reel
Of these three appli-
cations, EditDV is the
most pleasant to
spend long hours
interface-to-face with,
A good software
tutorial is like
a map—it gives
you a feel for the
lay of the land
and doesn’t com-
M °o v 1 E
Options from the View menu” and
there is no View menu, you know
you're in for a perilous journey.
VideoShop and Premiere
go a step further by giv-
ing you on-screen tool
tips that tell you the
name of the tool
you're about to
select. But only
Premiere gives you
online help in the Help
menu, which is great
when you need easy
access to additional
information,
The Final Reel
iMovie may not need
a manual, but Pre-
miere’s complexity is
matched by Adobe's
efforts to help you learn
the program.
pletely abandon
Help Is on the Way
A good software tuto-
rial is like a map—it
gives you a feel for
the lay of the land and doesn't
completely abandon you to unknown
terrain. A software company can
terrain,
do a lot to help first-time users get
oriented, and that help becomes
more important as a program gets
more complicated.
All
ve SS
eS
a The Screen Test
three of these applica-
tions come with tutorials
and printed manuals,
but EditDV’s instruction
betrays its roots in
Windows. When the
tutorial begins “Choose
[aes
oc
Track Team In Premiere,
the A and B video tracks can
share basic cutting duties.
52 February 2001 www.macworld.com
you to unknown
Clips Galore
As you've slowly pieced
together your own
Citizen Kane, you've
watched iMovie's Clip Shelf grow
into an organizational nightmare.
Editing software should help you put
your hands on just the clip you need
when you need it, and each of these
programs offers improvements in
that area
Within Video-
Shop's Bin window, you can organize
The Screen Test
clips into folders. The Bin window
also boasts a nifty feature called
Micons, tiny animated previews of
your clips. It's nice that you can
rename clips inside the Bin win-
dow—but it would be nicer still if the
program remembered those names
the next time you opened the project.
In Premiere, clips are stored in the
Project window and sorted into bins.
Double-click on a bin, and it opens in
its own window. If you want to use a
set of clips from your current movie
project to construct a trailer ina
new timeline, Premiere offers project-
independent bins called Libraries.
EditDV's approach is almost iden-
tical to Premiere’s, but its implemen-
tation is a little tidier. Clicking on a
bin from the list on the left side of
EditDV's Project window reveals a list
of contents on the right. The handy
Clean Up Bin command can free up
precious disc space by deleting all
the clips you wind up not using.
EditDV doesn't offer a library feature,
but a far better solution for all three
programs would be to allow for mul-
tiple timelines within one project.
The Final Reel EditDV offers the
neatest solutions for calming the
chaos of your creative process.
Tweaking the
Timeline
If you thought using
iMovie's Paste Over
command was sophis-
ticated editing, wait
until you leam about
slipping, sliding, rip-
pling, and rolling.
These may sound like
activities in a water
park, but they're actu-
ally invaluable tech-
niques for adjusting
clips in a timeline to
help synchronize
them with your
audio track.
The Screen
Test VideoShop
offers rolling
edits, but working
in the program can
otherwise be very
Think using the
Paste Over com-
mand in iMovie
is sophisticated
editing? Wait
until you learn
about slipping,
sliding, rippling,
and rolling.
awkward. If you want
simply to drag through
the timeline to review
your work, you have to
either hold down the
option key or move the
scroll box in the bot-
tom navigation bar of
the Timeline window,
Premiere offers
an intuitive approach
to basic editing that
makes strong visual
sense (see “Track
Team"). Transitions go
in the Transition track, snapping to fill
the amount of overlap between the
clips in the A and B video tracks (to
transition between clips, they must be
in opposite tracks).
EditDV also has a dual view—
similar to a method used in analog
iSaver
editing—but most
editing in the program
is done in one track,
as in iMovie, You
can also collapse
Premiere’s A and B
tracks and work with
them combined.
The Final Reel
It's hard to choose
between Premiere and
EditDV when it comes
to basic editing.
Premiere has a tool
for every conceivable
purpose, but EditDV's
more streamlined
approach works quite
well without them.
EditDV has more
options for speedily
rendering previews,
but Premiere’s mul-
tiple-undo capability
gives you greater flexibility.
EditDV's subdued
interface is easy on the eyes.
Sweet Sound
Although every picture
tells a story, good sound
can make that story flow better. With
two audio tracks (in addition to the
one stored in the video track) for
aurally embellishing your movies,
iMovie is surprisingly capable in the
sound department. Still, adding
more tracks can give you even
greater opportunities for rich, multi-
layered audio.
The Screen Test VideoShop
offers an unlimited number of audio
tracks, as well as a nifty program
called TuneBuilder that can create
generic musical soundtracks in vari-
ous styles. Audio fades are controlled
in VideoShop by dragging points to
stretch a horizontal line that repre-
sents the clip’s volume. Unfortu-
nately, VideoShop’s implementation
of this rubber banding technique
needs a lot of work; the points lurch
suddenly when you try to drag them,
and you can adjust volume only in
20-percent increments
EditDV gives you as many as 20
audio tracks, and like many features in
the program, audio control is effect-
based. Only after applying the Sound
Fade filter do you get access to the
program's precise rubber banding.
But both VideoShop and EditDV
continues
www-macworld.com February 2001 53
o@
stand in the long shadow of Pre-
miere’s audio capabilities. Premiere
lets you rubber band both volume
and stereo panning, and it gives you
strong control over the quality of
your audio with excellent filters for
equalization and reverb.
The Final Reel
capabilities are top-notch, and
that's important when you consider
that sound usually makes up half
of your movie.
Premiere's audio
Lots of Layers
Just as multiple audio tracks let you
hear more than one sound at a time,
multiple video tracks make it possible
to see more than one clip at once.
This technique of layering images
simultaneously on screen is known
as compositing. You see a form of
compositing when your local news
broadcast uses a blue screen to
place the weather forecaster in front
of a weather map. Multiple video
tracks open up a world of creative
opportunities for you to explore
The Screen Test Creating a pic-
ture-in-picture effect with VideoShop
couldn't be more intuitive: just grab a
clip by the comer in the Canvas win-
dow to resize it. If you want to animate
¥. °
N D
your clip to move across
the screen, you can
draw a motion path in
the Canvas window.
Unfortunately, super-
imposing isn't nearly as
well implemented, since
changes in opacity are
controlled with Video-
Shop's cantankerous
rubber bands.
Premiere’s Motion
dialog box is uncharac-
teristically clunky. When
you apply the Motion
settings, you automatically animate
the layer, even if you wanted only
to shrink it down for a stationary
picture-in-picture. You have to cancel
this animation each time you apply
Motion settings—not a one-click
process—before you can proceed.
EditDV's filter-based approach to
compositing gives you terrific control.
The Picture-in-Picture filter lets you
adjust opacity with a simple slider,
and the Pan-Zoom-Rotate filter makes
it easy to tilt your clips at extreme
angles, with built-in drop shadows for
realistic depth. The best thing about
EditDV's compositing is that it allows
you to set animation keyframes directly
AFine Mesh VideoShop's
Mesh Warp filter lets you put
a cruel twist on reality.
in the timeline, so syn-
chronizing the timing
of your various video
elements is a snap.
The Final Reel Compositing abil-
ities are the best reason to move
beyond iMovie, and EditDV is the
clear winner in this arena.
Just for Effect
If you downloaded the free Plug-in
Pack for iMovie 2, you probably filled
your family-vacation footage with
every fade, wash, and dissolve in
your palette, making your final cut
a visual mess. Having more options
to choose from brings a chance
for more variety, but with it comes
the responsibility to use those effects
with discretion (see “Tempting Text"
continues
Making the Cut
MOUSE | LIST VIDEO |AUDIO | VIDEO ‘AUDIO | PRINTED
company |Propuct RATING| PRICE CONTACT UNDOS | TRACKS |TRACKS | EFFECTS | TRANSITIONS | FILTERS| MANUAL
Apple iMovie 2 $899 | S49 800/692-7753 10 1 3 12" 13°" r) No
weww.apple.com
‘Adobe Premiere 5.1c | #898 [$549 888/724-4508 32 99 99 82 89 2 Yes
www.adobe.com
‘Adobe Premiere 6.0 | N/A* | $549 800/724-4508 9 9 9 66 75 2 No
(beta version) www.adobe.com
Digitol Origin | EdiDV 2.0 t99e [S499 ‘800/572-3487 1 Unlimited |20 29 24 4 Yes
woww.digitalorigin.com
Digital Origin | EditDV 0980 [Free 800/572-3487 1 1 2 9 13 2 No
Unplugged 1.6.1 wenw.digitolorigin.com
Strato VideoShop 4.5.1/ #88 | $249; ‘800/787-28231 1 Unlimited | Unlimited | 51 63 2 Yes; with
with XLR8’s | www.strata.com InterView, no
InterView,
$99
‘N/A = not applicable. **With free Plug-in Pack.
54 February 2001 www.macworld.com
SOUS WAELNE, ING. FICMON, UA S990 AU MaGeMarns and registered trademarks are of their respective owners
Capture, Edit & Share
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