Text content (OCR)
June 2002 | www ina
' First Look: Macromedia's
Dreamweaver MX and
Fireworks MX, page 80
REVIEWED: 12 i PHOTO SERVIGES;5 HIGH-QUALITY PHOTO PRINTERS
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mee tee
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New G4 Chip | GoLive 6.0 | Automate Your Mac | Mac OS X Users and Groups
FOCUS ON VIDEO
Special Report: DV Camcorders,
Final Cut Pro 3, and More, page 59
menu
Actual size,
“4 min pur ones T6td Kye TM ned ©2024
water, ne, All rights resented Dear t sexed seunsic: For moreinformation, cull /S00.MY APPLE or rset wteneapplecont
“The iPod is the best digital music player yet. It makes previous music
layers look like yard-sale 1950s sci-fi toys.”
players look like yard-sale 1950s sci-fi toys. + Sebeeinie diet
“No one else has this much storage in a package this small. Never has
digital music been this well organized.” :
— Chris Taylor, Time
“It may be the finest portable music player ever built. My iPod cruised
at full volume for 13 continuous hours, longer than any other hard-
drive-based MP3 player.”
me a — David Pogue, The New York Times
“Leave it to Apple, maker of some of the world’s sleekest computers, to
come out with the world’s coolest MP3 player.”
— Troy Dreier, pcmagazine.com
“The iPod is simply the best digital music player I've seen.”
— Walter Mossberg, The Wall Street Journal
now has a big brother: 2,000-song capacity. New features like EQ presets and Contact Lists. Same fits-in-your-pocket size.
DEIIONS
From the Editor’s Desk
RICK LEPAGE
Now is a great time to be a digital-imaging fan—
or a digital-imaging snob.
16 Feedback
Readers respond,
140 Ihnatko
ANDY IHNATKO
Legos aren't just for kids anymore—they're for
Mac geeks, too.
Mae BEAT
Motorola and the PowerPC's future, iMac
price hikes, Apple and Bluetooth, media-reader
roundup, Mac-powered airplanes, StageTools’
MovingPicture, and an interview with Microsoft's
Kevin Browne.
aEEnETS
Streamline Your Routines
DAVID POGUE
Customize your Mac so it’s more in step with your
needs, by learning how to automate your daily
tasks with QuicKeys X.
100
Add Video to Flash
RUSSELL CHUN
Add QuickTime video effects to your Macromedia
Flash Web site—no matter which version of Flash
you're using,
102
Crowd Control
DAN FRAKES
Master OS X's groups and permissions, and learn
how to move user folders to remote servers.
104
Mac 911
CHRISTOPHER BREEN
Make your file names OS X friendly, change the
sounds that Microsoft Outlook Express 5 makes,
take control of scrolling speed, put an end to
pesky pop-up windows, and gain the power to
empty the Trash in OS X.
On the Cover:
Illustration by Chris Nurse
Vj June 2002 www.macworld.com
se STORY
Turn Pixels into Prints
JASON SNELL
Digital photography has many pluses, but it adds an extra step: turning what
you see on your Mac's screen into tangible prints. Though iPhoto is an easy
way to print your images, it’s not the only game in town. We've tested 12
online photo services and five of the newest ink-jet photo printers, and we
can help you decide which route is better for you.
ceanURS
Macromedia's Dynamic Duo
DAVID SAWYER McFARLAND
With the newest versions of Macromedia's Web-publishing team, Dream-
weaver MX and Fireworks MX, you'll have all the tools you need to build a
simple Web page or a database-driven Web store. Here's our exclusive sneak
peek at the face of things to come.
BODEN SUPPLEMENT
Focus on Digital Video
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Incorporating MacUser
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$885 Font Reserve 3.0 Single User
Video-editing controllers
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Image synthesizer
$8} Studio Artist 2.0
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FireWire keychain hard drive
Art synthesizer
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FireWire hard drive _
Lite SmartDisk FireFly
USB microscope
$98 Scalar ProScope
Reviews in Brief |
DVI-to-ADC adapters, eZediaMX 3.0, Maya for
Mac OS X 3.5.1, and Toon Boom Studio 1.1
The Game Room
PETER COHEN,
Get to know the diverse worlds of 4x4 Evolution,
Civilization III, Icewind Dale, and RealMyst.
June 2002_| MACWORLD | 5
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3Y | RICK LEPAGE |
FROM THE EDITOR'S DESK _
This Is a Great Time to Love Digital Imaging
Photo Play
PHOTOGRAPHY IS ONE OF MY PASSIONS. WHEN I WAS 13, MY
father gave me his old Agfa 35mm range-finder camera, and I’ve been a con-
firmed shutterbug ever since. Sure, in my (much) younger days, I spent time
in darkrooms. But the digital darkroom has captured
my fancy in a way traditional photography never could.
Ic’s one reason I love my job. Over the years, I’ve
had the opportunity to work with the latest imaging
ners (including some very cool drum
canners), digital cameras, and printers. These days,
s field is pretty fun to play in, but back in the early
days of digital imaging, getting the perfect print was
an exercise in frustration—or required the use of
supremely expensive technology that the average Mac
user would never even think of buying.
Anyway, I probably spend more time than I should
playing around with pictures. | /ike getting ink on my
hands. I think nothing of tw ig an image any
number of ways just to bring out a small detail in its
lower left-hand corner. I've become an imaging snob,
and I have to face that fact.
I'm in the minority, however. Most people want to
snap a picture, download it to a Mac, and get
6-inch print. They don't want complications
want to put Apple's much touted digital hub to work.
I’m reminded of this every time my wife asks me,
“Why can’t you just print the damned picture?”
When we started discussing the digital-photo story
in this issue, I took the admittedly snobbish viewpoint
that there was no way anyone would want to use an
online photo service to get prints. It would take too
long, and it would prevent tweaking and printing
images over and over until you got them right. Better
to buy a photo printer, have fun, play around, and
print a lot.
T still think that anyone truly serious about digital
imaging should invest in a photo printer; they're mar-
vels of technology at pretty amazing prices. And if
you're willing to invest the necessary time, you can
produce excellent pictures with the help of an unbe-
lievable array of software, paper types, and inks.
(Lyson’s new Small Gamut inks [www.lyson.com], for
example, look as though they'd be perfect for photog-
raphers interested in platinum-, selenium-, or sep
toned digital prints.)
However, it’s hard to argue with the convenience of
an online printing service—especially if you don’t
really want anything more than standard prints, or if
you don’t think you’re going to print that many
images. Sometimes you just want the damned picture,
worn macworld.com,
and i T to let someone else do the heavy lifting.
Even an imaging snob like me can understand that.
Macromedia Returns
One of the most common questions among industry
insiders over the past few months been “What's
happened to Macromedia?” The company blew our
of the gates a year ago with FreeHand 10, the first
professional drawing application for Mac OS X. Then
irseemed to fall off the map—in the Mac market and
everywhere else, A large part of that was obviously
related to the company’s ongoing financial issues and
its merger with Cold Fusion developer Allaire, but it
was disquieting to see such a strong company disap-
pear from the radar screen like that.
As you'll read in David Sawyer McFarland’s firs
look at the new Dreamweaver MX and FireWork:
MX (elsewhere in thi ue), Macromedia is ba
with a plan to tie all its disparate products into a hub
that lets anyone—from rank amateurs like me to Web
professionals—build dynamic Web sites easily. It's
nice to see the company back in force and committed
to the Mac.
More Changes in Reviews
Every month, Macworld’s crack team of reviewers
evaluates anywhere from 20 to 40 new Mac products
and, inevitably, finds products that have a problem or
two—and those problems lead to lower mouse rat-
ings. Also inevitably, most compa-
nies release minor updates that fix
those bugs, add a few features, or
simply make a program work bet-
ter. Until now, Macworld hasn’t
really had a place to cover those
interim updates; this month, we've
added a new feature, Reviews in Brief, designed to fol-
low up on those revisions. Reviews in Brief will also
include coverage of small, useful products that
deserve our (and your) attention but don’t call for a
lot of words in their reviews. The new feature is part
of our Reviews section.
that fact.
Let me inal wh what ‘you think—good or bad—about Macworld or anything else related to the Mac. You
can drop me an e-mail, at rick_lepage@macworld,com, or join the discussions in our forums, at www
.mmacworld.com. I'd love to hear from you.
I've become an imaging
snob, and | have to face
tune 2002
in
New! Support for inkjet printing in OS X.
My files are important.
Very important.
VP of ContenvEditor in Chie! | Rick LePage
Editor | Jason Snel
T only share my files Casa tor Mavocon | tia Smee |
with those I trust. Ser entre Er | Te Sie
Senior News Editor | Philip Michaels
I trust DAVE. Senor Reviews Editor | ler Bag
Associate Editors | Kelly Lunsford,
Mac to PC, PC to Mac.
Nancy Peterson,
Cross-platform file and alate
print sharing is too aha
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Share files and printers
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no barriers. DAVE Lab Director | Kristina De Nike
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with no additional Associate Technical Analyst | Ubssis Bravo
software required for |
the PC. It’s fast, copy EDIT
secure and easy to
use. Download a free
evaluation today!
Managing Editor | Jennifer Werner
Assistant Managing Editor | Charles Purdy
Copy Editor | Sue Voeliel
ART AND DESIGN
Design Director | Sharon Anderson
Senior Designer | Jenifer Stele
Design Associate | Alissa Mach
Design Consultant | Paul Carpenter
Prepress Consultant | Stephen Sugg
MACCENTRAL.COM
News Director | sim Dalrymple
Senior Editors | Peter Cohen,
| Dens Stes
| INTERNATIONAL EDITORS
2 if mn www.thursby.com Sebastian Hirsch | Germany
The File, share FolkZ’ y atl
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Daniel de Blas | Spain
Nils Holmiv | Sweden
ak fr M05 DAVE isa regis
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40 | MACWORLD | June 2002 wovw.macworld.com
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President and CEO | Colin Cravtord
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PRODUCTION
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ONLINE PRODUCTION
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June 202 Volume 18, se
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Fost ae ademas of AoeleCoruttc.Poted inthe Unted Sates of
America. Copyright © 2002 Mac Pubishing, LUC. Al
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Fi
a
| CHRIS SAUNDERS.
| out touching a manual. Advanced users
OS X-Ready Readers
JOHN HALE i]
Your article “Feel at Home in Mac OS X”
(March 2002) helped me make the change
to OS X. Thad concerns that my 17-inch
Apple Studio Display (LCD) with a Dr.
Bott DVfator wouldn’t work with OS 9.2,
and that proved to be true, But MacFixIt
(www.macfixit.com) supplied enough infor-
mation to work through that problem.
Christopher Breen’s closing statement sums
it up for me: “Now that your files are in
place, your links to the Internet and net-
work are established, and your printer is
present and accounted for, you and your
Mac should feel much more at home.”
JERRY STRATTON ies]
In your article, you recommend setting
aside 15GB for an OS X installation.
Allowing so little disk space for OS X is
likely to mean that you can’t perform any
OS X upgrades, which require hundreds of
megabytes of free space. Also, taking up
1.5GB won't leave enough disk space for
applications. Though you can install OS X
applications on a different volume from the
OS X one, doing so means that you won't
be able to take advantage of extra features
such as services. Finally, 1.5GB won't leave
much space for virtual memory (it’s pos-
sible to move virtual memory from the OS
X volume, but only the extremely techni-
cally inclined should attempt it).
(es)
OS X has the potential to be everybody's
friend. Average users can burn a CD with-
can
| configure Darwin to run an FTP, HTTP,
or SSH server daemon in the background
and go crazy playing with the back end. My
question is, whatis Apple waiting for? Why
been about...
FEEDBACK
Age-old Debates
Macworld readers have never been shy about sharing their opinions on everything from
tax software to the aesthetics of iPod carrying cases. And while we expected our March
issue to spark yet more heated debate about OS X, the most-passionate letters have
other letters. A few readers, fed up with complaints about OS X, suggest
that critics of the new OS are clinging to the past. Hopefully, the negative feedback
we've received about the new iMac will not inspire a wave of letters declaring that the
naysayers would be happier using slide-rules and abacuses,
are there no T'V commercials triumphantly
claiming victory over the evil Microsoft?
OS X has real business application. Unix is
tried, tested, and true, and it’s stabler than
anything Microsoft has ever produced.
Samba on Unix has been proved faster at
sharing on a server than Windows NT or
2000. This should be it: the coup de grace,
the final stroke, the killing blow, But
instead, Apple stays in the background.
Negative Feedback
EDDIE PRESLEY
1 take issue with the ill-informed negativity
that clogs letter columns and message
boards. Specifically, in his “Waiting for the
Apps” letter (Forums and Feedback, March
2002), Harold Pace describes OS X as a
slow, unreliable white elephant. OS X is
anything but slow on my G4/400, and on a
new iMac it’s damned snappy. As for being
unreliable, crashing is a routine feature of
OS 9 and earlier, and rebooting and recoy-
ering RAM is mandatory. OS X is much
stabler, and I can Jeave it on all the time.
CHRIS LAUGHLIN es}
Ie’s interesting that Macworld’s readers, sup-
posedly loyal Mac fans, write in only to
complain about how horrible OS X is or
how Apple should have done this or that,
Maybe it’s just the old geezers who don't
like the new technology. I'm 17 years old, I
love Macs, and J think OS X is great. Macs
are the fastest, most innovative, and most
technologically advanced computers out
there. Things don't stay the same forever.
iMac Musings
ERIC H. WENOCUR es]
Reading about the new iMac (“The iMae:
Flat Is Where It’s At,” Special Report,
2002), [ suddenly realized why Apple has
become so infuriating. In its rush to bring
out the coolest new gadgets, it embraces
unproven technologies. It did so when it
committed solely to USB and FireWire,
despite continuing flaki in the real
world. And now Apple is ready to push
LCD technology whether we want it or
not. LCDs are great in some ways, but
they don’t compare to CRIS for many
applications. When the first Mac OS
arrived, it worked because the concept
was brilliant. These days, though, putting
only the newest—and probably short-
lived—interface on every new machine is
not so brilliant.
SEAN HITE &
The cost difference between Macs and
PCs is making it more and more difficult
to justify purchasing Macs for businesses.
Apple has always charged a premium for its
products, For that additional cost, the user
gets a far superior product, no doubt about
it. But Apple's sistence on keeping the
base price of its new iMacs at $1,299 can’t
be good for business in today’s IT purchas-
ing climate.
ANTHONY BUROKAS {es
Apple has aiost created the hub of my dig-
ital life, bur one crucial part is missing:
communication with my phone. Cute pho-
tos and iMovie go only so far. I don’t make
movies every day, but I do use my phone
several times y. Yet it turns out that
most phones are unable to connecr with
Macs, and phone manufacturers and wire-
less services don’t seem to have an interest
in developing connectivity software for the
Mac. So, no infrared modem for my
. no phone-book synchronization on
the Eriessoa, no downloading MP3 songs
to my Samsung: it’s time for standard wire-
36 MACWORLD june 2002 |
weww.macworld.com
JUNE 2002 FEEDBACK
less connectivity for all of us who have
bought into the digital hub.
RICHARD RATHE jes
I waited anxiously to see whether the new
iMac would include something that has
been missing from newer Apple hardware:
sound input. Alas, it appears that the situa-
tion has not changed. My experience with
third-party sound-input devices has been
less than. satisfactory, When I recently
attempted to capture music from some
of my old vinyl records (using your Decem-
ber 2001 article “Turn Your Cassettes or
LPs into CDs” [How-to] as a starting point),
LU spent the better part of a day configuring,
testing, and redoing what should have been
an easy plug-and-play task.
Raskin on Raskin
JEF RASKIN ist
Iwas pleased to see David Read's interview
with me (“Mac Daddy,” Mae Beat, March
2002). Ignoring a few small problems (like
some of the quotes getting garbled and the
photo being printed a bit greenish so that
you're not sure if moss is growing in my
beard), there is one big slip that’s important
to me. I’m quoted as complaining that OS
X “doesn’t use any of the research that I’ve
been doing,” which makes it sound as if ?m
at being ignored. If you read the
article on Maeworld.com (www.macworld
.con/2002/03/macbeat/raskin.html), you
will get the right idea from the context. I'm
arly saying that it is Apple’s nonuse of
recentand valuable knowledge about inter-
face design (research that was done mostly
by others, as I state explicitly) that is disap-
pointing. Apple—to say nothing of the
goblins from Redmond—could do a sot
more in terms of making its products eas-
ier to learn and faster to use. But Apple is
stuck in a 20-year-old-interface rut. Paint-
ing it greeny-blucy and changing boxes to
baubles doesn't make the grade.
Technical Knockout
RIC COHN jes
T purchased KnockOut 2 (Reviews, March
2002) after reading your recommendation,
only to find that the program behaves like
beta software, Ir does an excellent job with
the supplied samples, but it’s as slow as
molasses on larger images (SOMB). The
program also isn’t properly integrated as a
Photoshop plug-in. It requires its own
large memory allocation and opens as a
separate program. This experience has
greatly reduced my trust in Macworld.
Classic Palm Problem
DAN BREY &
In your review of monochrome handhelds
(Reviews, March 2002), you state that the
Palm Desktop software is not yet compat-
ible with OS X or the Classic environ-
ment. This is not true. I’ve been using it
in the Classic environment for over six
months and have never had it crash.
Palm Desktop can work in OS X’s Classic envi-
ronment, although it’s not supported by Palm.
But there's one condition: Classic must first be
running to perform a HotSyne operation. —Ed.
Bad Dream
EVAMARIE WEISS {es
Your write-up of Auto FX Software's
DreamSuite (Reviews, March 2002) was
right on the button regarding the fact that
the application’s interface consumes the
entire screen. I purchased this program
last December, and I still haven't figured
out how to get to the bottom portion of
the interface to actually apply and save the
effects 1 put on my photos. I feel like a
fool, having spent 300 bucks on an appli-
cation I can’t use.
Taxing Software
LEE ALLEN (Es
Your $$$¢¥2 rating of TaxCut Macintosh
Deluxe 2001 (Reviews, March 2002) is sim-
ply not justifiable. After spending wo
hours entering data, I got to the point of
e-filing, and the program crashed, When T
restarted, I found that it had not autosaved
along the way. Any tax-preparation soft-
ware that does not have an autosave feature
shouldn't get more than two mice.
PETER HAASE 2
‘TaxCut feels as though it were at the beta
level of development. Many simple things
don’t work, such as printing from the File
menu. And while the tax information was
well written and concise, help within the
application itself was sparse and often mis-
leading. The error-checking feature is
Kludgy, with hard-to-understand explana-
sowwmacwarld.com
tions of potential problems. When I was
done and wanted to back up a copy of my
files, the backup feature simply didn’t work.
Thave to admit that although TaxCut got
the job done at half of TurboTax Deluxe’s
price, you get what you pay for.
iPod Beauty Tips
JOHN SHOFFNER
“Pod Protection” (Mac Beat, March 2002)
shows a picture of the beautiful iPod horri-
bly cloaked in a spongy, black foam night-
mare. Who would consider such a nihilistic
approach to preserving beauty? The iPod
is one of those rare landmark confluences
between man, machine, and nature. You
certainly can wrap it up in any combination
of foam, leather, or nylon, and it won't get
a mark on it, But the essence of its remark-
able beauty and craftsmanship will be lost
on you. You'll be left with only the naked
whirl of MP3 electrons spewing from ear
buds you can’t even see. And you will have
unwittingly contributed to the great karmic
imbalance whose debt is borne each year by
Steve Jobs and his team of inspired design-
ers. So, smudged fingerprints on its shiny
case? You bet. A few scratches? Character
marks, I say!
© Post comments on our forums (www
smacworld.com), or send them by mail to
[) Letters, Macworld, 501 Second Street,
Sth Floor, San Francisco, CA 94107; via fax
to 415/243-3545; or electronically to
letters@macworld,com.
Include a return address and daytime phone
number, Due to the high volume of mail
received, we can't respond personally to each
letter. We reserve the right to edit all letters
and posts. All published letters and forum,
comments become the property of Macworld.
CORRECTIONS
Due to a production error, the final sentence
of “QuarkXPress versus InDesign” (May 2002)
was truncated, The sentence should read:
"Nevertheless, if Quark is going to keep cus-
tomers from defecting in the future, it must
soon prove that XPress can be as innovative
and cost-effective as InDesign.”
To read the complete article, visit http://
netword.macworld.com/qvid,
June 2002 | MACWORID 17
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_ WHAT'S |
NEXT |
On June 20, hard-
core Mac program:
mers descend on
Dearborn, Michigan,
for the annual
MacHack confer-
ence, where they
discuss the lan-
guage of Mac pro-
gramming and
show off hacks.
WILL THE NEW POWERPC CHIP MEAN A NEW DAWN FOR THE MAC? |
Apollo on the Rise
Things looked bright for the Ma
when the PowerPC made its 1994
debut. The introduction of the
new processor, and its performance
gains during the following year,
caught Intel and other CPU mak-
ers completely off guard, The
PowerPC—the product of an alli-
ance between Motorola, IBM, and
Apple—powered the fastest com-
put ilable to consumers, and
it seemed the world would soon
turn to the Macintosh,
But the re s that a number
of pundits expected never came.
‘There was no mass exodus to the
then faster Mac. The speed mantle
was soon lost as the PowerPC fell
steadily behind rival CPUs with
faster clock sp
[20 { macworto | sune2002 |
But things could be looking up
for the PowerPC. The latest ver-
sion of the G4 processor, code~
named Apollo, made its debut
earlier this year, ushering the Mac
out of the sub-GHz wilderness,
Will this processor—named after
the Greek sun god—shine a new
light on the PowerPC?
1GHz and Beyond?
Intel’s Pentium processor enjoys a
two-to-one clock-speed advantage
over the PowerPC. Despite the
public focus on the megahertz gap,
Apple has continued to prosper
and push ahead, rolling outa dual-
1GHz Power Mac G4 in Janua
‘That Mac is powered by Motor
ola’s new Apollo (a user-friendly
name for the MPC7455) proc
Despite layoffs and the fact tha
2001 was the company’s first
money-losing year in 71 years,
Motorola is driving hard to develop
faster G4s and make up for the
delays of the past two years.
Motorola thinks ¢
processor has legs."
Fehr, Motorola’s director of stra-
tegic marketing, says the Apollo
processor will soon be taken from
its current 0.18-micron fabrication
down to a 0.13-micron
. Smaller fabrication pro-
's let a CPU operate faster
while consuming less energ)
“Obviously, when we take that
down to 0.13-micron, we'll see
some speed benefit,” Fehr s
‘The analysts at Microprocessor
Report seem to agree, citing the
Apollo’s high clock speed with the
0.18-micron fabrication process
as one of the reasons they named
the latest G4 chip the best high-
performance embedded processor.
Rival chip makers, such as Intel
and AMD, reached the 1GHz
mark with CPUs manufactured
using 0.18-micron processes, but
those CPUs also featured drasti-
cally higher heat generation and
consumed more power. Both Intel
and AMD have moved to 0.13-
micron processes and plan to go
lower within the next year or so.
In SOI We Trust
Motorola recently upped the ante
by successfully adding Silicon on
Insulator (SOT) technology to the
0.18-micron process used on its
Apollo chip. SOI involves the addi-
tion of a capacitance-reducing
layer to the chip, making the chip’s
transistors operate more efficiently.
This allows a processor to use less
energy and generate less wasted
heat. With SOT, Apollo can use
a 0.18-micron fabrication process
to break the 1GHz barrier and
still meet the heat and power-
consumption needs of customers
who turn to Motorola for embed-
ded proce
Satisfying those customers is an
important consideration for Motor-
ola. While Apple is a large and
important customer for the chip
maker, Motorola sells far more G4s
to customers in the embedded-
processor market. So when Motor-
ola builds a processor, it has to sat-
isfy all of its G4 customers; Apple
alone isn’t large enough to drive
wavwmacworld.com
development (see “Stand by Your CPU,”
Buzz, August 2001).
SOT isn’t a new technology—the idea
has been kicking around since the 1970s.
But applying SOI to a manufacturing
process is tricky, and Motorola made
some trade-offs to get it working ata
level that makes money. The drawbacks
are a larger processor-die size, which
makes a processor more expensive, and
the amount of time it takes to get SOI
into the fabrication process.
“Going to 0.13 is just a process change
for us,” says Fehr, denying that Motorola
will take much time to make its new SOI
process smaller, “It’s relatively simple way
to bump up speed and reduce cost.”
“Everything from this family on will
include SOI,” says Eric Boles, Motorola's
strategic communications program man-
ager. “That's where the performance edge
from Apollo came from.”
Here Comes the Sun
What will moving to a 0.13-micron fabri-
cation process mean for Apollo’s future?
Microprocessor Report predicts that Apollo
could reach a clock speed of 1.3GHz,
based on the performance of the 0.18-
micron 1GHz chip.
Motorola declines to comment on that
prediction. But Boles will say that Motor-
ola plans to keep focusing on the G4, and
that any computing-space G5 is still a long
way off. “We're going ahead on G4, and
we've got room to move,” Boles adds,
‘The G5, Motorola’ next-generation
PowerPC processor, has already debuted
in the embedded-processor market. It
boasts many of the same features as the
G4—such as SOI and a 0.13-micron
manufacturing process. Butit also includes. |
a revised pipeline and RapidIO—a new
high-speed method for integrating a pro-
cessor and a system. Motorola’s PowerPC
road map also includes 64-bit datapaths
that are backward compatible with the 32-
bit datapath of the G3 and G4. While
these features may make Mac gearheads
salivate, improvements are unlikely to
arrive while the Apollo has room to grow.
Don’t look for the Apollo chip to
eclipse the likes of the Pentium or AMD's
Athlon CPU. But we can expect the gap
between the PowerPC and its rivals to at |
least close this year—meaning that bright
days could be ahead for the Mac, thanks
to Apollo.—paviD READ
eww macworld.com _
| “Product Watch
| Coolpix 2500
| ect. Unfortunately, you also don't know
THE LATEST DIGITAL CAMERAS | |
In Focus |
Don’t look for digital-camera makers
to dwell on the blahs that are affecting
the rest of the computer industry.
They're too busy churning out cam-
eras for all types of users—from
inexpensive, entry-level models to
6-megapixel single-lens reflex (SLR)
cameras designed for advanced amateurs with thick wallets {also k known
as prosumers). In recent months, three companies with strong film-cam-
era backgrounds—Canon, Nikon, and Leica—have unveiled new prod-
ucts, which are now appearing on retailers’ shelves.
Canon (800/652-2666, www.usa.canon,com) has introduced the EOS D60 (see
Mac Beat, 2002), a $1,999 6.3-megapixel digital SLR camera
that succeeds the company’s highly successful 3-megapixel D30. The D60 accepts
any Canon EOS lens, so it’s ideal for
| amateur and professional photographers.
With the D100, Nikon (800/645-6687,
| www.nikonusa.com) has finally entered
The Canon
EOs D60
the prosumer space, The 6.1-megapixel
SLR camera, which can use any compatible
Nikkor lens, has an estimated street price of
$1,999. Ir should be available this summer.
Nikon has also announced the Coolpix
2500 ($380), a 2-megapixel pocket-size camera with a unique inner-
swivel lens and a 3x optical zoom.
Leica (800/222-0118, www.leica-camera.com), the company that
pioneered the 35mm camera back in 1924, has announced the Digilux 1, a 4-mega-
pixel camera priced at $999. This camera has a 3x optical zoom, a large 2.5-inch LCD
display on its back, a hot shoe for an external flash, a 64MB Secure Digital memory
card, and a three-hour lithium-ion rechargeable battery.—RICK LEPAGE,
The Nikon
PANTONE COLORS—TO GO |
Color Coordinated
You never know when or where you're going
to stumble across the perfect color for a proj-
whether you'll be able to re-create that color
from memory once you're back in the office
and poring over swatch books for the right
color code. For designers who want to avoid
the color-identification blues, Pantone (866/ |
726-8663, www.pantone.com) offers the
Pantone Color Cue. Just 6 inches long, 1.6 inches wide, ‘and 1.5 inches tall, and weigh-
ing in at 3.4 ounces, the portable spectrocolorimeter is about the size of a miniflash-
light. Place it over any color that catches your eye and then press a button, and the
Color Cue instantly displays on its LED screen the closest number from the Pantone
Matching System color standard. The Color Cue also lets you scroll through other
information about the color, such as Pantone Color ink formulas and CMYK, RGB,
sRGB, HTML, Lab, and Hexachrome values, Available in gunmetal gray—that’s
Pantone 430 C in color-code talk—the Color Cue sells for $349, less expensive than
larger spectrocolorimeters. A $399 version comes with the Pantone Solid in RGB
Guide, providing a handy visual reference that will make finding the right color less
ofa gray area.—PHILIP MICHAELS
__| June 2002 | MACWORLD | 21
MACS
Do you know any inter-
esting stories about
Macs in the work-
place? Send your tale
to Macworld’s Philip
Michaels, at pmichaels
MACS ATWORK_|
P ——
WORKING
Strength in Numbers
Dean Dauger wanted to know what kind of perfor-
mance you’d get if you hooked up a lab full of Macs
to make a computer cluster. More than idle specula~
tion prompted his question: Dauger is the founder of
Dauger Research, which aims to make high-perfor-
mance computing accessible and easy to use. One way
to do that is through computer clustering, which can
help small labs with limited budgets amass consider-
able computational power by linking computers so
they act as a single system. Clustering can also benefit
computation-intensive tasks such as video editing,
3-D rendering, and special-effects creation.
So last winter, with the help of researchers and
staff at the University of Southern California,
Dauger and UCLA research physicist and adjunct
professor Viktor Decyk hooked up 56 dual-533MHz
Power Mac G4s and 20 dual-450MHz G4s, at USC's
Language Arts computer lab, to test the scalability
of a Mac cluster. The largest cluster Dauger and
Decyk had previously tested consisted of 16 Macs.
‘The results of the 76-Mac experiment? Software
running on the cluster achieved 233 gigaflops, a
measure of computer speed that tallies floating-point
operations per second. “I believe we found that
reusing a large Mac lab as a computing cluster was
a viable possibility,” Dauger says.
‘They ran the experiment on Mac OS 9.2.1 to
avoid the hassle of installing OS X on 76 machines.
Since the software used in the test runs on both
versions of Mac OS, Dauger thinks the results would
have been about the same on OS X. “It doesn’t
matter; it just works,” he says. “I think that’s the way
H
Fy
2
Hy
Soaring to New Heights
AeroVironment uses computers to help its unmanned
Helios Prototype aircraft fly 18 miles above the earth,
so the last thing it wants is a machine that crashes. No
wonder, then, that the company, based in Monrovia,
California, turned to Power Mac 6100s and 7200s to
display the plane's instruments and record flight data.
“Tt has to run without bugs. . . . we need reliability,”
says AeroVironment’ vice president Bob Curtin,
‘Those Macs help keep aloft a 1,500-pound aircraft
that’s 7 feet long from nose to tail and has a 250-foot
wingspan with 14 propellers—described by Curtin as
“basically a long, skinny wing.” AeroVironment wants
to build unmanned aircraft that can stay at high alti-
tudes for prolonged periods to serve as low-flying
satellites—the equivalent of 18-mile-high towers that
will offer services such as broadband wireless trans-
mission more efficiently than orbiting satellites. In
an August 2001 test conducted with NASA, the
@macworld.com. it should be, and it demonstrates a really great thing Helios reached an altitude of 96,863 feet; only rocket-
unique to the Mac.” —pritip MICHAELS propelled craft have gone higher.—PiitiP MICHAELS
DIGITAL PHOTO TOOLS Avid Readers:
Media Savvy
Before you can enjoy prints of
your digital photos (see “Turn
COMPANY
Addonics
Technologies
Belkin
PRODUCT
PRICE CONTACT SUPPORTED FORMATS
408/433-3899, CompactFlash, SmartMedia, Memory
wwwaddonics.com Stic, Microdrive, Multimedia Card
_ (MMC), Secure Digital Card (50)
CompactFlash, SmartMedia
800/223-5546,
Pixels into Prints,” elsewhere in
this issue), you need to get images from your camera to California
your Mac. Media readers offer some help, allowing you to Drives.
transfer files from a CompactFlash or SmartMedia card Imation
instead of forcing you to lug around a USB cable and your
digital camera. Now media readers are providing flexibility,
with the ability to read and write in more formats than a
United Nations translator. Addonics Technologies, Ima-
tion, Keyspan, LaCie, SCM Microsystems, and Y-E Data
sell media readers that can accept six different types of
media—ideal in offices where many users transfer images
from digital cameras that support varying formats. It's Reader vwinwsmartlsk.com
another way to keep Apple’s digital hub connected to its Y-E Data 847/887-7540,
many spokes.—PHILIP MICHAELS Dye wwleweilata.com
wwawbelkin.com
sales@aldives.com, CompactFlash, SmartMedia,
-—ywewwcaldivescom Microdrive
888/466-3456, CompactFlash, SmartMedia, Memory
www.imation.com Stick, Microdrive, MMC, SO =;
510/222-0131 CompactFlash, SmartMedia, Memory
wowukeyspan.com Stick, Microdrive, MMC, SD
CompactFlash, SmartMedia, Memory
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‘SCM - s! 88% -8045,
Microsystems ~_wwnudazzle;com
‘SmartDisk 941/436-2500,
CompactFlash, SmartMedia, Memory
Stick, Microdrive, MMC, SD
| 22 | MACWORLD | June 2002 wowmacworld.com
PRO FILE | Q&A WITH KEVIN BROWNE
BLUETOOTH COMES TO MAC OS X |
OFFICE MATES
Once Apple's fiercest rival, Microsoft has emerged as one of Apple's
model developers during the past five years. Part of the credit for
the improved relationship between the two companies goes to the
efforts of Microsoft's Mac Business Unit, headed by 11-year Micro-
soft veteran Kevin Browne. Macworld recently spoke to Browne
about the Mac Business Unit and what to expect from the group
in the future. —PHILIP MICHAELS
') ATA GLANCE )
KEVIN BROWNE
"| Mac Business Unit GM, Microsoft
| MAC: 400MHz Titanium PowerBook G4
SOFTWARE: Adobe Photoshop Elements,
Blizzard Diablo I
How has the Mac Business Unit's focus evolved in the five
years since it was formed?
We started as a team to port one version of Office to the Mac.
‘This was in January 1997, before the [Apple-Microsoft] agree-
ment [in August 1997], before Apple turned it around. We still
focus heavily on Office, but we've also expanded our scope to
include Internet products that are important to customers. We
also decided that we weren’t going to just port products; we
wanted to understand the Mac customer's needs, and make the
right products for them. We prioritize feature investments dif-
ferently. There has also been a huge amount of turnover in our
staff, and I think we're a stronger group than we've ever been.
The Apple-Microsoft pact expires in August. What will that
mean for future dealings with Apple?
Microsoft will continue the Mac business after August, and we
intend to continue it on all the same terms that we've pursued
in the past. The technology agreement that we signed with
Apple does not drive today nor has it ever driven Microsoft sup-
port for the Mac. We got into this business before we signed the
technology agreement with Apple, and we'll continue doing the
business after because we've said we've got to approach the bus-
iness like a business and do the right things for our customers.
How does OS X figure into your future plans?
We were among the earliest and most vocal supporters of OS
X, even when there wasn’t necessary software out there that
you could point to and say, “This is why we believe.” We're
betting the whole business on OS X. We're committing to
doing our work only on OS X across our product line. We
won't do another major release of any of our products on OS 8
and 9. So if Apple fails with OS X, so do we. We go down the
drain, too. Hopefully people can take that as commitment,
rather than a signed agreement.
More Info: |
www.macworld.com/2002/06/macbeat/browne.html H
In Macworld’s online interview, Kevin Browne talks about the first Mac |
he ever used and Microsoft's work on Office v. X.
True Blue
Bluetooth has found a friend in Cupertino. Apple (800/692-7753,
www.apple.com) is adding support for the wireless connectivity
standard, named after a medieval Danish king, to Mac OS X.
Apple’s preview software, available as a free download, lets your
Mac wirelessly connect to Bluetooth-compatible cell phones,
PDAs, and other devices. The software should work with any
USB adapter compliant with Apple’s Bluetooth stack, but the
company is teaming up with D-Link (949/788-0805, www.dlink
.com) to produce the $49 Mac-compatible DWB-120M Blue-
tooth USB adapter. Other companies embraced Bluetooth more
than three years ago; why did Apple wait to support the short-
range wireless-networking protocol? “What was important was to
be early but not so early that it wouldn’t make sense for our cus-
tomers,” says Greg Joswiak, senior director of hardware product
marketing. Bluetooth-enabled PDAs are now available, and cellu-
lar phones are starting to support the standard. By producing
| software now, says Mike Bell, vice president of software engincer-
ing, Apple hopes to provide developers with a single Bluetooth
| spec, pushing wider adoption of the standard. “We want [compa-
| nies] producing Bluetooth devices to test them with Macs first,”
Bell adds.—priLip MICHAELS
BRINGING STILL IMAGES TO LIFE_|
Motion Pictures
If you watch a Ken
| Burns documentary, you |
can’t miss the scenes in
which a camera slowly
pans across a photo of |
| the Brooklyn Dodgers
or zooms in on an image
| from the 19th century.
Creating shots like these |
| usually requires expen-
sive hardware. But the
| $199 MovingPicture,
| from StageTools (www
.stagetools.com), can On the Move StageTools’ MovingPicture creates
give you the same pan and zoom effects for still images. a
| effects. The Moving-
Picture plug-in works with many nonlinear editors—including
Adobe Premiere and After Effects, Apple’s Final Cut Pro, and
Media 100 systems—while letting you work with high-resolution
scans directly from your timeline. Recently updated to version
3.0, MovingPicture adds motion blur, timeline scrubbing,
multiple-image Flash output, and OS X compatibility. StageTools
also offers the $199 MovingPicture Producer, a stand-alone pro-
gram that’s ideal if you use an unsupported editor or don’t want
to tie up your high-priced editing station. The nonrendering ver-
sion—which lets you create motion paths on almost any com-
| puter and then render them on your registered system—is free.
Just because your video relies on still images doesn’t mean that
| you can’t add a little action to the final cut. JONATHAN SEFF
www.macworld.com
| tune 2002 | acwoRLD
2B
mact
BEHIND THE HIGHER iMAC COST |
The Price Is Right?
If you're thinking of buying Apple’s redesigned iMac, the good
news is that you won't have to wait as long as some of the first
purchasers to get your hands on the G4-powered, flat-panel com-
puter. The bad news? You'll pay $100 more than they did.
24
__maqwor
Apple says that it’s now shipping 5,000 iMacs a day—
enough to catch up with orders backlogged from
January by the time you read this. In addition to the
normal challenge of ramping up production on a new
computer, Apple had to deal with more pre-orders
than it'd had for any other Mac, says Greg Joswiak,
senior director of hardware product marketing.
At the same time, higher costs for flat-panel
displays and memory forced the company to raise
prices by $100 for all three iMac configurations
(Apple is honoring existing orders at their original
price). Since the iMac’s January introduction,
Joswiak says, flat-panel prices have risen 25 per-
cent while the cost of memory
| has tripled. “I’s not a surprise
| they’ve increased,” he adds.
“It’s a surprise they’re increas-
| ing so quickly.”
Blame the rising cost of compu-
ter parts on “good ol’ supply and
demand,” says Bob O'Donnell,
research director for device tech-
nology at technology forecast
firm IDC. With flat-panel dis-
plays, for instance, prices fell dra-
matically in the last few years,
causing a jump in demand, But at
the same time, supplies remained flat, causing prices
to spike upward since last fall.
“Apple is also hit by the fact that it’s not buying
on the scale of a Dell, so it’s not able to protect
itself,” says Jupiter Media Matrix research director
Michael Gartenberg.
To adjust for the higher costs without raising
prices, some PC makers are scaling back on features
such as memory and storage capacity, masking those
changes by increasing processor speed. That wasn’t
an option for Apple. “If we were to deconfigure,
you would know what we were doing,” Joswiak said.
Instead, Apple figured a $100 price hike would be
the most painless way to deal with higher costs.
Will that turn out to be true? Consumers are
generally turned off by price increases, but analysts
say that the iMac is a unique product. “If people
are willing to pay $1,800 [for a top-of-the-line
iMac], they'll pay $1,900,” Gartenberg says. “You're
still getting a very good value, even for the addi-
tional $100 you're paying.” ‘—PHILIP MICHAELS
|
|
PRODUCT
WATT
Frame by Frame
Recent Adobe releases (800/833-6687, www.adobe.com) have
reflected the company's interest in network publishing; Adobe
wants to make it easy to simultaneously publish in multiple for-
mats, such as print, the Web, and handheld devices, FrameMaker
7.0, the latest version of Adobe's publishing software for books
and technical documents, is no exception, with new features
including a wider range of output options, improved XML support,
and better collaboration tools for sharing files across a network.
The previous version of Frame-
Maker came in two flavors—
| the $799 standard edition and a
$1,449 FrameMaker+SGML edi-
tion, which let designers create
complex, structured documents
using Standard Generalized
Markup Language and—to a
lesser extent—XML. FrameMaker
7.0 combines both editions in
one $799 package. Among
FrameMaker's XML improve-
ments is the ability to import,
validate, and export XML files
and document type definitions
(DTDs)—rules that define the
structure and validity of your
XML. At the same time, you can
now edit content in a WYSIWYG
environment.
If you need to export your
document as a PDF, you can use
FrameMaker 7,0 to create Tagged
PDF files, which allow content
to reflow to fit a variety of
screen sizes. Smaller improve-
ments include greater flexibility
in using Master pages; support
for importing PDF 1.4, Scalable
Vector Graphics (SVG), and
native Adobe Illustrator files
(version 9 and higher); and bet-
ter file sharing with support for
the WebDAV protocol,
One thing you won't find in
the new FrameMaker, which
should hit retail shelves by early
June, is native OS X support. The
updated version runs in OS 9, but
it won't run natively in Apple's
mew OS.—KELLY LUNSFORD
\ Displays
23-inch LCD monitor
from Apple (800/692-
7753, www.apple.com);
The Apple Cinema HD
Display ($3,499) is an all-digital flat-panel
display that offers 1,920-by-1,200-pixel
resolution. It supports 16.7 million colors,
offers a 160-degree viewing angle, and
features a 16:10 aspect ratio, allowing
users to view a full 11-by-17-inch two-
tion to its $399 5GB MP3 player, Apple has
introduced a 10GB iPod ($499), which it says
can store 2,000 CD-quality songs, Apple will
also offer $49 laser engraving so users can
personalize their iPods with two lines of text
(with as many as 27 characters per line).
Printers
Five ink-jet printers from Lexmark (888/
539-6275, www.lexmark.com): The
Lexmark 265 ($199) features 4,800-by-
600-dpi resolution and prints at speeds
of 15 pages per minute in color and 21
pages per minute in black-and-white. The
Lexmark 255 ($129) offers 3,600-by-600-
dpi resolution and print speeds of 13 pages
per minute in color and 17 pages per
minute in black-and-white. The Lexmark
245 ($89) features 2,400-by-1,200-dpi
resolution and print speeds of 9 pages per
minute in color and 15 pages per minute
in black-and-white. The Lexmark 235 ($69)
features the same resolution but prints
6 pages per minute in color and 11 pages
per minute in black-and-white. The
Lexmark 225 ($49) features 1,200-by-
1,200-dpi resolution and print speeds of
6 pages per minute in color and 9 pages
black-and.
EONS WNW ANDTANARTALUK COM
June 2002
wwwsmacworld.com
APC introduces the best protection
available for your Mac
10 million computer users can’t be wrong
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Don't let a lightning storm destroy your Mac system in the blink of
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printer. Rely on an APC Back-UPS Pro® to save your invest-
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APC power protection also provides clean, continuous
power that lets you function without frustrating interrup-
tions, unlike cheap power strips that don’t prevent any
of the power problems that can cause keyboard lock-
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And if your system is ever damaged by a surge, even
lightning, APC’s Lifetime Equipment Protection Policy*
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Discover why 10,000,000 customers trust in APC’s
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your files and data, even when you're I APC Back-UPS Pro” 500:
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Choose 73 at wwvw.macworld.com/getinfo
(PRODUCT WATCHTJUNE 2002)—
<< Storage Devices
WHAT'S
HOT
A Quick Look at
the World of Tech
4. Apple's latest iPod
| doubles the MP3 player's
storage capacity. Ironically,
with its 10GB capacity, the
‘iPod can now hold more
music than Napster.
2, Apple announces sup-
port for Bluetooth, a tech-
nology that will let cell
phones, PDAs, and other
devices connect wirelessly
to your Mac. However, the
technology will do nothing
to make elaborate cellphone
rings less annoying.
3. Rising component costs
force Apple to raise the
prices of all three new
flat-panel iMac configura-
tions by $100. Look on the
bright side—that’ only lke,
$48 Canadian.
4, Hewlett-Packard and
Compag shareholders
approve the merger of
the two companies. Execu-
|_ tives of HP and Compaq crow,
“Now we can focus on what
| our companies do best~build-
‘ng computers that no one
cares about.”
ACCESSORIZING YOU!
A tape backup system from Exabyte (800/
392-2983, wwwwexabyte.com): The VKA
AutoPak 1x10 ($2,995) contains one
VXA-1 tape drive and ten VXA tape car-
‘ridges. It can store as much as 660GB of
compressed data.
Aline of portable hard drives from lomega
(888/446-6342, wwwiomega.com): The
omega Portable Hard Drive has a FireWire
interface and is available with a capacity of
20GB ($229) or 30GB ($279), There's also a
USB 2.0 drive ($199 and $259) that's back-
ward compatible with USB 1.1 on the Mac,
System Hardware
Processor upgrade cards from Sonnet,
Technologies (949/587-3500, www.sonnet
tech.com): The Harmoni G3 600MHZ Fire-
Wire and processor-upgrade card ($400)—
the second member of the Harmoni family
of CRT iMac upgrades—features a 600MHz
1BM PowerPC G3 processor with 256K
of Level 2 cache. It's for 233MHz, 266MHz,
and 333MHz iMacs. The Crescendo/PB G3
466-1M ($300) is a processor upgrade for
the PowerBook 1400; it offers a 466MHz
PowerPC G3 CPU with 1MB of Level 2
backside cache.
Software
cross Platforms
Celview 3.0, from
Celcorp (780/438-2323,
www.celview.com):
The latest version of the
terminal-emulation products the first
5250/3270 emulator to run on OS X; it
also supports Mac 0S 8.1 and later ($295
for AS/400 or Mainframe edition; $175
for Celview SNA Gateway; upgrades, $79).
Science Software
‘SPSS 11.0, from SPSS (800/543-2185,
wwwwspss.com): The data-analysis software
‘now runs on OS X. It adds linear mixed
RiPOD |
‘models for accurate predictive models when
working with nested data, SPSS 11.0, which
will ship in the third quarter of 2002, also
features enhanced statistical procedures
and data management ($999 for commer-
cial users; $599 for academic users; upgrade
pricing not available at pres time).
Utility Software
ile Buddy 7.0, from SkyTag Software (919/
933-9595, wwnskytag.com): The fleman-
agement utility rns on 0S 9 and higher,
including OS X. It features support for long
file names and name extensions, as well
7256, vaw.palm,com): The POA synching
software now has 0S X support, as well as
support for vCard and vCal files for sharing
information with Microsoft Entourage X,
05 X Address Book, and Palm Desktop for
Windows (ree).
Announce!
Acquisition
The purchase of Zayante
» (831/461-4900, www
-zayante,com) by Apple:
Zayante makes IEEE-1394
silicon and software used by computer-
product and semiconductor manufacturers
to produce FireWire-compliant products.
Apple says that the purchase extends the
‘company’s commitment to the high-speed
connectivity standard.
New Price
{price cut for 3-D-animation software
by Alias|Wavefront (800/447-2542, vaww
aliaswavefront.com): The price of Maya
‘Complete, which runs on OS X, has
dropped to $1,999 from $7,500. The price
cut follows the release earlier this year
of a free downloadable version of Maya
called Maya Personal Learning Edition.
—CoMPED BY PHP MicHaRLs
Do Touc
One of the iPod's greatest advantages is this portable music player's
ability to store a vast catalog composed entirely of your favorite
tunes. But what if you want to share your music library with other
people in a car or at your house? You have two options: tote around
a rat's nest of adapter cables or pick up an adapter such as the
iRock 300W, from First International Digital (847/202-1900, www.
myirock.com). To combine the wonders of an iPod's playlist with the |
capabilities of a stereo, all you have to do is plug the iRock into your
iPod, select one of four frequencies, and tune your radio to that
frequency. Like the iPod, the iRock is compact, measuring 2 by 3
inches. Unlike the $399 iPod, the iRock 300W can be had for the
price of a couple COs—$30. For a few dollars more, you can get the
iPod Connection Kit, from Dr. Bott (877/611-2688, www.drbott
.com). This $50 kit inc!
recharger for your iPod—enough to guarantee you'll be able to
shale your tunes with
26 | MACWORLD | June 2002
h That Dial
ludes a wireless FM transmitter and a
anyone in earshot.—tisa SCHMEISER
X Updates
powered by (vean |
versiontracker
Adobe Illustrator 10.0.1
Speeds up launch time, copying and pasting, and
opening and saving files
‘Adds contacts menu and new equalizer to
MP3 player
‘Apple iTunes X 2.0.4
Expands AppleScript support
‘Audiox 1.0
Tool records sound from any input source
Bias Peak DV 3.0r3
Digital-audio-editing software
Bookends X 7.0
Bibliography and reference-management system
Canon ScanGear CS-U 6.2
Drivers for CanoScan N670U, N676U, and NI240U
Cocoa eFax 0.9.4
Fax software
Desktop Rebuilder 1.
Rebuilds OS X desktop files
Epson Scan to File 1.0
Beta drivers for Epson Perfection and
Expression scanners
FWB SubRosa 1.0.1
Encryption and shredding tools for data protection
HP Deskdet 1.3
0S X printer drivers for most HP models
iPNetMonitor X 0.91
Monitors and trouble:
Kensington Mouse
Driver software for USB or ADB
KidsGoGoGoX53
Parental-control Web-filter application
MacVCD X 4.0.2
Fullscreen VCD player
Mailsmit
E-mail client
Netscape X 6.2.2
Improves Web browser's autocomplete and
downloading functions
Panopticum Tools 1.1
After Effects plug-ins
Rumpus 2.1
FTP server software
Speed Download 1.8fc5
Download accelerator |
StarfishMonkey 1.0 |
‘Antispam software
Traffic Report X 1.1.3
Web-serverstatistical- and marketing tog analysis |
VST FireWire Disk Encryption 1.0.1 |
Security tool for the external hard drive
Wacom Tablet 4.
Driver for USB tablets
Watson1.5 }
‘Adds four new tools to desktop Web-services app |
intemet connections
4
and trackballs
| For these and other current updates, visit: |
| www.macworld.com/subjectupdates |
vewwmacworld.com |
In with the new...
TechTool Pro 3 is the super utility for your
Macintosh. Besides repairing and recovering
data, TechTool Pro can help you circumvent
problems in the first place. Our new virus detect
and repair feature, as well as our software conflict
check feature, lets you keep your computer in
tip-top shape. When booted from the included
emergency CD, you can even check, repair and
optimize your OS X computer.
Every day, more and more Macintosh
professionals are choosing TechTool over other
system utilities. In fact, even Apple Computer
includes TechTool Deluxe with every copy of their
AppleCare” Protection Plan. Simply put,
TechTool Pro 3 is the most complete and powerful
troubleshooting utility available for your computer.
Why would you settle for anything less?
WiMicromat Inc. 800-829-6227
707-566-3831
In with the newer...
The first a
ind f
( Cc for Mac ost Sully
> BRIVE:G
For Apple’s next-generation operating system,
you'll need a next-generation disk utility. That's
why Micromat has introduced Drive 10, the first
and final disk utility for Mac OS X. Problems
with your drive? Drive 10 can repair almost any
drive problem with one simple click of your
mouse. All within OS X's native environment.
While Drive 10 is a new product, it is derived
from TechTool Pro, Micromat's world-class
diagnostic and repair utility. Using TechTool's
time-tested routines as well as some new routines
developed exclusively for OS X, Drive 10 offers
many tools for checking and repairing any drive
on your system. Don't entrust your OS X drive
to ancient utilities. Protect your data and drive
safely with Drive 10.
info@micromat.com www.micromat.com
©2001 Micromat, Inc. All rights reserved, TechTool is a registered trademark of Micromat, Inc. Drive 10 is a trademark of Micromat, Inc.
Macintosh and AppleCare are trademarks of Apple Computer, Inc.
Choose 37 at www.macworld.com/aetinto
11x17/1200 dpi Laser!
“Price valid until June 30, 2002.
CLEARLY™
Adobe
<>
IMAGING
Dy same OO
‘ANTE announces the latest in office laser printing solutions. The new XANTI AW1200
excels in outputting up to 11" x 17", printing up to 1200 x 1200 dpi, and maintaining the
physical qualities and size perfect for the office environment. All for the low price of $995*.
You won't break the bank or your back when you get the latest in high performance office
printing from XANTE. Durable, small, quiet, and very affordable, the AW1200 will satisfy
all of your office printing needs:
VOXANTE
Innovations in Printing Technology
©2002 XANTE CORPORATION. XANTE is a regi
90 is either a registered trademark or a trade
USA. Phone: 251-473-6502, Fax: 251-473-650
ipt logo are trademarks of A
er license, XANTE CORPOR,
ly Adobe imaging
Al 36616-0526,
Box 16
PAE EAT)
More Printing Solutions
En ‘om XANTE:
Plate Maker 3
*Computer-to-Plate printing
Quality plates ready press
Resolutions up to 2400 dpi
FilmMaker 4
| *Computer-to-film printing
Resolutions up to 2400 dpi
Eliminates expensive
outsourcing costs
lAccel-a-Writer 3G
Resolutions tp to 2400 dpi
Outstanding graphics printer
| eSuperior halflones up to 150 lpi
op ually ofice/network
V printing |
1 920 pages-per-minule |
| eOutput up to 13°x 18.5"
ColourLaser Series
Photo Quality Color Printing) |
Resolutions up to 1200 dpi Y)
*XANTES color management
Output up to 12
NTE's color management
#Low cost-per-page
I Screen Writer 3
| © High-quality film positives
| *Resoltutions up to 1200 dpi
Output up to 13° x 35.5"
Colour ScreenWriter
*Dye-Sublimation printing
‘Heat Transfers
Output up to 13°x 19°
‘Color proofing, labels, more
11 Pe
CEP EERE PEELE E
ent
XANTE introduces the latest high volume and most dynamic digital
printing solution. Along with the precision color performance and
consistency you've come to expect from XANTE, you get a high
speed, high quality digital print solution. The XANTE ColourLaser 21
is the ultimate digital color workhorse combining XANTE's color
Management expertise, product versatility, and an affordable price.
Its quality is unsurpassed,
* High volume, high performance
* Oversized printing up to 12” x 35.5”
* Duplexing capabilities
© XANTE's color management
* Low cost-per-page
¢ And much more!
Lease prices starting at**......$257 per month
**$0 down, 3 year lease with no payments for 90 days!
$1 buy-out available after lease expiration.
1-800-926-8839 exr.2140
©2002 XANTE CORPORATION, XANTE and XANTE ColourLaser are trademarks or registered tradematks of XANTE CORPORATION.
Adobe, PostScript PostScript 3 and the PostScript logo are trademarks of Adobe Systems Incorporated. PANTONE® and other Pantone, Inc.
Maria he prope ol Pantone I. ther Bands and pad anes aa adr reir vader lhe pve
fers. XANTE CORPORATION. Post Office Box 16526, Mobil, AL 36616-0526, USA. Phone: 251-473-6502, fax: 251-473-6503.
nte.com,
Choose 113 at wwwzmacworld.com/getinfo
BY GLENN FLEISHMAN
sed to be that Adobe GoLive
4 strong second to Macro-
media Dreamweaver—it was a
prettier way to hand-code Web
pages, But with version 6.0,
GoLive has matured from a pro-
gram with strong potential but a
somewhat incomplete feature set
into a powerhouse server suite
and workgroup-integration tool
| that validates HTML code and
lets you serve database content
relatively easily—and does it all
ata nice price.
Like Adobe's other recently
released products, GoLive 6.0
works natively in both OS 9 and
OS X, and it requires only a
single installation. GoLive 6.0
running in OS X is not much
faster than GoLive 5.0 running
in OS 9, and GoLive 6.0 runs
slightly slower in OS X than in
OS 9 on the same machine. But
this version is very reliable in
OS X, especially compared with
GoLive 5.0’s sometimes flaky
performance in OS 9.
Showing Its Face
Although Adobe has brought
GoLive to OS X, it has left
the interface almost untouched.
GoLive 6.0 does have more
palettes, which offer more con-
textual settings and advice for
users, but you'll still find vestiges
of old interface quirks. To pre-
view the contents of frames, for
example, you have to click on a
VCR-style display with square
buttons that control stopping and
playing. Nothing else in the pro-
gram looks like this, and there's
no good reason to confuse users
with an inconsistent approach.
One Page at a Time
As it has since its inception,
GoLive lets you build a page by
dragging graphical elements
(which are categorized by type—
:, forms, head, frames, and
Get Organized Gotive 6.0's revised Diagrams feature employs icons and a gfid
to help you create site maps. The icons placed on the grid correspond to real fies,
which can be edited and then copied toa live ste
so on) from the Objects palette
or by typing directly on a page.
GoLive 6.0's page-design fea
tures have been only incremen-
tally improved.
One notable improvement is
version 6.08 updated Tables
palette, which displays exact pixel
dimensions; in previous versions,
you had to examine each cell in a
row and add padding and spacing
to create an absolute pixel mea-
surement for a tble’s width.
Disappointing JavaScript
Several versions ago, GoLive
introduced interface-driven Java-
Script and DHTML, which it
calls GoLive Actions. These
Actions are ordinary yet difficult-
to-write activities for which
GoLive includes standard code
libraries, as well as a friendly
palette that hides the complexity
of the code. Adobe includes more
than 80 Actions in GoLive 6.0,
But support for JavaScript has
not been improved: GoLive has
a JavaScript text editor, but if
you have problems with your
code, you're on your own. A
long-unresolved, incomplete
feature shows all links on a page
a .” This means that
you have to edit source code to
insert link triggers such as clicks
and mouseovers.
Are You Good HTML
or Bad HTML?
A major complaint in our review
of GoLive 5.0 (699%; Reviews,
December 2000) concerned the
program’s inability to write pages
that passed the World Wide Web
Consortium (W3C) validation
test, which checks for well-writ-
ten HTML that browsers can
interpret without a hitch. Since
that review, Adobe has revamped
both the writing and checking of
code in GoLive. An expanded
Syntax Checker lets you check a
page’s code against several major
standards, and it produces a click-
able report of errors.
Reviews’ views you ce can trust; Macworld rates only final shipping products, Not prototypes. What we review is what you c can an actually buy.
ADOBE GOLIVE 6.0
Web-Site-Management Software Provides Heavy-Duty
Features, Approaches Parity with Competitors
Powerful Site Maps
One of GoLive's strengths i is site
organization and
The program organizes
pages and media files into a
graphical site window, and drag-
ging files into or out of folders
that correspond to the pages
rewrites all the links to them and
within them. A variety of site fea
tures extend this approach: an
Errors tab that shows problems
with site links and missing files;
FTP and WebDAV (Web Dis-
tributed Authoring and Version-
ing) tabs for incremental or full
site synchronization with remote
's; and an Extras tab con-
taining two kinds of templates,
one with locked areas and one
Diagrams in version 6.0, was one
of GoLive 5.0’s most helpful. It
let you use a large grid to proto-
type new sites, or parts of existing
sites, by creating relationships
benween icon representations of
the site's parts. The Diagrams
feature includes custom icons
representing different file types,
as well as more-sophisticated
output controls that Jet you turn
your prototypes into clickable
PDF and SVG (Scalable Vector
Graphics) files. that can be
opened in Web browsers.
All Together Now
It may be hard to get excited
about file transfers, but the
implementation of WebDAV
will make you jump for joy.
WebDAV not only lets you
check your files in and out of a
server, but also exchanges infor-
mation about the files. The
power here is that a server can
coordinate many users editing
the same files, as well as track
revisions of files over time.
GoLive 6.0 continues to
expand upon the miracle of
WebDAV by including the
Adobe Web Workgroup Server
(AWWS), which allows a group
| 30 | MACWORLD | June 2002
|__www.macworld.com
30 Web-site-design software 6
3D package
41 Video-editing controtlers
46 Art synthesizer
Adobe Gotve 6.0 Grema 4D XL7.3 Contour Design ShutlePro, Anat Pro 25
31 OCR applications 37 Image-editing application Tos Eitancemens 48 FireWire hard drive
FineReader Pro 5, PhotoRetouch Pra 1.0 CommandPost SmanDisk FireFly
OriniPage Pro X 38. CD-creation bundle 43 beage synthesizer 49. USB microscope
33. ATANI33 PCI RAID cards Toast with Jam Sones Scala ProScape
‘Acard AEC-6880M/ATA-133 RAID, SES 45 Scriptwriting program ion in Gi
38 sing applcatios 4
Migha Alchemy ATA 133 RAID PCI, bora anh ag Final Dratt 6 scape any sper
SMS ulwaSTA 133/}00 RAD,
‘Sonnet Technologies Tempo 40
AADTS3
Font-management utility
Font Reserve 3.0 Single User
46 FireWire keychain hard drive
‘WiebeTech Fete Keychain
eediaMtX 3.0, Gefen Ex-tend-t
DVI to ADC, Maya for Mac 05 x
51. The Game Room
4x4 Evolution 2,
orzation i,
Realttyst,
ewend Dale
70 Ink-jet photo printers
Canoe $8200,
Caron $900,
Epson Stylus Photo 7BSEPX,
Epson Stylus Photo 820,
Hewlett Packard Photosmart 1315
355.1, and Toon Boom Studio 1.1
OUTSTANDING: 86#9% VERY GOOD: 6984 Goon: ee
FLAWED: §@ UNACCEPTABLE: @
of users (or even an individual) to
store all the files associated with a
GoLive site on a server and check
them in and out for editing. And
not just Adobe software is com-
patible with the AWWS—other
WebDAV-enabled software, such
as Goliath and Dreamweaver 4,
can access it too.
GoLive 6.0. also brings
intraprogram connections to a
whole new plane by supporting
Adobe's latest technology: Vari-
ables. Variables let you set par-
ticular layers, objects, or text in
Illustrator 10, Photoshop 7.0,
and LiveMotion 2.0, so that
GoLive can modify them.
Commanding Data
Let’s say you have a catalog of
500 widgets, with part numbers,
pictures, descriptions, and prices.
GoLive lets you take database
content and, using a graphical
tool that creates templates for
these various widget fields, feed
it to your Web si
Adobe dram:
GoLive 5.0 Dynamic Link
technology, which attempted to
replicate Macromedia's Ultra-
Dev database features. Now
called Dynamic Content, with
icons as placeholders for data-
base content, it lets any designer
or Web producer build dynamic
pages, but the overly complex
initial setup and poor documen-
tation don't make this as easy as
it should be.
Adobe includes an excellent
extra to help jump-start database
use: a package called GoLive
Preconfigured Servers, which
includes the Apache Web server
already set up to work with
PHP; the Tomcat JSP server;
and the MySQL database server.
Granted, this software is all
available separately—for free—
from open-source developers,
but Adobe is supplying it already
configured in a single package
that installs in Mac OS X 10.1 or
Windows XP and 2000. It’s hard
to beat a product that’s both free
and well put together.
Technical Support
GoLive comes with 90 days of
tech support activated by the
first call—not enough given the
difficulty of this program but
similar to what competitors
offer. When the 90-day period
runs out, the Web-based Adobe
Forums offer limited, free tech-
nical support through posted
messages; other users often |
answer questions, and Adobe |
personnel frequently respond
within minutes.
Macworld’s Buying Advice
With version 6.0, this former |
challenger to incumbent Dream-
weaver 4 is now a near equal,
and we'll have to wait and see
how it stacks up against the
nearly ready Dreamweaver MX.
GoLive’s databas integration
support alone is worth the price
of the program, and the pow-
erful Adobe Web Workgroup |
Server makes GoLive suitable
for workgroups.
Although it lacks JavaScript
debugging tools and has its |
interface quirks, GoLive 6.0
delivers a top-notch approach to
hundreds of page-design and
Web-site tasks.
RATING: 6699
PROS: Some oddities in previous
feleases fixed; database and
workgroup-server software and
support; improved graphical site
prototyping. |
CONS: No JavaScript debugging |
tools; some longtime leftover ]
interface quirks; complex database-
integration setup with poor
documentation, |
PRICE: $399; upgrade from previous
versions of GoLive and PageMlil, $99
OS COMPATIBILITY: Mac 05 9,
Mac 0S X
COMPANY: Adobe Systems, 800/
833-6687, www.adobe.com/golive
OPTICAL CHARACTER
RECOGNITION APPLICATIONS
FineReader Pro 5 and OmniPage Pro X Get the Job
Done—with Your Help
BY CHRISTOPHER BREEN
Converting a printed page into
accurate and editable text has
long been one of the great chal-
lenges facing computer users.
Advances have been made over
the years, but the current profes-
sional optical character recog-
nition (OCR) applications for
| the Mac—Abbyy’s FineReader
Pro 5 and ScanSoft’s OmniPage
Pro X—demonstrate that turn-
ing paper into pixels remains an
imperfect process.
The Basics
Both of these programs handle
the basics: they accommodate
any TWAIN-compliant scanner
in Mac OS 9.2 and earlier, they
let you fine-tune the OCR
process by designating areas of
text, graphics, and tables in a
document, and they let you save
files in a variety of formats. And
on the surface, FineReader and
OmniPage are very similar. Both
programs present a main window
containing two panes—an image
of the original scan is on the left,
and the software-recognized text
is on the right. The program
imposes zones—boxes that denote
a page’s text, tables, and graphic
elements—on the scanned image.
The software can render these
zones automatically, or you can
use the included tools to map out
the zones yourself (see “Recog-
nize Me?”),
FineReader provides greater
access to each step in the OCR
process than OmniPage. For
example, FineReader includes an
Analyze Layout button, a fea-
ture missing from OmniPage.
When you click on this button,
FineReader quickly analyzes the |
document and maps out the
zones. This is helpful if you want
to change inappropriately recog-
nized zones before letting the
software scan the text. Omni-
Page's Perform OCR button cre-
Recognize Me? OmniPage Pro X detects most zones correctly in some complex
documents. The recognized text is on the right, and the original scan is on the left.
June 2002 MACWORLD | 31
|
|
|
|
REVIEWS
ates zones and recognizes text in
one step. Once those processes
are complete, you can then
change zone types and, if neces-
sary, run the OCR process again.
‘The two programs have simi-
lar export options, allowing you
to save recognized text and
pictures in Rich Text Format
(RTF), AppleWorks, Microsoft
Word and Excel, PDF, and
HTML. Although both pro-
grams allow you to “scan” files
from standard formats such as
TIFF, JPEG, and PICT, only
OmniPage can import’ PDF
files. OmniPage is also the only
OS X-native option of the two,
but because few scanners work
with OS X, this is not currently
a tremendous advantage.
Spelling Counts
Of the two programs, Omni-
Page has the better spelling-
checker interface. Its Proofread
OCR window lets you move eas-
ily through the spelling-checker
process, thanks to Ignore and
Change buttons activated with
the return key. On the other
hand, FineReader requires you
to click on every button with the
mouse and open and close a
new window whenever you wish
to add a new word to Fine-
Reader's dictionary.
This is an important differ-
ence, considering that you'll
spend a lot of time using the
spelling checker. If our tests
are any indication, you'll spend
more time in FineReader’s
spelling checker than in Omni-
Page’s, as FineReader ques-
tioned more words than Omni-
Page and, of those flagged
words, got more of them wrong.
Head to Head
‘To test the automatic-recogni-
tion capabilities of the program,
we scanned two documents with
a multifunction HP OfficeJet
G85 in black-and-white at 300
dpi—settings designed to pro-
duce a clean sean (see “Midrange
Flatbed Scanners,” April 2002,
for more on getting a good
in). The first document was a
imple press release that con-
tained a logo anda large block of
text with some italic and bold-
face words. The second was a
Macworld page comprising small
type, multiple columns, a large
graphic, and a table. We set up
the two programs to automati-
cally create zones and recognize
the pages. We ran them through
the spelling checker and then
exported the pages as RTF
(opened and read in Word) and
PDF files,
Simple Fare
For documents that have simple
layouts, FineReader does an
acceptable job. The program
correctly identified the press
release’s logo as a graphic, put
all the text except the contact
information at the bottom in a
single text block, and correctly
identified the bold and italic text
in the exported RTF and PDF
file (though it underlined the
bold headline).
‘To get similar results in
OmniPage, we had to tell the
Tas poe apa
REVIEWS:
Ie Hak
spat Deane Erne:
| | MIDRANGE FLATBEL
Checkered L— FineReader Pro 5 is hampered by a clumsy spelling checker.
32 | MACWORLD | June 2002 |
program that the page con-
tained a single column (this is
done via a pop-up menu located
in the toolbar), Although the
italic text appeared in the Word
document, the only bold type
that appeared in the RTF file
was in the headline, and spaces
between paragraphs were exag-
OmniPage incorrectly
identified the logo as text—but
it did correctly recognize that
text. In the PDF file, OmniPage
again failed to produce the bold
formatting in the body of the
press release and, in places
where the bold formatting
should have appeared, often
dropped words below the base-
line of the surrounding text.
Labyrinthine Layouts
With the more complex Mac-
world page, OmniPage out-
performed FineReader, After v
selected the Mixed Pages option
in the toolbar, OmniPage cre-
ated numerous text blocks. The
exported OmniPage RTF file
matched the layout of
inal page, though it con-
tained some odd line breaks and
s and suffered from the
aseline problems. Even
after we told FineReader that
the page had multiple columns,
it lumped a couple of parallel
columns together in a single
zone, causing the exported text
in the RTF file to be jumbled.
PDF files created with the
two programs were cleaner.
Although FineReader correctly
identified the graphic and
included it in the PDF file, i
overly broad selection of text
blocks caused it to leave out
lines where the zones bordered
each other at the end of some
paragraphs in the exported file.
Both programs properly pro-
duced the magazine page’s table,
but where FineReader included
a mixed set of font sizes, Omni-
Page produced more-consistent
text formatting.
Manual Transmission
We were able to rectify many of
these problems by manually
adjusting the zones before hav-
ing the programs analyze the
documents. Both programs let
you create rectangular and
polygonal zones, and they let
you combine adjacent zones.
Converting the text zone
around the press release’s logo
to a graphic zone allowed
OmniPage to correctly export
the graphic. Likewise, drawing
more zones on the magazine
page improved the formatting
of the RTF and PDF files
exported from FineReader. But
the fact that you have to resort
to the manual tools calls into
question the usefulness of the
programs’ batch-processing
capabilities and support for
scanners with sheet-feeder
attachments—features designed
to let you scan and convert
multiple documents with little
user interference.
Macworld’s Buying Advice
Neither OmniPage Pro X nor
FineReader Pro 5 is perfect, But
OmniPage—with its power to
more easily recognize complex
documents automatically, abil-
ity to import PDF files, and
cleaner spelling-checker inter-
face—is closer to the mark, par-
ticularly if you plan on scanning
a lot of documents that have
complex layouts,
FINEREADER PRO 5 _
RATING: $89
PROS: Admirably converts uncompli-
cated documents; timesaving Analyze
Layout feature.
CONS: Clunky spelling checker; no
POF-import support; poorly handles
automatic recognition of complex
documents,
PRICE: $129
OS COMPATIBILITY: Mac 0S 9
COMPANY: Abbyy, 510/226-6717,
www.abbyyusa.com
OMNIPAGE PRO X
Lie
PROS: Flexible recognition options;
imports POF files; superior spelling
checker interface.
CONS: Exported files have line-break
problems; lacks feature for analyzing
layout; list price is inflated,
PRICE: $499; upgrade from other
OCR package, $149
‘OS COMPATIBILITY: Mac OS 9,
Mac 0S X
COMPANY: ScanSoft, 800/654-1187,
www.scansoft.com
wwwmacworld.com
ATA/133 PCI RAID CARDS
Four Products That Let You Hook Up Fast, High-Capacity
Storage, without a Lot of Clutter
BY KRISTINA DE NIKE
If the inside of your Mac is
no more mysterious to you than
the inside of your sock drawer,
an internal hardware RAID
(Redundant Array of Indepen-
dent Disks) array may be the
perfect way to add lots of very
fast storage to your
because two bare ATY
drives are often much less
expensive than one external
FireWire or SC
twice the
I drive wi ith
Storage this fast is well suited to
editing DV video, accessing
large graphics files, or serving
up Web pages. An internal array
also. prevents the clutter of
external drives and their cables.
Our Willing Subjects
We tested four ATA PCI RAID
cards that combine two ATA
drives to create one large, fi
volume using the latest, 133
ion of ATA: Acard’s
Alchemy ATA 133
RAID PCI, SIHG's UleraATA
133/100 RAID, and Sonnet
echnologies’ ‘Tempo RAID133.
Each PCI card employs hard-
ware made by Acard, which also
sells its own card. Asa result, the
four cards looked and behaved
exactly the same—the choice
you make will come down to
Four Cards of the Same Suit:
Pscnil
‘Acard AEC-6880M/ATA-133 RAID
Miglia Alchemy ATA 133 RAID PCI
SHG UltraATA 133/100 RAID
Sonnet Tempo RAID133,
single ATA drive
price, the quality of the card’s
manual and technical support,
and the length of its
Give RAID a Chance
‘These cards provide the easiest
RAID configuration the Mac hi
ever seen. You simply use an AT!
cable to connect an ATA drive to
a port on the PCI card, use
another ATA cable to connect a
second ATA drive to the next
port on the card, flip a switch on
the card, and reboot, The PCL
card then reports to the CPU
that the drives are a single SCSI
device and that they appear as
one volume on your desktop.
You can then use any Mac drive-
formatting software that works
with SCSI drives—including
OS 9's Drive Setup and OS X’s
Disk Utility—to format the
RAID array.
The PCI cards accomplish
this feat by using RAID Level 0,
which alternates the tream
between two or more drive!
Since both driv rite data
at the same time, a two-drive
array has the potential to be
tw sa single dri
When we ested this theory, the
speed improvements of using a
single drive were closer to 25
percent than 100 percent, but
we were able to capture uncom-
pressed video to our ai it 27
, which we were no
to do with a single drive. How
le
Mac 0S X Finder
FILE DUPLICATE
Adobe Photoshop 6.0.1
, the catch with RAID arrays
s that if either drive fail
lose the data on both driv
In a Dead Heat
Be Il of these products use
the same hardware, it’s not sur-
prising they turned in nearly
identical performance results in
our tests, The hardware RAID
configurations of two 80GB
drives were faster than a single
80GB drive by as much as 25
percent. The only exception was
the Adobe Photoshop Save test,
in which a single drive was
slightly faster.
For
“Advanced RAID"), In our
Finder File Duplicate test, the
software-based RAID
percent slower than the hard
RAID and 30 percent
4 single drive. This is because a
software RAID array relies on the
CPU to send a quick series of
commands alternating between
two drive: and FireWire Quality of Manuals
software RAIDs also experience a h ATA PCI RAID card we
slowdown, but unlil , these sted included a useful manual
Adobe Photoshop 6.0.1 __Norton S Speed Disk 6.0 in c 059 9
BEST RESULTS IN BOLD. REFERENCE SYSTEM IN TALIS.
All scores are in minutes'seconds. Out test system was a Power Mac dual-1GHz G4 with Mac OS X 10.1.3 installed and 5121
< Better
‘of RAM, We formatted our Seagate Barracuda drives with O5 X's Disk Utility, The File
The SHG UltraATA 133/100 RAID
technologies better handle con-
current data, softening the per- |
formance hit to a system. As a
result, SCSI and FireWire soft-
ware RAIDs tend to perform
faster than a single drive but
slower than a hardware RAID.
If you plan on adding a single
drive to your desktop Mac, you
don’t need to invest in an ATA
PCI card at all—you can connect
an additional drive to the ATA/66
internal bus that ships with mod-
erm Macs. We tested this configu- |
ration against the ATA/133 bus
on the PCI cards, using Barra
80GB Uln ATA/100
from Seagate, ‘To see
133 bus on the
ster than the ATA/66
s built into current Power
we configured our test
aslave and moved it to the
’s internal bus, where the
hoot drive w so located. This
configuration performed ideni
cally to the 80GB drive attached
to the PCI cards, Not surpris
ingly, our single drive transferred
data at no faster than 66 MBps.
OPTIMIZE
< Better
Duplicate test was performed with a 400MB file. Macworld Lab's Photoshop Suite test runs asctpt of five tasks on a SOMB file inthe Classic environment. Photoshop's memory partition was set to 32MB and His: |
tory was set to Minimum, The Photoshop Save test was performed with a 400MB file, We booted into Mac OS 9, used Drive Setup to format the dives, and then used Norton Speed Disk to optimize 700MB of data
0 LAS TESTING BY KRISTINA OE Nine
‘on the test dive—
wawwmacworld.com
| tune 2002 | MACWORLD | 33
| If you're looking to get into RAID, here's some further information
Advanced RAID
| you might find helpful.
Software or Hardware RAID?
Anyone who wants to create a RAID array should know that there are
two methods: using the hardware configuration the ATA PCI RAID cards
provide, or using RAID software, such as SoftRAID's SoftRAID, Intech's
Hard Disk SpeedTools, or Apple’s Disk Utility in Mac OS X. In a hardware
RAID, the data moves in a single stream from the CPU to the PCI card,
which splits the data into alternating stripes, In a software array, the
software splits the data stream, and the CPU alternates data traveling to
and from the individual drives. Although hardware RAID cards are more
expensive than software RAID packages, they are often faster, because a
software array taxes your CPU much more heavily. Another advantage of
a hardware array is that you can boot your system from it. We were able
to boot both OS 9 and OS X from each of our hardware arrays.
| Advanced RAID; Two Arrays Are Not Twice as Good
| If one array isn’t enough, you can attach another two drives to the other
34 MACWORLD
port on the PCI RAID card and create another hardware array. To make
this work, you have to identify one of the two-drive arrays as the master
and one as the slave. You must first set the jumpers, which are about the
size of a grain of rice and fit over the pins on the drive (they're usually
found between the drive’s power plug and the ATA connector on the
drive)—we recommend using tweezers.
Although you can connect two master drives and two slave drives to
the cards to create two RAID Level 0 arrays, the addition of the slave array
will negatively affect performance. The fastest configuration is two master
drives of the same size and speed. If you use two drives of different capaci-
ties, your array will be only twice the size of the smaller drive,
Waiting for the Bus
If you currently have a drive connected to your Mac's original internal bus,
it will not automatically mount on your desktop if you reconnect the drive
to the ATA/133 RAID card, To remedy this, you can update the ATA drive's
drivers with a formatting package such as FWB Software's Hard Disk
Toolkit or Intech’s Hard Disk SpeedTools. You can also make the drive
visible by reinitializing the hard drive, but any data on the drive will be
wiped out. Drives formatted with Mac OS X's Disk Utility can be moved
from the internal ATA bus to the ATA card without this problem.
Getting Back to Normal
For troubleshooting your RAID array of drives, there is a small switch
on the PCI card that lets the two drives operate in Normal mode, so the
individual drives appear as themselves, letting you scan or repair them
independently of one another with a disk utility but not retrieve data
or boot from the drives. If you plan to use the drives separately on an
‘ongoing basis, you'll want an ATA/133 card that does not have RAID
capabilities: each company featured in this review also sells less expen-
sive non-RAID ATA cards,
ATA/133 RAID Cards Compared
COMPANY
Acard
PRODUCT
Miglia
SIIG*
Sonnet Technologies
une 2002
MOUSE
RATING
$08)
9906
PRICE
|
OS COMPATI-
BILITY
Mac 0S 9,
Mac 0S X
Mac 0S 9,
Mac 0S X
Mac 0S 9,
Mac 0S X
Mac 0S 9,
Mac 0S X
yweww.sonnettech.com
with instructions on how to
install and configure the card.
‘The documentation also co
ered initializing the drives in
both OS 9 and OS X.
However, the hardest part of
setting up an internal a
physically installing the internal
drives in your computer. Miglia
and Sonnet do a good job of
explaining how to configure a
master or slave with
‘The Acard and Sonnet
manuals have useful and clear
diagrams showing how to attach
the master drive to the end of
the ATA cable. Because using
an ATA card is an economical
way to replace an older SCSI
drive, Miglia goes so far as to
include illustrations on how to
install a single drive in a range
of pre-G3 Power Macs, beige
G3s, and blue-and-white G3s.
Miglia also. includes instruc-
tions in French, Spanish, Ital-
ian, and German.
The Acard Web site has a list
of supported drives from Sea-
gate, Quantum, Maxtor, Fujitsu,
IBM and Western Digital.
‘These are the drives Acard has
tested, but these are not nec
sarily the only drives that will
work with the cards. Both Son-
net and SIG confirm that they
have been able to use the
card with a variety of drives,
including ATA/133 drives and
older ATA/33 drives.
Technical Support
Each vendor hopes to differenti-
ate itself by providing superior
technical support. Although
Acard’s only office is in Tai
they contract with Mars Tec!
nologies in the United States
(www.getlaptop.com) for their
technical support. We were able
to get through to a technician
EVIEWS »
CONTACT WARRANTY PROS
(886) (2) 8512 2290, 2 years Phone support
_wwvewacard.com ial available.
{44} (0) 870 747 2968, 2 years
wanxmiglia.com installation instructions
for older Macs
510/657-8688, Syears Long warranty;
wwnwsiig.com lowest price.
949/587-3500, 3years Phone support
available.
within five minutes. And in
less than ten minutes, Sonnet's
phone support was able to
answer o
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