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= The First Test: Macworld
© Lab and the Dual-1.25GHz
= Power Mac G4, page 74
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www.macworld.com The Mac Product Experts November 2002
acy AS . ,
GET THE MOST FROM OS X 1 -
WITH OUR COMPREHENSIVE TPS
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Expert Advice from David P Pogue >
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Great Productivity-Boosting Tips 4
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Plus | Dynamic Web Publishing | Digital-Video Cameras | FileMaker Pro 6 Reviewed
APPLE'S LATEST
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the Xserve, and QuickTime 6 Pro
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From the Editor's Desk
RICK LEPAGE
The truth about Apple’s new dual-G4
Power Macs is somewhere between hype
and hysteria,
17 Feedback
Readers respond,
128 Ihnatko
ANDY IHNATKO
Steve Jobs for mayor? Sure, if iSync and
Rendezvous are big hits.
Vj November 2002 www.macworld.com
oo STORY
was BEAT
Free-e-mail apocalypse, Photoshop plug-ins
for OS X, iCal versus other calendaring and
PIM products, the CoolMac keyboard, and an
interview with Intuit's David Story on Quick-
Books’ feturn to the Mac.
oe
Go Dynamic with GoLive
GLENN FLEISHMAN
Add dynamic content to your Web site—
we'll show you how to connect Adobe GoLive
6 to a MySQL database server.
90 Mac 911
CHRISTOPHER BREEN
Force-quit the Classic environment from the
Dock, rename directories without confusing
applications, command OS X's Terminal appli-
cation, format with Unix File System, and decide
whether you can live on OS X alone,
On the Cover
HUd | Proto courtesy of
‘Apple Computer.
Tame Jaguar
DAVID POGUE
There are some things in life that are beyond your control, but your oper-
ating system shouldn't be one of them. From little-known shortcuts to
___ hidden tools, we show you how to work the latest version of Mac OS X.
FEATURES
Apple's New Dual-G4 Macs
JONATHAN SEFF
Apple's latest Power Macs sport two processors and new architecture,
We dissect them and rate the two shipping models,
Serve It Up
SCOT HACKER
Mac users no longer have to take a backseat when it comes to designing
and maintaining high-powered, database-backed Web sites. We'll step
you through the process of installing an open-source server and database.
{6 | MACWORLD | November 2002 |
wwnwmacworld.com |
wwwmacworld.com
Network server
$883 Apple Xserve
Database software
$999 FileMaker Pro 6
Multimedia application
$886) QuickTime 6 Pro
Relationship-finding software
$88 Six Degrees
DV camcorders
$9498) Canon Optura 200MC
$88 JVC GR-DVM96U
$886 Sony DCR-PC120BT
$868 Sony DCR-TRVSO
Digital video recorder
#84) EyeTV
Video-editing software
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Music-sampling and -synthesis tool
$888$ Reason 20
Network analyzer
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Mathematics software
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E-mail-filtering program
$$$! Spamfire 1.2
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iMovie plug-ins
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Virus-protection software
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Music player
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Dock-replacement utility
$8% WorkStrip x
Reviews in Brief
Bravo Effects and Echo Transitions,
Kensington StudioMouse, Maclournal 2.1,
Pantone Color Cue, WeatherPop Advance
1.5, and Who's There Firewall Advisor 1.2.
The Game Room
PETER COHEN
From World War II battles to horror-movie
monsters, we've got you covered.
November 2002_| MACWORLD
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FROM THE EDITOR'S DESK
wasn’t any faster than the previous model (which also
had twin 1GHz chips), despite the purported faster
bus and subsystems, DDR RAM, and other enhance-
ments to the new desktop computers’ architecture.
The conclusion many people came to was that Apple
was lying about any real advances in the new
machines—which is a pretty serious allegation. But in
fact, this is just an instance of marketing hype running
up against users’ expectations; the ity, as always,
lies somewhere in the middle.
As you'll see in this month’s feature “Apple's New
Dual-G4 Macs,” our test results corroborate the Web-
site reports: in many of our standard tests, the new
dual-1GHz Power Mac wasn’t any faster than the pre-
vious dual-1GHz model. Of course, the new one now
makes up the middle of the Power Mac line; the old
one was at the top of the line (with twice as much
speedy Level 3 cache RAM) and, when it debuted ear-
lier this year, cost $500 more than the new system. The
fact that the new model has two hard-drive buses and
two optical-drive bays is also a plus, although this
offset somewhat by the higher cost of DDR RAM. But
in the end, I see these new systems as an improvement.
The new high-end model, with two 1.25GHz
PowerPC G4 processors, wasn’t shipping when we
wrote our review, but Apple did let us run our bench-
mark tests on a preproduction model so we could get
a sense of the potential speed increases at the top of
the Power Mac line. We were pretty impressed with
| what we saw, and we think that Mac users who are
always chasing after the fastest Mac system available
will be, too. But understand that we were able to
review and rate only the two lower-end Power Mac
models this time around. We'll review and rate the
dual-1.25GHz machine after it ships, which should be
by the time you read this.
Dealing with Changes
Apple claims that these new Power Mac systems’
important architectural changes offer tangible bene-
fits to end users—and in our look at the new systems,
| Jonathan Seff thoroughly explains where and why
users will see improvements.
| Testing hardware is a tough task, and there are
i
plenty of problems you must confront if you want to
| wewwmacwarld.com
Getting to the Bottom of Apple's New Power Macs
Testing Our Resolve
THERE WAS QUITE A BUZZ ON THE INTERNET AFTER APPLE
announced its new Power Mac G4s in August. A few Web sites published
test results, claiming that the midrange model, with two 1GHz processors,
do it right. Architectural changes, and software and
operating-system updates, make it nearly impossible
to amass a database of tested systems that can be com-
pared with one another over time.
What's even harder is determining which tests
make sense, especially when systems change so dra
matically. A test that was reasonable two years ago
might now be superfluous, and a new test may be
needed to demonstrate how system changes affect
performance. We're constantly on the lookout for
new tests (or modifications to old tests) that can add
more pertinent information to a review.
In our review and analysis of these important new
systems, we've attempted to cut through the hype and
clearly lay out the benefits of Apple's changes. If
you're looking to purchase a new desktop Mac, we
hope that you'll walk away understanding Apple's
motives for the upgrade—and
that this information will help you J Testing hardware is a
decide whether now is the right
time to buy. tough thing, and there
Jaguar Unveiled
If you're a Mac user, and as long
as you don’t mind crowds, the
place to be at midnight on August
are plenty of problems
you have to confront if
you want to do it right.
23 was at an Apple Store (or one
of the independent Mac retailers scattered about the
country). At the Palo Alto Apple Store, the one near-
est Apple's headquarters, there were reportedly 3,000
people queued up, ready to buy Mac OS X 10.2 (or
Jaguar), along with new Macs, iPods, and assorted
digital-hub goodies.
If you've got Jaguar up and running, you'll defi-
nitely want to check out this month’s feature on mas-
tering the new OS (“Tame Jaguar”). Longtime
Macworld contributors David Pogue and Christopher
Breen have each come up with a boatload of tips and
tricks that will help you maximize your productivity
in OS X 10.2.
Let me know what you think about the new Power Macs, Macworld in general, or anything else Macrelated,
Drop me an e-mail (rck_lepage@macworld.com) or join in the discussions in our forums (werwemacworld
.com). To sign up for our weekly e-mail newsletter, which includes exclusive commentary and tips on hot top-
ics, as well as reports on key new products, click on the Newsletters tab on our home page,
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MACWORLD | November 2002
VP of Content/Editor in Chief Rick LePage
Editor Jason Snell
Managing Editor
Executive Editor, Macworld.com |
Deputy Managing Editor Charles
Senior Features Editor Teri Stone
Senior News Editor Philip Micha
Senior Reviews Editor Jennifer Berge
Test Manager, Macworld Lab Ja
Associate Editors Kelly Lu
3s Garaith
Copy Editor Sue V
Editorial intem Zach Frechette
uting Editors. David Bl
Cleland, Scholle Sawyer McFat
Bruce Fra
Art Director Jenni
Design Associate Al
Design Consultant £
Prepress Consultant
News Director, MacCentral.com lim Dalrymple
Senior Editors, MacCentral.com Peter Cohen, Dennis Sellers
International Editors Matthew JC. Powel, Australia; Bernard Le Dy,
France; Sebastian Hinch, Germany; Enrico Lott italy; Yoshio Moriya,
Japan; Tomasz Bitner, Poland; Daniel de Blas, Spain; Nils Holm,
‘Sweden; Engin Gedit Turkey; Simon Jay, United Kingdom
President and CEO Colin Craword
VPIChiel Operating Officer Stephen Daniel
Director of Finance Eos de Feminis
Accounting Coordinator Ronda Bitne
Senior VP, Human Resources Richard Willoughby
Human Resources Director Kate Coldwe
Human Resources Representative
IT Director Sean G
VP of Sales/Publisher
Associate Publisher, East
National Accounts Manager
Account Executive
Western Advertising Director Sara Cul
Sales Assistant. Franck
Showcase Account Manager
Showcase Account Manager Carol Johnstone
Online Sales Manager Doug Det
ie Stranz
(sen
Senior Marketing Manager Sharon |. Cor
Sales & Marketing Coordinator Kasey Machtullen
Marketing Intern
Production Director Steve Spingola
Prepress Manager Alan A
Booking and Billing Manager Rica
Ad Coordinator
Senior Web Producer Christ
Online Production Manager Ri
November 2002, Volume 19, sve 11
wonwmacworld.com
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Inside the New Update
EVOLVES
Spotting Jaguar
RICHARD PRIESING
B
“Mac OS X Evolves” (August 2002) was
interesting, but it overlooked the inclu-
sion of CUPS in OS X 10.2. CUPS is
important because it will finally solve all
the problems caused by the lack of native
PostScript PPDs for OS X. I’m the head
of the prepress department for a com-
mercial printer, and CUPS should pro-
vide our workgroup with a solid Post-
Script print server to replace the aging
PrintCentral that we currently use. I have
a copy of the CUPS handbook and hope
that Apple has given CUPS a user inter-
face or back end so that we can get the
most out of the system without having to
resort to using the Terminal application
to input our commands.
BRENT ANGLIN es}
As one of the attendees of the MacMania
cruise to Alaska (“Uncharted Waters,”
From the Editor's Desk, August 2002), 1
have to tell you that it was the trip of a life-
time. This trip gave me the knowledge
and confidence to convert to OS X perma-
nently, and I’m eagerly anticipating the
release of Jaguar. I'm convinced that OS X
is the best thing that has ever happened to
the Mac. It’s not only the most elegant
operating system I have ever seen but also
the most powerful operating system I have
ever used. Many features of OS X’s Unix
underpinnings even turn the heads of my
Linux supergeek friends.
JOE GIUSTRA ies}
Macworld reader Ross Bishop is too kind
in characterizing OS X’s privilege para-
noia as “a monumental pain” (“OS X
Insecurity,” Feedback, August 2002). Ie’s
evident that the Mac has abandoned
Take Our Advice
The August 2002 issue brought out our readers’ inner Dear Abby: Many had advice
for Apple, on OS X's Jaguar update. Adam C. Engst's article on stopping spam filled
our in-box with e-mail messages—most of it welcome advice, we're glad to say, not
information about get-rich-quick schemes. But our readers saved their most strongly
worded advice for other readers—August Feedback letters that praised QuarkXPress
as better than Adobe InDesign had InDesign defenders suggesting which lake XPress
partisans could go jump into. Don’t believe us? Our advice is to keep reading. 4
being the computer for the rest of us and
remains the computer of the corporate
world. As a sole user, Iam constantly stiff-
armed by the privilege lockout of my files,
Apple must give us the option of switch-
ing off the sufficient-privilege lock.
Otherwise, it should present itself as a
manufacturer of network servers, not of
personal computers. There is nothing
“personal” about a computer that seems
to control the user and acts like a termi-
nal computer.
DAVID SHORT B
While Jason Snell cruises the Inside Pas-
sage (“Uncharted Waters”), many of us
are feeling increasingly alienated by
Apple. After 15 years as a Mac enthusiast
(converting my office along the way), I
now find myself betrayed by OS X. Any
system as non-user-friendly as OS X
deserves to lose customer loyalty. It’s
ridiculous that Mac users now have to
learn lines of command code. It’s not
a step forward; it’s a step backward, to
the bad old days of FORTRAN and
COBOL. Windows looks more and more
attractive. Someone needs to apply this
command to OS X: sudo rm -rf ~/.Trash/.
EDWARD JANNE
1 am sick and tired of all these OS 9
throwbacks who have dug their hooves
in against change. Way back when OS
X apps were few and far between, I
might have understood why people
would have complained if Apple had put
pressure on to switch to OS X. But now
that most old-time favorite apps have
stepped up to OS X, and many new and
innovative apps have appeared, to com-
plain that OS X’s security features are
cumbersome is to just nitpick. Unless
you've used Windows, you don’t know
NOVEMBER 2002 |
what cumbersome is. Anyone who knows
anything about computers at all knows
that attaching a user interface to Unix
is no easy task, That Apple has managed
to do this and still retain such incredible
ease of use is amazing. A sole user may
not appreciate all the multiuser features
under the pretty face, but I wouldn’t
trade memory protection and true
preemptive multitasking for marginal
convenience. I've been using OS X
since version 10.0, and now I can’t
even look at an OS 9 desktop without
feeling confined.
Putting Spam on Ice
WERNER J. SEVERIN &
Perhaps “Stop Spam!” (Secrets, August
2002) should have noted that the Federal
‘Trade Commission is interested in hav-
ing unsolicited spam forwarded to uce@
fte.gov. Apparently, they go after the
most-egregious violators.
LUKE PACHOLSKI. ies}
While filters may shield users a bit from
spam, filters don’t do anything to stop it.
Spam will be reduced or stopped only if
people fight back. That means reporting
spam to the ISP it comes from, either
manually or automatically via a service
such as SpamCop.
AARON SHEPARD. Es}
Here’s another spam-stopping tip to
go along with those in your article:
Stay off of EarthLink. I recently got
an EarthLink account, and within two
days I was receiving spam at that
address—despite the fact that I had not
yet used that address, given it to any-
one, or even entered it in my browser
or Internet preferences.
yownnmacwarld.com,
___| November 2002 | MACWORLD | 17
FEEDBACK
| the new File
NOVEMBER 2002
Retrospect Perspective
STEVE SULLIVAN.
Thave no doubt Retrospect Backup 5.0 is
an excellent program (Reviews, July 2002),
but I went to Dantz’s Web site to confirm
that my LaCie CD-RW drive was compat-
ible with it, and I didn’t find it listed €
then, I’ve e-mailed Dantz, asking for
confirmation that my drive will work with
the program, but I haven't received a reply
from any department I've tried to con-
tact—from tech support to sales to cus-
tomer service. I consider this to be
extraordinarily poor customer service,
which gives me misgivings about buying
the product. It’s just not acceptable to
completely ignore a customer who wants
to give you money.
3
Frustrating FileMaker
STEVE NOBLE e
Ican’t tell you how disappointed I am in
laker Pro 6 (“New Tricks,
.” Mac Beat, August 2002).
excellent program, but it
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1B MACWORLD | November 2002
lacks many features, such as multiple
tables in a single file, event-triggered
scripts, customizable menus, and more.
Some of these items are available through
plug-ins, but purchasing these means pay-
ing twice for the software. Every upgrade
since version 3 has added important new
features, but only a few at a time. File-
Maker 5 had a new marketing look, but it
was basically the same program. I know
many of us out there feel this way. Our
only hope is that if enough of us politely
complain, FileMaker will finally listen.
You've Got Mail, Andy
ROGER BARTHELSON ies}
I was a little surprised that Andy [hnatko
didn’t mention Nisus Email in “E-mail
Options Aplenty” (Jbnarko, August 2002).
I don’t use it as my main e-mail applica~
tion, but I find it pretty useful if I want to
send a clipping from another application.
I find it invaluable if I need to send out
several e-mail messages to a list of recipi-
ents and want to use a database to cus-
tomize the messages (for example, when
SHE’LL LOVE HOW YOU
CAPTURED THE MOMENT.
Choose 85 at www.macworld.com/getinfo
I’m sending a general cover letter to a
number of prospective employers but
want to use the information in a simple
AppleWorks database to customize each
letter). IT was disappointed to find that
AppleWorks 6 left out the ability to
e-mail directly from within the program—
thereby preventing me from contacting a
number of employers at once. Nisus
Email allows me to do that fairly easily.
TIM LAPIN ies}
While I share Andy’s complaint that no
single package seems to “have it all,” I
would like to add one more package to his
list: PowerMail. I have been using version
3.X and eagerly await the 4.X upgrade.
PowerMail is perhaps the only e-mail app
for which I am willing to spend money. I
don’t know if T would go back to amber-
on-black command-line sessions, but I
should point out that I chose PowerMail
bee it was the closest program to
is Emailer I could find at the time.
Like many Mac users who also care about
how their e-mail is handled, I was sad-
dened by the loss of Emailer and simply
PATENTED PEN
Pressure-sensitive for control, with
a bu eraser for easy fixes.
There's no cord to tangle, no
batteries to buy — ever. And it works
with any software a mouse will.
CORDLESS MOUSE
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refused to use any of the free clients,
they are all horrid in some way. I will
probably spend more money on the latest
PowerMail, although | am intrigued by
the upcoming Jaguar release of Apple's
Mail program. In either case, it sure beats
spending $400 or so for Entourage.
Macworld's Familiar Quotations
JIM WIGLER
David Blatner’s “Save XPress Styles”
(Secrets, July 2002) misquotes Dorothy
Parker. In the screenshot showing format-
ted XPress files, we see “Life is a sonnet, life
is a song / A garden of extemporania / And
Jove is a thing that never goes wrong.” The
real quote is “Oh, life is a glorious cycle of
song, / A medley of extemporanea; / And
love is a thing that can never go wrong; /
And Tam Marie of Roumania.”
Play Myth Ill for Me
MICHAEL R. BAGNALL G5
Regarding Brian Holbert’s letter about
Myth IIT (“Myth IL? Not for Me.” Feed-
back, August 2002): I am the head of
MythDevelopers, a group of volunteer pro-
grammers and artists who are fanatic about
the Myth game series. To of our pro-
gtammers were recently given permission
by the game’s owners to make changes to
the Myth III code and support it in terms
of improving game play and providing a
better multiplayer environment. These
changes are in development. We currently
support online game play for Myth II:
Soulblighter and will support Myth I by the
end of summer, We plan to have a Myth Il
service ready sometime this fall. More
information is available at PlayMyth.net.
Fax Attacks
JOSEPH SLATER oS
Film versus Digital
HARRISON JUDD iE}
L object to the use of the term “film-camera
quality” in your review of the Canon EOS
D60 (Reviews, August 2002), Compare a
JPEG file from any digital camera with a
35mm scan from even a 2,700-dpi scanner,
and the scanned image is preferable, for
resolution alone. And film can capture
subtle shadows and difficult highlights that
no current digital camera can. Digital cam-
eras continue to evolve, but they simply
don’t match the quality of standard 35mm
film in resolution or dynamic range of
color fidelity. Digital-camera shutters are
also much slower to respond than tradi-
tional SLRs. Your reviews are generally
accurate and informative, but digital cam-
eras are a long way from being able to boast
film-camera quality, even at the high end of
the equipment spectrum.
In Praise of InDesign
ADAM ROGERS ex
Amazing—after boldly exposing the quirks
in QuarkXPress and giving some ink to
InDesign, the new kid on the block, you
run three letters, out of a total of four on
the subject, in favor of XPress (“Layout
Shoot-Out,” Feedback, August 2002). I
thought I'd never leave XPress, but since
giving the InDesign trial version a test-
drive in designing a 200-page publication,
T've never looked back. At first | felt funny,
but after leaving XPress for InDesign, I'm
happier, more creative, and less dependent
i jure, most printshops have yet
, but with InDesign I can cre-
‘oof PDFs that rip straight to
is much easier than sending a
¢ and praying that all my tables
and fonts will come outas J intend them to.
BRAD CATHEY =]
After reading your editor's note stating that
you knew of no OS X-native alternative
to Smith Micro's Faxstf fax software (“Just
the Fax,” Feedback, August 2002), I went
to VersionTracker.com and found that,
indeed, Cocoa eFax is listed. Why wasn’t
Cocoa eFax included?
When we wrote our note—and the May 2002
review of fax softvare—Cocoa eFax was a beta
release. It's our policy to review software only
after a shipping version has been released.—Ed.
As ten-year veterans of QuarkXPress, we
switched wholesale to InDesign after ver-
sion 1.5 came out. We've been running
it on everything from beige G3s to multi-
processor G4s, printing on a variety
of printers and sending files to printshops
around the country without incident.
Granted, InDesign doesn’t do everything,
bur it does a lot more than QuarkXPress,
especially in the area of productivity.
What used to take an hour now takes
60 seconds.
ies
GARY STOLZ Es]
‘To Mr. Hall: My vendors support InDesign
because I told them I'd be using it, and they
want to keep me as a customer. One vendor
in particular worked closely with me when
InDesign 2.0 came out, We've had no trou-
bles, from one-color solid to four-color
process printing. To Mr. Shub: Conversion
from QuarkXPress isn’t perfect, but trust
me, you want InDesign to reflow your text
with its own type engines. ‘To Ms. Jackson:
You have no business putting a JPEG file
into a print piece. Convert the file to TIFF
in Photoshop before you resize the photo
and apply the unsharp mask. The only place
InDesign doesn’t compete with Quark-
XPress is in customer service—Quark's is
still the rudest in the solar system.
Keller on Batteries
MARK TANK Ly)
Jeff Keller says that its a bad thing Fuji
doesn’t have a rechargeable battery (“Keller
on Cameras,” Reviews, August 2002). There
is a debate among digital photographers
about this. I believe that not having a spe-
cific rechargeable battery is a good thing. A
camera that uses AA batteries lets the user
choose from hundreds of good-quality
rechargeable AAs. If you leave your charger
at home, you can buy AAs to get you by.
© Post comments on our forums (www
smacworld.com); send them by mail to
{= Letters, Macworld, 501 Second Street, 5th
Floor, San Francisco, CA 94107; or send them
electronically to letters@macworld.com,
Include a return address and daytime phone
number. Due to the high volume of mail
received, we can't respond personally to each
letter. We reserve the right to edit all letters
and posts. All published letters and forum
comments become the property of Macworld,
CORRECTIONS.
The correct Web address for 21st Century Media,
the makers of cast'stream ("Macworld Confer-
ence & Expo Best of Show,” Mac Beat, September
2002), is www.2Istcenturymedia.com.
The chart accompanying “Power Mac: Twice
‘As Nice” (Mac Beat, October 2002) listed the
incorrect graphics processor for the dual-1GHz
and dual-1.25GHz Power Macs. The video card in
these models is ATI's Radeon 9000,
_wewmmacworld.com
Hioverster 2002 | MacwoRLD | 19 |
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since 1987
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|
|
|WHAT'S.
NEXT |
Comdex isn’t a
big Mac event, but |
many of the cam-
eras, printers, and
storage devices
the November 18
trade show will
feature are aimed |
at Mac and Win-
| dows users alike,
22 | MACWORLD | November 2002
WHAT'S NEW
~ WHAT'S INTHE PIPELINE | WHAT'S HOT
PHOTOSHOP HAS BEEN OS X NATIVE SINCE SPRING—NOW PLUG-INS ARE FOLLOWING SUIT
The Plug-in Puzzle
For design professionals, switching
to Mac OS X without a native ver-
sion of Adobe Photoshop would be
like buying a new car without an
engine. The car's exterior may look
nice, but it really won't take you
where you want to go.
OS X-compatible Photoshop 7
has been available since April, but
design pros haven’t necessarily
been driving happily into the sun-
set with Apple’s new operating
system. A native version of Photo-
shop fills a major gap for design-
ers, but smaller, crucial pieces of
the puzzle remain absent: OS X—
savvy plug-ins.
Applications rely on plug-ins to
add specific capabilities for niche
users. Programs such as Photoshop,
QuarkXPress, Adobe Illustrator,
and FileMaker are already rich in
features and hefty in file size; by
supplying features needed by a
select segment of users, plug-ins
keep those apps from bulking
up further. You may not want to
create 3-D broadcast-quality titles
in Photoshop, but that may be just
the functionality a digital-video pro
needs to save hours of work.
OS X Unplugged
Photoshop has hundreds of plug-
ins—probably thousands if you
include freeware floating around the
Internet—almost all of which were
written before OS X. And if there’s a
particular Photoshop plug-in you're
fond of using that isn’t OS X com-
patible, you'll have to do your work
in OS 9 or OS X’°s Classic mode.
If you're wondering about the
demand for OS X-compatible
plug-ins among Photoshop users,
consider the case of Reindeer
Graphics. Shortly after Photoshop
7 was announced, the developer
released three free plug-ins it had
ported to OS X. Chris Russ, Rein-
deer Graphics’ president, says that
in the first week, the company saw
8,000 downloads per plug-in.
“This gave us an idea of the
pent-up demand,” says Russ,
whose company has since released
the OS X-native Optipix plug-in
and is working on a native version
of its Fovea Pro application that it
hopes to release by year’s end.
How successful have third-party
developers been in porting exist-
ing plug-ins to OS X? Adobe
doesn’t have hard numbers, says
Tom Ruark, who works in the
company’s Partner Technologies
department and interacts with
many plug-in creators. But Adobe
believes that many developers
are working on the conversion to
OS X now.
Head Start
Indeed, all the plug-in developers
Macworld spoke to either have OS
X native versions available now or
have them in the works. A handful
of software makers were able to
put out their products at the same
time Adobe released Photoshop—
or, in some cases, before Adobe
released Photoshop.
The explanation for this space-
time continuum sleight of hand?
Many of the programs are Photo-
shop-compatible plug-ins that
also happen to work with other
applications. So developers were
able to charge ahead with OS X
wewrwemacworld.com
versions even before Photoshop 7's
release. “We were OS X native before
Photoshop,” says Mike Fotheringham,
Auto FX’s vice president of research
and development. Mac users running
OS X would launch Photoshop 6 in
Classic, but if they activated an Auto
FX plug-in such as DreamSuite, it
launched as a separate application in
OS X’s Aqua interface.
Auto FX was ahead of the curve
because the company was eager to take
advantage of OS X’s power. “We're
processor and memory intensive, so we
knew OS X would benefit us a lot,”
Fotheringham says.
Corel’s Procreate division also released
OS X plug-ins before Photoshop 7
arrived. Among those early releases were
Photoshop-compatible plug-ins Knock-
Out 2 and KPT Effects.
Greg Wood, Procreate’s communica-
tions manager, says the company’s sched-
ule did pose a bit of a challenge, but
“we worked with Adobe on prerelease
versions of Photoshop.” Procreate engi-
neers were also able to learn from their
first OS X release, the 3-D-landscaping
and ~animation tool Bryce. “We took
what we'd learned from Bryce, and
within a few days, we'd converted KPT
Effects,” Wood says.
Ready or Not?
While some native programs have heen
available for a while, others are still in
development (see “Pluggin’ Away”).
“For some plug-ins, it could be that cus-
tomers aren’t requesting OS X versions
yet,” Adobe's Ruark says. “It might also
be companies’ development cycles—they
could be working on other projects and
just haven't gotten to the conversions yet.”
‘That's been the case at Andromeda
Software, which has 14 Photoshop-
compatible plug-ins. Engineers have
converted two of them, ScatterLight
Lenses and LensDoc Filters, to OS X.
The remaining products are on a
waiting list. Product Manager Louann
Barbeau says that competition for engi-
neering time is the main cause. “We're
trying to give the plug-ins the impor-
tance they deserve, yet still handle other
demands on our engineering consul-
tants,” she says.
Overall, engineers haven’t reported
many problems during conversion,
Pluggin' Away
Adobe Photoshop users can choose from among hundreds of plug-ins when they need to bolster the
Capabilities of the image-editing program. Here’s a sampling of popular plug-ins that provide a wide
array of capabilities—and the progress they're making toward Mac OS X compatibility,
CONTACT
888/921-7546,
wwwalienskin.com
COMPANY
Alien Skin
MAC OS X
WHATITOOES COMPATIBILITY
3-D bevels, drop shadows, available now
and other effects ee
image correction ___—_availablenow
____frame, resurfacing, stamping available now
natural phenomena and end of 2002
(a
hand-engraved special no date announced
_ effects
ation and scene no date announced
lecive no date announced
205/980-0056, color and detail rebuilding available now
wevvautofx.com :
visual effects available now
= visual effects available now
"edge effects available now
800/796-9798, image enhancement and early 2003
vneiextensis.com color correction
408/399-0057, color correction available now
weewchumansoftware.com
es text effects fall 2002
} 619/725-3150, ‘image sharpening available now
nik multi-
media
800/772-6735,
cee
seikmaltindiacom
‘masking available now
image transformation available now
- - and other effects ene
828/252-7515, image analysis end of 2002
vevrwuteindeergraphics.com
== image enhancement available now
510/525-5465, paint effects ‘no date announced
wwewxaostools com 2
type conversion _no date announced
Ruark says. For his part, Auto FX’s
Fotheringham found the conversion
process “amazingly smooth,” with one
notable advantage: “When I develop in
OS X, I don’t crash,” he says.
Finley Lee, a software engineer at
Alien Skin Software, also describes the
process as “pretty simple and straight-
forward. The folks with problems have
older code for their user interfaces.”
Eye Candy 4000, Splat, and Image
Doctor are among the Alien Skin plug-
ins that already feature OS X compatibil-
ity. An OS X-native version of Xenofex
will be available at year’s end. “In some
ways, doing an OS X version is like sup-
porting a new platform,” Lee says. “But
except for some little bugs, [the process
has] been smooth. Apple did a fine job
with Carbon. It’ a pleasure to program
for, compared to Classic.”
The Last Word
‘Time will tell whether working in OS X
will be as pleasurable for design pros as
programming in it was for Lee. If you
need specific Photoshop plug-ins to work
efficiently, you'd be wise to check on the
status of your favorites before switching
to OS X. But for the lucky designers who
rely on Photoshop and on core plug-ins
that are already available in native ver-
sions, the OS X puzzle may finally be
complete.—TERRI STONE,
| vawwimacworld.com |
| tovernter 2002 | macwoR | 23 |
BEAT
Digital Cameras =
‘Two cameras from Canon (800/652-2666, www.usa.canon
.com): The PowerShot $230 Digital Elph ($399) is a 3-
megapixel camera with a 2x optical 200m lens—the first
3-megapixel Digital Elph camera. Designed for maximum
portability it replaces the PowerShot $200, now priced at
$299, at the top of the Digital Elph line. The PowerShot
G3 (S799), which replaces the PowerShot G2, is a 4-mega-
pixel camera with a fast f2.0-3.0, 4x optical zoom lens;
‘ew metering modes (including spot metering); and an
improved connector for attaching add-on wide-angle and
telephoto lenses, The G3 provides extensive flexibility for
digital photographers, with 12 preset shooting modes and
‘complete manual controls. Both the G3 and the $230 have
improved movie modes, which are capable of recording as
much as 3 minutes of video at 15 fps. They also sport a new
imaging processor that Canon claims offers better image
‘quality and faster overall processing. Each camera comes
with a 16MB CompactFlash media card, a USB cable, and
Canon's ImageBrowser app; they work with OS 9 and OSX.
Two EasyShare cameras from Kodak (800/242-2426,
wwwkodak:com): The DX4330 ($350) is a 3-megapixel
camera that features the debut of Kodak's 1.8-inch Indoor!
Outdoor LCD display. it has a 10x zoom with a Kodak Reti-
nar aspheric all-glass 3x optical zoom lens. The CX4200
($180) is a -megapixel camera with a 2x digital zoom.
A digital-camera recall by Nikon (800/645-6687, www
.nikonusa.com): A limited number of Coolpix 2000 digi-
tal cameras have a battery-circuit problem that could
cause excessive heat in the camera. As a result, Nikon has
issued recall orders for all cameras with serial numbers
between 3010001 and 3060980 and between 3510001
and 3561916, If you have an affected camera, call Nikon
Customer Service at the provided number for detailed
instructions on returning the camera,
Three cameras from Olympus (800/645-8160, www
.olympusamerica,com): Similar in size to Canon's Digital
Elph line, the C-50 Zoom ($600) is a 5-megapixel camera
with a 3x optical zoom. It uses the new xD-Picture card
format jointly developed by Olympus and Fuji, and it
‘comes with a 32MB xD card, The C-5050 Zoom ($900) is
‘a 5-megapixel camera with an f1.8, 3x zoom lens; magne-
sium body; hot-shoe for extemal flash; and support for xD,
‘SmartMedia, and CompactFlash cards, It includes a 32MB
xD card. The C-730 Ultra Zoom ($700) is a 3.2-mega-
pixel camera for people who want a telephoto lens. Its
10x optical zoom lens has the equivalent of a 38mm~
380mm lens on a 35mm film camera,
Projectors =
A projector from Sharp Electronics (888/467-4277, www
_sharpelectronics.com):The Notevision C50 projector
($6,195) features 3,000 ANSI lumens of brightness and
native XGA resolution. It operates at a sound level of 36 dB,
and it offers S-Video and composite inputs and two sepa-
rate RGB inputs.—comPiteD BY RICK LEPAGE AND PHILIP MICHAELS
APPLE'S .MAC STRATEGY COULD BEA SIGN OF THINGS TO COME ON THE WEB
Some of us may disagree with Apple's
decision to turn its Tools suite of free
Web-based applications into the f¢
ased .Mac, but there’s no denying an
increasingly common trend on the Web
formerly free services appear-
th a price tag attached.
Several factors are behind the Wel
shift from free to fee; among them i
the money needed to offset a Web sit
operating expenses. “Right now, when
you run a service on a Web server, you
b's
066 ‘Tp ac Wako
BLS 2
Pay to Play—Here to Stay?
One key difference between Apple and
many other fee-based sites is the com-
pany’s main busin personal comput-
ing. As other rivals look to fully integrate
their software with the Internet, Apple
has to keep up. “Apple probably needs to
extend its reach to servers and the Inter-
net if they want to compete against
Microsoft as a platform vendor,” Travers
said. “More and more people see the net-
work as an extension of their computer,
so it would probably be very risky for
Apple not to do some-
thing like this.”
Consider the Costs
|-
But will that risk pay
off? Right after Apple
announced .Mac in July,
HomePay
iPhoto wo.
disgruntled Tools users
[| flocked to message
boards, circulated pet-
| itions, and sought out
|
|
free alternatives for
e-mail and online stor-
age. Using no-cost Web
br
services is certainly eas-
free online services are rapidly disappearing.
bear all the costs in hardware, software,
and bandwidth,” says Oliver Travers, a
marketing consultant and editor at The
End of the Free (www.theendoffree
.com), a Web site that tracks the emer-
gence of fee-based services on the Web.
“The more your free service grows, the
more you lose money.”
| Changing Times, Shifting Strategies
Although swallowing all the administra-
tive costs may have been the thing to
do a few years ago, leaner economic
times have forced many Web sites to
review their free offerings and look for
ways to offset expenses. While some sites
known for free Web tools—notably,
| Yahoo and MSN Hotmail—have gone
| with a mix of free and premium services,
| others—such as mail-forwarding service
| Mail.com and search engine Northern
/ Light—have done what Apple did with
-Mac and begun charging consumers for
access to their services.
Farewell to Free Some Mac users may balk at paying for .Mac, but
ier on the budget and
lets users create multiple
accounts for handling
both personal and professional business
online. But there can be drawbacks to
relying on such services,
Complaints about free e-mail services
deleting old mail or being difficult to access
aren't new, but with more companies push-
ing users toward premium fee-based ser-
vices, restrictions on what a free e-mail
account can and can't do are likely to grow
tighter. Then there's the lack of account-
ability if business offering free services
goes belly-up. This summer, TalkCity, a
free Web-site-hosting company, abruptly
shut down its servers as its bankruptcy pro-
ccedings began—making it impossible for
the people who had created the 2.5 million
Web pages hosted there to retrieve their
files, As of press time, TalkCity’s company
officers said there were no plans to revive
the servers. The bottom line is that users
currently have little legal recourse when
they lose their files or e-mail. And that’s a
cost to consider, even when the services are
24 | MACWORLD | November 2002
advertised as free — HIMEISER
__ wesw macworld.com
CAMCORDER FEATURES FILMLIKE VIDEO CAPTURE, LOW PRICE
Low-Budget Blockbuster
When it came out seven years ago, Sony's
VX1000 MiniDV camera changed inde-
pendent film production by offering high-
quality digital video at an impossibly low
price. Now, it’s Panasonic's turn to revo-
lutionize digital cinema, with its AG-
DVX100 camcorder (800/528-8601, www.
-panasonic.com)—the first video camera to
boast true cinema-style, 24-fps progressive
video capture. This frame rate helps the AG-DVX100 produce video tha
ional camcorders that capture images at 30 fps. In addition,
like than the output of tradi
5 more film-
the AG-DVX100 can easily switch between 24-frame progressive, 30-frame progres-
sive, and 60-field interlaced (normal video) capture modes. The 4.4-pound camera
comes with several touches aimed to please video pros: a precision lens with manual
zoom, focus, and iris controls, and two built-in XLR audio inputs. Those capabilities
and features come in a camera priced at $3,495—a fraction of what the AJ-PD900WA
($40,000), the AG-DVX100's high-end older sibling, costs. Panasonic figures that the
AG-DVX100 will appeal to Mac-using filmmakers, and not just because of the camera's
FireWire interface—Apple has already publicly committed to native support of Pana-
sonic’s new 24-frame mode in future versions of Final Cut Pro.—ANTON LINECKER
MACS AT WORK
Small Megahertz, Big Output
Pick up any full-color glossy magazine
from the newsstand, and chances are it
was put together by an army of computers
running off enough processing power to
light up a city block—but not Delaware
Beach Life. Four times a year,
editor and publisher Terry
Plowman assembles his 100-
page magazine on an iMac
whose G3 chip boasts a clock
speed that hasn’t been consid-
ered fast since the Clinton
administration.
Nevertheless, Plowman has
published four issues of
Delaware Beach Life since the
magazine’s June 2002 debut,
using nothing more than a 400MHz G3
iMac with 192MB of RAM and Mac OS 9.
Not that Plowman is complaining: “When
the iMac came out, it seemed like a per-
fect model for my home office,” he says.
“I like that it’s self-contained, and it fit my
budget of about $1,500. I considered buy-
ing a more powerful Mac, but I was
unsure about ad revenues with a start-up,
so I decided to give this model a try
The mighty but modest iMac tackles
every ses at the magazine, from page
wowrwmacworld.com |
Beach Life
layout to subscription management. And
while the graphics programs can test
its processing limits, the machine holds
its own with demanding applications
such as QuarkXPress and Adobe Acrobat
and Photoshop.
The quality of the full-color
glossy magazine is so con-
vincing that even the printers
don’t know the difference.
“They're none the wiser,”
Plowman says. “Every month,
they receive perfectly crafted
PDFs, which they use to
print the magazine. They're
delighted I’m on a Mac, since
most publications they work
with are done on the Mac platform.”
Although Plo will soon add an
800MHz G4 iMae with a 17-inch flar-
panel display to meet the growing maga-
zine’s needs, his three-year-old iMac won't
be forced into retirement. Plowman plans
to use the original machine to handle sub-
scriptions, accounting, and e-mail. One
thing is for certain, however. “I’m too
familiar with Macs to even consider a PC,”
he says. “[It] just strikes me as an inelegant
version of a Mac.”—LISA BAGGERMAN
PRODUCTIV my
BEAT
Software
Utilities
DragStrip 4.0, from Aladdin Systems (800/732-8881,
\wwwaladdinsys.com): The launcher application, which
lets users organize and access frequently used files and
applications, adds OS X support. It also includes a new
Strip assistant for customizing strips ($20; upgrade, free).
Speech Recognition
iListen 1.5, from MacSpeech (603/626: S111, wowace
speech.com): The update to the speech-recognition pro-
gram runs in both OS 9 and OS X. It features improved
recognition performance, transcription support, and voice
playback in correction mode. It also adds shared prefer-
ences between OS 9 and OS X, as well as an iListen Dock
menu for OS X ($99; upgrade, $40, or free for people who
purchased ilisten after June 1, 2002).
Word Processing
Documents To Go 5.0, from DataViz (800/733-0030, www
.dataviz.com): The productivity app that lets you read and
edit Word and Excel files on your Palm OS-based PDA is
now OS X native. The premium edition includes the ability
to create and edit word-processing and spreadsheet files
‘on the handheld (premium, $70; standard, $50; upgrade
Pricing varies)—comPueD By PHIUP MICHAELS
| )
INPUT DEVICE |
BEAT
Two corded keyboards and four cordless keyboard-
mouse combinations from Logitech (800/231-7717,
wwwewslogitech.com): The Internet Navigator Keyboard
(S30) and Elite Keyboard ($50) feature an integrated
‘navigation tool that allows users to scroll, zoom, access
hard-drive files, and browse Web bookmarks. The
| Cordless Access Duo ($60) features a mouse and an
Access keyboard with a zero-degree-tilt design, while
the Cordless Navigator Duo ($80) includes a Cordless
Navigator keyboard and Cordless Optical Mouse. The
Cordless Comfort Duo ($100) bundles a keyboard and
Cordless MouseMan Optical, while the Cordless Elite
Duo ($100) pairs Logitech's Elite Keyboard with the
Cordless MouseMan Optical.
Mice
‘A wireless mouse for presentations, from Powr Marketing
(866/800-7697, wew.powrmarketing.com): The Powr
Pointer ($100) is a fully functional mouse with a laser
pointer that uses a 900MHz RF signal to connect to a
Mac as far as 30 feet away. It comes with a USB receiver
that plugs into the computer—compnen BY PHILIP MICHAELS
| November 2002 | MACWORLD | 25
{WAC BEAT [NOVEMBER 2002
MICROSOFT TO MAC USERS: WHERE DO YOU WANT TO GO NEXT YEAR?
MSN Coming to Mac in 2003
Starting next year, Mac users looking for online services, such as
| PROFILE | Q&AWITH DAVID STORY
MONEY TALKS
e-mailing, calendaring, and instant messaging, will have another
option to consider—and it will be from a source long off-limits
to the Mac platform.
Microsoft (800/426-9400, www.microsoft.com) plans to release
a Mac client of its MSN online services in early 2003. In keep-
ing with Microsoft's pledge to focus all Mac development on
Intuit caused a stir among Mac users this summer when it announced
| plans to release a new version of QuickBooks, the long-dormant small-
| business finance program that hadn't been updated in four years. As
| Intuit prepares to ship the OS 9- and OS X-compatible update in early
2003, Macworld speaks with David Story, chief technology officer for
Intuit’s small-business and personal-finance division, about the deci-
Apple's new operating system, the Mac MSN client will be avail- | sion to revive QuickBooks.—PHiuP MICHAELS
able only for Mac OS Phe move comes as other Internet
service providers spruce up their Mac offerings—particularly AT A GLANCE
America Online, with its release in August of an OS X-only cli- | | DAVID STORY
ent for its AOL service. Intuit CTO, Intuit’s small-business and
“We saw a need,” says Tim McDonough, director of market- | | personal-finance division
ing for the Microsoft Mac Business Unit, which will work | MAC: PowerBook G4. SOFTWARE:
with MSN to develop the client software. To that end, the Mac | Photoshop Elements, Microsoft Word
Business Unit will draw on its experience in developing Internet| . 3
Explorer and Entourage specifically for the Mac. Look for core
technologies from those applications to be integrated into MSN's
Mac client, which will be built from the ground up in OS X.
Microsoft also plans to provide free Mac-specific customer sup-
port when the MSN for Mac client ships in early 2003.
Monthly subscription prices vary, depending on how you receive
MSN services. Dial-up service costs $22 a month, while broadband
| service is available for a $40 a month.—PHILIP MICHAELS
Why is Intuit putting out a new Mac version of QuickBooks?
In looking at QuickBooks and its history, the key thing about
| our decision to bring it back has just been listening to cus-
| tomers. A lot of people don’t know that we survey thousands
of customers every year. And recently, we've seen an uptick in
interest in the re-release of a version. They really wanted us
to do a version that worked with OS X, and they wanted to see
an ongoing commitment to the platform. That's what we're
talking about here—a long-term commitment, a multiple-year
commitment to develop QuickBooks for the Macintosh.
SILICONE-CAST KEYBOARD FLEXES ITS MUSCLE
Bend, Don't Break
Why did development of the Mac version stop?
The essential reason was that we knew we could continue to
If superheroes ever find themselves in need of a keyboard, they'd ___ offer support for QuickBooks for the Mac, We'd been looking
do well to consider the CoolMac Keyboard from CoolMacStuff | at other products and saying, “We can go to not-annual releases
-com, the online store for the Mac specialist Crywolf Consulting _ | of these.” And when we looked at customer demand, they were
(866/266-5622, www.crywolfstore.com/cool), in San Diego. Like pretty satisfied with that product. That product has just outsold
the Man of Steel himself, the CoolMac Keyboard is nearly imper- | everything else. Its been a fantastic product for us. So what
vious to whatever hazards life can throw at it. Crumbs, stray ink we decided to do was keep very active and keep track of what
marks, beverage spills—the kind of mishaps that can fell an ordi- | new things customers wanted. When that hit critical mass, we
nary keyboard—roll decided to reinstitute our Macintosh business and set up a sepa-
off the CoolMac Key- | rate Macintosh business specifically focused on that to make
board's silicone-cast sure we were able to take advantage of OS X and meet a back-
body without a fuss. log of customer needs.
Crywolf drew on a
similar PC product |
So you wouldn’t say that the perception among some Mac
for inspiration, but it | &eFs that QuickBooks abandoned the Mac is accurate?
added enough Mac-
specific touches—such
as the 3 keys on either side of the spacebar—to make its $59 key- |
ard appeal to Mac users. (Look for a keypad-equipped version
and one for PDAs sometime this fall.) Flexible enough to roll up |
into a bundle, the CoolMac Keyboard is ideal for tr:
demand portability but don't want to sacrifice durabil
design also eliminates negative-angle wrist stress. Like any super-
hero, the CoolMac Keyboard has one vulnerability—don’t slice |
through the silicone with a knife or a pair of scissors and expect it |
to remain functional. There’s no word yet on how well the key-
board withstands kryptoni PHILIP MICHAELS
If, you look at it from Intuit’s perspective as a whole company,
we've continued to release Turbo Tax and Quicken and really be
dedicated to the Mac platform. It was simply on the QuickBooks |
side [that] customer demand was appropriate to keep the cur-
rent version running. So that’s why we focused on maintenance
| releases and patches and updates for QuickBooks, and now it’s
| time to come back and really focus in on [a new version].
| More Info: &
| www Raoecans com/2002/1 ‘imacbeat/quickbooks| html
intuit explains how QuickBooks fits into its Right for My Business
| strategy in Mecwvard's online interview.
ia i=
|
|
|
36 | MACWORLD | November 2002 _vewewemacworld.com |
ssh, Te
OLYMPUS
Is your digital camera giving you the most realistic images?
With up to 10x optical zoom, the Olympus C-720 and C-730
Ultra Zoom cameras create picture quality so real, your
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The C-720 and C-730 feature
a powerful optical zoom lens
and ultra-compact body. And
Auto Connect USB to easily
download and share the most
realistic digital images yet.
Nothing’s impossible.
The missing piece of the
Mac OS X puzzle
Introducing Drive 10 version 1.1.
Optimizes and defragments your Mac OS X drives and much more.
For Apple's next-generation operating system, you'll need a next-
generation disk utility. That’s why Micromat has introduced Drive 10,
the first and final disk utility for Mac OS X. Problems with your drive?
Drive 10 can repair almost any drive problem with one simple click of
your mouse. All within Mac OS X’s native environment.
And with the introduction of version 1.1, you can now optimize and
defragment your Mac OS X drive from within Mac OS X. Plus, we've
added a whole host of new repair routines that allows you to find and
correct drives problems that other utilities would simply abandon.
Drive 10 is a world-class diagnostic and repair utility. Using time-tested
routines developed exclusively for Mac OS X, Drive 10 offers many
tools for checking and repairing any drive on your system. The included
Drive 10 CD-ROM will boot your machine to repair hard drives tha
won't even appear on the desktop.
Don't entrust your Mac OS X drive to ancient and outdated utilities.
Protect your data and drive safely with Drive 10.
From the makers of TECHTOOL PRO
WfiMicromat Inc, 800-829-6227 707-566-3831 info@micromat.com www.micromat.com
‘©2002 Micromat, Inc. All rights reserved. TechTool is a registered trademark of Micromat, Inc. Drive 10 is a trademark of Micromat, Inc.
Macintosh and AppleCare are trademarks of Apple Computer, Inc.
Choose 37 at wwav.macworld.com/getinfo
iCALAND OTHER FREE APPS—GREAT FOR CONSUMERS BUT CHALLENGING FOR COMPETITORS
A New Day for
Apple’s i-apps have gone a long way
toward justifying the price Mac users pay
for their machines. After all, free applica-
tions such as iMovie, iTunes, and iPhoto
transform Macs from mere computer ter-
minals into management centers for digi-
tal devices. The September releases of
iCal and iSync figure to further extend
those capabilities by providing users with
a calendaring application and a way to
coordinate information across all their
digital devices.
Developers?
such a good deal for Mac developers.
Just as makers of MP3-playing, CD-
burning, and DVD-authoring products
had to contend with the release of iTunes
and iDVD last year (see “Toasting the
Competition,” Buzz, June 2001), iCal
could mean increased competition for
established calendaring programs—such
as Power On Software's Now Up-to-
Date & Contact and Chronos’s Personal
Organizer and Group Organizer—not
to mention a slew of shareware and free-
ware options (see “Daily
Reminders”).
“This is not really a new sit
uation in the personal-infor-
mation-manager market,”
says Robert McCullough,
Chronos'’s vice president of
product development. “The
Palm Desktop software is also
free and has been for several
years. The reason that Per-
sonal Organizer continues to
oe=o=—o= 7
ig id
sell well is that it offers many
features that just aren’t avail-
able in the Palm software—
One Day at a Time ‘Cal's release means more competition for
established programs, such as Chronos’s Organizer (pictured here).
or in iCal.”
Apple declined to com-
“We wanted to centralize the move-
ment and syncing of data,” says Christian
Thomas, product manager for iCal and
iSync. “One application manages all of
your PIM data.” Indeed, by hamessing the
Bluetooth wireless-connectivity standard,
iCal will let you synchronize the calendar
| on your computer with a Palm handheld, a
cell phone, and even an iPod, publishing
the calendar, live, to the Web (provided
that you subscribe to Apple’s .Mac services).
But while the price of free i-apps may
be right for Mac users, it’s not always
Daily Reminders _
ment on the effect that free
programs such as iCal might have on its
relationship with developers. As for the
developers themselves, McCullough says
that he supports Apple’s drive to increase
market share through the i-apps, but notes
that the company is walking a fine line.
“We at Chronos have been developing
Macintosh software since 1993,” he says.
“We stuck with the platform through the
lean years because we like Macs and we like
developing for them. However, its not easy
to compete with companies like Microsoft,
Palm, and now Apple.”—MATHEW HONAN
COMPANY
| Apple
Chronos
PRODUCT
ial
Palm
Powe On oare
* Sold a5 part of Microsoft Office.
PRICE CONTACT -
free 9 werwapple.com
435/615-7335, wwnw.chronosnet.com
wawwuchronosnetcom
800/426-9400, wwwwmicrosoft.com
(MAC BEAT|NOVEMBER 2002 4
HARDWARE
ee BEAT
Four printers from Epson (800/873-7766, www.epson.com):
The Stylus Photo 925 (5299) and Stylus Photo 825
($199) are six-color photo printers with built-in Flash media
readers. The four-color Stylus C82 ($149) offers new Dura-
Brite water- and fade-resistant inks and prints as many as
22 black-and-white and 11 color pages per minute. The
‘Stylus C62 ($99) prints as many as 14 black-and-white
and 10 color pages per minute. The Photo 925, Photo 825,
and Stylus C62 ell offer a maximum resolution of 5,760 by
720 dpi. The Stylus C82 offers a maximum resolution of
5,760 by 1,440 dpi.
Three four-color photo printers from Canon (800/385-2155,
‘www.usa.canon.com): The i320 ($79) prints as many as 10
black-and-white and six color pages per minute with a
maximum resolution of 2,400 by 1,200 dpi. The i550 ($149)
| prints as many as 18 black-and-white and 11 color pages
per minute, while the i850 ($199) prints as many as 22
black-and-white and 14 color pages per minute. Those two
printers have a maximum resolution of 4,800 by 1,200 dpi.
A monochrome laser printer from Xerox (800/835-6100,
wwaw.xerox.com): The Phaser 4400 ($999) offers a reso-
lution of 1,200 by 1,200 dpi and prints as many as 26
pages per minute—comPuED BY KELY LUNSFORD
NETWORKING
AB BEAT
LANSurveyor 7.0, from Neon Software (800/334-6366,
\wwvw.neon.com): The network-management software now
runs in OS X and the classic Mac OS. It features Backup
Profile, for determining data security on Mac and Windows
machines, and new map topologies; it includes 20 Neon
for Mac 0S and Windows ($495; upgrade,
$129, or free ifthe program was bought after July 1, 2002).
Hardware
A wireless broadband router from D-Link (800/326-1688,
wwwdlink.com): The D-Link AirPro DI-764 Dual Band
Wireless Broadband Router ($499) features a built-in
4-port 10/100 Fast Ethernet switch and advanced fire-
wall functionality. t simultaneously serves IEEE 802.114
wireless connectivity at 4 Mbps, IEEE 802.11b wireless
connectivity at 11Mbps, and enhanced IEEE 802.11b con-
nectivity at 22 Mbps.
‘An electrical-wiring-Ethemet bridge from PhonexBroad-
band (800/437-0101, wwwphonex.com): The HomePlug
1.0-compliant NeverWire 14 QX-201 device ($129 per
node) takes unused bandwidth in standard electrical wiring
| to create a 14MB Ethernet network—conneD By su ROTER
L wrwmacworld.com_|
November 2002 | MACWORLD | 29 |
~{ MAC BEAT | NOVEMBER 2002 )
InstallAnywhere Standard Edition
WHAT’ AT'S ) Mac OS X pdates. 5.0.4
WHAT 5 Deployment solution and installer
H OT powered by (PPET __intego NetBarrier x 10.0.8
versiontracker’ 05 X 10.2 compatibility for software
A Quick Look at | saiveuen few
the World of Macs ine InterView X 2.2.2
| Relational-database system USB video-in capture product
+. Apple's newest Power Address Offic iTunes Publisher 2.0
Mac Gés are now shipping, | Adress book and PIM forsmalbafice and 0% Tuner lays o various fomats
home-office users
|. Therevamped machinesship- || omecllice tees an =
with dual optical-drive bays, Apple iPod Updater 1.2 Pcie THE? Color atprtntas
allowing users to not steal Restore and update features for SX. binterchiver
‘music faster than ever before. | Barcode Toolbox 2.0.2 mn]
| 2 Mac users packed Apple Adobe Acrobat and Mustrater plug-in for et serving, monitoring and failure recovery
Stores across the country |S inner 4.1
on August 23, for midnight | BIAS Peak 3.1 Web-authoring tool adds Quartz Text
‘Adds QuickTime 6 support for audio-editing
and -mastering application
ClearDock 1.1
‘Changes Dock background color in 05 X 10.2
Jaguar release. Thankfully,
trained handlers kept maul-
ings to a minimum,
5, Intuit will update its Mac
Smoothing, Jaguar support
Prosoft NetWare Client 1.0.2
08 X connectivity for Novell networks
Return to Castle Wolfenstein 1.3.3
version of QuickBooks for | Cocoa Fortune 1.3 first-person shooter game beta
the first time since 1998, Port of Unix utility Fortune = Gnesi —
Intuit executives say the move | Dantz Retrospect client 5.0.536
isthe result of pent-up con- (05X 10.2 client for the backup software Scanner software for most scanners
sumer demand and the sud- | Discus 2.65 Slick Transitions & Effects 4
den realization that the Mac | CD/DVD-labeling software —Es
platform wasn'ta figmentof | Font pilot 1,0
| someone's imagination,
| Font manager and previewer
Game Ranger 3.0
Online service for playing and discussing
Tri-Backup 3.12
Automatic backup and synchronization
& Microsoft plans to
release an 0S X-compat-
ible version of its MSN network games tility
| online service, System Granite10. SSB Overdrive X10.0.0b5
requirements for the MSN Font previewing ullty Une US8 mone trackball driver for
client include a small, low
cost PC that runs alongside
| your Mac.
| For these and other current updates, visit Macworld.com, |
L www.macworld.com/subject/updates has the latest from VersionTTracker.com,
|
|
HAIRSTYLE SIMULATOR LETS YOU TRY OUT A NEW ‘DO
Hair-Raising Application
‘The realization that purple hair looked terrible with your complexion used to be imme-
diately followed by the realization that your first realization had come too late. With
Change My Image, a hairstyle-simulation program from Japan’s Infinisys (www.infini
sys.co.jp/), attacks of postmakeover remorse may be avoidable. The $15 program
(which runs on Mac OS 8.6 and later, including OS X) lets you virtually try on different
styles—more than 100 of them—and colors. Just load a photograph into the program,
choose a hairstyle, and line up both the photo and the hairstyle image. Then, using a
color wheel with a brightness slider, you pick a color—everything from tangerine to
aqua. But be warned: although Change My Image’s color wheel contains all the hues of
the rainbow, a lovely dishwater blond is difficult to approximate. The outlandish colors
and a “cell-phone size” image-export option are clues as to this program's target audi-
ence: HRSG obsessed teenagers (and adults who think like them), rather than hair-
care professionals. Even so,
i iste grows only about half
an inch per month, and that
$15 might be money well
spent if you're able to con-
vince your teenager (or your-
self) before it’s too late that
purple hair is hard to acces-
sorize.—CHARLES PURDY
How Do | Look? Start with a picture (left); then preview a new you.
| Hardware
| (408/433-3899, wwrw.addonics.com): The Pocket Ultra
| DigiDrive can read PC Card hard drives, ATA Flash cards,
{_05X($100; upgrade, $40)—conren y es cana
STORAGE |
BEAT
External Drives
‘An external Zip drive from lomega (888/446-6342, ww
lomega.com); The Zip 750MB Drive comes with a Fire-
Wire interface ($200); a USB 2.0 version ($179) is also
available, The drive will read and write to the new 750MB
Zip disks (available for $15) and older 250MB Zip disks. |
The new drives can read 100MB Zip disks.
Media Readers
A flash media storage reader from Addonics Technologies
and CompactFlash | and It cards. An optional four-in-one
Digi Adapter also supports Smart Media, Memory Stick,
Secure Digital Card, MultiMedia Card, and MicroDrive. The
DigiDrive comes with either a FireWire ($119) or a USB 2.0
($89) interface. The version bundled with the DigiAdapteris |
also available for FireWire ($179) and USB 2,0($149). |
Software
RAID Toolbox for Mac OS X, from CharisMac Engineering
(530/885-4420, wwwcharismac.com): The RAID tool and
single formatter has been revvrtten from the ground up in
EDUCATION |
BEAT
Science and Math Software
Matlab 6.5, from The Mathworks (508/647-7000, www
.themathworks.com): The technical computing program
‘adds OS X support and includes the new JIT-Accelerator
technology for increased computational speed, Version 6.5
also includes new programming and development features,
‘an enhanced interface, and improved Web integration |
(51,900). Also, Simulink 5 ($2,800), for modeling, simula-
tion, and dynamic-systems analysis is OS X compatible,
New features include multidomain modeling for mechani-
cal, electrical-power, and wireless systems; production code
generation for microcontrollers; and major improvements in
DSP code generation.
A New Kind of Science Explorer, from Wolfram Research
(800/965-3726, wavw.wolfram.com):The companion soft-
ware to A New Kind of Science, by Stephen Wolfram, lets
you replicate the book's simple computer-program experi-
ments, which explore areas including physics, mathematic,
computer science, and biology. The more than 450 exper-
ments offer an array of inputs and parameters, and they
require no programming. The program runs in OS 8.6, 059, |
and OS X's Classic mode, and it should ship by the time you
\_ ead this ($65) —conruem ay mu aoe }
30.| MACWORLD | November 2002
wawew.macworld.com
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magicolor’ 3100 “Cheetah”
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(©2002 XANTE CORPORATION. XANTE and XANIE ColouiLaser are trademarks or regstered trademarks of XANTE CORPORATION,
‘Adobe, PostScript, PostScript 3 and the PostScript logo are trademarks of Adobe Systems Incorporated. PANTONE* and other Pantone, Inc.
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Choose 113 at www.macworld.com/gatinfo
REVIEWS»
Reviews you can trust: Macworld rates only final shipping products, not prototypes. What we review is what you can actually buy.
APPLE XSERVE
Server Provides Impressive Processing Power and
Smooth Looks but Lacks Good RAID Implementation
BY SEAN GREATHOUSE
‘The Mac OS is now OS X; OSX
is Unix; and Unix is the fastest,
stablest server platform around.
With Mac OS X Server, Apple
has made the benefits of a Unix
server OS available via point and
click, The only thing missing
from this picture has been true
server hardware on which to
properly run this operating sys-
tem—until Xserve, We gave the
$3,999, dual-1GHz Xserve con-
figuration a working-over and
found that, while it lacks redun-
dancy and has some design flaws,
the advantages of so much G4
power in such a compact machine
may make it worth your while.
|s the Xserve for You?
‘The Xserve is for anyone who
wants to fita lot of Mac in a litde
rack space—from small shops
that want one powerful server
tucked away in a phone closet, to
video-effects houses that would
benefit from putting 40 Xserves
in a single cabinet. Depending
on the configuration you choose,
the Xserve packs as many as two
1GHz G4 processors, as much
as 2GB of RAM, and as many
as four 60GB or 120GB hard
drives in an industry-standard
1U rack case (1.75 inches of ver-
tical server-rack space—so you
can fit more than 40 Xserves ina
six-foot-tall rack).
The Xserve can also serve as
a workstation in environments
where equipment is often rack
mounted, but keep in mind that
the wo 5,000-rpm blowers that
cool the internal components
make the Xserve much noisier
than a G4 rower. Also note that
it’s intended only for rack
mounting: at 19 inches wide and
28 inches deep, it uses too much
real estate on a counter or desk,
and it’s not designed to support
monitors or other components
set on top of its case.
Out of the Box
Don't be fooled by Apple’s pho-
tos of the slender Xserve, which
are taken from the front of the
unit. Viewed from above, it
looks huge; its slight height is
le thanks to its generous
28-inch depth. The 26-pound
Xserve's dimensions are stan-
dard for a 1U server but still
surprising the first time you see
the unit.
The Xserve’ finish is similar
to that of the ‘Titanium Power-
Book G4, with a solid look-and-
feel. The case is rigid, so you can
handle the server without twisting
(and possibly unseating) cards and
other internal components.
The back of the server fea-
tures two FireWire, two USB,
and two 10BaseT/100BaseT/
1000BaseT (Gigabit) Ethernet
é sunaniit|
ports, as well as a single video
port. The power connection has
a clever retainer clip designed to
spare you the shame of a sudden
inadvertent shutdown. The final
touch is standard fare for Unix
servers but new to the Mac: a
console-redirection port that
gives you command-line access
over a serial cable.
Beneath a slim CD-ROM
drive, four removable drive bays
dominate the front panel. Press-
ing on the front of a drive bay
causes it to pop open, spinning
down the drive and revealing a
handle with which to pull the
module out. Lights indicating
Ethernet link, processor activity,
and drive status provide both
valuable information and techie-
gizmo appeal. An additional
front-panel FireWire port gives
the digital-media crowd a place
to plug in without hiking to the
back of the rack.
The system-identifier button is
a brilliant feature for anyone with
multiple Xserves in a stack. Press-
ing this button turns on amber
LEDs on the front and back of
the case, allowing you to tag a
server from the front and then
easily find it again from the back.
A twist of a key activates the
locking system that prevents
the case from being opened,
secures the drive modules, and
disables the CD-ROM drive.
If a FireWire hard drive was
mounted before the system was
locked, it remains mounted
while newly attached devices are
ignored. Likewise, USB con-
nections to an uninterruptible
power supply remain, but key-
The Apple Xserve Shown here is the Xserve’s front (top) and back (bottom). its slight height belies its 28-inch depth.
board and mouse connections
are blocked. Unfortunately, the
key is only an Allen wrench with
a fancy knurled handle—the
standard locked-door approach
to physical security is still your
best bet.
Into the Rack
The Xserve comes with hardware
and instructions for mounting in
four-post and two-post racks. In
a two-post installation, it can’t be
mounted flush against the front
of the rack, so it must extend both
in front of and behind the rack
posts. The top and sides of the
case form a light shell that you
can slide off the server and mount
in the rack. You then slide the
server into the secured shell and
lock it in with two thumbscrews.
Mounting the 26-pound Xserve
is a two-person job, and its flex-
ible shell doesn’t properly pre-
vent it from falling through the
bottom until it is halfway in the
shell. Furthermore, we recom-
mend thatyou remove the Xserve
completely from the rack to ser-
vice internal components.
While mounting our test
unit, we discovered a serious
design flaw. When you're han-
dling or working around the
Xserve, it’s very easy to bump
the front of a drive bay, popping
the handle out and disabling the
hard drive. If you do this to the
boot disk on a running Xserve,
you get an instant system crash
and possible data loss. The sys-
tem lock doesn’t currently pre-
vent this, but Apple is working
on solving the problem.
Uptime Is Everything
If your desktop is down for an
hour, you lose an hour of work.
But if a server is offline for an
hour, your entire company loses
an hour of work. ‘Io provide
maximum uptime, servers use
monitoring and redundancy—
the Xserve excels at the former
and all but omits the latter.
34 MACWORLD | November 2002
worwmacworld.com |
34 Network server
Apple Xserve
35. Database software
FileMaker Pro 6
36 Multimedia application
QuickTime 6 Pro
37. Relationship-finding software
Six Degrees
38 DV camcorders
Canon Optura 200MC, 1VC GR-DVM96U,
Sony DCR-PC 12081, Sony DCR-TRVSO
40 Digital video recorder
Ryelv
41 Video-editing software
Avid Xpress DV 3.5
42. Music-sampling and -synthesis too!
Reason 2.0
44 Network analyzer
Nethlinder Ethernet 5.0
45. Mathematics software
Mathematica 4.2
46 Email-filtering program
Spamfte 1.2
47 3-D-animation software
Camara Studio 2
48 iMovie plug-ins
‘Slick Transitions and Effects Volume 3,
Stick Tanstions and Effects Volume 4
49. Virus-protection software
‘Norton AntiVirus 8.0
50 Music player
Apple iPod 2068
50 Dock-replacement utility
WorkStrip X.
53. Reviews in Brief
Baavo Efiects and Echo Transitions, Kensington
‘StudioMouse, Maclournal 2.1, Pantane Color
‘Cae, WeatherPop Advance 1.5, Who's There
Firewall Advisor 1.2
55 The Game Room
op-pop, Medal of Honor: Aled Assault, Beach
Head 2002, Clive Barker's Undying
OUTSTANDING: $$6$$ VERY GOOD: $#$% GOOD: $%$ FLAWED: $% UNACCEPTABLE: $
By sensing and reporting
hardware status, a server can
warn a network administrator
of potential problems, and the
Xserve is full of sensors. It
knows whether (and how fast)
the fans are running. [t knows
how much power it’s using and
how hot it is. It takes advantage
of diagnostic chips on the hard
drives to predict drive failures,
and it monitors its network-
connection status.
All of this vital information is
reported via the well-designed
Server Monitor, a remote-man-
agement application that works
only with the Xserve. Server
Monitor can be set up to notify
you of problems via e-mail, so
warnings will also reach your
e-mail-enabled cell phone or
pager. Remote management is
enabled via an extensive suite of
graphical, command-line, and
SNMP remote-management
tools, In addition, if you can’t
respond to a temperature warn-
ing, the Xserve should shut itself
off before overheating causes
it to fail.
Unfortunately, the Xserve
lacks redundant fans or power
supplies, and it lets you create
redundant hard drives only via
the feature-poor and unreliable
software-RAID implementa-
tion included in Apple's Disk
Utility. When we tested our
Xserve with two 60GB drives
formatted as a mirrored array,
Disk Utility didn’t let us mirror
a drive on which we already had
data, forcing us to erase all
drives in the RAID set and start
over, (Our advice is to decide on
your setup before you begin to
configure your server.)
‘When we removed a drive can-
ister to simulate a failure, the
Xserve ran without interruption,
although it failed to alert us that a
drive had been removed or that
the RAID set was broken. We also
experienced serious difliculty in
rebuilding the mirrored drive. As
with any system you rely on
in a crisis, you should test failure
and recovery behavior yourself,
before the server is in production.
For now, if you need the data-
loss insurance provided by redun-
dant hard drives, we recom-
mend that you use an external
hardware RAID.
If a component does fail, the
Xserve can be quickly serviced
with the optional spare-parts
kit, but at $1,549 to $2,509, it’s
best suited for installations with
multiple Xserves. Apple also
offers AppleCare Premium Sup-
port for both the Xserve hard-
ware and your OS X Server
software, at $950 for three years
of around-the-clock phone and
e-mail support with 4-hour or
next-day on-site service.
Macworld’s Buying Advice
The Xserve packs intense G+
processing power in a small form
factor, so if your setup demands
server-side processing, the Xserve
is for you. As a storage server, the
Xserve delivers mixed results.
With as much as 480GB of drive
space, there’s plenty of capacity,
but the currentlack of reliable on-
board RAID limits the Xserve's
use to applications where uptime
and data-loss protection aren’t of
primary importance, or environ
ments that utilize external redun-
dant storage. 2
RATING: $963
PROS: Excellent status-reporting and
remote-management tools; huge stor-
age capacity; rack-dense design puts
‘enormous power in a small space.
CONS: Lack of hardware RAID and
decent software RAID limits use for
some applications; insecure drive-bay
latches can bring your server down.
PRICE: 1GHz and 256MB RAM,
‘$2,999; dual-1GHz and 512MB RAM,
$3,999
OS COMPATIBILITY: Mac 05 X
COMPANY: Apple Computer,
‘800/538-9696, www.apple.com
FILEMAKER PRO 6
Database Software Enhances Ease of Use and Adds
XML Support—without Rocking the Boat
BY SCOTT LOVE
If you're a Mac user, chances are
you're well acquainted with File-
Maker Pro. It has been part of
the Mac‘ history since 1985, and
version 6 retains the program's
legendary ease of use. Users will
appreciate what may likely prove
to be this release’s best fea-
ture: extending and constraining
found sets. FileMaker Pro 6 also
offers XML import and export
capabilities; however, this ver-
sion may leave you wanting
more when it comes to security
enhancements, multithreading,
and innovation.
Day-to-Day Use
One of FileMaker’s strengths is
its ability to perform complex
searches, In the past, though, it
always replaced one found set
with the results from the next.
Ir’s now possible in Find mode to
refine a set of records further by
performing subsequent requests
with the Constrain Found Set
option, which lets you apply
a second search to only those
records within the current
group. Likewise, Extend Found
Set allows you to add records to
the overall group. These func-
tions are fully scriptable and
should help you better manage
data sets.
Another small but welcome
change is that you no longer
have to go through the Sort dia-
log box or create a script for
basic sorting requests. Instead,
you can pull up a contextual
menu with a single click of the
mouse and perform simple sorts
on any field of a given layout.
When you need to make global
changes, a new Find/Replace fea
ture lets you search across fields
and records and change data
within them. You could, for
example, universally change a
misspelling of San Francisco
wherever it occurred in your
database. Developers will value
this handy way to avoid writing
et
In the Driver's Seat FileMaker Pro 6's Custom Dialog boxes let developers cre-
ate customized information requests and make sure that end users fulfill them.
wwewumacworld.com |
Noveriber 2002 | MACWORLD | 35 |
REVIEWS»
some parsing functions, but be
warned: the fields you wish to
modify must be on the current
layout for this function to be
effective, and it applies only toa
current found set.
Diving into Development
For developers, the big news is
Custom Dialog boxes. While not
as flexible as the popular Troi
Dialog plug-in, they do let you
use calculation fields to display
specific dialog messages to spe-
cific users—for example, “Chris,
‘someday’ isn’t a valid deadline.”
Developers can also ensure
that end users fulfill data requests
by allowing them to modify as
many as three fields from within
these boxes. This lets developers
do things such as highlight data
problems in a dialog box, where
a.user won't be able to miss them,
or to have the user enter an inter-
nal password for special access to
certain layouts or scripts.
These Custom Dialogs are
great, but the lack of menus,
check boxes, or other niceties lim-
its the options you can exploit to
get the information you need.
Getting FileMaker to Talk
FileMaker has rightly boasted of
version 6 XML integration as a
key feature, and the world of seri-
ous data management dictates
that all modern apy i
work with XML. FileMaker Pro
6 XML features finally offer
developers an alternative to the
trials of dealing with ODBC
drivers, kludged systems built
with merge files, exports, Apple-
Script, and so forth.
But XML isn’t for the faint of
heart, and good luck finding any
mention of it in FileMaker's
manual. ‘Id the company’s credit,
it offers decent XML resources
at www.filemaker.com/xml/.
Showing Potential
Overall, FileMaker Pro 6 has
some welcome additions; where it
falls down is in its omissions.
Security is increasingly important
to database developers these days,
and it’s a shame that FileMaker’s
obscure security dialog boxes
haven't changed much since ver-
sion 3. It’s impossible to apply
security settings globally across a
united group of files, you can’t |
easily maintain more than a hand- |
ful of login and password combi-
nations, and the group screen's
user interface is still incompre~
hensible and counterintuitive.
Te would be nice if FileMaker |
had some common program-
ming elements as well, mainly for
power users. For example, many
developers would love to be able
to copy and paste a selection of |
script steps from place to place
(rather than using only the lim-
ited import function), or better
yet, to have the option of working.
in a text editor. FileMaker is still |
missing any sort of arrays—
which would finally make it pos-
sible to control, say, repeating
fields—and there's no way to
build functions within elaborate
calculations or scripts.
Finally, the FileMaker client is
still single-threaded, so it can |
perform only one task at a
time—an issue for Web-hosted
databases and other systems that
use the Web Companion plug-
in. Moreover, you can have only
50 files open at once, and File-
Maker's client-server model still
depends on high traffic, making
it difficult to deploy across the
Internet or a WAN.
Macworld’s Buying Advice
All told, FileMaker Pro 6 is a |
strong upgrade—the addition of
XML is a must if you need to |
have FileMaker interact with
another system. While we may
wonder whether version 6 can |
justifiably be called a major
release, the new features it
contains are quite helpful, and |
FileMaker remains the easiest
database to use or develop for on
any platform. ©
RATING: $996
PROS: Handy Custom Dialogs; |
significantly enhanced XML import
and expor; flexible extending and
constraining of found sets.
CONS: Security stil largely dates
back to version 3; single-threaded
client.
PRICE: $299; upgrade, $149
OS COMPATIBILITY: Mac 0S 9,
Mac 05 X
COMPANY: Filetlaker, 800/725-
2747, wawwfilemaker.com
QUICKTIME 6 PRO-
Apple's Multimedia Technology Adds Welcome
Compression Features and Instant-On Streaming
BY CHRISTOPHER BREEN
After months of delay due to
MPEG-4 licensing issues, Apple
has finally released QuickTime
6. Available in two versions—
the free Standard version and
the $30 QuickTime Pro—the
latest iteration of this venerable
multimedia technology is worth
the wait. Both versions allows
you to play MPEG-4-encoded
movies and more easily navi-
gate streaming Web content.
In addition, QuickTime 6 Pro
(the version we review here) lets
you create audio files smaller—
and of higher quality—than
those encoded in the ubiqui-
tous MP3 format, and it offers
MPEG-’4 video encoding.
Big Sound, Small Files
QuickTime’ significant improve-
ments lie beneath the surface.
Likely to pique the interest of
audio enthusiasts is the inclusion
of Dolby Laboratories’ Advanced
Audio Coding (AAC) codec—
the audio arm of QuickTime’s
| MPEG-4 encoder. ‘This codec
can create audio files nearly indis-
tinguishable from the uncom-
pressed original, at around 7
percent of the original file’s size.
We encoded a 4-minute, 40.4MB
AIFF file with QuickTime 6’
AAC codec (at the default resolu-
tion of 96 Kbps) to produce a
2.8MB file. This file sounded dis-
tinctly clearer than a 4.4MB file
produced with iTunes’ MP3
encoder (at the default resolution
of 160 Kbps).
Regrettably, AAC encoding is
absent in most QuickTime-
related applications. Although
iTunes can play MPEG-4 audio
files, for example, it can’t encode
files in this format. Likewise,
you can't export MPEG-4 audio
from iMovie.
Screen Test
Although video compressed with
the included MPEG-4 video
codec lacks the clarity of video
encoded with Sorenson Media's
Sorenson Video 3 Pro codec
($299; 801/287-9400, www
.sorenson.com), the Sorenson
codec can't match MPEG-4's
encoding speed. On a 933MHz
Power Mac G4 running Mac OS
X 10.1.5, we encoded a 78.1MB,
1-minute, 32 240-pixel
QuickTime movie at best quality
with the MPEG-4 video codec,
the Sorenson Video 3 Pro codec,
and the standard (free) version of
the Sorenson Video 2 codec.
Sorenson Video 3 took 2 minutes
and 7 seconds to compress the file
to 48.4MB, Sorenson 2 spent 4
minutes and 3 seconds encoding
AWord from Our Sponsors in QuickTime Player 6, Apple has abandoned more-
heloful TV-channel links in favor of those with a more commercial nature.
{36 | MACWORLD | November 2002 |
wowwmacworld.com |
the movie to 33.2MB, and Quick-
‘Time 6's MPEG-4 encoding took
a speedy 40 seconds to compress
the file to 45,2MB.
‘The file w
Sorenson Video 3 Pro codec
most closely matched the origi-
nal movie in detail and color
accuracy, In comparison, the
MPEG-4-encoded version
looked slightly washed out, and
its edges weren't as crisp. How=
ever, the MPEG-# version was
clearer than the file encoded
with the free Sorenson 2 codec.
In fact, the 33.2MB Sorenson
2-encoded file looked only as
good as the MPEG-4 version of
the movie encoded at medium
quality—which was a very small
file at 16MB.
encoded with the |
SIX DEGREES
Innovative Software Watches
Helps You Retrace Your Steps
BY JENNIFER BERGER
If you sometimes spend far too
much time looking for things
you just know are on your Mac,
Creo's inventive software for
grouping and presenting infor-
mation, Six Degrees, may be
right up your alley. You could
use a combination of Mac OS's
built-in search utility, Micro-
soft Entourage’s Find function,
and your own intuition to locate
your stuff, but Six Degrees saves
you that trouble, The OS X-
only application lets you pin-
Your Every Move and
most recent version in its usual
place
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