Text content (OCR)
> L a, j | £ With David Pogue's Expert Advice,
iT hw = You Can Help Your Friends Make
tJ : the Move to Mac, page 56
www.macworld.com The Mac Product Experts January 2003
POW
PLAY
1GHz PowerBook G4;
New iBooks for $999
SWEET
HARMONY
Pro Audio Finally
Arrives on Mac OS X
iflt Deluxe 7 Reviewed
GAME HALL
OF FAME
The Year's Best Mac Games
If you get one of these,
Import pictures from your
digital camera in a snap, then
use iPhoto* lo organize them,
print them, email them or
enjoy them ina shunning
slideshow right on your Mac
Import digital video from your
camcorder, then use iMovie
to create a professional-looking
home movie, complete with
cross-dissolres, titles and a
soundtrack,
Create the ultimate digital
music library in Tunes:
Then burn your own custom
CDs. Or get an iPod and
travel anywhere with up to
4,000 songs in your pockel.
With iMac’ SuperDrive
and iDVD softwares its easy
fo burn custom DVDs that
play your movies and photo
slideshows on almost any
DVD player.
‘Seeded ony, Regt congpaile id party peripherals, TM ane ©2002 Ape Compe: Dn, Al rights reserve fber trademarks are Ibe property of thee eset beers
youll need one of these.
Digital cameras will be one of the hottest gifts this year. And the new iMactis designed to make the most of them. Just plug your camera into your
iMac and your pictures will appear on the screen in seconds. Then you can easily save, organize and share them in some pretty amazing ways.
OPINION
| From the Editor's Desk
| RICK LEPAGE
| Mac OS X audio comes to the forefront.
12 Feedback
Readers respond.
Ihnatko
ANDY IHNATKO
Welcome to Macintosh, switchers!
— BEAT
1GHz PowerBooks and $999 iBooks, IBM's
PowerPC 970, Macromedia Director MX, 200GB
Hard Drives, “Switch” parodies, Watson, Charis- | 56
mac's FireDino hub, and an interview with Real
Software's Lorin Rivers.
SECRETS _
70 Soup Up Your PowerBook | 62
| CHRISTOPHER BREEN |
| Our guide will help you bring your original or
Titanium PowerBook up to snuff. |
20
46
74 Dreamweaver Templates
DAVID SAWYER McFARLAND
Use Dreamweaver's template features to design |
an easy-to-t -update site-navigati 1 system.
76 Presentation Power Tips
FRANKLIN N. TESSLER
Make PowerPoint presentations look great whether
they're played on a Mac or a Windows PC.
| 80 Recycle Old Macs
LISA SCHMEISER
Don't relegate yesterday's hardware to the landfill:
Our alternatives will leave your conscience clear.
82 — Outwit Printing Problems
DEKE McCLELLAND
Solve printing problems in Illustrator 10, with
these expert tips.
| 84 Mac 911
CHRISTOPHER BREEN
Check out our workarounds for Apple's OS and
applications: alternative spelling checkers, moving
contacts to and from Address Book, making Ink
work, running two versions of iTunes, and more.
On the Cover
Photography by Stan Musilek; Photoshop artist, Stephen Sugg
» January 2003
www.macworld.com
Macworld's 2002 Game Hall of Fame
PETER COHEN
Our annual roundup of the brightest stars in the Mac gaming firmament is
So grab your joysticks and game pads and start playing.
PC to Mac
DAVID POGUE
Whether you're a recent convert to the Mac or are helping someone who
is, this road map for switchers will guide you on your journey—and help
you avoid any pitfalls along the way.
OS X in Tune
CHRISTOPHER BREEN
With OS X—Jaguar, in particular—Apple has changed the way you and your
Mac create music. Check out what's new in audio and MIDI, what applica-
tions are available, and what you can look forward to in the near future.
2.| MACWORLD | January 2003
__|_wewmacwortdcom |
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FROM THE EDITOR'S DESK
Is OS X Music Creation Finally Catching Up? .
BY | RICK LEPAGE
Sights and Sounds
AS MAC OS X HAS EVOLVED, SO HAS THE PRODUCTIVITY OF
most people using it. A lot of the business and creative applications we
depend upon are now OS X native—the big exception being QuarkXPress,
of course. And plenty of cool utilities and applica-
tions—from small developers, shareware authors, and
big software companies—keep popping up.
But this doesn’t mean that Apple can rest; there are
still quite a few areas in the OS that need improve-
ment. For example, although OS X 10.2’ overhauled
scanner and printer support will make it easier for
developers to publish complete drivers, it’s slow going.
Many people remain mired in OS 9, waiting until all
the holes are filled (and waiting until they've accumu-
lated the money that upgrading everything will take).
This month, Contributing Editor Christopher Breen
sheds some light on another place where OS X has
been incomplete: the creation of music and audio.
The Mac has a tradition of being the leading plat-
form for the creation of digital media, but the Win-
dows market caught up long ago in the music and
audio race. As is the case with so many other tech-
nologies and OS X, Apple is working hard to regain
the lead. In “OS X in Tune,” Chris shows us the new
support Apple has built for audio and MIDI. He also
provides a look at available audio products—and a
glimpse of what’s coming in the near future.
The Switch Is On
Right now, Apple is going out of its way to woo Win-
dows users—its “Switch” ad campaign is the most
prominent marketing blitz from the company in a
while. Abouta third of the Mac users I’ve spoken with
about the documentary-style TV ads think they're
stupid, but I think they're more effective than the past
few ad campaigns.
‘The ads were successful enough to get under Micro-
soft’ skin. In a classic bonehead move, Microsoft posted
an ad about an alleged Mac-to-PC switcher on a Win-
dows XP promotional site—and then promptly pulled
the ad, admitting that the switcher was in facta paid free-
lancer (for more, see http://maccentral.macworld.com/
news/0210/15.switch.php). Lots of companies make
mistakes like this, and some of them even get caught.
‘This time, Microsoft had its hands in the cookie jar.
So is the “Switch” campaign working? There’s no
way for me to tell for sure, but I ave seen more Apple
hardware being used around me. I fly quite often, and
on recent flights, the number of open Titanium Power-
Books and iBooks has been higher than the number of
open PC laptops. On a flight just a few weeks ago, there
were two people using iPod for Windows within five
rows of me (as well as a convert who said he was going
to buy one when he got off the plane). When I surf the
Net or work at one of the growing number of coffee
shops or airport lounges with public wireless access,
there are always many new Mac laptops. Plenty of the
people I see are longtime Mac users, but I've talked with
enough folks to know that there have been quite a few
switchers in the past year.
Our old friend David Pogue once again appears in
our pages this month, with a look at what people
switching from Windows to Mac need to know, includ-
ing helpful tips that will ease the transition. If you’re a
recent convert, “PC to Mac” should help; if
you’re a Mac veteran and you know someone
who's beginning his Mac journey, pass the
article along—it will be a useful road map.
I’m glad that Apple is working to pull in
users from the Dark Side, but I worry that
the company isn’t focusing on those of us
who've been with the Mac for a long time.
Apple should be able to send out multiple messages to
different audiences, and many of the Mac faithful still
need to be convinced to move to OS X. No number
of “Switch” ads will do that—unless they start featur-
ing OS 9 users who have switched to OS X.
Even More Cameras
Last May in our Reviews section, we introduced a
digital-camera column written by Jeff Keller, editor of
the Digital Camera Resource Page (www.dcresource
.com). This month, Jeff's column has been redesigned
to showcase more cameras and to provide a quick look
at each camera's key characteristics.
Every month, a new group of cameras is announced,
and each is aimed at a different category of user. We
hope the new format will make it easier for you to find
the.cameras you're interested in, so that when you're
ready to buy (or upgrade), you'll have the information
you need, 1)
With OS X, Apple
is working hard
to regain the lead
in the audio race. |
Let me know what you think about these topics, Macworld in general, or anything else related to the Mac.
Drop me an e-mail, at rick_lepage@macworld.com, or join in the discussion forums at www.macworld.com.
‘PHOTOGRAPH BY BETTINA SALOMGN
{wventanncnorie owt? ee
| tanuay 2003 | macworo | 7 |
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‘Choose 126 at werw.macworld.com/getinfo
Janwary 2003
VP of Content/Editar in Chief Rick LePage
Editor Jason Snel
‘Managing Editor Jennite
Executive Editor, Macworld.com Lisa S
Deputy Managing Editor Chi
Senior Features Editor Tet Stone
Senior News Editor Philip Michaels
Senior Reviews Editor Jennifer Berger
Test Manager, Macworld Lab James Galbraith
Associate Editors. Kelly Lunsford, i Rote
Jonathan 5
Copy Editor Sue Voetke
Contributing Editors Da
Breen, Adam C
Deke McClelland,
‘Art Director Jen
Design Associate Al
Design Consultant Jean Za
Prepress Consultant. Stephen Sugg
News Director, MacCentral.com Jim Dalrymple
Senior Editors, MacCentral.com Peter Cohen, Dennis Sellers
International Editors. Matthew JC, Powell, Australia; Bernard Le Ou,
France; Sebastian Hirsch, Germany, Enrico Lott, italy; Yoshio Moriya,
Japan; Tomasz Bitner, Poland; Danie! de Blas, Spain; Nils HolmlGy
Sweden; Engin Gedit, Turkey; Simon Jary, United Kingdom
President and CEO Col
VP/Chief Operating Officer Stephen Daniels
Director of Finance os de F
‘Accounting Coordinator Ronda Bitn
Senior VP, Human Resources
Human Resources Director Kate Co
Human Resources Representative Julie McKie
IT Director Sean Greathouse
Craw
ins
VP of Sales/Publisher
Associate Publisher, East
National Accounts Manager
Account Executive Jo Zottare
Western Advertising Director Sara Ci
Sales Assistant
Showcase Account Manager
Showcase Account Manager Caro Jott
Online Sales Manager Doug Det!
(4151243-3691)
(415/243-3598)
Senior Marketing Manager Sharon L. Cordesse
Sales & Marketing Coordinator Kasey Macl
Production Director. Stove Spingola
Prepress Manager Alan Anzalo
Booting and Billing Manager. Ric
Ad Coordinator Mega
Online Production Manager Ron Neal
January 2003, Yolume 20, tsue 1
Macven hae
wowewmacworld.com,
Microsoft’ ©2002 an igs reserved. Emourage ed are iter c or tademarks of
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GCC Printers/GCC Technologies, Inc. of Bedford, MA, has been notified by Xerox
International Partners, of Palo Alto, CA, of a product safety retrofie which will be required
on all GCC Elite XL408, XL608, XL608LC, XL808, XL1208, XL1208S and XL616
printers. The engines for these printers were supplied to GCC by Xerox International
Partners and were sold to customers and resellers berween 1994 and 2000.
‘This retrofic has been advised as a resule of two overheating/fire incidents reported on
similar products in Japan. After a thorough investigation, the cause of these incidents was
determined to be a loose screw at the connection of two conductors that supply primary AC
voltage ro the fuser assembly. No defects in the design or manufacture of this product were
found. Although the probability of overheating/ire occurring in the printer is extremely
low, GCC wants our customers to be aware of this issue and the available options.
GCC is making every effort to rectify this situation by offering its customers either a no-
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As part of our continuing commitment to you, GCC is making this effort, above and
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Sincerely,
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Kevin Curran rinters”
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{10 | MACWORLD | January 2003
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HACKERS BEGONE!
Cat Fanciers
RONALD E. SMITH (EY
“The Cat's Out of the Bag” (October
2002) was right on the mark. I received
OS X 10,2 asa birthday gift in late August
and installed ita week after I’d completed
a major project. All hell broke loose.
Non-OS X apps failed left and right. OS
X 10.2 locked up and froze. I couldn’t go
back to 10.1 without formatting the hard
drive. To use OS 9 apps, I had to start up
in OS 9.2.2—a major pain. Then Mac-
world arrived. I did the clean install of
OS 9, transferred my extensions, rebuilt
the desktop, and then did a clean reinstall
of 10.2. My problems were solved—a
major thank-you.
BILL YERMAL. jes}
While I appreciate what Apple has done
in creating a new operating system to
help secure the future of our beloved
Mac platform, I don’t think I've seen a
lot of honest analysis of OS X. Jaguar
may be a boon to developers, software
manufacturers, and programmers, but
over the last six months, I've seen very
little that has made me more productive.
While changes in transparency, pulsat-
ing buttons, drop shadows, spinning
beach balls, and shiny lollipops may
make for a pretty interface, my experi-
ence on a S00MHz dual-processor G4
has included slower start-ups, sluggish
dialog boxes, and general performance
decreases in every OS X-native program
T have used.
RANDALL WARD. ies]
I just finished upgrading my 500MHz
G4 desktop to OS X 10.2, and I have to
say that all the whining should stop now.
Istarted using Macs at System 7 and used
Jaguar: The Cat's Meow?
It's not like Macworld readers to act as if the cat had their tongues. So when we
ran a seven-page review of Jaguar in our October 2002 issue, we expected to hear
from Mac users about the OS X 10.2 update. And sure enough, the fur was soon
flying—many readers declared Jaguar the best of its breed, while others greeted
its release with the usual round of catcalls. Throw in some catty comments about
everything from Jaguar's price to Macworld’s OS X e-mail guide, and it's clear that,
for this month at least, Macworld has not gone to the dogs. ©)
both the OS X beta and OS X 10.1 exten-
sively. Jaguar is unbelievably killer! The
speed increases alone have done it for
me, but all the changes in the Finder
are the icing on the cake. I can finally
see and enjoy all the work that has gone
into OS X, and my G4 feels at least
200MHz faster.
KEN ZAKOVICH ies]
I installed Jaguar two days before I
received your magazine. What a mistake.
Yes, Jaguar is much faster in all aspects.
Yes, it brought back many of my favorite
key commands and pop-up folders. But
QuarkXPress 5.01 running in Classic lit-
erally sank this incredible update. Now
I've got myself into a quagmire that
involves QuarkXPress unexpectedly quit-
ting when I save or print, as well as prob-
lems with XPress image and photo
redrawing. I’m still perplexed about how
to group my fonts in XPress without
‘Type Reunion X. I've got scroll-itis from
my font list. To try to remedy the prob-
lem, our agency upgraded to Suitcase 10,
which does not have a grouping feature.
However, I do have to commend Suitcase
as a beautiful font-management program.
How can Adobe translate its entire slew
of apps into flawless OS X workhorses
while Quark can’t seem to get out of the
starting gate?
DARYL SHIELDS es]
I enjoyed your article on Jaguar, but I
found your recommendation about run-
ning it on a G4-powered Mac a bit mis-
leading. I recently bought a G3 iBook to
accompany my Power Mac. I've noticed
speed enhancements and faster boot times
with the iBook. It should be noted that
G3 users, as well as G4 users, may benefit
from Jaguar.
MARK WOODS
I like the fact that OS X now has native
Windows support. But what about those
of us who have to connect to Windows
machines using Novell networking pro-
tocols? The only program I know of that
allows Macs to network using Novell’s
protocols is NetWare Client, now owned
by Prosoft Engineering. This still oper-
ates only in OS X’s Classic mode, limit-
ing the usefulness of a new Mac in a
Novell environment.
Woods's letter arrived just before Prosoft’s
autumn release of NetWare Client for Mac
OS X—IP Edition (www.prosofteng.com),
which will allow OS X clients to connect to
NetWare 5 and 6 servers.—Ed.
Put On a Happy Face
JOHN-ROBERT LA PORTA ies}
After reading “What Else Is in Jaguar,” in
your October OS X 10.2 feature, I noticed
that you hadn't discovered an extremely
subtle nicety that I like to see when I start
up my Mac. Upon reaching the blue OS X
start-up screen, if you look where the text
and bar appear, you'll notice that the first
text displayed is “Welcome to Macintosh.”
For years now, I’ve been waiting to see
those words again when I turn on my com-
puter. Sadly, Jaguar seems to have replaced
the smiling Mac that used to display on
start-up with a white Apple logo. Oh well,
I guess you can’t have everything.
ANDY MEADOWS ie]
Honestly, I don’t miss that happy Mac face.
I never saw much of it in the first place.
Since OS X, I've hardly ever had to reboot
my machine. It just runs. I close the lid and
open it back up several times a day. I travel
42 | macwoRLD | January 2003
wewnwmacworld.com
with it, never shutting it down, and it
always picks up right where I left off. No,
this system isn’t flawless, but I used to
reboot my Mac two or three times a day.
‘These days, even though I’m on my Mac
12 to 16 hours a day, it never fails me. The
smiling face is still there every time I boot
my Mac. It’s just not reflected back by my
start-up screen anymore.
Jaguars, Priced to Move
GEORGE A. JEDENOFF =
I share Rick LePage’s concern about the
cost of upgrading to Mac OS X 10.2
(“Paying the Piper,” From the Editor's
Desk, October 2002). I recently installed
OS X, and I feel that the upgrade should
be available to me, and to everyone else
in this category, for no more than $20
to $40.
SCOTT STECKLY i=]
Apple has trained many of its customers to
expect things for free—iApps, iTools, OS
updates, and so on. People are so used to
getting everything for free that they throw
up their hands and go on a rampage when
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wonwmacworld.com_ |
JANUARY 2003
they have to pay for something. Remem-
ber OS 8? 8.5? 9? We had to pay for those.
Encryption Insecurities
LARRY B. MACY. ie
Glenn Fleishman states that the encryp-
tion methods cited in “Protect Your Mac”
(October 2002)—SSL/TLS, SSH, and
VPN—encrypt and protect e-mail mes-
sages when you connect to a mail server.
This is not the whole story. What SSL,
SSH, and VPN do is encrypt the entire
data exchange—including the password
and the e-mail message itself—between
the sender’s mail client and e-mail server.
But when that message goes from mail
-yourserver-com to mail.myserver.com, itis no
longer encrypted and travels the Internet
as plain text. If, as the recipient, I'm using
a mail client with SSL (or SSH tunneling
or VPN), that message is encrypted in the
exchange between my mail client and my
server. If I’m not, the message and my
password will travel in plain-text for-
mat between the server and the mail
client. The important part—the password
SHE’LL LOVE HOW YOU
CAPTURED THE MOMEN
FEEDBACK
exchange between the sender's e-mail
client and mail.yourserver.com—is entirely
encrypted. The article suggests that the
entire message from the sender's com-
puter and mail client is encrypted until it
reaches my in-box. This is simply untrue.
You're right—while the article stressed that
SSH, SSL, and VPN secure only the connec-
tion between an individual computer's e-mail
program and a server (or a network, in the
case of VPN), the message is decrypted at the
mail server or network boundary. Only sepa-
rately encrypting the contents of an e-mail
message can protect it completely on the jaur-
ney from sender to recipient. The revived
MacPGP software for OS X, from PGP (866/
TAT-5483, www.pgp.com), will allow this
kind of security using public-key cryptogra-
phy.—Glenn Fleishman |
Don’t Panic
TOM FELEDY ie]
Stephan Somogyi is the first writer to dis-
cuss the unusual installation of kernel
continues
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| tarwaey 2003 | MacwoR.D | 13
| FEEDBACK JANUARY 2003
extensions in Norton Utilities 7.0
(Reviews, October 2002). I had a problem
with this software that caused me several
days of downtime before I figured it out. I
had just installed an update to Toast 5.1.4,
and when I restarted, I began to get
unavoidable kernel panics that reduced
my PowerBook to useless junk in a matter
of seconds. No matter how many times I
restarted, OS X 10.1.5 wouldn’t let me get
beyond a gray or blue screen without
spewing endless lines of code all over the
display and then freezing. After hours of
hair pulling, I read through some of the
verbiage during these kernel panics and
saw the word Norton prominently fea-
tured. Then I found a tech article at
Apple’s Web site that suggested, among
other things, removing any third-party
start-up files. So I removed the three start-
up files mentioned in the review. All of a
sudden, my PowerBook worked again.
Thanks for confirming my suspicions
about Norton's flaky software.
VAN E, MATTHEWS
Stephan Somogyi’s left something very
important out of the last paragraph in his
informative review of Norton System-
Works 2.0—that the system requirements
for Mac OS X exclude beige G3s. I just
bought SystemWorks for repairing OS 8.6
and 9. I have OS X 10.1.5 on my 300MHz
beige G3, and SystemWorks 2.0 will not
| recognize it. If you need to repair OS X on
a beige G3, you might try DiskWarrior,
which Alsoft claims can repair OS X, or
| Micromat’s Drive 10, which will work on
a beige G3 running OS X.
Drivers Wanted
CHRIS FENNER (Es)
In “Parts Is Parts” (Mac 911, October
2002), Mac user Kevin Cook indicates that
Epson hasn't yet provided an OS X driver
for the Epson Stylus Photo 1200. Kevin
has probably been looking at Epson’s OS
X support page, which isn’t entirely accu-
rate. I’d been waiting for the same driver,
but I happened to stumble upon it in an
obvious yet frequently overlooked place.
Follow the links to the list of drivers for
Epson's entire printer line, and click on the
Stylus Photo 1200: Abracadabra! There's
the OS X driver. I have been using my
printer in OS X for at least a month now
without any problems.
E-mail Call
JAMES PLATT ies}
T’m disappointed that you rated Sono Soft-
ware’s Musashi so poorly in “Mac OS X
E-mail Guide” (October 2002). I wonder
how you missed the fact that Musashi has
Sherlock-like searching with the ability to
use multiple terms, including existing fil-
ters, and to limit searches to specific boxes.
Musashi’s multiple-user feature is more
advanced than others’ and will even pass-
word-protect already-downloaded mail
from other users. I see full support of
HTML e-mail as a security risk, particu-
larly with clients that make it hard to delete
a message without viewing it, such as Net-
scape. Musashi can display an HTML mes-
sage’s plain-text content, and you can
extract the HTML as an attachment and
open it with a Web browser to see the rest.
Musashi may have poor documentation, but
it’s very intuitive to use and the easiest mul-
tiple-user environment to set up.
There’s no question that Musashi is a decent
e-mail program with interesting features, But
mutltiple-user features are less interesting in OS
X, where most e-mail programs simply inherit
the ability to support multiple users from the
operating system. As far as the security risk of
HTML mail goes, that’s something users must
decide for themselves.—Adam C. Engst
The School of Hard Knocks
CARL WALTHER [Es
Macworld reader Jason Brabander com-
pletely missed the boat in his criticism of
the eMac (Feedback, October 2002). He
complained about its weight, which is one
of the things that make the eMac desirable
for classroom use. You have no idea what
it’s like to see a laptop go flying off a desk
because kids were not paying attention. A
50-pound computer stays put. And most
schools want CRTS. You may be surprised
to learn that many students read their com-
puter screens with their fingers (often not
clean). With a CRT, spraying glass cleaner
and wiping with a towel at the end of the
day takes care of it. Try that on an LCD.
Gefen Responds
HAGA GEFEN (GEFEN, INC.) iE)
Gefen was pleased to see a review of its
ex-tend-it VGA-to-ADC conversion box
|
in Macworld’s October 2002 issue (Reviews
in Brief). However, we'd like to clarify
some of the product’s capabilities for
your readers.
Gefen’s VGA-to-ADC conversion box
enables the connection of any VGA-
equipped computer to Apple’s flat-panel
displays, resulting in an outstanding
reproduction of high-resolution graphics. |
Your review concluded that while the
product worked well, it did not support
multiple resolutions. The reason for this |
is that Apple flat-panel displays are digi- |
tal-only monitors; they work correctly
only in the monitor’s native resolution.
While some G4 video graphics cards |
do support “scaling” resolutions, external
scalers typically cost between $2,000 and
$5,000 each, far above the price of
our product.
You also failed to note the reason we
created the product, which was intro-
duced almost a year before your review
appeared. Before the release of the
PowerBook G4 with DVI output, there
was simply no way to connect any Apple
flat-panel display to a PowerBook G4
or any other VGA-equipped computer.
Gefen offered the only solution: our
VGA-to-ADC conversion box.
Should your readers have additional
questions about Gefen’s products and |
future developments, they can e-mail us |
directly, at gsinfo@gefen.com.
© Post comments on our forums (www
smacworld.com); send them by mail to
{© Letters, Macworld, 501 Second Street,
5th Floor, San Francisco, CA 94107; or send
them by e-mail to letters@macworld.com.
Include a return address and daytime phone
number, Due to the high volume of mail
Teceived, we can't respond personally to each
letter. We reserve the right to edit all letters
and posts. All published letters and forum
comments become the property of Macworld.
CORRECTIONS
In our review of Maclournal 2.1 (Reviews in Brief,
November 2002), we printed an incorrect mouse
rating. The product's correct rating is $963.
In our review of FireWire CD-RW drives
(December 2002), we printed an incorrect price
for the LaCie 48x12x48 d2 CD-RW drive. It
costs $179,
14 | MACWORLD | January 2003, |
wwwmacworld.com
oreoerty
tan
(it's not a hard drive)
aston OneToued is
and What hfves you? ave radernarks of Masxor Corparaton, Al othr trademshe at
eat bat of youe overcil dt
ms 9 rang
comessty varies:
IT’S YOUR 120 GB
VIDEO LIBRARY
rogitered trademark ang Maxtor Personas Storage, Maxtor OneTouch
1 bir bts. Tos
p 2002 Maxte te
wee
© Maxtor Corporation
of haw rispactivs owners. OB
That's not just data. Those are your visions.
Maxtor OneTouch™ drive helps you protect them.
Now—with the touch of a button—backing up your
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faster too. So you can store your edits. Keep them Maxtor
IT'S THE ONE WITH THE BUTTON: organized. Give them room to grow. It’s personal. ‘
The Maxtor OneTouch” Drive
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Available at CompUSA, Staples, MicroCenter, Fry's Electronics, J&R ComputerWorld, B&H, Buy.com, CDW,
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WHAT'S
NEXT
|The Consumer Elec-
|
(COURTESY OF APPLE
0:
‘tronics Show usu-
ally doesn't garner
much attention from
Mac users. But the
trade show, running
January 9-12 in
Las Vegas, figures to
introduce plenty of
digital devices with
Mac-market appeal.
}
GIGAHERTZ PROCESSOR AND SUPERDRIVE TAKE CENTER STAGE IN POWERBOOK UPDATE
One for the Books
Wich each successive upgrade,
Apple's PowerBooks move closer
to narrowing the performance gap
between portable Macs and their
deskbound brethren. Just this
spring, Apple fitted its professional
laptops with a faster system bus
and Level 3 (L3) cache to help
PowerBooks act more like Power
Macs. Thanks to those perfor-
mance gains, tasks that used to be
chained to desktops—editing digi-
tal video, for example—can now
go on the road. And increasingly,
Mac users can opt for laptops as
their primary computers.
But even with the leaps in port-
able Macs, Power Macs maintained
superiority in a few key areas,
including processor speed and
DVD-burning capabilities. If you
{46 | MACWORLD
January 2003
wanted a computer equipped with
both a processor that hit the giga-
hertz mark and an optical drive
that burned DVDs, you pretty
much had to restrict yourself to
a Power Mac. A PowerBook just
didn’t fit the bill.
Or at least, it didn’t used to. After
Apple’ latest round of updates to
its PowerBook line—highlighted by
the addition of a faster G4 processor
topping out at 1GHz, and a slot-
loading DVD burner—the number
of differences between Apple's top-
of-the-line desktops and laptops has
shrunk by two.
Gigahertz Matters
Most Mac users will immediately
notice the latest PowerBooks’
greater clock speed—and that’s
understandable, since the high-
end model is the first Apple laptop
to reach the gigahertz milestone.
In addition to the 1GHz Power-
Book G4, a model powered by an
867MHz G4 processor is also
available. Previously, the Power-
Book came with either an 800-
MHz or 667MHz chip.
But the new PowerBooks retain
an important addition from those
earlier models: L3 cache with IMB
of DDR (double data rate) RAM.
L3 cache offers quick access to data
en route to the processor.
Meanwhile,
DDR memory pushes data
through on both the rise and fall
of the clock signal. The result is
an overall performance boost,
even for a machine that’s powered
by a 1GHz processor.
Inside the updated PowerBooks
is an entirely new graphics proces-
sor—the ATI Mobility Radeon
9000, similar to the graphics chip
found in Apple’s two high-end
desktop models. With as much as
64MB of dedicated DDR video
SDRAM (32MB in the 867MHz
configuration), the ATT graphics
chip provides serious graphics and
3-D performance for video pros
and gamers alike.
The 867MHz PowerBook G4
features 256MB of RAM and a
40GB hard drive. The GHz
model ships with 512MB of mem-
ory and 60GB of storage space;
it also features a preinstalled Air-
Port card for wireless networking.
(The 867MHz, configuration is
AirPort ready, with integrated
antennas but an empty card slot.)
Both PowerBook models can be
upgraded to include 1GB of RAM.
Burning Desires
While the 867MHz PowerBook
G¢4 includes a DVD-ROM/CD-
RW Combo as its optical-drive
option, the 1GHz version features
a SuperDrive that reads and writes
both CDs and DVDs, making it
the first Apple portable to feature
this capability. Adding a Super-
Drive to the PowerBook presented
Apple with the dual challenge of
obtaining an optical drive small
|_wwwmacworld.com |
APPLE CUTS PRICES, ADDS FEATURES IN UPDATED iBOOK
More Bang, Less Bucks
For years, Mac fans waited for the price of a Mac to drop below the psycho-
logical barrier of $1,000. That barrier was broken long ago, but with Apple's
latest iBook revision, Mac users can finally boast that an Apple laptop is
available for the magic price of $999, And that laptop also happens to run
at 700MHz.
More important for anyone in need of an affordable laptop, Apple didn’t
strip away features as it slashed prices. Instead, the company boosted the
processor speed on all three iBook configurations and upgraded the graphics
controller—two moves that could bolster the appeal of a machine that
accounted for 22 percent of Apple's hardware sales in 2002.
iBooks remain, along with the $799 CRT iMac, the last Apple systems to
use the older G3 processor, But that processor has gotten a 100MHz speed
boost: the iBook now comes in 800MHz and 700MHz versions, The G3 pro-
cessor in the updated iBook continues to feature the 512K of on-chip Level
2 cache introduced in the previous revision (see “The iBook Caches Up,”
Mac Beat, July 2002),
The ATI Mobility Radeon graphics processor introduced in the iBook is
gone, replaced by the more powerful ATI Mobility Radeon 7500, That's the
By the Book
HARD OPTICAL VIDEO PROCESSOR/
MODEL PRICE MEMORY DRIVE DRIVE MEMORY DISPLAY
9 128MB 20GB CD-ROM ATI MobilityRadeon 12.1
= ee 7500/16MB is inches _
128MB 30GB Combo ATI Mobility Radeon 12.1
00s inchs
$1,599 256MB 30GB Combo ATI MobilityRadeon 14.1
=a 7500/32MB
same graphics accelerator formerly used by Apple's PowerBooks, The graphics
processor in two iBook configurations now features 32MB of dedicated video
memory—up from 16MB in the last revision—and AGP 2x support. (The
graphics processor in the base model still comes with 16MB of RAM.) With
the improved graphics controller, the iBook can take advantage of Quartz
Extreme, a feature introduced in Jaguar that lessens the burden on the Mac's
processor by using the graphics engine to perform screen calculations for
improved performance,
The $999 iBook comes with a 700MHz G3 processor, 128MB of RAM, a
20GB hard drive, a CD-ROM drive, and a 12.1-inch active-matrix TFT display,
The $1,299 iBook features a 12.1-inch screen, an 800MHz G3 processor,
128MB of RAM, 30GB of storage space, and a DVD-ROM/CD-RW Combo
drive, The top-of-the-line $1,599 iBook has a 14,1-inch screen, an 800OMHz
G3 processor, 256MB of RAM, a 30GB hard drive, and e Combo drive. A
custom-built option for the 14.1-inch iBook includes a 40GB hard drive and
640MB of memory for an extra $250.—PHiUP MICHAELS
enough to fit into the PowerBook’ ultra-
slim design and making it a slot-loading
drive to meet customer demand.
There's no doubt that to get a Super-
Drive that met the battery demands of
a portable while fitting within the Power-
Book's dimensions, some changes to the
optical drive had to be made. The Power-
Book's SuperDrive burns DVDs at Lx,
compared with 2x on the SuperDrives in
Apple’s desktop models. (Speeds for read-
ing DVDs and reading and writing CDs
are identical to those of the SuperDrives
in Power Macs.) That means it will take
about an hour to burn an hour's worth of
DVD video on a SuperDrive-equipped
PowerBook, compared with about 30
minutes on a Power Mac. Still, Apple
Power Users
MODEL
PRICE PROCESSOR SPEED
MEMORY
contends that the MPEG-2 encoding
capabilities in the 1GHz PowerBook G4
will exceed what you'll find in Sony and
Toshiba portables equipped with DVD
burners. But you probably won't want to
burn a DVD on a PowerBook that isn’t
plugged in, because of the time and
power required for the job.
Priced to Move
Apple introduced one other change in
this round of PowerBook updates: the
price. Previously, the top-of-the-line
model—an 800MHz PowerBook G4
with 512MB of RAM, 40GB of storage,
and a Combo drive—cost $3,199. The
new high-end configuration, with its
faster processor, bigger hard drive,
HARD DRIVE SYSTEM BUS
13 CACHE
and DVD-burning capabilities, costs
$2,999—a $200 drop. The new 867MHz
configuration also sells for $200 less than
its 667 MHz counterpart, at $2,299. Both
PowerBook ver ould be available
by the time you read this.
‘The update to the PowerBook line will
keep the desktop-versus-laptop debate
as lively as ever (see “Power Users” for a
product-line comparison)—and the
PowerBook price cut may swing the pen-
dulum over to the portable side. Then
again, Power Macs boast dual-processor
configurations, DDR RAM for main
memory, and multiple optical and hard-
drive bays—things you won't find in any
of Apple’s laptops. Of course, there's
always the next update —PHILIP MICHAELS
OPTICAL DRIVE VIDEO PROCESSOR.
wowmacworld.com |
January 2003 | MACW
Tena paczKo
IBM'S POWERPC 970 SEEMS IDEAL FOR THE MAC—WILL APPLE ADOPT IT?
Coming Attraction?
Pop open any Mac made in the
past two years, and chances are
you'll find a Power PC chip made
by Motorola inside. But that could
change, courtesy of a new proces-
sor—recently unveiled by IBM—
that may soon make its way to a
Mac near you.
Neither Apple nor IBM will
comment on whether the chip, the
PowerPC 970, is slated for Ma
But industry analysts aren’t ne:
so reticent, “They can’t say Apple,
but we can—speculatively, of
course,” said Microprocessor Report
senior analyst Tom Halfhill shortly
after the PowerPC 970s October
introduction.
Welcome to the Family
The PowerPC 970 i
anew family of proc
IBM. Based on IBM’s Power4
‘ors, the PowerPC
970 combines higher-end server
features with a processor that’s
compatible with current PowerPC
instructions. The new processor
is expected to operate at between
1.4GHz and 1.8GHz. The
Motorola PowerPC proc:
operates at 1.25GHz.
The PowerPC 970's current
design provides no connectors
for L3 cache. But it has 512K of
on-die L2 cache that will run at
the same speed as the processor.
Instead of L3 cache, the PowerPC
970 has a new memory-bus archi-
tecture with a theoretical band-
width of 7.2GB per second. Even
with overhead, the actual peak
memory bandwidth remains a
impressive 6.4GB per second.
‘To further improve performance,
IBM engineers tripled the Power-
PC 970's processing pipeline.
While some reduced-instruction-
set purists question this move, both
AMD and Intel have been able to
substantially increase the frequency
of their processors by increasing
pipeline depth. Moreover, the
PowerPC 970% pipeline is still
shorter than many offerings from
AMD and Intel.
The PowerPC 970 is also IBM’s
first PowerPC processor to include
a Single Instruction Multiple
ata (SIMD) unit. IBM's SIMD
implementation uses the same 162
instructions as the AltiVec tech-
nology built into Motorola’s G4
chips. This means that someone
n
using an AltiVec-enabled applica-
tion, such as Adobe Photoshop, on
a PowerPC 970-powered machine
should see performance boosts sim-
ilar to those that Mac users cur-
rently enjoy with a G¢ processor.
The 64-Bit Question
The PowerPC 970 is scheduled
to ship in the second half of 2003.
At that time, the chip’s top clock
speed of 1.8GHz would still leave
Mac users with Wintel-inspired
gigahertz envy. But Microproc
Report editor Peter Glaskowsky
notes that the PowerPC 970's
performance would be only 20 to
30 percent behind the performance
of AMD’ and Intel’s top offerings,
putting Apple’s computers closer
to their PC competition than
they've been in years. Glaskowsky
adds that with a machine powered
by two PowerPC 970 processors,
Apple could claim performance
superiority with more legitimate
y uses
‘suming, of course, that
lopts the new chip.
ally looking forward to
Power Mac with a 970
kowsky says. “It’s been
a few years since Apple has had
a Mac that is competitive with the
best you can get on the PC side.”
Since the PowerPC 970 isa
64-bit processor, adopting the chip
would require that Apple make
small, low-level changes to Mac
OS. However, the new processor
can operate natively in a 32-bit
mode, so if Apple does make those
changes, all other 32-bit software
should operate seamlessly.
With 64-bit addressing, appli-
cations may use more than 4GB
of memory. Glaskowsky says that
database programs commonly ben-
efit from 64-bit addressing, which
brings significant performance
gains because it allows an entire
database to be stored in memory,
sai
getting a
in it,” GI
wevowmacworld.com |
rather than in an index. Since serv-
ers would see big performance
gains from that capability, analysts
speculate that the likeliest desti-
nation for the PowerPC 970 is
Apple’s Xserve, especially given the
company’s current interest in serv-
ers running OS X. Further fueling
speculation is the PowerPC 970's
background as a Power4 server
processor, along with a memory
architecture and cache implemen-
tation that lend themselves to mul-
tiprocessor configurations.
PowerPC 970 Inside?
Glaskowsky says that if Apple
decides to go with the PowerPC
970, it will also have to adopt IBM’s
proprietary memory controller.
While Apple typically builds its
own memory controllers, this
would not be a trivial task—the
switch would amount to a “strate~
gic commitment” on Apple's part
to use the new processor family,
according to Glaskowsky.
Adding the PowerPC 970 to
Macs would also require a funda-
mental change in the way Apple
operates, Glaskowsky says, par-
ticularly if the company hopes
to attract big-name server clients.
Developers of server software
must know what hardware suppli-
ers will be doing down the road.
That's why both Intel and IBM
provide strategic road maps—and
Apple would have to do the same.
“Tf Apple wants to be taken seri-
ously by developers of server soft-
ware, it’s going to have to publish
its system road maps very far into
the future,” Glaskowsky says.
Of course, Mac users have dif-
ferent concerns: when they pop
open their computers in a few
years, will they see a new proces-
sor running the show? Because
of the PowerPC 970’s inherent
strengths, Glaskowsky sees Apple
using it first in the Xserve and
then in high-end desktop systems.
But he adds that because of its
expense, you shouldn't expect
to see the PowerPC 970 in the
iMac or portable lines—at least,
not initially.—DAVID READ
DEVELOPER REVEALS PLANS FOR NEXT VERSION OF INTERNET-SERVICES APP.
What's Next for
A year ago, Dan Wood was on top of the
world. The president of Karelia Software
(www.karelia.com), he had a potential hit
on his hands with Watson, an innovative
OS X-only application. Designed as a com-
panion to Apple’s Sherlock, Watson helped
users easily access a variety of Internet
services; it made a splash at the January
2002 Maeworld Expo, and Wood became
the poster boy for Cocoa, Apple's object-
oriented programming environment.
But Wood's elation turned out to be short
lived. About five months after Expo, Apple
Watson?
performance and an expanded list of ser-
vices, such as package tracking, television
guides, and sports coverage. And more ser-
vices will follow.
While reluctant to disclose many details of
forthcoming modules, Wood gave Macworld
a peek at some features slated for Watson 2,
due in early 2003. (At press time, Karelia had
just released Watson 1.6, adding integration
with Apple’s iCal, OS X’s Address Book, and
El Gato Software's EyeTV.) Certainly, one
new module will provide a convenient inter-
face for comparison shopping on the Internet.
=) __ In addition, the update will
focus on boosting the function-
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mrew | ality of current modules while
} improving Watson’s already solid
“| performance. For example, the
revamped Stocks module will let
users track the net worth of an
c entire portfolio throughout each
day’s session. The Phone Book
module will contain the Yellow
Pages directory. Users of the
_ | Packages module will be able to
see more details about deliveries.
Wood predicts that Watson
users will also appreciate version
2's closer integration with stan-
dard OS X applications: they'll be
able to add automatic reminders
for television shows to iCal, and
The Game Is Afoot, Watson Undaunted by the release of Sher-
lock 3, Karelia Software plans to release Watson 2 in the first part of
2003. It will feature better performance than earlier versions,
drag contact information uncov-
ered in a Phone Book search over
to OS X's Address Book.
announced that OS X 10.2’s Sherlock would
have support for Internet services. The
updated Sherlock 3 offers modules for ser-
vices such as eBay auctions, flight informa-
tion, movie listings, phone numbers, and
stock quotes—exactly the same services
found in Watson.
‘The Sherlock 3 changes have raised some
eyebrows in the Mac community: some
wonder whether the update was a natural
evolution of a program or a wholesale appro-
priation of features. Apple declines to com-
ment on the For his part, Wood feels
that “the similarities went too far.”
Still, despite the brouhaha—or perhaps,
in some part, because of it—Watson orders
have continued to climb. In online discus-
sions, users praise Watson for its speedier
While Karelia has funded the
development of Watson's current set of
modules, interest in the program is growing
among independent programmers and even
in-house developers. Unlike Sherlock plug-
ins, which require that a developer use a
combination of scripting languages, Watson
plug-ins are small Cocoa applications, easily
crafted in a familiar programming environ-
ment. This same architectural difference
gives Watson the performance edge, accord-
ing to Wood.
Acknowledging the speculation about
a Windows version, Wood admits that he’s
seeking partners. However, he adds that
there’s a big step from the possible to the
probable: “Everything is a possibility, right?
There could be an Amiga version. But there
won't.” —DAVID MORGENSTERN
| wownwmacworld.com_|
January 2003 | MACWORLD | 19
ie MAC BEAT) JANUARY 2003 }
PRODUCTIVITY
BEAT
_ Software
Programming
Revolution 2.0, from Runtime Revolution (wwnw.runrev
com): The latest version of the cross-platform devel-
‘opment software, which runs on both the classic Mac
OS and OS X, adds a Jaguar-friendly user interface, sup-
port for XML, Unicode-text entry and editing, spread-
sheet fields, and database access (Professional Edition,
$995; Small Business Edition, $299; Student-Teacher
Edition, $99).
SuperCard 4.0, from Solutions Etcetera (530/644-7382,
‘www.solutionsetcetera.com); The updated application-
authoring system adds OS X compatibility; it continues to
run on OS 8.6 and higher. The update also breaks the 32-
kilobyte limit for text fields and scripts, and it features
simplified scripting for interface items in Aqua and Plat-
inum ($179; upgrade, $129).
.0, from Copernican Technologies (831/42!
1775, www.boswell.com): The archiving and organiza-
tional tool for e-mail, Web clippings, research, and other
text has a revised user interface and simplified technol-
ogy. Version 3.0 runs on OS 8 and OS 9; it marks the final
feature-set changes before the code conversion to an OS
X-native version. Boswell 3.0 purchasers will be entitled
to a free upgrade to the OS X version ($50; upgrade,
free).—compiteD BY PHILIP MICHAELS
STORAGE
BEAT
“Hardware
External Drives
USB flash: \-storage devices from Memorex orex (562/906 2800,
‘\Wwww.memorex.com): The USB ThumbDrive is a portable
flash-storage device that fits on a keychain and plugs in
to a USB port. It comes in 64MB ($60) and 128MB ($100)
capacities.
External hard drives from WiebeTech (316/744-8722, www
.wiebetech.com): The SuperDesktopGB FireWire exter-
nal drives now come in 180GB ($550) and 200GB ($600)
capacities. The 7,200-rpm drives manage the larger capac-
ity by offering ATA compatibility. They include improved
PowerBridge bus-powering circuitry, eliminating the need
for external power on most Macs, and come bundled with
Mediafour's MacDrive 5, for transferring formatted files
\ between Macs and PCs—cOMPILED BY PHILIP MICHAELS
INTERNAL HARD DRIVES NOW TOP 200GB—AND WORK WITH YOUR MAC
Supersizing Your Storage
Tf you spend a lot of time creating movies
with Apple’s authoring software—or per-
forming any storage-intensive task, for that
matter—you know that a hard drive can
fill up faster than a theater on a summer
blockbuster’s opening weekend. If a 60GB
drive seems puny and even a 120GB drive
leaves you with little room to spare, a new
generation of hard drives with drastically
larger capacities might fit the bill.
Many hard-drive manufacturers are now
offering jumbo-capacity IDE drives (see
“Storage to Spare”). Western Digital’s WD
Caviar hard-drive line now tops out at
200GB of storage. The standard version of
this 7,200-rpm drive, nicknamed Drivezilla
by the company, has 2MB of cache and
sells for $379; a Special Edition version,
featuring 8MB of cache, costs $20 more.
Maxtor, the first company to produce a
160GB drive, followed Western Digital’s
release with its competing Maxtor Ultra
series—which includes a 200GB, 7,200-
rpm drive with an 8MB buffer. While the
Western Digital models have been ship-
ping since fall of 2002, Maxtor's $399 drive
should hit the market by the time you read
this. (As this issue went to press, Maxtor
announced a 250GB, 5,400-rpm drive
priced at $400.) Meanwhile, IBM is enter-
ing the jumbo-drive fray—albeit with
product line that maxes out at 180GB: its
7,200-rpm Deskstar 180 GXP costs $360
and has 8MB of cache.
‘To allow for the huge capacities of their
new drives, manufacturers have moved
from traditional 28-bit addressing, which
limits drive size to 137GB, to 48-bit
addressing, which has the staggering the-
oretical maximum size of 144 petabytes
(a petabyte is one million gigabytes).
But there’s a catch. The ATA/60 and
ATA/100 connections used in today’s Macs
support only 28-bit addressing. So before
you rush to buy one of these drives for
your Power Mac, you'll need to pick up an
ATA/133 controller card (see Reviews, June
contact
888/746-7426, wwwibm.com
__ 800/262-9867, www.maxtorcom
949/672-7000, wwnwsvesterndigitalcom_
2002, for our picks), which will add 48-bit
addressing capability to your system.
If your Mac doesn’t accept PCI cards,
you could opt for an external FireWire
solution. Other World Computing’s
200GB Mercury Pro FireWire drive ($499;
800/275-4576, www.macsales.com) is based
on the Western Digital drive. Firewire-
Direct sells a 160GB drive, the SlimLine
Ultra IIT ($399; 512/302-0012, www
.firewiredirect.com), based on Maxtor's
5,400-rpm DiamondMax Plus. (At press
time, WiebeTech introduced a 200GB
external drive; see “Storage Beat.”) You
The' Western Dig gital WD | Caviar IDE drive
can also outfit the new jumbo drives from
Western Digital, Maxtor, and IBM with a
FireWire enclosure—as long as the case
includes an Oxford 911 chip that supports
supersized drives. (The Oxford firmware
upgrade technically provides only 32-bit
addressing, but the four additional bits
give them the headroom to accommodate
the newer drives,) You can find suitable
enclosures through Other World Com-
puting, FirewireDirect, and Granite Digi-
tal (510/471-6442, www.scsipro.com).
Whatever option you choose, these bigger
drives will expand your multimedia-packed
Mac’s capacity beyond standing room
only.—ANTON LINECKER
“20068 _ =
| 20 | MACWORLD | January 2003_|
|_wwwmacworld.com
MULTIMEDIA-AUTHORING APP GETS MACROMEDIA'S MX TREATMENT
Director Takes Action
Throughout 2002, Macromedia (800/
470-7211, www.macromedia.com) rolled
out updates to its Web-development
tools—giving them a common interface
and tighter integration—under the
MX brand name. Now it’s Macromedia
Director's turn to assume the MX label.
Like other recent Macromedia updates,
Director MX sports a familiar
interface, with collapsible, dock-
able panels. A unified Script And
Debugging window lets users
debug, browse, and edit scripts
in one window—which displays
variables whose values have
changed in red, for immediate
visual feedback.
Director MX works seamlessly
with other MX products, such as
Flash. It imports Flash MX files,
Message windows. Director MX also
lets users create content that meets fed-
eral accessibility guidelines such as Sec-
tion 508 standards.
For Mac users, Director gains more
than an MX in its name. The latest version
adds OS X compatibility, running exclu-
sively on OS X 10.1 and higher, Playback
ea
and double-clicking on a SWF
file launches Flash. Roundtrip
editing lets users edit a SWF
New Direction In Director MX, users can import Flash MX
files and launch Flash by double-clicking on a SWF file.
file, save it, and then bring it
back into Director. The new version also
provides control over Flash MX objects,
with Lingo, Director's object-oriented
scripting language.
Power-tool additions to Director
include an Object Inspector with data-
browser functionality, as well as time-
saving new buttons in the Script and
of Director-created material still requires
the Classic environment. Macromedia’s
Shockwave Player 8.5.1 can show content
created in Director MX.
Director MX should begin shipping in
mid-December, at a price of $1,199.
Users of versions 8 and 8.5 can upgrade
for $399,—PHILIP MICHAELS
COMPANY'S LATEST OFFERING BRINGS TECH SUPPORT TO YOUR BROWSER
Netopia’s eCare At Your Service
Real-time collaboration via the Web may be cozily familiar on Windows, but Mac
users can find themselves left out in the cold when browser clients don’t work with the
platform. Netopia (510/814-5100, www.netopia.com) wants to ensure that all Web
users are treated equally. eCare, the networking developer's browser-based technical-
support software, enables live, on-demand online collaboration between an organiza-
tion’s call centers or help desks and its customers, whether they’re using dial-up
modems or DSL. And unlike online-conferencing products such as WebEx and
Symantec's pcAnywhere, eCare has b
een specifically designed for the Mac, with cus-
tomized clients for OS 9 and OS X—it detects whether a customer is using a Mac or
a PC and automatically offers the appropriate client-installation option.
Netopia based eCare on its Timbuktu technology, for remote-control desktop access,
and its eSite and eStore Web-enabled products. The eCare client won't take up much
space; Netopia claims that, at 400K, it’s the slimmest remote-control client on the market.
In-house licenses start at $50,000 for companies that want to host eCare. Businesses
can also purchase eCare on a monthly subscription basis at a cost of $300 per support
agent. For companies that want to serve all their customers, no matter which platform
they're using, that may wind up being a small price to pay.—JILL ROTER
INPUT-DEVICE
BEAT
A.USB hub from logear (866/946-4327, www.iogear.com):
‘The MicroHub ($15) is a four-port hub that measures 0.7
inches tall, 1.8 inches wide, and 2.5 inches long.
Keyboards
‘A rack-mounting keyboard from Marathon Computer
(800/832-6326, www.marathoncomputer.com): The
RKeyboard ($100) is a USB keyboard, with a built-in
touchpad, that was designed to be mounted in a rack.
It measures 15,3 inches wide, 5.5 inches deep, and less
than 1.6 inches high. Marathon also bundles the key-
board with its RKey heavy-duty rack-mounting keyboard
drawer ($375).
Mice
Two wireless mice from Kensington (800/235-6708,
www.kensington.com): The Studio-Mouse Wireless
($90) features a touch-sensitive Scroll Sensor for
scrolling up and down. The three-button mouse is
powered by a rechargeable battery, and it comes with
a recharging base for when it isn’t being used. The
PocketMouse Pro Wireless ($50) is a wireless version
of the PocketMouse Pro; instead of a retractable USB
cord, it features a node for holding a stowaway USB
receiver that provides wireless connectivity from as far
as three feet away.
Three mice from Microsoft (800/426-9400, wwnw.micro
soft.com): The Optical Mouse Blue ($35) features an
astral-blue finish and a wider scroll wheel. The Wireless
Optical Mouse Blue ($45) offers wireless connectivity.
The Notebook Optical Mouse ($35) is the first optical
mouse designed specifically for laptops; it includes a red
scroll wheel and side grips.
Remote Controls
A wireless presentation control from Interlink Electron-
ics (805/484-8855, www.interlinkelectronics.com): With
buttons for moving forward, moving backward, and
hiding slides, the RemotePoint Navigator ($149) lets
users control Microsoft PowerPoint presentations, It
also features a laser pointer. The remote uses radio-
frequency wireless technology, which allows it to work
from as far as 50 feet away from a USB-equipped Mac
running 0S 8 or higher, including OS X.
Switches ee
A device for sharing ADC-equipped displays between two
Macs, from Dr, Bott (877/611-2688, www.drbott.com);
The MoniSwitch ADC ($299) allows two computers with
digital-video output to share an Apple flat-panel display
with ADC (Apple Display Connector) connections.
AKVM switch from Gefen (800/545-6900, www.gefen
.com): The USB Switcher ($299) connects two comput-
ers to a single analog monitor, keyboard, and mouse. It
comes with two DVI-A/VGA cables, two USB cables, and
a 12-volt power supply.—coMPiLeD BY PHILIP MICHAELS
Hubs
wwewmacworld.com
Janvary 2003 | MACWORLD | 24 |
(MAC BEAT [JANUARY 2003 )-
iCURVE, LAPVANTAGE OFFER STYLE WITH COMFORT
PRO FILE_| Q&A WITH LORIN RIVERS
Laptops Make Their Stand
Thanks to increased processing power and easy portability, Apple’s
laptops may match the performance of a desktop machine, but
they're still no match for the desk itself. Prolonged use of a laptop
sitting flat on a desk can stir up a hornet's nest of ergonomic woes.
A laptop stand can alleviate those problems, lifting the screen to
eye level while freeing up desk space for an external keyboard. Two
companies have come out with stands that provide functionality
without ignoring form. Take the iCurve, from Griffin Technology
(www.griffintechnology.com): “It’s something that complements
the beauty of Apple laptops instead of embarrassing them,” says
Andrew Green, Griffin's vice president of marketing, about the
$40, rounded, clear plastic stand. Two
acrylic prongs rise from the iCurve’s horse-
shoe-shaped base to support any Apple lap-
top. A keyboard tucks underneath the
iCurve, keeping you at an ergonomically
safe arm’s length from your screen. The
Lapvantage Dome, from The Plasticsmith
(800/394-3774, www.plasticsmith.com),
offers many of the those features in a
design immediately recognizable to anyone
familiar with a flat-panel iMac. The $80
deluxe model lets you adjust for height and
features a swiveling base; Plasticsmith also
sells a $50 Lapvantage. No matter which
stand you favor, both the iCurve and the
Lapvantage offer the same message—lap-
= top users should be able to work in style as
The Lapvantage Dome well as comfort.—PHILIP MICHAELS
UPDATED FONT EDITOR ADDS SUPPORT FOR JAGUAR, OPENTYPE
FontLab’s X Experiment
Graphics pros using Mac OS X have had to do without a native
font editor for customizing existing fonts or designing new ones.
But that’s about to change. After releasing an updated Windows
version of its flagship font editor this past fall, FontLab is prepar-
ing a Mac edition of FontLab 4.5 (877/366-8522, www.fontlab
.com)—and this release will run natively in OS X 10.2. (FontLab
4.5 should be in beta testing by the time you read this.)
Besides adding OS X 10.2 support, FontLab 4.5 will be able to
produce new fonts and convert older ones into OpenType, the
Unicode-based format created by Adobe and Microsoft to address
the typographic and cross-platform shortcomings of the venerable
‘Type 1 and TrueType formats.
FontLab 4.5 will also add support for Python—a scripting lan-
guage well known in the type-design field—and a revamped user
interface. The latter change tackles a long-standing criticism of
FontLab—an intimidating and complex interface, especially com-
pared with the look-and-feel of its main competition, Macromedia’s
$349 Fontographer (which, as of press time, does not run on OS X).
FontLab 4.5 will sell for $545, with upgrades from version 3.1—
the last revision on the Mac side—priced at $199. Fontographer
users can also switch to FontLab for $199.—TERRI STONE
BACK TO BASICS
Longtime Mac developers who've opted to come out with Windows
versions of their products can usually count on some howls of protest
from users who accuse the company of abandoning the Mac plat-
form. That hasn't happened to Real Software, which announced in
October that the next version of its RealBasic development software,
due out in early 2003, would run on both Mac and Windows plat-
forms, That doesn’t surprise Lorin Rivers, Real Software's vice presi-
dent of marketing, who believes that a Windows version of RealBasic
will make the Mac edition even stronger. He explained how in a
recent interview with Macworld.—PHiLiP MICHAELS
AT A GLANCE
LORIN RIVERS
Vice President of Marketing, Real Software
MAC: 667MHz Titanium PowerBook G4
SOFTWARE: Omni Outliner,
Creo Six Degrees
Why are you adding Windows compatibility in the next ver-
sion of RealBasic?
The primary reason is because our customers asked us to do so,
and they’ve been asking us to do that since we first released a
version of RealBasic that compiled for Windows [in 1999 with
RealBasic 2]. One of the challenges of doing cross-platform
development is the debugging stage. Not having the debugger
on the other platform, which would require that the whole
[development environment] be over there, made it quite a bit
more difficult to debug Windows apps. So that’s a big motiva-
tion right there—we want to make the quality of Windows apps
better, and we want to make it easier to do them well. Another
reason our customers want RealBasic on Windows is because a
lot of people use a Mac at home and a PC at work. It’s a lot eas-
ier for them to use RealBasic in their jobs [if they] have a Win-
dows version.
You mentioned better-quality Windows apps. Can the
same be said on the Mac side, that this move will result
in better Mac apps?
Treally think it will, because the Mac is so forgiving. Things
that are technically incorrect, the Mac will just kind of deal
with those and keep on going, even technically a bug or
bad code or what have you. Windows, on the other hand, tends
to be much less forgiving. As we're going along, doing the
development in parallel, the alphas are coming out within min-
utes of each other on Windows and on Mac. And the work that
we're doing on the Windows [development environment] is
making the Mac [version] better because we're having to fix
things we didn’t even know were broken. They were fine on.
the Mac but not fine on Windows.
(Moe tnfor
www.macworld.com/2003/01/macbeat/rivers/index.html
In our online interview, Lorin Rivers talks in-depth about the new
| compiler coming to RealBasic 5.
22) MACWORLD | January 2003 |
|_www.maeworld.com |
Even the best computer in the world can sometimes run into problems.
That's why Micromat developed TechToo! Pro" and Drive 10™.
TechTool Pro contains everything you'll need to diagnose and repair
almost any problem that ails your Macintosh. Drive 10 offers you the
most comprehensive drive repair and defrag utility native to Mac OS X.
With tools like these, you'll be able to keep your computer out of the
can for a long, long time. Learn more at www.micromat.com.
Wimicromat inc. 800-829-6227 707-566-3831 info@micromat.com www.micromat.com
‘©2002 Micromat, Inc. All rights reserved. TechTool is a registered trademark of Micromat, Inc.
Drive 10 is a trademark of Micromat, Inc. Macintosh is a trademark of Apple Computer, Inc.
JANUARY 2003
PP ERUESENN CRYO
PUBLISHING
BEAT
Software
Plug-Ins
‘SkinnyEPS 2.0, from Ultimate Technographics (800/363-
3590, www.ultimate-tech.com): The Photoshop plug-in
produces CMYK images that are an average of 15 times
‘smaller than normal EPS files. It requires OS X and Adobe
Photoshop 6.0 or higher ($195).
Productivity
TextSpresso 2.0, from Taylor Design (wwwvutaylor-design
.com);The updated text-processing utility now supports OS
X while remaining backward-compatible with OS 8.6 and
higher. TextSpresso uses filters to make text pulled from
e-mails, Web sites, and a wide variety of applications more
readable ($30; upgrade, free).
Workflow
‘TruEdit 2.0, from Managing Editor, Inc. (800/638-3347,
wwwmaned.com): The updated workflow-management
program, which works in conjunction with Adobe InDe-
sign 2.0 and InCopy 2.0, adds several new features,
including metadata support, file previews, and a search
engine. It runs in OS 9 and OS X ($249 per user;
upgrades, free). —comPiteD BY TERRI STONE
NETWORKING
BEAT
Hardware
A dual-band wireless access point from Linksys (800/546-
5797, wwwulinksys.com); The Instant Wireless Dual-
Band Wireless Access Point ($299) supports as many as
THE READERS SPEAK: OS X ADOPTION SHOULD CONTINUE INTO NEW YEAR
Year of the Jaguar?
Apple hoped to enter 2003 with more
than five million active OS X users. If the
plans of participants in the Macworld
Reader Panel pan out, you can expect that
number to rise throughout the year.
The survey of 937 Macworld readers,
selected at random by market-research
firm Karlin Associates, tackled a number
of questions, including OS X adoption.
Panelists were asked how much they used
Apple’s new operating system in 2002 and
how much they planned to rely on OS X
in the coming year.
Nearly three-fourths of the respon-
dents—70 percent—said that they expect
to use OS X either all or most of the
time in 2003. That's up from 54 percent
who reported using the new OS all or
most of the time in 2002. More encour-
aging to Apple, only 7 percent of the
panelists don’t expect to use OS X in
2003, a steep drop from the 25 percent
who didn’t use OS X in 2002.
Not surprisingly, then, when asked to
name the top issue facing Apple in 2003,
30 percent of the Macworld Reader
Panel cited ongoing OS X migration—
more than twice the percentage of the
next most popular response. Responses
were nearly evenly divided among the
next four choices. New consumer elec-
tronics devices and new i-apps each gar-
nered support among 13 percent of our
panelists. New desktops and laptops
were both favored by 12 percent.
As for the more immediate future, the
Macworld Reader Panel has hardware
on its mind. Asked which product they’d
like to see introduced at January's Mac-
world Conference & Expo in San Fran-
cisco, 38 percent of our panelists cited
new Macs, with 20 percent calling for
upgraded desktops and 18 percent wish-
ing for new laptop offerings. (After hard-
ware, an Apple-branded PDA was the
next most popular response, garnering
support from 22 percent of our pan-
elists.) And our survey took place just
before Apple unveiled its new portable
offerings, so the 18 percent hoping for
updated PowerBooks and iBooks may
have been satisfied before Expo even
began.—PHILIP MICHAELS
http://www.macworld.com/2003/01/macbeat/
poll/index.htm!
The Macworld Reader Panel issues its report card
for Apple's 2002 product releases. Find out which
new products made the grade at Macworld.com.
64 users, providing an advanced user-authentication fea-
ture and encryption of up to 152 bits. It unites two access
points for communication with both IEEE 802.11a and
IEEE 802,11b wireless network devices in the 2.4GHz and
SGHz bands,
An eight-port copper gigabit Switch from Netgear (888/
638-4327, wwwunetgearcom): The GS108 ($700) pro-
vides eight 10/100/1000-Mbps auto-switching ports,
each with Auto Uplink capability.
Awireless-ready router from Actiontec Electronics
(408/752-7700, www.actiontec.com): The Dual-Mode
Wireless-Ready Cable/DSL Router ($100) lets multiple
computers share high-speed Internet access. The router
also enables multiple users to log on to America Online
simultaneously via the same Internet connection. It offers
two WAN ports and three LAN ports, with built-in firewall
and 64- and 128-bit encryption.—comeieD BY tL ROTER
All of the time 28% a%
Most of the time 26% 28%
Half of the time 6% 1% +
Some of the time 8% 8%
Rarely 1% 5%
Never 25% 7%
Don't know 0% 3%
Total respondents: 937
[24 | Macworto | January 2003 |
www.macworld.com |
» = |
we protect your world.
r-CWIAC BEAT [JANUARY 2003 }——
PARODIES OF APPLE ADS ABOUND ONLINE
The Ol’ Switcheroo
MULTIMEDIA
B F AT Irs too early to tell whether Apple's “Switch” ads—those ubiquitous TV spots in which |
recent converts sing the Mac’s praises—will inspire others to jump to the Mac platform.
Hardware |: the TV commercials have been a source of inspiration to at least one segment of
the population—online animators, satirists, and other pranksters have flooded the Inter-
A USB MID! keyboard from M-Audio (800/969-6434, net with “Switch” takeoffs. Here are a handful of parodies worthy of recognition.
wert meatiio. com The Ra dike Midian Keystation Most Likely to be Served with a Cease-and-Desist Order Kevin Fox scores points for
eee MON eine clce nase berd, | Passion with “Bait and Switch” (www.fury.com/article/1386,php), a sharp rant slam
It’s compatible with both 05:9 and 0S X. ming Apple’s move from free iTools to subscription-based .Mac services. Still, don’t
= = = __| expect Fox’s parody to earn
| Software kudos from Cupertino.
Audio | Best Shout-out to an Island |
Cubase SX, from Steinberg (818/678-5100, wwwus | Nation Its probably safe to
_steinberg,net): This version of the audio-MIDI sequencer | Say that Ubergeek’s Flash-
is the frst from Steinberg to run natively in OS X. Fea- animated takeoff (www.uber
tures include unlimited undos and redos, offline process | geek.tv/switchback) is the only
history, and a 32-bit floating-point mixer with surround- | parody that incorporates para-
sound mixing and panning controls ($799; upgrade from | sailing, iBooks, sadistic fathers,
Cubase Audio VST/32, $149; from Cubase Score, $199, da esas teteodli oaks
from Cubase Standard, $299; from Cubasis VST, $399). aes HEA et sf
the Iceland Chamber of Com-
Pro Tools 6.0, from Digidesign (650/731-6300, www eres vebudl
.digidesign.com): This update adds OS X support to the Loa
industry-standard music-production program that works Best Performance bya: Pre
with Digidesign hardware, It will ship in early 2003 (pric- | mate Jason Gottlieb didn’t
ing not set at press time). pick the star of his ad (http://_ Watching Big Brother William Levin's “Switch” parody marks
Plug-ins homepages.nyu.edu/~jgg221), _ the return of this familiar face, from a 1984 Mac ad.
Magic Bullet Suite 1.0 from The Orphanage (323/933. | Claymation chimp, asa subtle |
8262, wwotheorphanagecom):The suite isaseries of | dig at the intelligence of the average Windows user. “I tell people all the time when they
Mac-only After Effects 5.5 plug-ins for converting high- are trying to figure out ideas to animate, ‘Do a monkey. People like monkeys,” Gottlieb
quality digital video to 24 frames per second, making it | says. The NYU film student animated the chimp himself over a weekend and then edited |
ook more like film footage (SD version, $995; HD ver- the spot with Final Cut Pro on a Power Mac G4.
sion, $1,995). | Best 1980s Nostalgia Parody William Levin’s trilogy of “Switch” parodies (www.macboy
Obercolor 1.0, from Frord Sofware (ifo@fnordvare | com) includes a spot that incorporates Big Brother from the 1984 ad that introduced the |
eat ape aa sa npne tape cart be Macintosh. Levin, perhaps the only animator to get his start while stuck on jury duty, used
Sy icc manager inate Uae being | Flash 5 and Iuscrator 10 to create the spots on an old Power Mac 8600/300. The other
profes in projets tocease portable pugnis | 880 ads feature ill Gates and the annoying dimit who pitches Dell computers. Atthe |
ptimtoed for Afr Effects 5.0 nd later (29) | Apple Store opening in New York, Levin showed an Apple executive a postcard of the Bill
Video Gates ad. “He didn’t seem all that amused,” Levin says. “But he did confess, ‘Yeah, I've
CatDV Pro 3.0, from Square Box Systems (sales@ seen this.’”—GREGG WRENN
squarebox.co.uk, wwwsquarebox.co.uk): The updated
|
logging and cataloging tool for digital video is a multi
a nkeluaiis batr0S Sand 05 ee | JAVASCRIPT BOOKMARKS CAN SPEED UP WEB SEARCHES |
‘on a network via a centralized server ($275; upgrade
track of digital video clips, Clip data can also be shared Searching Beyond Google
Hook CORDES S19 ee CARON SEER Google reigns as the king of search To make your own bookmark, create
Panncincsdas on engines. Still, if you think that repeat- a bookmark in your browser with this:
=. z . ~ | edly loading the home page is a royal javascript-void(q=prompt(‘Enter%20text
Heat Ai arena eerie | pain, there are a couple of ways to per- - %0to%20search%20using%20Google.',"))
Jukebox wil discontinue its Mae Radio MX sendce and | fF quicker Google searches. sf(qvoid(location.href="http/www.google |
cease support of Macintosh software altogether. Music- | _ One of the best search-engine add-ons -com/search?client=googlet&q='+escape(q))
match, which makes the software induded with Apple's | involves nothing more complicated than You can also go to www.macworld.com/
iPod for Windows, will focus development on the Win- | a bookmarklet, or favelet: a bookmark writ- __-2003/01/macbeat/google/index.html for a
dows platform. —cowsp by OuATHAN SEF ) ten in JavaScript and kept in a browser's link that you can drag into Internet Explor-
Favorites bar. Clicking on that bookmark er’s Favorites bar. Other bookmarklets are
displays a dialog box; just type your search available at www.bookmarklets.com and
term and get the results from Google. www.favelets.com.—jJEFF CARLSON
26 | MACWORLD | January 2003 woww.macwo!
COL
SONY.
OR ACCURACY
THE DIFFERENCE IS WHITE & BLACK
Setting red, green and blue accurately sounds simple enough. Yet creative professionals know how
easily the process can go wrong. That's why you need Sony's new Artisan” Color Reference System.
With one-touch calibration, Sony carefully sets and maintains not just white, but also black — providing
the constant contrast ratio and neutral gray balance required for faithful color reproduction.
That means Artisan displays are color-consistent, day-to-day. And multiple Artisan displays can
be accurately matched, across the hall or across the country, for color proofing you can count on.
Sony's Artisan Color Reference System is an integrated three-part solution. World-famous
FD Trinitron® CRT technology, sophisticated software that adjusts internal electronics of the display
itself and state-of-the-art colorimetric sensor, factory-tuned to Sony display phosphors.
It’s a combination that achieves remarkable color precision with applications like Adobe”
Photoshop® - an advantage ahead of its class.
Sony Artisan Color Reference System. The difference is White and Black. |B Mac |
Absolute Color
Control. Absolutely Sony - For more information call
1-800-206-5363 or VISIT www. SONY.COM/ARTISAN
Al igh reserved
Aisi ond Pet ae weds o ace Spe
sn ha orn pt witht wen ssn to ge witht ai, Sony. the Sn a, An ander edema Sy
Tecra and Wendown Poe erenenrs Moc O5 pears Te. ‘Af eer demas oe property of Uo vp omer
(MAC BEA BEAT J ANUARY RY 2003 }
(lwnars |
Intuit Quicken 2003 R3 12.0.2
Sener ao software
H OT poweredby B%y%
versiontrack cer Kensington MouseWorks 2.162 _
A Quick Look at 4D Webstar V 5.22 Jaguar update for mice and trackball river_
the World of Macs steve sotto ee Microsoft intelliPoint X 3.1
IntelliMouse driver
4, Embarrassed Microsoft Microsoft Office v.X 101.2
| executives admit Hing 7 Combined updater for suite
| to-windows switcher’s ‘Adds laguar compatibility SS ——$——
| a Midikeys 1.1.1
| bsiehisitided pie Apple iMac SuperDrive Updi Virtual MIDI keyboard
Fixes 4x DVD-R ar
2x DVD-RW media
also confess that Steve ‘MultiAd Creator Desktop Pro Pro 6.5.1.
| Macs place phone calls over the internet to other people
| running Mac2Phone software. Users set up an account
“INTERNET
BEAT
Internet Telephony
Mac2Phone Basic and Mac2Phone Pro, from Nikotel
(888/249-1010, www.nikotel.com): The two Internet tele-
phony products use voice-over-IP to let users of OS X
with the company, which then charges for calls placed
sing the software. Charges vary based on location
(Basic edition, free; Pro edition: $20),
Videoconferencing
SquidCam 1.1, from SquidSoft (720/747-1840, www
"squidsoft.com): The videoconferencing application for
05 X extends videoconferencing and messaging capabil-
ties to users who ar still dependent on dial-up modems,
as opposed to higher-speed broadband Internet connec-
tions. Version 1.1 also adds Video Answering Machine,
which lets users record a custom video or audio greeting,
and NetPhone support ($25 per-seat license),
Utilities
incompatibil
Ballmer site more than ra ae —oarTe ——, “pietisig avout sofmare Z
a collection of stack pho- tapered netOctopus 4.1.1
tographs and a Per script. Festeraicd Sx AD Hampel Con Network-management too!
‘ ASM 2.1b1
2, Apple balks at coming f OmniOutliner 2.1.1b1 ;
to Macworld Expo when it | Cestomzable pp-switcher menu asin jnciased lapped corpeatniy Vox outings
moves to Boston. IfApple | Photo to Movie 1.0.
doesn’t attend, aKennedy | Bugdom 21.0.2 Movie-effects application for photos
a Adventure-game sequel oo
chosen at random will give | Ndventure-game sequ
the Expo keynote address. Jaguar update for programming software
2. Apple releases Power- er SoundStudio 2.0.6
Books equipped with ‘Audio-recording and -diting tool
| SuperDrives. Cocky Apple | Fang doves tse Ul ces ThinkFree Office 2.1
| designers vow to add DVD- | Drumbeat X 1.6 ‘Wort pecan wewncael ial
| burning drives to Newton File-sharing and MP3 search tool ____ presentation suite
handhelds by year's end. Epson TWAIN 5.7574 TransmitX20
4 Dell Computer begins | Scanner module for most Perfection scanners SFTP support for FIP client
selling iPods. Inaconci- | Eudora 5.2b14 URL Manager Pro 3.0.1
iatory gesture, Steve Jobs E-mail-client beta Browser-bookmark manager
calls Michael Dell and offers | Font Reserve 3.1.1
Fixes Adobe InDesign 2 plug:
to “start selling some of
ie Ee ‘Desktop component of TechTracker
ur unk, ee
\ HP DeskJet 2.0f XPostFacto 2.2.4
7 OSX printer drivers formostmodels__—__ OS X-instllaton tity for old Macs
For these and other current updates, visit:
www.macworld,com/subject/updates
Macworld.com has the latest from VersionTracker.com,
CHARISMAC LOOKS TO RULE DESKTOP WITH FIREDINO HUB
All Hail the Lizard King
>) The adjective ferocious is seldom used to describe
computer peripherals, Charismac Engineering
(530/885-4420, www.charismac.com) aims to
change that, with FireDino, a four-port FireWire
hub grafted into the back of an eight-inch-tall
beast bearing a certain resemblance to a mon-
strous thunder lizard that once menaced Tokyo.
“We were talking about FireWire products, Fire-
Wire drives, fire this and fire that, until someone
joked about fire-breathing dragons,” says Tony
—S Overbay, vice president of sales and marketing for
Charismac. The $75 hub is FireWire- compliant, free of software drives, and completely
bus-powered (although you can order an optional $10 power adapter). FireDino’s glow-
ing red eyes let you know when it’s plugged in to a FireWire source—or when it’s plan-
ning to go on another rampage across your desktop. Does Charismac have any plans for
a USB version? Maybe, Overbay says. “A lot of people are asking for a counterpart USB
hub,” he adds. “And we're always looking for innovative products that will stand out.”
No word yet on whether that hub will take the form of Mothra.—ANTON LINECKER
:
| downloading ($1,495)—comPiteD BY LISA SCHMEISER
AlwaysOnline 3.0, from Rampell Software (www
srampellsoft.com): The utility stops America Online and
other modem-based Internet providers from logging
users off due to inactivity. Version 3.0 runs in OS 9
and earlier; a separate $19 version runs on OS X ($19;
upgrade, $14).
Web Design
MacASP 1.0, by Liane (wwwmacasp.com):The Common —
Gateway Interface (CG!) tool allows Mac users to create
dynamically generated Web sites, It runs on OS 8.6 and
higher, inuding OS X. Although MacASP isn’t compatible
with Microsoft's Active Server Pages, it does rely on script-
ing for its features and supports AppleScript (free to $299).
WebDesign 1.8, from Rage Software (www.ragesw.com):
The updated Web-authoring tool can now use full PHP |
syntax to edit PHP files, thus allowing users to update an
entire Web site simply by adjusting one Include file ($30;
upgrade, free),
WebMerge 2.0, from Fourth World Media (323/225-
3717, wwr.fourthworld.com): The updated tool for
generating dynamic Web sites from database or spread-
sheet files works in OS 8 and higher, including OS X.
The new version adds options for specifying how pages |
are generated and supports more than a dozen new
tags for assembling and linking Web content (single- |
user license, $79).
Web Publisher Pro, from Canto (415/703-9800, www
.canto.com): The new application allows users to take the
multimedia data archived in Canto’s Cumulus and publish
them as Web catalogs. Web Publisher Pro uses Cumulus's
format-conversion functions, so assets can be converted
into other file formats, color spaces, and resolutions before
{28 | MacworLD | January 2003 |
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| January 2003 | MACWORLD | 31
|_wowwmacworld.com | Choose 2 at winwmacworld.comigetinto
REVIEWS
Reviews you can trust: Macworld rates only final shipping products, not prototypes. What we review is what you can actually buy.
LOGIC PLATINUM 5.3
Veteran Program Brings Professional Music Production
to a Mac OS X World
BY DAVID LEISHMAN.
Almost two years to the day after
| Apple released the beta of its
Unix-based operating system,
| Emagic (now owned by Apple)
introduced Logic Platinum 5.3
for Mac OS X, the first profes-
sional digital-audio-production
application to work in the new
OS. Of Logic’s chief competi-
tors—Digidesign’s Pro Tools,
MOTU’s Digital Performer,
and Steinberg’s Cubase—only
Cubase was OS X native at press
time. The other two products
should be OS X native by the
fourth quarter of 2002.
The OS X-native Logic (avail-
able as an update on Emagic’s
Web site) is great news for the
| Mae and gives Logic users tem-
| ‘pormy bragging rights, but ics
still gearing up for prime time.
Emagic’s subsequent release of
an OS 9 version ensures that
longtime Mac users—and those
switching from Windows—will
have a rich, full-featured pro-
duction environment to work
with as they migrate to OS X.
(Although Emagic hasn’t made
any announcements regarding
further OS 9 development, it
seems inevitable that the com-
pany will concentrate on mov-
ing to the new platform.) And
you can move files easily between
the two versions, which are
similar except for some OS X-
specific issues.
| More Power, New Gear
Logic Platinum 5.3, the fifth
update to a massive 5.0 upgrade
released in February 2002, adds
minor tweaks and bug fixes to a
| host of new features. A key to its
power is the addition of AltiVec-
based DSP optimization, which
32 | MACWORID January 2003
means that you can work with
more simultaneous tracks and
plug-ins on G4-based machines
than you can on other Macs.
Logic’s Audio Engine also has
enables you to output master-
ing-quality recordings: two per-
sonal favorites are DeEsser,
used to reduce harsh S sounds
in vocals, and Multipressor, a
highly customizable multiband
compressor. And you can now
monitor plug-ins on a track
you're recording without affect-
ing the sound that’s captured—
from a musician's standpoint,
you get to hear the sound you
Hand Mixer
Your Main Axe Logic’s Track Mixer mirrors a studio mixing console to let you
record, as well as choose input sources, signal paths, and effects plug-ins.
been significantly beefed up and
can now handle 128 audio chan-
nels, with 64 auxiliary channels
for 128 stereo tracks; 15 inserts
per track and bus; and 64
buses—enough signal-routing
control to satisfy even a seasoned
studio professional.
New timesavi
include the ability to control
real-time track-based auto-
mation within Logic’s main
Arrange window—the old
process of moving between
windows was tedious, especially
as tracks stacked up—and the
addition of multiple undos and
redos, which can be lifesavers.
Logic’s new series of plug-ins
want, and from an editor’s or
producer's standpoint, you get a
clean track for subsequent pro-
cessing. This is invaluable.
One more new feature merits
mention: real-time sample-rate
conversion, which lets you
move high-resolution audio files
between your desktop and your
laptop and get excellent sound
on either.
Making Tracks
While Logic Platinum 5.3 makes
it easy to record your tracks,
it’s a complicated program with
enough power and control to
allow you to express even your
most complex sonic visions.
You'll begin to appreciate what
the phrase rough learning curve
means as you work with the
menus that appear in the editing
windows. Be prepared to spend
some quality time with the man-
ual and the help section to get
the most from your investment.
Logic’ installation proces
lows the standard double-click-
and-choose-your-drive-or-par-
tition method, but it’s followed
by a bout with Emagic’s latest
copy-protection system, which at
best is a double-edged sword. It
requires going back and forth via
e-mail with Emagic for your
XSKey Authorization number,
and it requires that you use
a small USB key, or dongle, for
storing the access code, Since
your authorization resides in the
dongle, not in the computer, you
can install Logic on any USB-
enabled Mac and activate it by
inserting the dongle. This is fine,
but if you lose it, you'll be not
only out of a dongle but also out
the $349 it costs to replace it.
After this hassle, though, it’s a
pleasure to finally reach Logic’s
home base, the straightforward
Arrange window, where you can
record audio and MIDI tracks
quickly. (You can also import
files—including Sound Designer
I, AIFF and WAY, and standard
MIDI files—that were recorded
in another program.) If you've
used a music sequencer, or even a
VCR, the interface will be reas-
suringly familiar.
You can also record tracks in
the Track Mixer window, where
you can add any of Logic’s nearly
60 on-board plug-ins, either dur-
ing the take or in subsequent
editing, until you find the right
sound. And as your track load
increases, you can group tracks
that you want to affect in the
same way (with the same amount
of reverb, for example) and apply
the plug-in there; this will help
reduce the load on your CPU as
tracks mount up.
fol-
_wonezmacworld.com
32. Music-production
38 All-in-one backup system
41 6.1-megapixel SLR
44 Electronic encyclopedia
application ABSplus camera Britannica 2003 Ultimate
Logic Patinum 5.3 39. Speech-secognition Nikon D100 Reference Suite
33. 3-D-graphics package software 42. Network-troubleshooting 45. Compact DV camera
Maya Complete 4.5 iisten 1.5 and -management program Panasonic PV-VM202
35. CRT-calibration system 40 Bibliography program LANsurveyor 7.0 45 Reviews in Brief
Sony Atisan Color Reference EndNote 6 44 Removable-media ‘A New Kind of Science Explorer,
System 41 Sound-output device storage Consistency 1.0
37 Compression utility M-Audio Sonica Zip 750MB FireWire External
Stuffit Deluxe 7 Drive
OUTSTANDING: $§$$$ VERY GOOD: $#$$ GOOD: $$$ FLAWED: $F
XTime?
‘The release of Logic Platinum 5.3
for OS X is great news, and Logic
users should download both the
OS 9 and the OS X versions if
they've moved to OS X. Emagic
recommends that you install the
program on the boot volume, but
we ran it successfully across drives
and partitions, The application
didn’t crash during our testing,
and it looks more attractive in
Aqua. We got snappier response
in OS X 10.2.1 than in 10.1.5, but
track counts for both ran slightly
behind OS 95. There's support
for Apple's built-in Sound Input
and Output and most of Emagic’s
hardware, and many developers
have released OS X-based driv-
ers. (Our M-Audio Delta 1010LT
audio card seamlessly routed
MIDI and audio data.)
While the OS X version is fine
for moderate usage, you'll likely
have to boot into OS 9 for final
production. Logic for OS X is an
unfinished product, missing a lot
of OS and interapplication com-
munication. And as of press time,
there was no OS X-specific man-
ual—a real pain. After an hour of
frustration with Jaguar's new
Audio MIDI Setup utility, a quick
call to Emagic’s excellent tech
support revealed that it isn’t sup-
ported yet. (It should be noted
that Apple doesn’t include a help
section for the utility, either.)
Unsupported formats and pro-
tocols in version 5.3 include
Rewire import and export
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