Text content (OCR)
MOVE YOUR VHS HOME MOVIES '
= STORE, ENHANCE, AND ARCHIVE YOUR
| VIDEOS \ wi TH OUR eTEP-6) Y-! STEP Sols) p.68
acwor
www.maeworld.com | June 2004 The Mac Product Experts
DIGITAL MUSIC
SUPERGUIDE
GET BIG, STRONG SOUND—
EVEN FROM AN iPOD MINI
CHOOSE THE BEST
iPOD CAR ATTACHMENTS
LEARN TO RIP YOUR
CDS THE RIGHT WAY
TRICK OUT iTUNES
WITH GREAT EXTRAS
MASTER THE iTUNES
MUSIC STORE
“The biggest advance in computing
in recent yea Se ~Peter Lewis, Fortune
“One thing that’s for sure is that the G5 is the biggest
advance in computing in recent’years, and not just
because it is the first personal computer to use a 64-bit
desktop processor.” ~ Peter Lewis, Fortune, 10/27/03
“The G5 is amazing. At Pixel Magic, we take advantage
of its high-speed data transfer, ultrafast render speeds SS
and screen refresh ability, with a Unix-based OS that
does not get bogged down! Bring on those big files!”
~ Ray McIntyre Jr., Pixel Magic
\
“With the G5 I'm no longer faster than my computer.”
~ Brian Lockwood, Director/Editor
“The combination of the G5 and Mac OS X Panther is
awinner.| opened more than 50 windows on the dual
2GHz G5 and saw no sign of slowdown. Under Final Cut
Pro, no matter what | did, the system would keep up.”
~ Marcello Pereira, RES
“We push deadlines to the nth, nth, nth degree; it would
be difficult to do without this type of technology. We're
still discovering all the things the G5 and Final Cut Pro
can do.” ~Rick Blue, Editor, Scrubs
“With the Power Mac G5, the increase in speed is
threefold over the old machine. Especially in my
line of work, this means more rendered scenes in the
same amount of time, more freedom to try different
versions, or simply a chance to go home before
midnight.”
~Thomas Tannenberger, Look Effects
“Having Apple Computer's new Power Mac G5 around the
office is like having a superhero assistant. If you've got
lots of graphics or video heavy-lifting to do all at once, it’s
amazing.” —Jon Fortt, San Jose Mercury News
“I've been driving Final Cut Pro on my lab’s Power
Mac G5 and marveling at what this platform
can doin realtime.” - Tom Yager, InfoWorld
© 2004 Microsoft Corpor Lio | ae
of cosof Cperation nthe nd/or othe |
|
|
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|
4
@a@eofefrr*
Explore your buttoned-up alter ego.
While you may not look forward to expenses, presentations, and memos, the other you eats ‘em for breakfast.
Microsoft® Office 2004 for Mac has clever new time~ saving features that let you ~ strike that the other you = = ohurn
‘out stunning documents. A smarteg
Your potential. r passion.”
enourage UMM word YS sce!
Office: mac
2004
June 2004 www.macworld.com | REVIEWS
32 MP3 players
| $$$: First International Digital irock 860
| $8 PoGo Products AudioRave
E i $88 Rio Cali
g | $845 Rio Chiba
OPINION
From the Editor's Desk
JASON SNELL
The Mac and the Mac community continue leading the way. And Macworld
readers can battle it out with me, Halo-style.
16 Feedback
Readers respond.
20 Software activation, Dreamweaver MX 2004 update, Adobe After Effects
6.5, 0S X's Spoken Interface, dotPhoto, 1984’s other debuts, and how a
restaurant-kitchen designer uses the Mac,
32. REVIEWS
68 FROM VHS TO DVD
The Virtual CD
Subscribers now have free access to the
contents of the CD-ROM that comes
+ ‘with newsstand copies of Macworld. To view
©) 01 the Cover the contents of the CD, go to the following
fa Photography by URL (broadband Internet recommended):
Peter Belanger http://cd.macworld,com/2004/06/boots-hats
Pon.
4 MACWORLD June 2004
36
4
42
B
44
46
46
47
47
48
1
56
$868 Rio Fuse
$$$ SmartDisk Rover
mie TOK Mojo 128F
Remote desktop application
jimbuktu Pro 7.0
Color laser printers
$$$ Brother HL-2700CN
$$$ Hewlett-Packard Color LaserJet 3500n
$$$) Konica Minolta magicolor 2350en
GSH) Lexmark C510n
$864 Oki Data C5300N
$$$} Xerox Phaser 8400/8
Desktop computer
Piiie Power Mac G5/dual-1.8GHz
Backup software
$94) Retrospect 6.0
Desktop publishing plug-ins
$$% Adobe PageMaker Plug-in Pack
FireWire analog-to-DV converters
$69) ADS Technologies Pyro A/V Link
$948) Canopus ADVC5S
$899! Datavideo DAC-100
$468) Miglia Technology Director's Cut Take 2
Font utility
$$$! Font Doctor 6
Large-format ink-jet printer
$$$} Epson Stylus Pro 4000
External storage drive
_$FHHE LaCie Bigger Disk
Graphics tablet and pen
$$$} Wacom Graphire3 6x8
Design package
$894 The Print Shop Mac OS X Edition 1.0
The Game Room
PETER COHEN
Get ready to hit the road—and kick some PC
derriere—with Unreal Tournament 2004. We also
review The Lord of the Rings: The Return of the King
and a new collection of word puzzles. Plus, check
out our first look at the upcoming Call of Duty.
Mac Gems
DAN FRAKES
Add functionality to Safari and Mail, tweak OS X's
built-in faxing capabilities, create and manage
your to-do lists, quickly access preference panes,
and turn your iPod into a PDA.
wowwmacworld.com
COVER STORY
SECRETS
Digital Music Superguide
CHRISTOPHER BREEN AND MICHAEL GOWAN
Digital music, especially when it meets up with iTunes and the iPod, has
changed the way we listen to our favorite artists. Our experts tell you
everything you need to know about ripping and organizing your music;
mastering the iTunes Music Store; playing digital music from your Mac,
iPod, or stereo; and using GarageBand to create perfectly timed sound-
tracks for your iMovies.
FEATURE
68
From VHS to DVD
JIM HEID
Don't let your old home movies deteriorate into oblivion. We'll show you
how to transfer footage from aging VHS tapes to your Mac; enhance it
with sound, pictures, and some editing finesse; and then publish it to a
DVD for all to see.
58 DIGITAL MUSIC SUPERGUIDE
woww.macworld.com
WORKING MAC
Protect Data in Panther
KIRK McELHEARN
Use OS X's Keychain and encrypted disk images to
safeguard the sensitive information on your Mac.
78
80
DIGITAL HUB
Shoot Action Like a Pro
DERRICK STORY
Motion is one of the hardest things for home
moviemakers to get right. Learn how to hold the
shot, and your filming will complement the action
around you, not make your viewers seasick.
CREATE
Web-Site Lockdown
TOM NEGRINO
With a combination of Macromedia Dreamweaver
and Contribute, Web designers can hand over
Tepetitive maintenance to clients without losing
control of a site’s important visual elements.
82
MOBILE MAC
Highway Fidelity
FRANKLIN N. TESSLER
Don’t drive another mile without your music,
Whether it's satellite radio, MP3 CDs, or iPods, we
tell you how to set up the best system for you.
86
GEEK FACTOR
iChat with Your TV
ANDY IHNATKO
With Apple’s iChat, the iSight, and an Apple-
Script, you can activate a video chat on a remote
Mac. Whether you use that for something useful
is up to you.
88
90
HELP DESK
Mac OS X Hints
ROB GRIFFITHS
Create read-only archives in Mail, prevent accidental
window closings, show your mood in iChat, change
iCal's display, view a desktop and menu-bar clock,
and disable disk-image verification.
Mac 911
CHRISTOPHER BREEN
Outwit AOL, install large applications without a
DVD drive, move your Home folder, rotate cockeyed
movies, and plug in multiple iPods to one Mac.
BACK PAGE
120
Hot Stuff
Check out our editors’ favorite developments of
the month.
June 2004 MACWORLD 5
OPTICS » MEGA PIXEL CCD
C| &
A
DIGIC DV PRINT & SHARE.
Let’s start with the
first thing you should
know. DV Photo Plus
refers to the four
key technologies
that give you both premium-
quality video and photos from a
single camcorder. And assuming
that’s not everything you wanted
to know, here’s the rest.
GENUINE CANON OPTICS
All Canon Mini DV camcorders
feature high-precision lenses
designed specifically for camcorder
use. But did you know that each of
our camcorders has a unique lens
that matches its CCD for optimum
quality? Or that our camcorder
lenses are made with the same
expertise used to create lenses
for professional photographic
cameras and broadcast TV cameras?
That’s surely worth knowing.
Especially since your
fabulous home videos
will undoubtedly
be broadcast to your
friends and family
during holidays and
get-togethers.
MEGAPIXEL CCD IMAGE SENSOR
No matter what you’re
shooting, you'll
get crisp images
with life-like
detail because of
this Megapixel CCD.
First it captures
the image. Then it
registers it. And then
OPTICAL
IAnaGe
STABILIZER
the image processor converts the
pixels into both great video and
great photos. Now, on to the brains
of the operation.
DIGIC DV IMAGE PROCESSOR
DIGIC DV is your camcorder’s
digital brain; you'll find one in every
Canon Mini DV camcorder. This
exclusive image processor captures
accurate color for both video and
digital photos. And like
the human brain,
DIGIC DV will help
a9,
"
sa
you take better pictures by
heightening the emotion in
everything you shoot. (Colors
become more vibrant, light more
dramatic, and the color spectrum
wider.) And, since video and
digital photos have different color
requirements, DIGIC DV uses
two different color techniques
to maximize video quality ona
TV and optimize photo quality
on a computer screen. You
didn’t know that now, did you?
PRINT AND SHARE
Print and Share makes it easy
to print photos directly to a printer
or to transfer images onto your
computer. Simply connect the
camcorder to any Canon printer
or PictBridge compatible printer,
select an image and voila: you
can print it for your family and
friends. It’s almost like having
your own private photo lab.
digital REVOLUTIONIZED video m we REVOLUTIONIZED digital”
Choose 23 at www.macworld.comigetinfo
SO THERE YOU HAVE IT
Everything you’ve always wanted to
know about DV Photo Plus. Not just
video and photos, the best of both.
Canon know row:
©2008 canon UA. Ine. Canon and Canon Know How are reitere,
trademarks and “digital evolutionized video, we revolutionized digital”
DIGIC Dy and DV PhotoPlus are trademarks Of Canon Ine, Mac andthe
Mae loge are trademarks of Apple Computer, nc registered Inthe U.S.
{and other countries. Microsott, Windows, and the Windows logo are
trademarks or vegisiered trademarks of tcrosolt Corporation fn the
US and/or other eauntaies Te Designed fr Windows X® logo refers to
the digital camcorders and their divers only. Printers sold separately
Viewstreen images and printer output image are simulate,
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Enjoy the benefits of personalized, service when you purchase
from a small company that is one of the largest Apple
resellers in the country.
Talk to anyone at Small Dog Electronics and you're talking to
a courteous Apple Product Professional.
From iPods to Xserves; digital cameras to high-definition
displays, we have what you're looking for. Give us a call
today, we're trained £0 help.
? Apple Specialist
FROM THE EDITOR'S DESK BY JASON SNELL
Sound and Vision
AS APPLE RIDES A WAVE OF SUCCESS WITH THE iPOD AND
iTunes, numerous industry pundits are questioning the company’s loyalty to
its Mac product line. After all, the thinking goes, if the iPod and iTunes are
so popular with Windows users, why should Apple
waste its time catering to the comparatively minus-
cule Mac market?
‘That way of thinking is crazy: you can’t ignore the
fact that Apple makes about 90 percent of its money
from its sales of Mac-related products. But even if
Apple is destined to bring innovative digital enter-
tainment products to the masses, regardle:
platform they’re using, the Mac—and Mac
remain a vital part of that destiny.
Follow Our Lead
Mac users defy convention. We care about com-
puter design and computer interfaces in ways that
PC users clearly don’t, and we're generally willing
to spend more money for our computers to get a
high-quality product. But take those traits one step
further: Mac users can visualize ways that technol-
ogy can change our lives. And we have courage
enough to take risks, in terms of time, money, and
the frustration of living on the cutting edge, so we
can be among the first to have our lives changed by
groundbreaking innovations,
‘Twenty years ago, Mac users chose the ease of
use of a graphical, mouse-driven interface over the
PC's complexity. But more recently, we've embraced
digital video editing, digital photography, DVD ere-
ation, and digital music. We didn’t blink at convert-
ing our CD collections to MP3s, and now we're
eagerly buying digital music downloads.
The Digital Generation
‘Take a few pages from my own life. Shortly after the
release of Movie, I boughta digital camcorder. On my
return from a trip to Europe, I edited several hours of
footage into a 30-minute feature and used iDVD to
burn it to a DVD. A week before my daughter's birth,
I bought a digital camera and, with the help of iPhoto,
churned out a Web site full of photos of the new baby.
And today, my daughter's collection of children’s music
is stored in MP3 format.
‘The worlds of digital video and audio are changing
ata rapid pace, so with this issue, we're tackling both
topics in major ways. In Christopher Breen and
2 Michael Gowan’s “Digital Music Superguide” (page
58), you'll read about integrating your music and
wowmacworld.com
your Mac—from buying high-quality speakers to
choosing the best method for converting your CDs
to MP3 format. And in Jim Heid’s “From VHS to
DVD” (page 68), you'll get step-by-step instructions
on how to convert your old analog videotapes (not to
mention old film reels) to digital format and get them
onto DVDs.
I’ve got some personal experience with that one,
too: Not too long ago, I transferred a series of videos
my friends and I had made back in 1985 onto DVD.
‘The videotape had noticeably degraded in the inter-
vening years, and I know that if I had let it sit for much
longer, that valuable keepsake of my youth would have
evaporated forever. Now it’s on digital tape and DVD,
and it’s safe for my daughter to roll her eyes at when
she gets older. If you’ve got old video treasures la
guishing on VHS, take Jim Heid’s advice and save
them while you still can. {7}
T MACWORLD.CO
Since | picked up a copy of MacSoft's Halo ($$#48; February 2004) a few months ago,
\'ve been spending too much time playing the game with other people via the Internet,
It's taken me back to my days at MacUser, when a few of us would stay after work and
wait out horrendous traffic jams by playing Halo’s direct ancestor, Marathon. Just as
playing against talented human strangers beats fighting computer opponents, playing
against people you know trumps any battle you might have with someone you run into
randomly on the Internet. And that’s why
| took to Macworld.com’s forums (www.
<macworld.com/forums) to round up a
group of Macworld readers for a few.
games of Halo. We've had a great deal of
fun with it, and | hope the members of
Macworld's online community will use our
forums not only to get to know each
other better, but also to stoke their com~
petitive urges. Who knows? That guy car-
tying the enemy flag into your base might
just be Macworld's editor in chief.
Got an interesting way you've taken advantage of Apple's innovations? Enjoy firing Halo's Fuel Rod Gun
at coworkers? Send your comments to me at jason_snell@macworld.com, or join in the conversation at
‘www.macworld.com/forums.
June 2008 MACWORLD. 11
NOVEMBER 7-14, 2004.
°
ac anla ree ee
Editor in Chet son Sel
Executive Editor Jennifer Weiner
‘Managing Editor Charles Purdy
Senior How-to Editor Terti Stone
Senior News Editor Philip Michaels
Senior Reviews Editor Jennifer Berger
Senior Editor Scholle Sawyer McFarland
Test Manager, Macworld Lab James Galbraith
Senior Associate Editors Kelly Lunsford,
Jonathan Self
Associate Editor Jackie Dove
Copy Editor Sue Voelkel
Editorial intern Cyrus Faiva
Contributing Editors Chvistopher Breen, Adam C. Engst, Dan Frakes,
Bruce Fraser, Rob Gifiths Jim Heid, Andy Innatko Ted Landau, David Pogue
At Director Jennifer Steele
Senior Designer Amy Helin
Contributing Designer John Farnsworth
Contributing Photographer Peter Belanger
Cover Consultant. Susan Scandrett
Editor, Online Jim Dalrymple
Senior Editor, Macworld.com David Leishman,
Senior Editor, MacCentral.com Peter Cohen
International Editors. Matthew JC, Powell, Australia; Bernard Le Ou,
France; Sebastian Hirsch, Germany; Envico Loti, Italy: Yoshio Moriya,
Japan; Krayszot Pletrasik, Poland; Daniel de Blas, Spain; Nis Holo,
fen, Engin Gedik, Turkey; Simon Jay, United Ki
Accounting Coordinator Rond:
To learn more see us online at
www.geekcruises.com/top/mm3_top.htm ihgelreauea wie aes
Human Resources Coordinator Jenny Steele
MDirector Sean Greathouse
Publisher Cynthia R (073/228-3074)
> National Accounts Manager Paul Bonartigo (508/533-4020)
Western Advertising Director Sara Culley
‘Account Executive Franck Zamora
Showcase Account Manager Niki Stra
Showcase Account Manager Carol Johnstone (415/243-3691)
T. LAUDERDALE
Nassau =
Half Moon Cay
Director, Online Advertising Doug Detlefsen (415/243-3598)
Online Account Executive Rachel Desjardins (415/267-4562)
Marketing Manager Kasey
‘Administrative/Marketing Asst, Amanda Carter (415/978-3380)
acMullen
Tortola Production Director Steve Spingola
Prepress Manager Mark Frischman
St, Maarten Booking and Billing Manager Ricardo Sandoval
i Assistant Production Manager Megan Ma
Online Production Manager Ron Neal
CO-PRODUCED BY: Vp, Consumer Marketing Sh
Cabin rates, per person:
Associate Circulation Director
Standard Inside: $799 Director, Retention Marketing Lisa Radler
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Better Inside: $849 acwor Subscription Marketing Manager Simon Thaler
es Assistant Manager Retention Matketing Cistine Chapman
Standard Outside: $949 THEMAC PRODUCT EXPERTS Newsstand Consultant George Clark
Better Outside: $999 June 2004, Volume 21, sue 6
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i Maca if Macaig
Power Guide to ane Guide to
Dig Potgapy) pecs
ii
‘Suibserfations la not fneltiels manthly D-RAM. |
14 MACWORLD June 2004 wwnw.macworld.com
Avid Xpress* Pro with Avid Mojo™
DV on Steroids
Start with industry-defining Avid editing software and a
full set of expert production tools. Add the revolutionary
Avid Mojo Digital Nonlinear Accelerator” (Avid DNA™)
hardware for simultaneous, render-free video and effects
to monitor and tape. Avid Xpress Pro with Avid Mojo
We've created a monster. wwuw.avid.com
Choose 39 at www.macworld.comigetinfo
Sathcns ny Tei, 2
Tin ey iy ae
fastistous! ares bec 1
eccean pean Pe fete! ete at
aes Bvt Hae be Soran
oS
Office Politics
DEREK COLLINS S|
Since Mac OS X came out, I’ve been
working hard to avoid Microsoft products.
My main problem is organizing all the
e-mails, documents, and to-do lists that
come with editing a quarterly newsletter, I
have not found a good product that will do
that for me—until now. With Office 2004
(“Office 2004: First Look,” March 2004),
it looks as though Microsoft understands
projects and that project managers need to
have information cross-linked and easily
accessible. I guess I may have to consider
switching back.
BILL STEINBICKER ry}
No doubt Entourage’s new Project Cen-
ter will make some people, including me,
very happy. Yet I’m leery that this may be
complicated automation that usurps still
more user control, What Entourage
needs is user-friendly simplification, For
example, creating folders and categories
to group e-mail addresses should be more
intuitive, similar to creating folders to
store messages. And Entourage should
offer more options for putting hyperlinks
into e-mail letters.
Apple's Expo Examined
STEVE KOHLMAN =|
‘Too bad that Apple was so shortsighted on
the price of the new iPod mini (“Center of
Attention,” March 2004). Why would T
pay $250 for a device that holds only 1,000
songs when, for another $50, I can buy the
15GB iPod, which holds more than three
times as many songs? Apple is going to
have a lot of iPod minis lying around.
Apple, which reported 100,000 preorders of
the iPod mini, might disagree with you.—Ed.
16 MACWORLD June 2004
Dispensers of Wisdom
With a March 2004 issue devoted to the new hardware and software announced at
Macworld Expo, Macworld readers saw plenty of contenders for the title of coolest
new product at the Mac trade show, Reader Jon Spangler's choice: the optical-sensor
paper-towel dispensers at Moscone Center. They “worked equally well for PC, Mac,
Unix, and Linux users, and booted up automatically, And using these hands-free out-
put devices required no new hardware or software updates.” Our readers always have
a unique perspective on something—even when it's paper-towel dispensers,
GALE WELLS. S
T really enjoyed Jonathan Seff’s article on
GarageBand. It points out just how easy
GarageBand is to use. I would have added
how well it runs with Digidesign’s Mbox,
as well as how to create loops in Reason
5. And let’s not forget how easy it is
to sweeten GarageBand in Pro Tools.
GarageBand i is the perfect sketchpad for
any musician or music lover.
JOHN TENWOLDE Ee
iPhoto 4 is a step backward, if not two
steps. After upgrading, I could not believe
how slowly iPhoto ran. Screen redraw is
slow to the point where it’s almost painful
to wait. If three photos are on screen and
one is highlighted, that photo will not
become clear. When I select one of the
other photos, it gets blurry and then the
others become clear. In iPhoto 2, I could
fill my screen with three images; I can do
that in iPhoto 4, but] cannot place them
edge to edge; they are also not as large as
they were in iPhoto 2.
Wireless Mouse Tales
NANCY NANGERONI 2
While I was pleased to see a roundup of
wireless input devices (Reviews, March
2004), I was disappointed that it didn’t
address make-or-break battery issues
more fully. Unanswered questions include
battery life and of battery replace-
ment. For any cordless device, battery life
and renewal is a crucial factor in its over-
all ease of use. Too much computer tech-
nology becomes trash after a too-short
life; let’s encourage more environmental
responsibility and product longevity.
WILLIAM H. SHEPHERD Es
Tve been using my Belkin Bluetooth
Wireless Optical Mouse for almost two
months now, and found your review lack-
ing. While it took several tries to estab-
lish a pairing, the mouse now works fine.
‘The thumb button does not work as
advertised, but it can be set in System
Preferences to operate Exposé instead.
‘The mouse is strictly for those willing to
use rechargeable batteries—it’s a big fat
power hog. But since a Bluetooth multi-
button mouse with a scroll wheel is a rar-
ity, your readers may find ict worth a
second look,
Here's to the Hub
BARRY JAY LEVINE ie]
Jim Heid states that you need Quick-
‘Time Player Pro to remove extra audio
from an iTunes file (“Record Streaming
Audio,” Digital Hub, March 2004). Actu-
ally, once you've set the start and stop
times in the Info box, just select the file
in the iTunes Library window and then
select Convert Selection To MP3, This
will eliminate the extraneous audio com-
pletely, as it duplicates the original MP3.
Or if you'd prefer to trim an MP3 file
rather than reencode it, there’s Deep-
Niner’s MP3Trimmer ($5; www.deep
niner.net/mp3trimmer)
If you've recorded directly into MP3 or AA
using the Convert command means compressing
the audio twice, thereby compromising sound
quality considerably. In these cases, you should
avoid using the Convert command.—Jim Heid
Mystifying Mythology
DAVID KATSAROS ies)
Peter Cohen's calling Age of Mythology
a “flawless Mac conversion” (The Game
Room, March 2004) is a bit of a stretch,
There’ misinformation in the system
requirements printed on the box, which say
womnumacworld.com
it will run on a 450MHz processor with
16MB—it won’t even run on a 600MHz
with 16MB. There are also system freezes
during play. No problem, MacSoft says-
just turn off one of the processors before
you play. This game shows some great
potential but needs work, and MacSoft
needs to be more honest in the way it ma
kets its product.
MacSoft tells me this problem is not endemic
to all dual-processor Macs but only a small
percentage of customer systems. The company
has since released an update that fixes the
problem.—Peter Coben
Book ‘em, Macworld
PAUL CALAMAI i)
In “Develop Safari’s Power” (Geek Factor,
March 2004), Dori Smith recommends
using BBEdit or TextEdit to write book-
marklets code, copy the code, and
paste it into Safari's address bar, and then
dragging the corresponding globe icon
into Safari’s address bar, A faster
mply writing the code di
’s address bar, thus avoiding the copy
is part photo quiz and part
survey. Ht gives vs a feel for
what you're doing with
digital photos and tt aves
‘you a chawee to have some
un, win prizes, and learn
a tew photo tricks.
www.macworld.com
and paste steps. Here’s another book-
marklet your readers might appreciate:
javascript: location. href="mailto
SUBJECT='+document .title+' &BODY="+
escape(location.href)
This script opens a new e-mail message
window, places the URL of the Web page
you're browsing in the message’s body,
and places the Web page’ title in the mes-
sage’s Subject line. I find this easier than
using the Services: Mail: Send ‘To proce-
dure when I want to point someone to an
interesting Web page I’ve found.
perience scripters, typing directly in
s address bar is definitely But for
those with little or no scripting experience, ty,
ing the code in a text editor makes it much eas~
ier to debug code because you can see all of it at a
glance (as opposed to the few characters that
appear in an address bar). The suggested book-
marklet looks handy; one enhancement that
might make it even more useful would be to
add +'\r'+window.getSelection() to
the end. This would add any text you've selected
on the Web page to the body of the e-mail, so the
recipient would know a little more about the ree~
ommended page.—Dori Smith
Priz
JUNE 2004 FEEDBACK
Hotspot Insecurities
KURT WIMMER ies}
“Hop on a Hotspot” (Mobile Mac, March
2004) spotted—sorry—a number of impor-
tant issues, but I was disappointed by its lax
attitude toward security. Sure, if a stranger
shares music files using your AirPort,
you're unlikely to be tagged for it. But as
Internet lawyer, I’ve seen tougher cases.
Suppose that stranger hacks into a compa-
ny’s Web site. Whose IP address has been
left behind? Yours. You’ll eventually be able
to prove that your computers didn’t
that site, but only after the police’s forensic
types have crawled carefully through all
your computers. It’s a nice legal theory to
think “I’m an ISP,” but don’t ask me to be
the test case. My security’s turned on.
an
Hewlett-Packard Responds
HUGH AMICK (VICE PRESIDENT, MAC-CON
NECT MARKETING, HEWLETT-PACKARD) _ [2
A Macworld reader expressed concern
about the HP Designjet 120nr’s Mac OS X
support (Feedback, January 2004). We
continues
Take the Wacom Photo Challenge
today and well sew vou a free
copy of the new
featuring digit
Soott Kelby 2
Visit
WWW-TabletPhotoFun com
June 2004 MACWORLD. 17
JUNE 2004 FEEDBACK — = =
would like an opportunity to shed some
light on the matter. Shortly after the intro-
duction of the HP Designjet 120n/120nr,
we released the HP PostScript RIP 3.1,
which supports Mac OS X 10.2, followed
by an enhanced version, RIP 3.2, in
December 2003. In addition, HP has been
providing the non-PostScript raster driver
for Mac OS X 10.2, and it includes support
for the new OS X 10.3. Recently, HP
has also successfully tested RIP 3.2 with
OS X 10.3, Customers can currently
request a free, updated CD that now
includes Panther support through HP
support channels. Look for the details on
www.designjet hp.com.
Regarding RagTime
BOB HORST (PRESIDENT, COMGRAFIX) =)
We appreciate Galen Gruman’s review of
RagTime 5.6 (April 2004); however, there
are some errors and omissions that should
be pointed out. The review claims there
was no printed documentation; two copies
of the full RagTime package with docu-
mentation were sent to Macworld but were
apparently not forwarded. Gruman wrote
conference
8-12 AUGUSR2004
exhibition
10-12 AUGUST 2004
SIGGRAPH2004
that he wished “there had been a keyboard
shortcut for importing text and images.”
Any menu command can be given a short-
cut by adding it in a menu item, He also
wrote, “You can’t create multiple text boxes
on a page and link text between them.”
There is a tool in RagTime that allows you
to do this quite easily.
RagTime has the largest AppleScript
dictionary of any Mac program. The edu-
cation and nonprofit price is $95, A non-
commercial-use version of RagTime Solo
is available for free. First Steps, an inter-
active tutorial, was created with RagTime.
Gruman never contacted Rag Time with
questions or requests for support. ‘The
questions were asked after the review was
published. RagTime has received many
favorable reviews; for links to them, see
www.comgrafix.com/ragtimereviews.html.
Iwas wrong to say that you can’t link text boxes
on the same page. I should have said that it can
be hard to do, The product provides two linking
tools; only one works for flowing text. I stand by
my criticism that there is no shortcut for import-
ing text and images; permitting users to create
AppleScripts to access common ta: inade-
ses are fasci
Creation
Reconnection
Interaction
Return on Investment
Your Self
Move the fact that there!
quate. It’s true that users can buy copies with
printed documentation, but users who choose to
download the software get PDF documentation
that is difficult to follow and not very useful. I
did try to resolve the text-flow issue with tech
support but I did not use my real name, to avoid
special treatment.—Galen Gruman
© Post comments on our forums (www
«macworld,com); send them by mail to
(2) Letters, Macworld, 501 Second Street,
5th Floor, San Francisco, CA 94107; or send
‘them by e-mail to letters@macworld.com.
Include a return address and daytime phone
number. Due to the high volume of mail we
Teceive, we can’t respond personally to each
letter. We reserve the right to edit all letters
and posts. All published letters and forum
comments become the property of Macworld,
“Wireless Input Devices," (Reviews, March
2004) mistakenly included Logitech's MX700
cordless optical mouse in a list of ambidextrous
mice, It is designed only for right-handed use,
© © svor0soyrcrerven
Lorelei David
Visual Etfect
gH
Los Angeles Convention Center
the World's Premier Conference on Computer Graphics and
www.siggraph.org/s2004
Interactive Techniques
‘nn e202 ey Ut ang Zt i Sn, man hc en a HS hn Ben Ranching Otero 08 i nM Sania NA SE? Ta Nt ec a i fis ech
18 MACWORLD June 2004
wwwsmacworld.com
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20. MACWORLD
macidéail
WHAT'S NEW
HOW ANTIPIRACY FEATURES AFFECT YOU
Activation Nation
When the hard drive on Edward Coles's Power Mac G4 failed in February, the Ohio
designer decided to upgrade to a Power Mac G5. Switching over the software
from his old machine, Coles went to install QuarkXPress 6. The program displayed
a message saying that Coles had exceeded the number of installations allowed.
The same thing happened when he tried to reinstall Macromedia's MX 2004 suite.
Coles ran into a roadblock thrown up
by software activation, a feature that
developers are increasingly adding to
their programs, Activation is an
antipiracy tool that prevents users
from installing software on unautho-
rized systems. While developers see
activation as an easy solution to the
very real problem of software pir
some users are put off by what they
view as an intrusive and burdensome
addition to their applications.
“These software companies
are not my business part-
ners; they are my vendors,”
says Coles, who wa
blocked by activation
features because he
didn’t deactivate the pro-
grams before switching
computers. “I should not
have to ask permission to
reinstall the softwar
All about
Activation
Activation is a familiar con-
cept in the Windows world,
where it’s featured in
Microsoft’s Windows XP
and Office XP, among other
software. But activation is
only now coming to promi-
nent Mac programs. Quark
(www.quark.com) added an
activation system for single
June 2004
copies of QuarkXPress 6, its page-
layout application. Macromedia
(www.macromedia.com) now includes
activation features in its MX 2004
products and in Contribute 2. MYOB
(www.myob.com/us) requires that
users authenticate AccountEdge
annually, to make sure they’re legiti-
mate owners of the software.
Software developers have a clear
motivation for making sure >)
that people using their prod-
WHAT'S IN THE PIPELINE
WHAT'S HOT
ucts paid for licenses. The Business
Software Alliance (BSA), an industry
trade association, contends that the
lion’s share of the $13 billion that
software publishers lose each year to
piracy comes from workplace over-
installation—putting copies of a pro-
gram on more computers than the
license allows. By linking a copy of a
program to a specific computer, soft-
ware activation puts the brakes on
that practice,
“Activation ensures the software
re using is licensed and
zed,” says Bob Kruger, the
BSA% vice president of enforcement.
“Tr can deter casual copying with
© little impact on legitimate use
and legitimate customers.”
“Reduced pir
to invest in product devel-
Quark’s director of commu-
nications. “And that’s
where we want to spend
our energies.”
Here’s how activation
works with QuarkXPress
6: When you install the
software, it pulls the ID
numbers of your Mac com-
ponents, such as the hard
drive and the RAM, to
create identification.
Quark stresses that it
isn’t collecting any per-
4
doing is creating a unique
‘Turpin says. That activates
your copy of QuarkXPress;
wawwemacworld.com
y allows us
opment,” adds Glen Turpin,
sonal information: “All we’re
number of a unique system,”
if you move your software to
ILLUSTRATION By LUBA LUKOVA
Please activate your copy QuarkXPress 6.0.
You can run the full version of QuarkXPress 6.0 for another 5
day(s) without activation. At the end of that time, it will revert
| toa demo version until you activate your product.
How would you like to activate?
Over the Internet (preferred method)
© Over the telephone
| (ep) Cc
For more information see the ( Quark Privacy Poli
| Take the experience of
| Yvonne Walker, a certified
| MYOB consultant who saw
a client reject AccountEdge
» | because of the program's
| authentication requirements.
| The client expressed concerns
about privacy and being
locked out of his own files.
Ready, Set, Activate To combat
piracy, Quark requires that XPress 6.0
users activate their copies of the soft-
ware @. The company says that this
one-time process takes just a few
‘minutes via the Internet ©,
another system, you'll have to
reactivate QuarkXPress.
Adobe takes a similar approach
for the Windows version of Photoshop
CS: when a user registers the program,
Adobe logs Photoshop's serial number
and a randomly generated machine-
identifying number. “Our secondary
objective is to combat piracy,” says Drew
McManus, director of worldwide anti-
piracy for Adobe, “Our first is that the
honest customer isn’t hassled by the pro-
gram.” (While Photoshop for Windows
is Adobe’s only product that currently
features activation, the company plans to
introduce it to other programs and plat-
forms in the near future.)
MYOB features a slightly different
process; after a year, AccountEdge
prompts you to verify your company
information. You have a 30-day grace
period to authenticate with MYOB; after
that, you won't be able to update informa-
tion in your files until you complete the
process, though you can still view and
print information.
Customer Complaints
But activation doesn’t always work as
smoothly as advertised. A year ago, Intuit
added activation features to its TurboTax
software for the 2002 tax year (but not to
the Mac version). After customer com-
plaints, Intuit dropped activation from the
2003 version of its TurboTax line.
Consumer concerns over activation
generally cover two areas—privacy and
ease of use. Software users are uneasy with
anything that even hints of exposing their
personal data to someone else. And they're
even less enthusiastic about a feature that
could infringe upon their fair-use rights to
a product they paid for.
wnnw.macworld.com
——
MYOB stresses that its
authentication method
doesn’t intrude upon pri-
vate data. “We're not
interested in anything
more than a match
between a serial num-
ber and a company’s
name,” says Cynthia
Mackewicz, MYOB’s gen-
eral manager. The company
claims that it gives plenty of advance
notice when authentication is required, to
avoid lock-outs. “We're trying to make
this a very user-friendly experience,”
Mackewicz adds,
Some consumer advocates see acti
tion driving a wedge between companies
and consumers. “Ultimately, the busi-
ness decision for [software companies]
is whether this extra protection is worth
the inconvenience to customers, driving
them to other, better alternatives,” says
Wendy Seltzer, staff attorney for the
Electronic Freedom Foundation (EFF),
a digital-rights group.
Getting It Right
‘The BSAs Kruger concedes that some
software makers have stumbled when
adding activation to their products. “You
always have to have missteps for others
who come afterward to get it right,” he
says. “But I absolutely believe our com-
panies are committed to getting it right.”
Quark, for example, recently released
an update to QuarkXPress that includes
improvements to its activation feature.
Originally, users could not copy and
paste the lengthy activation code Quark
sent them onto the software’s activation
screen; with QuarkXPress 6.1, they can.
The update also lets users reactivate
XPress over the telephone, instead of
just online.
“We realize there is a balance between
protecting our intellectual property and
not wanting to inconvenience users,”
Quark’s Turpin says.
‘The willingness of developers to
improve upon activation features should
offer some comfort to users, especially
since it looks as though activation will be
around for a while—or at least until soft-
ware pirates figure out a way around it.
So how do companies implement it
properly? The EFF’s Seltzer would like
to see companies spell out and stick to
clear privacy guidelines while adopting
features that continue to give users a
ange of rights. Many of those sugges~
tions are endorsed by the BSA (see
“Practices Make Perfect”).
“As long as companies respect the
interests of the end users, the [activation]
technology can coexist alongside a very
positive end-user experience,” Kruger
sayS.—PHILIP MICHAELS
Additional Reporting by Jeffery Battersby
Practices Make Perfect
While software developers must figure out how to include activation features in their
products, the Business Software Alliance offers a list of best practices, Available at
‘www.bsa.org/usa/antipiracy/Product-Activation.cfm, the list covers the following areas:
> Privacy: Activation shouldn't collect personally identifiable data without users’ knowledge
and should follow applicable data-protection laws,
> Ease of Use: Activation shouldn't be burdensome to the end user and should, ideally, be
limited to a one-time process per machine.
> Full Disclosure: Software makers should clearly explain the activation process, including
what data is collected and how it's transmitted, to users.
> Suppo!
‘tion questions.
> Securit
: Users should have access to documentation and tech support to help with activa-
Activation methods should protect stored and transmitted activation data.
> Speed: Activation should be taken care of as quickly as possible.
> User Control: Activation should allow users to easily move programs to a new or upgraded
computer in whatever way is authorized by the software licensing agreement.
June 2004 MACWORLD 21
JUNE 2004 MAC BEAT _
ADOBE UNVEILS AFTER EFFECTS 6.5
CREATIVE
BEAT
Still in the Picture
Video may have killed the radio star, as the
Buggles once sang, but on the Mac, the success
of Apple's digital-video apps has helped kill Mac
versions of Adobe's video software. In a little more
than a year, Adobe (www.adobe.com) has dropped
Mac support for Premiere while killing a Mac ver-
sion of Encore DVD before ever releasing it (see
“No Adobe, No Problem?"
Mac Beat, June 2003), cit-
ing the dominant position
enjoyed by Final Cut Pro
and DVD Studio Pro on
the Mac.
But when it comes to
After Effects, Adobe isn’t
backing away from the
Mac. The latest update to
the motion-graphics, com-
positing, and visual-effects
tool has a host of new fea-
tures that boost speed and productivity, including
enhanced support for PowerPC GS processors.
While After Effects has offered RAM previews.
of real-time playback, version 6.5 adds disk
caching as well. That, coupled with better OpenGL
support, should make for faster previews.
After Effects 6.5 has more than 60 new
effects, including Particle World, Light Burst, and
Ay
Toner, as well as the Cycore FX bundle. The
update, set to ship before the end of June,
includes Synthetic Aperture’s Color Finesse—
normally a $595 plug-in—for improved color
correction. The program's Clone Tool adds user-
definable presets while the Advanced Clone Tool
now lets you see source and target at the same
time, After Effects’ Eraser tools have greater
control and flexibility.
Among text features, After Effects includes
more than 250 new text-animation presets for
quickly switching between animation options.
Anew Effects & Presets palette lets you save
effects, transformations, expressions, and text-
as-animation presets—a real time-saver if you
use the same settings again and again.
In addition to the $699 Standard edition,
After Effects 6.5 is available in a $999 Profes-
sional edition, (You can upgrade to either from
version 6.0 for $99.) The Professional version
includes enhancements to motion tracking
for improved accuracy and new scripting
support for automating commands, which
speeds up repetitive tasks, It also has Add
Grain, Match Grain, and Remove Grain effects
for making video look more like film and
for matching grain among various film
stocks.— JONATHAN SEFF
MACROMEDIA UPDATE PROMISES IMPROVEMENTS
Sweeter Dreams
Nobody likes hearing criticism—especially software makers when it comes to the usabil-
ity of their products. But that’s largely what Macromedia (www.macromedia.com) heard
last fall after it released Dreamweaver MX 2004 (861; January 2004). Many Mac users
found the new version of the Web-design and -development software wanting; some
people even questioned Macromedia’s commitment to the Mac. But Macromedia hopes
to answer those complaints with a
SSS os
Back in Time The Dreamweaver update restores the Timelines feature.
Dreamweaver 7.0.1 update aimed at
bolstering stability and performance.
Many basic tasks—such as launch-
ing the program, switching between
documents, and editing inside com-
plex nested tables—are noticeably
faster; the update also improves find-
and-replace, CSS editing and render-
ing, and FTP performance.
Version 7.0.1 fixes a slew of bugs, more than any previous update to the program,
according to Dreamweaver'’s product manager Jen Taylor. That's good news for Panther
users who can’t use the eye-dropper tool in MX 2004 and who struggle with a disappear-
ing Insert bar and Property Inspector. The Timelines feature also returns in 7.0.1. And
Macromedia hopes that Mac users’ goodwill returns with it—DAVID SAWYER McFARLAND.
22 MACWORLD June 2008
‘Amapi 7 Pro, from Eovia (www
.eovia.com): 3-D-modeling soft-
ware adds OpenGL-based real-
time 3-D display ($799; upgrade
from Amapi Designer 7, $329;
from Amapi 6, $429),
BabelColor, from The BabelColor
Company (www.babelcolor.com):
Software translates color coordi-
nates between RGB spaces ($65).
Box Editor, from Apago (www
-apago.com); Adobe Acrobat
plug-in uses new XML data
format for easier exchange of
data between publishers and
advertisers ($29).
GraphicConverter 5.0, from
Lemke Software (www.lemkesoft
.delen): Graphies-conversion
software now supports lossless
cropping of JPEGs and conversion
to CMYK ($35; upgrade, free).
Mover 5, from e-on software
(wwnne-onsoftware,com): Ani-
mation software for Vue d’Esprit
and Vue Professional adds ability
to import complete animations
created with Poser 4 or 5 ($99;
upgrade, free).
‘TransPoser, from Eovia (www
.eovia.com); Plug-in imports
animation created with Poser
4 or 5 into Carrara Studio 3
($129)—comeiteo By PHILP MICHAELS
PRODUCTIVITY
BEAT
Final Draft 7, from Final Draft
(wwwfinaldraft.com): Word pro-
cessor for screenwriting adds
Panels System, for splitting the
screen into separate panels
($229; upgrade, $89).
QuicKeys X2 2.1, from CE Soft-
‘ware (www.cesoft.com): Automa-
tion utility adds multistep function-
ality for jumping to a particular
step in a shortcut ($100; upgrade
from version 2.0, free; from version
1.5, $20; from version 1.0, $35;
from Classic version, $70).
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Engineering (www-shed.com)
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lamps, motion detectors, and heat-
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Picture Changes dotPhoto is rolling out several new
features that will make it easier for photographers to sell
their digital images on the Web,
JUNE 2004 MAC BEAT.
DOTPHOTO HELPS PROS, AMATEURS SELL THEIR IMAGES
Every Photo Has Its Price
eBay has made the Web one of the easiest way for individuals to sell items—from
bric-a-brac to automobiles—to buyers far and wide. For photographers, dotPhoto
(www.dotphoto.com) makes it just as easy to connect with potential purchasers.
For the past three years, the online service has served as an online outlet for pho-
tographers looking to sell their prints without the hassle of turning to a major
image-licensing firm, such as Corbis, or of setting up their own e-commerce site.
But that’s not to say dotPhoto is only
for professional photographers. “We
like to say that each person has at
least 50 or 100 great photos inside of
them,” says Samuel Kolodney, dot-
Photo's vice president of marketing
and development. Of the site’s 6,000
or so custom-pricing users, fewer
than 1,000 are pros (that is, dot-
Photo users who receive regular
royalty checks). Clearly, dotPhoto
is the great equalizer—it allows
event photographers, newspapers
(close to 300 use dotPhoto), and
average Joes and Janes to show and
sell their work.
Here's how the service works; as a
dotPhoto user, you upload your digital
pictures to the site. You can then add
watermarks and emove the
ability to download preview images,
and even set up a password for view-
ing your albums, You set prices for
APPLE ADDS SPOKEN INTERFACE TECHNOLOGY TO OS X
Speaking of Access
Mac users have never enjoyed many options when it comes to screen readers—applications
that attempt to speak what's happening on screen so that users with visual impairments
can navigate a computer's interface, And when Alva Access Group dropped support for its
inLarge and OutSpoken readers last year, the list of options shrank even further.
But now Apple plans to provide an option of its own, which will be incorporated into Mac
0S X, Called Spoken Interface, this new technology combines speech, audible cues, and key-
board navigation to help blind users work more easily with OS X. With Spoken Interface,
users can access the Dock, menu items, tool bars, palettes, and other on-screen objects;
press buttons; activate sliders and check boxes; select radio buttons; and use all the other
interface elements of OS X and its applications.
Apple believes that Spoken Interface is more effective at addressing the needs of visually
impaired users than a third-party screen reader, “Those apps have been after-the-fact solu-
tions," says Mike Shebanek, Apple product manager for OS X. "They've always been bolted
on to the operating system by third parties and have had to play catch-up when changes are
made.” The technology uses a single set of key commands for a unified, consistent user inter-
face, It also integrates with OS X's existing Universal Access features (see “Access Granted").
Spoken Interface will appear in the next major revision of OS X, but Mac users can preview
it by filing out a form at wwwapple.com/accessibility/spokeninterface/questionnaire.htm|.
The preview also features apps that have been enhanced for Spoken Interface, including Safari,
Mail, TextEdit, and System Preferences—peTeR COHEN
24 MACWORLD June 2008
each print size; once your account hits
a certain amount, dotPhoto sends out
a check or makes an electronic
fer to your bank account—after sub-
tracting a 15 percent commission, a 3
percent credit-card fee, and a standard
fee based on photo
dotPhoto plans several enhance-
ments, which should be in place by
the time you read this. Right now,
you can buy only prints from the
dotPhoto wants to add templated
licensing agreements to help us
sell digi in different siz
(a high-
resolution image for use in a 100,000-
subscriber magazine, for example).
Stock-photo retailers such as Corbis
already offer that capability. dotPhoto
will also update its search engine to
show every image that conforms to a
search, not just the top 50 hits, Shop-
pers will be able to vote on photos,
so image rankings will change accord-
ingly, All of the changes are aimed
at helping you turn that hard drive
full of photos into a wallet full of
cash.—JONATHAN SE
Access Granted
These Universal Access features—
accessible via System Preferences—
already exist in OS X 10.3.
> Black on White: This option increases
a display’s contrast, for easier-to-read
text.
> Modifier Keys: If using a keyboard
is difficult, you can press modifier keys
(68, option, control, or shift) sequentially
instead of simultaneously.
> Mouse Alternatives: f you have dif-
ficulties using @ mouse, Panther lets you
move the cursor with the keyboard,
> Screen Flashes: If your hearing is
impaired, you can set your Mac's
screen to flash, instead of beep, for
alerts,
> Speech: You can use speech recogni-
tion to launch and control programs.
> Zoom: This display option magnifies
what's on your screen.
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Choose 73 at www.macworld.com/getinfo
JUNE 2004 MAC BEAT
26 MACWORLD June 2004
ADOBE DROPS MAC SUPPORT FOR FRAMEMAKER
Out of Frame
Move over, PageMaker. Make way, Premiere. Another
Adobe application is headed for the Mac graveyard, which
is filled with programs that either weren't updated for OS
X, no longer run on Macs, or have been Windows-only
from the start.
FrameMaker, a linchpin application at shops that pub-
lish long technical documents, is the latest Adobe Mac
app to fall by the wayside. Adobe stopped offering techni-
cal support for FrameMaker, for free or for a fee, in April.
FrameMaker’s fate, while disappointing to its corps
of devoted Mac users, is hardly surprising. The software
giant hadn't issued a Mac update to FrameMaker since
2002. And that release, FrameMaker 7, ran only on the
aging OS 9—not on OS X.
EXAMINING 1984’S OTHER LANDMARKS
Class of ’84
Sure, Apple made big news in 1984 when it launched the Macintosh. Tha
mean everything else stood still as the first Macs began rolling out of Cy
Plenty of other products, programs, and people got their start 20 years ago, But which ones.
matched the Mac's staying power over the past two decades, and which
like yesterday's Rubik's Cube? Here's a look at some other headline grabbers that made their
debut alongside the Mac in 1984, and at how they've fared since then.—PHiuip MICHAELS
Karl Matthews, group product manager, and Tony Yun,
product manager, put the blame for the death on Frame-
Maker's small Mac base. Without a market, Adobe execu-
tives contend, it wasn’t good business for the company to
continue developing the product,
While Adobe offers an InDesign PageMaker Plug-in
Pack as a way for displaced PageMaker users to migrate to
InDesign CS (see our review of Adobe PageMaker Plug-
in Pack, page 43), the company is mum on whether simi-
lar plans are in the works to add FrameMaker functions to
Adobe's remaining Mac page-layout program. With no
other application quite like FrameMaker, fans of the late
program hope that it lives on, even in such an altered
form.—TERRI STONE
Other
Classmates
These other products and
developments grabbed head-
lines in 1984,
> IBM's PC Jr: Technically, 18M
A = serie
\
X
it doesn’t
ipertino,
‘ones faded from memory
\\. but it didn’t ship until March
\ 1984. IBM's attempt
MIAMI VICE | to record and watch programming on | Title, sparking an unprecedented
The Details: Ultrahip cop show thelr Macs. There's been no word yet | boom in the popularity of profes- to make the Computer For
blends music, fashion, and morally | on whether Hollywood has crumbled | sional wrestling, ‘The Rest Of Us wound up
ambiguous plot lines to wow | into ruin as a result. Mac Connection: Hogan wins being the Computer That Was
a Discontinued A Year Later.
\ audiences and inadver-
tently spawn Don John-
son’s singing career,
‘Mac Connection:
} Detective Crockett’s pas-
tel-hued fashions presage
PG-13 RATING
The Details: After the
PG-rated Indiana Jones
and the Temple of Doom
and Gremlins I! prove too vio-
lent for some parents’ tastes, the
‘Some
———— st
the
the title on January 23. The next
[PG=13]p, 4 Apple inves the Mac
* Coincidence?
Matera
title, Hogan's first championship
> Bell Labs’ megabit memory chip:
The chip, the first to store 1 million bits of
electronic data, quadrupled the capacity
of existing memory chips. RAM capacity
has climbed considerably since then,
aying Power: After Andre
Giant cheats Hogan of the
|
|
DY theiMacscolorscheme | nr some bares Tastes reign ends in 1988. The same year,
~~ by more than a decade, | Motion Picture Association of Amer: | apple sues Microsoft, claiming the > Hew! .
: ; tt-Packard’s Laserset:
Staying Power: Vce petered | icacreates the PG-13 rating for fms | software giant cheated by sealing MRM SE
‘out after five years (1984 to 1989), | containing material shatnay bana | the look-and-feel of the Mac's inter- oat y,
sticking around longer than the Lisa |r for hiden under 13 | face, This is starting to get spooky. es0p ist the Laser
(1983 to 1985), but not as long as | Mac Connection: Many feature | Jet featured 300-dpireso- -
John Sculley (1983 to 1993) | fms, including some containing | ROGER CELEMENS lution and a $3,500 price. \
| material that may be inappropriate | The Details: The six-time Cy Young Between this and the Mac, \.
SONY V. UNIVERSAL for children under 13, will be edited | Award winner makes his Major 1984 turned out to be a
, pretty
CITY STUDIOS with Final Cut Pro. League Baseball debut on May ee Viachor Gabssp RUG.
The Details: The Supreme Court | Staying Power: Of the 25 high- 15, 1984,
rules that Sony did not violate copy-
Tight laws by selling VCRs that let
users tape TV shows. Motion Picture
Association of America president Jack
Valenti comments: “The VCR is to the
‘American film producer and the
American public as the Boston Stran-
gleris to a woman home alone,”
Mac Connection: Mr. Valenti,
meet peer-to-peer file sharing.
Staying Power: The VCR remains a
staple of the American home-enter-
tainment setup, with folks now able
est-grossing films
released in 2003,
13 carried PG-13
ratings. (The high-
est-grossing G-
rated movie? Find-
| ing Nemo, from Steve Jobs's
‘other company.)
HULKAMANIA
|The Details: Hulk Hogan
pins The tron Sheik to cap-
ture the WWE Heavyweight
Mac Connection:
Clemens has spent
the bulk of his
career pitching in
Boston and New
York, both of which have
> Cyberspace: The term, coined by
William Gibson in his 1984 debut novel
‘Neuromancey, described "a consensual
hallucination experienced daily by billions
‘of legitimate operators, n every nation,
children being taught mathematical
hosted Macworld Expos. (Alas, by corer Renny tau iE ree ia
there are no plans for a Mac- Gracin. Apa reaction ot
data abstracted from the banks of every
‘world Expo Houston.)
Staying Power: Twenty
years later, The Rocket—
like the Mac—is stil in
the game.
computer in the human system. Unthink-
able complexity” Presumably, Gibson
Was not envisioning AOL —eHu mcnAcls
vwaww.macworld.com
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Choose 37 at www.macworld.com/getinfo
JUNE 2004 MAC BEAT ss
ROCK BAND TAKES ITS MACS ON THE ROAD
Macs Are Instrumental
When Sune Wagner hits the road with his band,
‘The Raveonettes, one piece of equipment needs
to accompany him everywhere—and it's not
necessarily his guitar. Instead, Wagner's 15-inch
PowerBook G4 is the most important thing
he takes on the road.
“The best thing is that | have it
at all times,” the Raveonettes
lead guitarist and singer says.
Wagner's attitude is shared /
by the rest of The Raveonettes, a
Danish rock band that's devel-
oping a following stateside. (The
band's 2003 album, Chain Gang of
Love, made Rolling Stone's year-end
Top 50 list.) Bass player Sharin Foo owns
a 12-inch 1GHz PowerBook G4. and a 40GB iPod,
while drummer Jacob Hoyer jams on his 15-inch
867MHz PowerBook G4 and his 20GB iPod.
To The Raveonettes, these Macs are as crucial to
making music as any instrument. Wagner not only
uses his PowerBook to create beats before perfor-
mances, but also keeps it powered up on stage as
the band plays, running a long Apple Pro Tools ses-
sion with some backup beats, additional percus-
sion, and harmony. The band records all its
music via the Mac. Sometimes, Wagner
seven moonlights as a DJ when he's
‘on tour, hooking up his iPod to a
set of speakers to share a good
\_mix of music.
| "1hrun Pro Tools, and I'll put
| insongs {the day before, and It
edit a really good set with a nice
flowing set and will import it as
‘one long DJ set into the iPod," he
says. While he loses the spontaneity of live
mixing, Wagner says it saves him from transport-
ing boxes of records and CDs to parties.
And for Wagner, that's reason enough to keep
his Mac gadgetry within arm's reach, “| can’t
really live without it," he says.—cyrUs FARIVAR
Recipe for Success Mark Stech-Novak
designs these kitchens with a Power Mac
G3 and a G4.
28 MACWORLD
KITCHEN DESIGNS COME TO LIFE ON G4
Cooking with Macs
Mark Stech-Novak feels most comfortable when he’s whipping up a plate of wild
salmon cured in Lapsang souchong tea. But when the 52-year-old former chef isn’t
actually i the kitchen, he’s most likely designing one—on his Mac.
Stech-Novak has been a part of the restaurant industry for more than 30 years,
first as a restaurant apprentice in France and later as the
executive chef at two San Francisco eateries, Seeking a
change and dealing with a bad back, the Oakland, Califor-
nia, resident put his culinary expertise to work as a designer.
He has since designed kitchens for Wolfgang Puck, Jean-
Louis Palladin, and Alain Ducasse. You can see his handi-
work on the set of Iron Chef America.
Stech-Novak cooks up kitchen designs for his clients on a
dual-1.42GHz Power Mac G4 and a 400MHz blue-and-white
G3. His software of choice includes Nemetschek’s Vector-
Works CAD program (www.nemetschek.com) and Abyent’s
Artlantis rendering tool (wwwabvent.com). Once he creates a
design in VectorWorks, Stech-Novak imports it into Artlantis,
which exports the design as a QuickTime VR file for a virtual
walkthrough of the kitchen before any construction begins.
Stech-Novak believes he’d have a harder time designing
a kitchen with a PC. “I've been using a Mac since the early
1980s [and] once you get into it, you don’t feel like changing
it,” he says. “[If you do change,] you're searching for some
of the shortcuts that aren’t there.”
Stech-Novak does own two PC laptops, which he uses for
showing clients his creations. But he adds, “Would I design
on [a PC]? Not on your life.’—CYRUS FARIVAR
June 2004
STORAGE
BEAT
40GB SimpleDrive, from
SimpleTech (www.simpletech
.com): External drive with USB
2.0 and FireWire 400 interfaces
features a 7,200-rpm mechan-
ism compatible with both Mac
and Windows operating systems
($500; USB 2.0-only, $470),
‘Alchemy FW 800 CB card, from
Miglia Technology (www.miglia
.com); FireWire 800 expansion
card plugs into PC Card slot of a
PowerBook G3 or Ga ($89).
DRX-700UL, from Sony (www
.Sonystyle.com): External
DVD+R burner supports double-
layer recording, allowing users
to record up to four hours of
MPEG-2 video on a single com-
patible disk ($330),
MacBurn, from macXware (www
macxware.com): Program for
burning data to CDs and DVDs
and audio tracks to CDs supports
MP3, MOV, WAV, AIFF, MPEG, and
other file formats ($30)—com-
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MULTIMEDIA
BEAT =
CinéWave 4.5, from Pinnacle S
‘tems (www.pinnaclesys.com):
tal-video-editing and —composit-
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high-definition capabilities opti-
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full support for RT Extreme (con-
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upgrade, free from CinéWave 4,
$295 from prior versions),
DeckLink Extreme, from
Blackmagic Design (wwwmblack
magic-design.com); Uncom-
pressed 10-bit PCI capture card
includes SDI, analog component,
NTSC, and PAL support ($895).
Mayhem, from Audio Damage
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ins ($149).
Traktor Final Scratch 1.5.1, from
Stanton and Native Instruments
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libraries adds optimization and
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Leveraging the Web
For Perilla and others, the Web enhance-
ments to FileMaker Pro 7 are a major and
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“Publishing to the Web was taking a lot
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Antonio Rodriguez, manager of technol-
ogy at New York Cares, a nonprofit group,
echoes this praise for FileMaker Pro 7’s Web
functionality. The group makes extensive
use of its Web site, including securely cap-
turing information from the volunteers that
are the lifeblood of New York Cares, “The
Web publishing process has been greatly
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solutions to go between the Web and our
databases. FileMaker Pro 7 takes a lot of
stress off Web publishing.”
Advanced Security
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Of course, in all aspects of business com-
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If customers have any doubts about the
sanctity of the data you gather from them
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with you. For this reason, users are warmly
embracing the enhanced, built-in security
attributes of FileMaker Pro 7.
The advanced security features of
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customers in their territories. Web publish-
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tions from their desktop solutions, includ-
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tures extended to Web users. So security
levels that are set up at the desktop also
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ty features and functions is that all users
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“The security features of FileMaker Pro 7
are very important to us,’ says Ken Newell,
programmer/analyst at the Hamilton
Glaucoma Center at the University of
California at San Diego. “In the past, our
developers had to create their own log-in
system. Now these and a lot of other securi-
ty features are built in so our developers
dont spend valuable time scripting, From
my perspective, security in FileMaker Pro 7
is integral, a key component”
Security is definitely mission-critical at
the Hamilton Glaucoma Center, where data
protection must conform to the strict stan-
dards set by the federal government by way
of HIPPA requirements to protect confi-
dential data. Newell's organization works
with a combination of file types, including
very complex medical
Seemteetgegssre lsat neeeamemtereatne | Ales. These files, or any
aeeuaT ee A poeeae other type of file, can now
isos 9 eae be stored in new, agile
eee D Bare ————— | Container fields. More-
iba seers mt ane over, users and develop-
ee ne aa =3 :
ime Giese ers can choose to link to
ied Reena ‘Soscemwe were ar See wane ;
ce va hataed WER RETR TT Lapeer serbiache mao Security counts with
Picccocroromne : :
era ue ie mob) FileMaker Pro 7. Users
can get exactly what th
= — a eee ay
(Gee GD) need, but no more.
different kinds of files instead of storing
them. The variety of files that can be
imported, stored, and exported include:
digital images and photos; movies; music;
Microsoft Word, PowerPoint, and Excel
documents; PDFs; and
many others, Using an old version
“Weneedadevelop- of FileMaker Pro?
ment environment that Foy a jimited time, users
is very flexible,’ Newell
notes ‘With FieMaker of leaker Pro 6
Pro 7, that’s just what all the way back to
we get. It's amazing the FileMaker Pro 2.1
way it handles all sorts
of different data types Ti#¥ Uporadeta
with such ease. And it FileMaker Pro 7
protects both the — fgy. only $149 (save $150
integrity of our data
aa privacy of ff fullprice).*See
patients.” www.filemaker.com/mwld2
Users also have the for details,
option to confirm
record and layout changes before they are
actually saved. This ensures more accurate
data entry and far safer updates, and it
saves time and trouble by avoiding mis-
takes that need to be corrected later. It also
allows users to experiment with new layout
changes without committing to a new
design.
To find more information on the
new and enhanced features of FileMaker
Pro 7, click on www.filemaker.com/ mwld2.
*Only licensed users of FileMaker Pro software are eligible for this promotion. For FileMaker Pro 2.1-5.x customers, this offer expires Sept. 17, 2004.
After Sept. 17, 2004, only FileMaker Pro 6 customers will qualify for this offer.
PHOTOGRAPHS BY PETER BELANGER
REVIEWS =
OUTSTANDING: sees
VERY GOOD: bs
GooD
FLAWED:
UNACCEPTABLE: $
Reviews you can trust: Macworld rates only Aina stipping products, not t prototypes. What we review is wih you can nada buy.
Flash- -Memory MP3 Players
Portable Audio Players Offer Music to Go, on the Cheap
BY MATHEW HONAN
When Apple’s iPod burst onto the scene,
many people who previously hadn't
thought about buying an MP3 player
snapped to attention. Flash-memory-based
players had been fairly inexpensive but very
frustrating to use with Macs. Now the
hard-drive-based iPod and iPod mini are
the best-selling MP3 players on the market.
Given this new context, we decided it w:
time to look at the alternatives, for people
who are on a tight budget and who just
want to use a player at the gym or during
a commute, and not for storing a huge
music collection.
Rio's Chiba
Flash-Memory MP3 Players Compared
MOUSE 5 compat: BATTERY
COMPANY DUCT. RATING PRICE (BILITY CONTACT Fe’ PROS
Fstintematinal ook 860 9H 256MB, $150. 866/694-7625, 27:54 Best battery fe; well designed user
Digital vwiwamyirock.com interface; included FM tuner.
PoGo Products ae #98) 12aMB $100; 9X 866/367-7646, 7:06 _128MB player is inexpensive; plugs
256MB, $150 vwiwpogoproduct com clrectl into USB por.
Rio #446 128MB, $130; 8004685846, 12:04 Great user interface; included FM tuner,
256M, $180 www tioaudiocom stopwatch, bet clip, and arm strap;
Secure Digital expansion sot 1
Rio Th 800/468-5846, 13:50 Great user interface; included FM tuner
vwwrioaudio.com and stopwatch; Secure Digital
expansion
Rio 4088 800/468-5846, 14:18 Great usr interface; excellent battery
i wowwirioaudio.com life; smal; stopwatch,
‘SmartDisk eH 128MB, $100 9X 239/425-4000, 13:46 Plugs directly into USB port included
: wwnsmartisk FM tuner and voice recorder.
TOK pet $481 128MB, $160 800/835-8326, 8:30 €3
wie conedp3/ integration; induded FM tuner and voice
+= Editors’ Choice, “Battery life is in hoursiminutes,
32 MACWORLD June 2004
We tested seven flash-
memory-based MP3
players: Rio's Fuse, Chiba, and Cali; Pogo
Products’ AudioRave; T'DK’s Mojo 128F;
First International Digital’s irock 860; and
SmartDisk’s Rover. Most of these devices
are designed exclusively as portable audio
players and recorders, and all offer extra
features, such as voice-recording functions,
stopwatches, FM tuners, and equalizer
presets. The PoGo AudioRave and the
SmartDisk Rover are both marketed as
thumbdrives (or tiny USB drives) with the
added ability to play MP3s, Of these play-
ers, the Rio Cali was the clear winner.
Battery Life
When you take your portable audio
player out for a jog ora bike ride, you
don’t want to outlast its batteries. None
of these players comes with rechargeable
batteries (though all will work with
them), yet each device has enough bat-
tery life for several outings. In our tests,
we inserted fresh batteries, set the play-
ers to repeat, and played music at maxi-
mum volume until the batteries were
exhausted. We tested each player twice and
averaged the results.
TDK's Mojo 128F
Although all of the
players fared well, the irock 860, which is
the only player that uses a AA battery (the
rest use one AAA battery), fared dramati-
cally better than the rest, clocking 28 hours
of play. The Fuse came in second, at more
than 14 hours, and it was closely followed
by the Chiba and the Rover, both of which
than 14 hours. The Cali
12 hours, and the Mojo
128F and the AudioRave rounded out the
pack, at 8.5 and 7 hours, respectively.
Storage Capacity
‘The Chiba, Cali, and irock 860 are 256MB
players; the rest of the players we tested are
128MB devices. Some of these players
(including the Cali and the Chiba) are avail-
able in multiple memory configurations.
None will hold a full complement of
songs—in other words, you can’t actually fit
CONS
recorder, Secure Digital expansion slot.
‘Causes occasional iTunes crashes; installa~
tion problems (company says these have
been remedied)
No iTunes compatibility, short batery life
Slightly bulky.
Slightly bulky.
None significant.
Confusing user interface; hard-to-use
buttons; no 13 tag display; no iTunes
compatibility : :
Short battery ite; expensive for storage
space.
‘wwrw.macworld.com
32 MP3 players
First international Digital rock 860
38 Color laser printers
42 Backup software
46 Font utility
Font Doctor 6
The Print Shop Mac OS X Edition
Brother HL-2700CN Retrospect 6.0 51 The Game Room
Lis Viana AusioRave Hewlett-Packard Color Laserlet_ «43 Desktop publishing plug-ins 46 Large-format ink-jet Unreal Toumament 2004, The
bd hit 3500n PageMaker Plug-in Pack printer Lord of the Rings: The Return of
fe tise Konica Minolta magicolor 2350en 44 FipeWire analog-to-DV Epson Stylus Pro 4000 the King, Super TextTwist, Super
bs ficed Ae Lexmark C510n eanverisis 47 External storage drive WhatWord, and Call of Duty
Oki Data C5300N LaCie Bigger Disk
TDK Mojo 128F paandanele AADS Technologies Pyro AIV Link i 56 Mac Gems
aa ible Canopus ADVCSS 47 Graphics tablet and pen —_FaxEmailHieler, iPod It, Mail
36 Remote desktop application 4 Desktop computer Datavideo DAC. 100 Wacom Graphire3 6x8 Enhancer, MenuPrefs, Safari
Timbuktu Pro 7.0
128MB of MP3s on any of the 128MB play-
ers—due to the software and settings that
come installed on the players. However,
these take up a negligible amount of space—
less than IMB in most cases. For a sense of
how this translates into actual music time,
128MB gives you enough storage for about
139 minutes of MP3s encoded at a bit rate
of 128 Kbps, whereas you'll get about 279
minutes with 256MB of storage. That’s
plenty of music to get you through a morn-
ing jog and then some, but if you want to
keep your entire music collection stored on
your player, you'll prefer a larger-capacity,
hard-drive-based player such as the iPod or
the iPod mini.
The storage capacity of the Chiba, Cali,
and Mojo 128F can be expanded by adding
a Secure Digital (SD) expansion card. This
is an easy way to dramatically boost those
players’ capacities; however, expansion cards
are rather expensive. A 512MB memory
card—the largest the Rios can hold—will set
you back $150 to $200, At that price, the
argument for buying an iPod or an iPod
mini gets even stronger.
Transfer Rate
As we expected, transferring MP3s to these
players took much more time than transfer-
ring music files to an iPod, We transferred
122MB of MP3s (about three albums’
worth) to an iPod, which uses FireWire, and
it took only 22 seconds. But transferring the
same amount to the Fuse and the Audio-
ave took a painful 5 minutes, and they’re
just a small sample of the players we tested;
all the flash players we tested transfer at
USB 1.1 speeds.
The much slower transfer rate is
trade-off for the lower price you pay for
a flash player, and it’s one to consider
Rio's Cali
woww.macworld.com
Power Mac GS/dual-1.8GH2z
Migla Technology Directors CutTake 2. 48 Design package Extender, and ToDo X
carefully. If you're always on the
go and must be able to transfer
music quickly, you'll probably
be dissatisfied with
one of these play-
ers, And remember
that because these
players have lower
capacities, you'll be
transferring music to
them more often than
you would to an iPod or an iPod mini.
PoGo Products’
Installation and iTunes AudioRave
Out of the box, the Rio players work with
iTunes, assuming you're using a recent ver-
sion of the program, The Mojo 128F and
the irock 860 are also iTunes-compatible,
but you have to install the drivers from the
CD, Installing the software for the Mojo
went without a hitch, but we had problems
running the installation CD accompanying
the irock. Although we were able to install
the drivers, we had to do so manually, cir-
cumventing the installation program that
shipped on the CD. First International
Digital says it’s aware of the problem and
no longer ships CDs with this bug.
Neither the AudioRave nor the Rover is
iTunes-compatible, although PoGo Prod-
ucts says it hopes to add iTunes compatibil-
ity in the future. Neither of these players
requires any software installation.
The Mojo 128F has the best iTunes
compatibility of any of the MP3 players. It
has more features that work while the
player is connected to your iTunes library,
with options for erasing tracks, updating the
player's firmware, and adding or removing
folders. Like the Mojo 128F, the
Rio players show up in iTunes as
playlists, so it’s easy to drag and
drop files from your iTunes
library to the attached
device. The Rios do a
better job of displaying
track information—
they list the full ID3
tag information (data stored
in an MP3 file, including artist,
song name, album title, genre,
and more), whereas the
Mojo 128F lists only
song names.
The irock 860 also
shows up as a playlist
in iTunes, but it
crashed the program on
tried to add and
International Digital
says this is due to iTunes’ inability to deal
with long file names and certain character
However, we used the same playlist for each
player, and the irock was the only player
ised iTunes to crash or freeze. In any
se, it’s unreasonable to expect users to
rename all the songs in a music library to
get the songs to work with a specific
player. We found it easier to add and delete
songs via drag and drop, with the irock
mounted as a removable disk, instead of
doing it in iTunes.
We vastly prefer players that work with
iTunes, for several reasons. First, it’s easier
ize music files within the iTunes
ary itself than to hunt for them in
the Finder, Second, when you drag and drop
files to the ‘Trash from the Finder, they
remain locally on your device until you
empty the Trash. Because the Trash folder is
hidden on removable devices, this can baffle
first-time users and leave them wondering
where all their drive space went.
several occasions when we
remove songs. F
User Interface
Rio released the first portable MP3 player
on the market, and the company’s long expe-
rience shows in its players’ user interfaces.
Rio says it aims to produce a product that’s
so easy to use, customers can throw away its
instructions. We did, and we were able to
operate the Rio players without a problem.
An MP3 player is a consumer audio device
and should be no more complicated to use
than a portable CD player. We asked several
average users to try out each player in this
review without looking at any instructions.
Everyone chose the Rios as the easiest to use.
‘These players have the best button placement,
and they operate as users expect them to.
continues
June 2004 MACWORLD. 33
First International
Digital's irock 860
‘The Mojo 128F was
another favorite among
our testers. Although it
doesn’t have as many fune-
tions as the Rio players do,
the Mojo 128F performed its tasks quite
well, and our testers didn’t have problems
accessing even some of its more-advanced
features, such as equalizer settings. Like-
wise, the irock 860 has a straightforward,
easy-to-use interface, However, a couple of
testers accidentally set the irock to FM
Tuner mode and had trouble switching
it back (to do this, you have to hold down
the Menu button). We didn’t consider this
a major problem, The AudioRave was
also easy to use, but it wasn’t as intuitive as
the others.
‘The Rover is the only player with a poor
user interface. It doesn’t display ID3 tags;
rather, the Rover displays the file names
of songs being played. So if you have sev-
eral songs with similar file nami
often the case with songs from the same
artist and album), finding the right one can
be difficult. In addition, the Rover's Menu
button, located on its side, is flimsy, sensi-
tive, and very awkward to use. We also had
a great deal of difficulty accessing menu
functions and navigating between songs on
this player.
Most of these players have equalizer
presets, typically programmed for a spe-
cific genre of music (jazz, rock, vocals, and
so on). The Mojo 128F has the
most presets—seven—plus a
user-configurable setting. The
Rio players have six settings, as
well as the ability to adjust bass and
treble. The Rover and the irock 860 have
five equalizer presets, while the AudioRave
has none.
Form Factor
All of these players are quite compact, and
any will work well for exercise. The Rio
Fuse manages to pack Rio’s gold-standard
user interface into a minuscule package—it
will easily fit in the coin pocket of a pair of
jeans. We also liked the irock 860, whose
ability to hold a AA battery seems like
34 MACWORLD June 2004
sleight of hand. The Chiba and Cali have
similar designs, but the Chiba is slightly
squarer than the rounded Cali. We pre-
ferred the Cali because it comes with an
armband, which securely attaches it to
your body.
Extras
All of these devices do more than just
play MP3s. Our favorite extra feature is the
built-in FM tuner, which is in all of the
players except the Fuse and the AudioRave,
‘The FM tuner on the Rover, however, is
built into the included headphones, which
means that if you want to use a different
pair than the ones that ship with the player,
you lose this function, The Rover's FM
tuner also requires an additional battery.
Another feature we used extensively was
the stopwatch built into all three Rio play-
ers. For using an MP3 player while exercis-
ing, we found the stopwatch with a lap timer
to be a fantastic addition, The belt clip and
armband that come with the Cali made it
great for exercising, as did the belt clip for
the irock 860.
‘The Mojo 128K and the Rover have built-
in voice recorders. Although this seems to be
a novelty, we could imagine several scenarios
in which itcould be useful. Both players have
sufficient audio quality for recording and
playing back voice memos, but we wouldn't
want to record music with either one. Since
voice memos are recorded in WAV rather
than in MP3 format, they take up more space,
but not significantly more. A simple 30-
second voice memo takes only about 128K of
space in the Rover. ‘The Mojo 128F has two
settings: the low-quality setting takes about
120K for 30 seconds; the high-quality uses
330KB. At these rates, even the high quality
setting on the Mojo will allow more than three
hours of voice recording time—plenty for
's or meetings.
Mini Competition
Although these players’ low prices and extra
features may be attractive, none matches the
Se
‘SmartDisk’s Rover
value of the iPod mini (§§#$3; May 2004).
And while some of the flash players are very
good products, the only reason to purchase
one is if you can’t justify spending $70 to
$150 more for an iPod mini. If you can
afford the mini, you'll get about 16 times
the storage capacity, blazing fast FireWire
transfer speeds, perfect ‘Tunes integration,
rechargeable batteries, and the excellent
iPod interface. The mini’s storage space
translates to about 99 albums’ worth of
MP3s (encoded at 128 Kbps), as opposed to
about three or six albums on a flash player;
its transfer rate is only seconds whereas a
flash player's is minutes; its rechargeable
Rio's Fuse
battery will save money compared with
replaceable batteries; and its intuitive inter-
face means less hassle. The mini is a lot
more for just a little more money,
There's a perception that hard-drive
based players such as the iPod are more eas-
ily da
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