Text content (OCR)
Exclusive Hands-On Preview: Motorola’s Hot New Macs
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Set up shop on the
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e Explore 1 he
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Everything
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Now you. can get the
most from your Mac with Apple's
free update for System 7.5 users.
This update will improve overall
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Nord 6 a Up Mf you
are still running Word 6.0
you will definitely want to
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fall, enhances performance
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dling and much. much more
Now you. can <downicad Micrasott's
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Microsoft's continued commitment to the
Me
means, you'll be browsing, creati
and accomplishing more than éver
before. To obtain your Internet Tools, and
the System 7.5: Update 2.0, please visit
//www.microsoft.com/macoffice/ Or to
order a free~ Microsoft Empowerment
Pack for the Mae. which includes a CD:
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Micresoft
WANT TO GO TODAYT=
ERE DO YO
*Connect time charges may apply,
© 1996 Morosoft Corporation. All rights reserved, Microsoft and Where do you want to go today? are registered trademarks of Microsoft Corporation. Macintosh is a registered tredemark and
‘Mac: and PowerMac are trademarks of Apple Computer, Inc.
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Apple, Macioosh end Mac eo registred trodemoths, od the Mat O5 lage ise tedemark of Apple Computer Ine. PewerTewer and PowerCener ate reisered
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120
ty
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my
146
157
4 November 1996
Features
The Best Media Machine 52
ay Jim HEIO How does Win-
dows stack up against the Mac in
serious multimedia work? Mac-
world Lab compares both plat-
forms to determine the winner.
Your Mac Is Ringing
BY HOWARD BALDWIN We
examine seven telephony pack-
ages to uncover the best way to 34
connect your phone to your Mac.
Macworld Excl
Motorola's Hot New Macs
BY GALEN GRUMAN Macworld 38
Lab tests the latest clones
Secure Your Mac
BY GENE sTeINBERG Macworld 42
evaluates 24 applications for the
best ways to protect your data,
your network, and your Mac—
along with your sanity.
Color Laser Values
BY JOSEPH SCHORR Macworld
Lab tests eight color laser print-
ers for output quality as well as
speed and setup.
ai |
Who's calling, please?
The YoYo reviewed,
page 64.
MACWORLD
VEMBER 4 9.96
SPEC REPORT OS Essentials
Mac OS 8: Back to Square
One sy macworto stare An
in-depth analysis of the
Mac OS.
News
CHRP Moves Closer to Reality 19
Dual Mac OS/Windows NT pro-
totypes look promising. 27
Special Report
Adobe's Next Generation
Sneak peeks at PageMaker 6.5 #
Persuasion 4.0 * Photoshop 4.0
272
Blindingly Fast Chips
Will we see S00MHz machines 14
Lock out snoops and saboteurs—the top
security programs rated, page 146.
Opinion
Letters
State of the Mac
BY ADRIAN MELLO
times are ahead for us
The Desktop Critic
BY DAVIo POGUE Count your
blessings, O Mac pilgrims.
How to Contact Macworld
Three color ink-jet printers vie for top honors
in Reviews, page 60.
Secrets
167 Keep Your Hands Off
My Mac
BY JOSEPH scHORR How to Advice on maintaining
keep private information on your workplace privacy in
computer private. Secrets, page 167.
171° Quick Tips
By LON PooLE Tips, tricks,
and shortcuts.
179 NetSmart
BY CAMERON CROTTY Hints
on working successfully with
plug-ins.
Media
183 Optimizing the Power Mac
8500 for Media
sy Jim HEID How to get the
most AV bang for your buck.
188 Publishing Workshop r
By steve ROTH Get depend- ‘The latest on Appl
able color using swatch books. plans for Mac OS
special report, page 52.
190 Graphics Workshop
By CATHY ABes Use masks to
make smooth transitions between
images in Photoshop.
SIDG
November 196, Volume 1, Mumbet 11 Macwai (SSN O74 8647)
ON THE CoveR
Sette ete sn mies ste ido 2088 Potograph by Wayne Calabrese
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| COMPUTING USERS IN DROVES"— macwEEK Macatit 7.22.96
Listen closely and you can almost hear the sound of
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Circle 140 on reader service card
November 1996 MACWORLD
Macworld
PRESIDENT/PUBLISHER. Colin Crawford.
ASSISTANT TO THE PRISIOENT Sharon Sanulerson.
CHIEF OPERATING OFTICER Stephen Daniels
BUSINESS MANAGER Lisa Buckinghan
FINANCIAL ANALYST Bios de Feminis
DIRECTOR OF HUMAN mESOURCES Shelly Ginenthal
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NETWORK MANAGER Wally Clege
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Corel WordPerfect 3.5
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Can’t run Windows 95
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Circle 33 on reader service card
10 November 1996 MACWORLD
Macworld
torron ee Adrian Meo
EDITORIAL
txecunt toons Galen Gruman, Carol Person
OrRECTon OF foTOMAL OPERATIONS Jane Lagas
SENIOR EDITOR/ DEPARTMENTS: Marjorie Baer
ston wvronreaTuns Charles Piller
stuion tortor Howard Baldwin
Stephen Beale
Anita Epler
Wendy Sharp
Cathy E, Abes, Linda Comer,
Cameron Crotty, Elizabeth Dougherty,
“Tova Fliegel, Katherine L. Ulrich
Suzanne Courteau, Jim Feeley
StOR ASSOOATE EDITOR/NEWS
ASSOCIATE tonTORTAE
ASSOCIATE ¥orrons
AsssTANT EosTORS
OFFICE MANAGER Deborah Weinberger
Mitchell
ADMINISTRATIVE ASSISTANT Kei
ASSISTANT TO THE COITOR IM CHIEF Patrici
conn
Exfert Fenton, Jim Heid, Steven Le
Deke McClelland, Tom Negrino, David Pogue, Lon Poole,
Steve Roth, Joseph Schorr, Charles Seiter, Franklin 3
Matthew JC. Powell, Australias
Vinicius Souza, Brazi
Tessier
netRUATIONAL KONIORS
ig Boesgaard, Denmark;
Michael Thevenet, Franc
ureas Borchert, Germany;
Enrico Loti, aly; Osamu Honma, Japan;
(Oscar Kneppers, Netherlands
Toraly Ostvang, Norway: Alvaro Ibariez, Spain;
Lennart Hakansson, Sweden; Cuno Schneeberger, Switzerland
Bahattin Apak, Turkey; Simon Jary, United Kingdom
LAB
Lauren L. Black
Mark Hurlove,
Jeff Sailor
Chris Uitervwijk
tas pinicton
StWOR TEENMCAL ANALYSTS Mat Cla
uvenroRY CONTROLLER Paul Brown
COPY EDIT AND EDITORIAL PRODUCTION
Ruth Henrich
Paul-Michael King
a Bravieal
Gail E. Nelson, Elissa Rabellino
Jackie Goodman
anacing (orT08
cory soiToRs
ASSISTANT PRODUCTION FOITOR
ART AND DESIGN
esicn pintcron Leslie Barton
ar ountcron Joanne Hoffman
Ame Hury
Sylvia Benvenuti
ASSOCIATE ART DIRECTOR
ASSOCIATE DESIGNER Tim Johnson,
st10R OFSIGN ASSOCIATES elinda Chlouber, Martha Kate
ONLINE
CONINE MANAGER Paul Devine
COMLINE SALES MANAGER Jeff Julian
‘OWLINE ACCOUNT MANAGER Ed Ramirez
wre ADMINISTRATOR Chip Carman
‘ONUNE ADMMNSTRATOR Steve Costa
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INT PRODUCER
assistant conrenr ancintess Roxanne Gentile, Chuck G
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12 November 1996 MACWORLD
Macworld
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November 1996 MACWORLD
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a 01970.
Back Issues of Macworld
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The Honeymoon Is Over
( VONGRATULATIONS TO GALEN GRU-
4 man for an accurate assessment of the
Microsoft-Apple hoax (“The Honey-
moon Is Over,” Macworld Online, betp://
wow.macworld.com/daily/daily.384.btml).
‘The legendary arrogance of both compa-
nies will surely come home to roost some-
day. We recently purchased and regis-
tered a 9500 and 5300c. The Mac OS
twists and turns have been a nightmare.
As a disgruntled and struggling user
of Microsoft's productivity suite, I have
found and continue searching for alter-
natives to Word and Excel. To install both
applications on our computers required a
grand total of 56 floppies. Enough already!
MELODY Drake
via Macworld Online
Even More Best Web Sites
| CAME ACROSS THE POWER COMPUTING
site mentioned in “The Best Mac Web
Sites” (August 1996)—the one that allows
you to build your dream system and check
out the price tag—but when I tried the
URL given, I found myself on the Web
page of Australia’s largest distributor of
IBM computers! I hope that wasn’t a
Freudian slip.
Dove
via Macworld Online
Korwin
Maybe that’s why Power Computing was so
eager for Macworld editors to bungee jump at
the Boston Macworld Expo... naw. That URL
should've been hutp://www.powerce.com.—Ed.
| N*THE BEST MAC WEB SITES” YOU LEFT
out the two most important Web sites
for anyone wanting to keep track of what's
going on in the Mac world: the Macintosh
Léllers
Resource Page (hetp://www.macresource
-pair.com/) and the Macin'Touch Page
(bttp:/ few. macintouch.com/). These pages
are absolutely essential to my life, and I
can’t believe that they were left out!
THomas Reep
St. Louis, Missouri
| N MAC WEB SITES,” HOWARD
Baldwin writes: “Like the ocean, the
Web is a vast and murky place. Diving in
randomly, you're just as likely to discover
a clear, clean Macintosh site as a clunky
site posted by a 14-year-old fan of Smash-
ing Pumpkins.” What exactly does he
mean by that? | am a 14-year-old, and a
fan of The Smashing Pumpkins. Does
this mean for some reason that | am not
organized or computer literate? Just
because I am not a pocket-protector-clad
math whiz doesn’t mean I don’t know
anything about computers, the Internet,
and the World Wide Web. I read Mac-
world and can program in C and Pascal. 1
also listen to Nirvana and play electric
guitar. Baldwin could have made his point
just as well if he had said “a clunky site
with pictures that didn’t load and missing
links” instead of resorting to the use of a
cheap stereotype.
M. WrYANDT
via the Internet
As a pocket-protector-clad math whiz, might I
ask what you meant by that? —Ed.
Don't Forget 1's and I's
( ) UR FRIEND DAVID BLATNER STRIKES,
_/ again (Publishing Workshop, August
1996). His short, to-the-point column.
should be required reading for all com-
puter users. As an instructional technolo-
gist, getting my students to use indents
instead of tabs is my most difficult task.
Now, if I could only get those boys and
girls to stop using double spaces after
periods, I’d have it made.
ALAN APPLEGATE
Littleton, Colorado
Names We Love to Hate
| ” UDOS TO DAVID POGUE FOR HIS T
AN cific, fininy article’ on pinduet-nam=
ing and numbering. He left out two of
the most blatant naming-protocol viola~
tions, however: HoTMetaL Pro and—the
absolute worst product name ever—
theFONDIler. Ugh!
Raut REGALADO
via America Online
GOT A GOOD LAUGH OUT OF DAVID
Pogue’s column about product names,
particularly his comments on the arbi-
continues
www.macworld.com November 1996 19
$ee
yourself
forwho z=
you # G
really
are,
A.D\A.M:
At Home
,
a A Peel through over a a hundred layers, |
atch over four hours of animations, and
ee -
challenge what you've learned with puzzles.
| ees
ou may neecIeor) looky ;
LETTERS
The phone number for Power
Computing (“High-Performance
tems,” Reviews, October 1996) is
512/388-6868,
The phone numbe
gies (“Faxstf 3.2,
1996) is 816/463-1412,
°
© DayStar Digital’s phone number is
770/967-2077 (“The New Speed
Champs,” July 1996).
© Immedia will require QuarkXPress
3,32 or later to run (News, August
1996).
© The Practical Peripherals MacClass
288 V.34 PC Card modem has a five-
‘year warranty (SPC Card Modems,”
July 1996).
The Editors’ Choice bax in “Best Buys |
in Optical Drives” (October 1996) for
the 2.6GB Optical Drive is as fallow
OPTICAL DRIVES
For optical drives, we looked for the
ei best mix of price/performance, clear |
documentation, useful bundled software, and
good overall design.
7.6 2.6GB Optical Excellent pertor-
mance in its class, very good software, a well-
designed case, and aggressive pricing make this
the top pick. Company: La Cie (503/520-9000,
http://wwnw.lacie.com), List price: $1999,
trary use of upper- and lowercase letters
in product names. Imagine my surprise
when I turned the page and saw an entire
article on “AutoDesk”!
AMELIE VON FLUEGGE, AUTODESK
San Rafael, California
| AVID POGUE FORGOT ‘THE MOST
commonly made intercap mistake:
MacIntosh.
Hearn HANLIN
via Macworld Online
so YOU DON'T LIKE THE NAME WOW
for CompuServe'
the service includes censoring of content,
maybe the name
down it's MOM.
Tom KELLER
via CompuServe
ARE GRATIFIED THAT
finally taken some
© of our CD-ROM work of art,
y in the Great Round, it was curi-
ous to find it on a list of the five worst Mac
product names (The Desktop Critic, August
be able to tell from the tide that this
2D-ROM, that the title “not only
no information, but implies a
double entendre.” Would anyone be able
to tell solely from its title that Hard
Drive is not a piece of equipment, not a
porno flick, but a book by one David
Pogue? ScruTiny in the Great Round
is the name not of a software tool but
of a work of the imagination. Since when
has it been customary for works of art
to have utilitarian, marketing-driven
titles? What information is conveyed by
such titles as As You Like It, Moby-Dick,
or “Let It Be”?
My
conv
P anings it
has for her in a biographical video that
our publisher, Calliope Media, went out
of its way to include on the disc. It is
intentionally a multiple entendre, refer-
encing the womb, the passing of seasons,
cycles of life and death, the eye, manda
and more, associations that become c
er the more time you spend with the dise.
Jim Gasperint
New York-New York
Another Year, Another Expo
\ HAT ARE THE D. ES OF THE
V Macworld Expo in San Fran
in January 19972
Gary Web
Bellevue, Washington
We just got back from the last Expo and you
want us to think about the ne
one in “97?!
Man. Ifyou must think about it now, the 1997
Y ill run Jan-
uary 7 through 10. For more information, call
Mitch Hall Associates at 617/361-8000.—Ed.
‘rancisco
Mac or Windows or Both?
T O, THIS CAN'T BE RIGHT! DO T HAVE
\ to buy an IBM? All I want to do
is take a Director movie that I make on
a Macintosh, make a projector out of it,
and press it onto a CD for playback
on both platforms. Do I really need an
continues
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22 November 1996 MACWORLD
LETTERS
IBM and a Macintosh version of Direc-
tor? What about hybrid CDs?
T haven't purchased my new system
yet. I was going to get a Mac, but if I need
to buy two copies of Director and two dif-
ferent machines in order to produce
cross-platform CD-ROMs, forget it. Is
there anything I can do, or do I have to
buy an IBM and forget about the Macin-
tosh platform altogether?
Well, you could always buy a Mac and forget
altogether about the PC platform. . . .
‘Fim Heid, Macworld’s multimedia expert,
responds: If you want to create Windorws titles
with Macromedia Director, you must indeed buy
a Windows machine and the Windows version
of Director: You can develop Windors titles using
the Mac versions of Apple Media Tool and
mTropolis’s mFactory—but it’s still a good idea
10 have a Windows machine on hand to test your
project as it comes together:
As for just buying a Windows machine and
forgetting about the Mac platform, that's cer-
tainly an option, although it’s one that will cost
you in sales. Macintosh owners are more likely
10 buy CD-ROMs than are people on the Win-
dows side, where installation and compatibility
hassles are common.
Multimedia Notes
N YOUR RECENT ARTICLE
QuickDraw 3D (“The Mac’s 3-D
Edge,” August 1996), you neglected to
mention the QuickDraw 3D Web site at
bttp://quickdravo3d.apple.com. This site lists
scores of vendors that support QD3D and
provides about 20 demo applications for
QD3D. It also talks about future plans
for Windows, integration with Quick-
Time, and the relationship to VRML 2.0,
and even has a gallery of QD3D work for
people to contribute to.
Tony DeYoune
via the Internet
JUST READ JIM HEID'S ARTICLE ON
multimedia applications (“Multimedia
Options Multiply,” August 1996) and was
horrified to notice that you did not
include HyperCard. HyperCard is the
multimedia tool for me, not only for my
shareware stuff but also for my daily
teaching. Though HyperCard is in dire
need of an update, it is still a competitor.
I’m not asking that you give Hyper-
Card a glowing, this-is-the-greatest-
program-ever review. Frankly, Hyper-
Card doesn’t currently deserve it. But it
does deserve to be counted among its
peers in your article about multimedia
authoring software.
Eric M. HOLSEN
North Mankato, Minnesota
The Mac Isn't Fine without CAD
Cas SEITER INCORRECTLY CON-
Acludes that “Mac CAD Does Fine
without AutoCAD” (News, August 1996)
by simply ignoring the mechanical CAD
application and basing his conclusion on
interviews with design firms that use the
Mac for CAD. The reality is that large
architectural firms are standardizing on
Windows 95 and NT operating systems.
Lack of the latest AutoCAD version on
the Mac only serves as further justifica-
tion for their OS strategy.
Apple and the Macintosh CAD devel-
oper community deserve to compete on a
level field when it comes to selecting a
platform. When the leading CAD prod-
uct is not available, Mac faces an uphill
battle. There is certainly need for concern,
Nei KLEINMAN
Tarzana, California
Reminds Me of Paul Simon
READ YOUR REVIEW OF THE KODAK
Digital Science DC50 Zoom Camera
(Reviews, July 1996), and I would like to
know: Is that rea/ly a white alligator?
Where is it? What's the person in the
background doing?
Tim BoGar
Lansing, Michigan
The photo is from the Denver Zoo, but Antoine
Le Blanc is currently vacationing at the San
Francisco Zoo before he heads home to New
Orleans. We think he likes the foggy summer-
time weather—Ed, m
Letters should be sent to Letters, Macworld, S01 Sec-
ond St,, San Francisco, CA 94107; via fax, 415/442-
0766; or electronically to CompuSe 1702),
MCI Mail (294-8078), America Online (keyword
Macwsorld), AppleLink (Maczorld1), or via the Inter-
net (letters@maccorld.com). Include return address and
daytime phone number. Due to the high volume of
mail received, we can’t respond personally to each
letter. We reserve the right to edit all letters. All pub-
lished letters become the property of Macwarld.
COMPETITIVE
UPGRADE
WHIGH PICTURE'S PRETTIER?
Created with ae 7 é Created with
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Editor in Chiel
Macweek
July 24, 1995
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SAN FRANCISCO
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| A program tailored to your needs, Specialized tools for many design industries: A/E/C,
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Wank Osuna
State of the Mac
New Road Ahead for the Macintosh
RECENT DEVELOPMENTS ARE CHANGING THE MAC LANDSCAPE
T HAS
en pretty sleepy since
the Worldwide Devel-
Conference in
opers
carly May. No major
announcements from
Apple other than con-
tinued changes in the
executive team and the
absence of PowerBooks; no major prod-
uct announcements outside of Apple,
either. The entire Mac world has seemed
to be in sleep mode.
Suddenly, though, things are getting
interesting. Events have occurred that
will permanently change the Mac land-
scape and lead to significant new product
developments. As I see it, these events fall
into a few important areas: computers,
system software, and media and graphics.
This overview will help put them into
context. When you’re ready for more,
dive into this month’s special report, “OS
Essentials.”
The Bit-by-Bit OS
‘The biggest development is Apple’s sys-
tem-software upgrade schedule. Apple
will no longer provide a single major
release of its operating system, but will
instead offer a series of updates every six
months. What used to be code names for
full-integer system releases—Copland
and Gershwin—now refer only to collec-
tions of the technology well Apple will
draw upon to incrementally release new
system functionality (see “Mac OS 8:
Back to Square One,” this issue).
According to Ellen Hancock, Apple’
new vice president of research and devel-
opment, chief technology officer, and the
principal architect of the new policy,
pple is considering a subscription pric
ing scheme. We may have to buy system
releases incorporating major new fea-
tures, though not releases for collections
of bug-fixes and minor enhancements.
Hancock acknowledged that Apple
must keep its developers apprised so that
they can make product and marketing
plans that take advantage of advances in
the Mac OS. And Hancock says she’s
committed to Apple's doing just that.
While Apple has a new course for the
Mac OS, OpenDoc is picking up steam.
At Macworld Expo, Apple introduced
version 1.1 of its component technology,
and 16 companies introduced new Open-
Doc parts—now called Live Objects—
and containers (still called containers).
Apple will make sure OpenDoc works
with both Windows and Java so develop-
ers will be more likely to support it (see
“OS Essentials: OpenDoc
Tangible,” this issue).
The good news is that you can use a
variety of parts and get a real feel for the
technology. See what it’ like to add fea-
tures to the application without the mem-
ory and storage overhead you've come to
expect from monolithic applications like
Word 6. It's also good news to a new class
of developers who have interesting ideas
for adding value to existing applications.
Blazingly Fast Computers
A slew of new computers were announced
at and around Macworld Expo—not just
by Adrian Mello
from Apple, but clones as well. The
biggest trend is speed. Faster PowerPC
chips are enabling computer makers to
ratchet up performance significantly.
he brightest lightning flashes came
from Power Computing’s new high-speed
PowerTower Pro series in 180MHz,
200MHz, and 225MHz versions. With
real lightning, if you count the seconds to
the thunderclap, you can predict how far
away the storm is. In Power's case, count
ona few miles: the higher-speed 200MHz
and 225MHz versions aren't available yet
(see “Systems Watch,” News, this issue).
Apple has bumped up the speed
of several of its models. You can now
buy a 200MHz version of the 9500 as well
as a version with two 180MHz proces-
sors. This first dual-processor
Mac uses DayStar’s nPower
360+ card; the card will also be
available for other Apple,
Power Computing, and Umax
SuperMac models.
IBM, Motorola, and Ap-
ple announced plans for faster
versions of the PowerPC mi-
croprocessor code-named the
G3 and G4 series, The current
603e and 604¢ will eventually
ttain speeds above 300MHz..
The G3’s, available in 1997,
will be even faster. The G4’s,
planned for 1998, will be faster
yet, clocking speeds up to
News for the Value-Cons:
Several computers were announced that
offer more performance at a better pri
Apple's new Performa 6400 is faster than
most previous Power Macs, and starts
around $2400 (see Reviews, this issue).
Power Computing’s PowerBase series is
based on the fast 603¢ PowerPC chip and
should be available as you read this for
roughly $1500 to $2200. Umax’s con-
continues
www.macworld.com November 1996 27
STATE OF THE MAC
sumer-oriented line, based on the 603¢,
is due in carly fall for less than $2000.
Still dealing with PowerBook 5300
shortages, Apple plans to discontinue the
5300c. But its new notebooks, code-
named Epic and Hooper, are rumored to
be on track. Power Computing intends
to produce notebooks, but we'll have to
wait until carly next year for specifics,
Motorola is also entering the fray, In
4 Macworld exclusive, we test the new
Motorola StarMax system, which pro-
Consumer
Information
Catalog
vides excellent performance at what
promises to be an excellent price (see
“Motorola’s Hot New M:
The ‘Tanzania motherboard. provi
improved performance and an interim
transition to the Common Hardware Ref-
erence Platform (CHRP). As CHRP be-
comesa reality, we should have even more
choices. IBM and Motorola both demon-
strated CHRP systems at Macworld
Expo, and Apple expects to have a ver
sion of the Mac OS ready for CHRP.
The Greatest Thing
Since Sliced Bread
No matter how you slice it, our free Consumer Infor
mation Catalog is great food for thought.
The Catalog dishes up more
than 200 free and low-cost
government booklets on subjects you can really sink your
teeth into — such as staying healthy, eating right, finding
a job, getting federal benefits, using credit, buying a
home, helping your kids, taking care of your car, and
much, much more.
To get your free copy, send your name and address to:
Consumer Information Center
Department GT
Pueblo, Colorado 81009
A public service of this publication and the Consumer Information
Center of the U.S. General Services Administration
28 November 1996 MACWORLD
3-D and Real Time
‘There has been a flurry of
graphics «
world Expo a
ns of Deneba Canv
Seybold visitors saw new versions of
media FreeHand and Adobe
Photoshop, PageMaker, and Persuasion,
to name a few (see News, in this issue, for
details), There was equally big 3-D and
multimedia new 's start with 3-D.
Apple’s decision to go directly to
QuickDraw 3D version 1.5 (it should be
te September) will no doubt
tivity in the
worth noting.
saw new ver-
and CorelDraw;
ill support painting on 3-D ob-
» being optimized for the
cessing systent
ion |
faster,
jects, and i
new multip
high-end fol
them to plug in their choice of renderers.
Graphics applications are gaining
speed and case of use, if Fractal Detailer
For those
will permit
is an indicator, Users can render 3-D
objects by painting on them as easily as
they paint in two dimensions (see “Work-
station Graphics on the Desktop,” News,
this issue). New, speedier versions of
Specular’s Infini-D and Strata Studio Pro
o offer improved rendering and pro-
fessional features.
On the media front, Apple now in-
cludes QuickDraw 3D rt of its
QuickTime Media Layer (QTML), along
w ith QuickTime VR, QuickTime Con-
neing, and QuickTime 2.5. Quick-
.5 supports multiprocessing and
placing QD3D objects in QuickTime
QuickTime
Apple looks
serious about pushing QuickTime as a
cross-platform standard, which in the
long run could provide more leverage for
Apple and the Mac, and thav’s good news
for all Macintosh users.
No Time Like the Present
Other developments in recent weeks also
change the Macs direction. Internet prod-
cts such as Claris Home Page and the new
ion of PageMill continue to appear.
‘The fundamental networking architecture
growth on the Netis
: Open
elated sto-
ly to the Macworld Daily Naas our
Web site at htt; macworld.com. AS
May you live in interest-
Ge Piet, going photos Pram came, digital comeras and Gpoe
owl Norn Fae shew we ca'tFaluiays quacmntee the sulle
p f 4 A he saris)
/ SED Macs
Jue] G00 iT:
td ‘ “ -J J a
Sd Bt se ott
Mt. LSKiWIW. metatzcle. com
= inn -. AL
B5rbara County, CA 93015 + 805-566-6200 { NAtAaATAR'|<
BINA OU America Online Forum (keyword: MetaToo’s). | > l« a
Bc Mac and Mac OS logo are trademarks of Apple . =
Aother r produc names ae trademarks of their respective owners. The Visual Computing Software Company.
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Sony’s Is More
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change without a
Circle 25 onreader service card
* Sending my 48 meg file to be printed.
Color calibrating? Three clicks, all done.
Traps and overprints? They all showed up.
Revisions? OK, so I’m a little obsessive.
The comp? It actually matches the screen.
What’s next? I’m out of here.
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Circle 100 on reader service card
DOCUMENT
COMPANY
NOVEMBER 1996
__ systems
CHRP Mave’ Closer to
APPLE, MOTOROLA, AND
IBM SHOW OFF
PROTOTYPE SYSTEMS
by Galen Gruman
Bong promised but now
closer to reality: at the
ff recent Macworld Expo,
| IBM and Motorola
HH demonstrated their re-
ystems to run both
ac OS and Windows
NT, And Apple demonstrated
a working prototype of a
Common Hardware Refer-
ence Platform (CHRP) system
that ran the Macintosh OS
and included PC-style paral-
lel, serial, a ared_ ports
running, respectively, as
dard PC parallel printe
ial mouse, and an in-
| keyboard.
System, Two OSs
ed its Viper
motherboard, which it will use
in forthcoming CHRP Mac
and Windows NT systems
and sell to other systems mak-
ers. Viper has ADB, PS/2 ser-
ial, EIDE, and 2 ports,
so it can handle both Mac and
PC peripherals, IBM showed
off its similar Long ‘Trail
motherboard.
IBM and Motorola both
demonstrated how their CHRP.
One
Motorola displ
34 November 1996
motherboards let users swit
between the Macintosh OS
and Window: » When you
start up (or restart), you g
screen with buttons for V
screen and its buttons are part of
the Open Firmware ROM that
the CHRP specification uses.
Both companies touted
the new release of Windows
NT 4.0 for PowerPC, which
they demonstrated running
Microsoft Excel. Then they
MACWORLD
rebooted their CHRP systems
to run Fractal Design Painter
under the Mac OS.
Apple's Mac Focus Apple's
rem, code-named
a dua
tem; instead, it is a Mac
cific system based on CHRP.
Apple's engineering manager
for CHRP, Mike Bell, said that
today’s Mac programs would
run unmodified on a CHRP-
based Mae. ‘To prove it he ran
ClarisWorks 4.0, loading the
pe-
jj f ja
_
| X N
| 1 j
ae
| hat | |
communications component,
and demonstrated that the
communications dialog box
shows two new ports—the
PC’s standard COMI and
COM2—in addition to the
Mac’s standard Modem Port
and Printer Port.
Bell said the January
update to System 7.5, code-
named Harmo should run
fine on CHRP Macs as well,
since the changes to support
continues on page 42
Brave
New Driver
LASERWRITER 8.4
OFFERS A NEW INTERFACE,
ONE-PASS PRINTING
by Anita Epler
sers of LaserWriter
8.4 will immediately
notice a dramatic new
look in Apple's (408/
996-1010, http://www
.info.apple.com) latest printer
‘iver. But its enhancements
are more than simply cosmetic.
When Laser\Writer 8.0 de-
buted, it didn’t take long for
Apple customers to cry foul
over the so-called innovation
of two-pass background print-
ing. Unlike older versions of
Apple’s printer driver, Laser-
Writer 8.0 first spooled print
jobs to your hard drive, then
streamed the data to the printer
asa second step. This reduced
the time required to return
control to the application, but
you needed twice the hard
drive space to spool files in this
hion, In environments where
file sizes are measured in hun-
dreds of megabytes, such as ser-
vice bureaus, this was no small
sacrifice. Most shops opted to
turn background printing off
to avoid the disk crunch.
LaserWriter 8.4's. biggest
news is the elimination of this
two-pass method, In addition,
nearly all of the driver has
been converted to PowerPC-
native code. But you probably
won't see major improvements
in overall speed, despite pre-
dictions of Apple engineers at
May’s Worldwide Developer
Conference, who promis
performance boosts of 25 to 35
percent over previous versions.
Apple's claims are now
more modest. “We've seen that
{LaserWriter 8.4] provides dif-
ferent results based on differ-
ent test suites,” says Ken Fee-
han, Apple’s product line man-
ager for laser printers. “The
more complex a document is,
the more likely people are to see
the benefits of native code.”
The new driver also features
an enhanced user interface
that allows you to switch be-
tween like devices (for example,
from one monochrome laser
to another) within the dialog
box, without having to cancel
your print job and go to the
Chooser. Other improvements
include the ability to set layout
options (such as 2-up or 4-up
printing) within the Print
log, and the relocation of print-
er- and application-specific op-
tions to their own screens, ac-
cessible via a drop-down menu in
the Print dialog’s main window,
LaserWriter 8.4 als
quires that you adopt Apple's
new desktop-printer scheme for
managing output devices; the
old PrintMonitor is gone. [low-
ever, thanks to LaserWriter 8.4
companion software, Desktop
Printing 2.0, desktop printers
can now reside in any folder,
not just on the desktop.
LaserWriter 8.4, currently
shipping only with the Ls
Writer 12/640 PS (see Reviews,
October 1996), is available for
download from Apple (betp://
wuw.info.apple.com/swupdates/).
Feehan won't comment on
when the new driver will be
available for mass distribution,
but says it will likely be some-
time in the fall.
Workstation
Graphics on
the Desktop
NEW MAC APPLICATIONS
EMERGE AT SIGGRAPH
by Cathy Abes
his year’s Siggraph
conference in New
Orleans was dominat-
ed by the usual devel-
opers of Silicon Graph-
ies products, along with
Microsoft. pushing Windows
Alps Joins Scanner, Printer
SMEAR-PROOF PRINTS AND METALLIC INKS
Alps Electric (408/
432-6000, http://
www.alpsusa.com)
is planning to release
the $699 MD-4000
Color Printer/Scanner.
The “MD" in MD-
4000 stands for Mi-
cro Dry inks, which
promise printing that
8
3
3
is sun- and waterproof on any kind of paper. The inks come
in metallic gold and silver, as well as the usual blue, red,
yellow, and black. The MD-4000 also functions as a 24-bit
scanner and handles images up to 8 by 11 inches.
The 600-dpi QuickDraw printer was expected to ship by
the end of October. A model without a scanner, the MD-2010,
should already be available for $499.— SUZANNE COURTEAU
NT as the high-end graphics
platform. Still, a number of
Macintosh products were
shown, ranging from 3-D
modeling, rendering, and ani-
mation to video painting and
compositing to virtual reality
applications.
Powerful Rendering and
Animation LightWave 3D
5.0, from NewTek (913/228-
8000, http:/Aoww.newtek.com),
is finally coming to the Power
Mac. The $1495 package, slat-
ed for October release, offers
broadcast-quality modeling,
rendering, and animation ca-
pabilities and will support
QuickDraw 3D for viewing
changes to graphic objects in
real time. Macintosh users will
have access to such profes-
sional-level features as full ray
tracing, depth of field, motion
blur, and variable lens settings.
Other new features include
MetaNURBS, which allows
real-time transformations be-
tween polygons and splines to
create organic 3-D objects,
and MetaBalls, which uses
spheres to approximate com-
plex shapes and transform the
rough shapes into complex
3-D objects.
Also migrating from Sili-
con Graphics workstations—
and supporting QuickDraw
3D—is Vertigo 3D, from Ver-
tigo Technology (604/684-
2113, bttp:/Avww.vertigo3D.com).
Designed to ease the transition
from 2-D to 3-D graphics,
Vertigo incorporates Pixar's
RenderMan renderer. Through
its use of the QuickDraw 3D.
plug-in rendering architec-
ture, it will also support other
rendering packages such as
LightWorks (see below), Fea-
continues
www.macworld.com November 1996 35
tures include Phong-shaded
previews, deformation lattices,
effectors (plug-ins that gen-
erate effects such as waves,
wind, and noise), hierarchical
keyframing, and animatable
shaders. You can drag and
drop objects into a scene,
change an object’s contours by
dragging any control point,
and even drag shaders onto
objects, Vertigo’s Orbit win-
dow lets you move or rotate an
object by moving the cursor
around the window, For $800,
you get a Mac-based program
that can ange data with—
and has all the functionality
of—its $5000 Silicon Graphics
sibling, while the company
promises the next Mac version
will Future fe
tures will include capabilities
such as moving text along
path, rotating text, changing
letterspacing, and mapping
text around an ellipse,
LightWorks, from Light-
Work Design (44 114 266
8404, bitp:/Avereslightwork.com),
is a photo-realistic renderer
tool kit that’s currently avail-
able only to other developers
of 3-D software.
How the company is
working with Apple to package
LightWorks as a plug-in ren-
derer for QuickDraw 3D 1.5
Longer bars are better. Results are times
as fast as a Centris 650 (Centris 650 =
1.0). Products are listed in decreasing
ISDN for PowerBooks
SCIl OFFERS PCMCIA CARD
If you're on the road and a 28.8-Kbps modem doesn't cut
it for your file-transmission needs, consider ExpresSO
PCMCIA, a $495 ISDN card from SCii Telecom (813/562-
5971, hetp:liwww.sclitelecom.com) that works with Apple
Computer's PowerBook. The card supports ISDN Basic
access, consisting of two B channels at 64 Kbps plus a D
still to be
(a release date i
determined).
Video and 3-D_ Painting
Tlluminaire, from Denim Soft-
ware (310/618-9700), is actu-
y two programs, Illuminaire
Paint and Tluminaire Compo-
sition, that can be bought sep-
arately ($795 each) or together
($1395), The former, an
object-based painting applica-
tion, provides more than 30
draw modes, including smooth,
blur, emboss, dodge/burn, tint,
and posterize, You can change
the order in which paint
strokes and filters are applied
to produce different results.
channel at 16
Kbps. Mac PPP
and TCP drivers
are included. Of
course, you'll also
need an ISDN
connection from
the local tele-
phone company.
— STEPHEN BEALE
Mluminaire Composition offers
3-D compositing of film clips
and still images. Both packages
support Adobe Photoshop and
After Effects plug-ins.
Version 1.5 of MeshPaint
3D, from Positron (402/365-
1002, betp://a 3dgraphics
com), allows animators to cre-
ate texture maps by painting
directly on 3-D surfaces. New
features in the $600 package
include VRML support, a
clone tool, and a Chroma-
Stripper mode for removing
color as you paint. VRCreator,
from VReam (312/477-0425,
Attp:/koww.vream.com), is a vir~
Umax Pulls Ahead of Power Computing
‘Armed with the latest and fastest PowerPC 604e 250MHz CPU, the prototype Umax
SuperMac'$900 604/250 was able to outrun a 225MHz Power Computing PowerTower
Pro despite having. a smaller cache (512K versus 1MB), However, the 225MHz version
Of the SuperMac $900 was slower than the 225MHz PowerTower Pro. Expect to see
250MH2 604e-based systems from Power Computing and DayStar this fall. For details
‘on our tests, see "The New Speed Champs,” July 1996 —Macworld Lab testing supervised
‘order of overall performance. bby Mark Hurlow
‘Overall Score CPU-Intensive
Umax SuperMae $900 604/250° ===> 9.6 = 96
Power Computing PowerTower Pro 225 —C—=—=—=—=—5-9,2 S—-9.4
Umax SuperMac $900 604/225' ——c—=—=—=—=5-38 ==—=—-89
Power Computing Powerlower Pro 200 ——=—=—=- 85 === 8.4
Umax SuperMac $900 604/200 ===> 83 S==———>—85
Apple Power Macintosh 9500/200 =~ 7,7, 7.5
‘Apple Power Macintosh 8500/180 ————=——>67 ==—=>-—66
*Prototype system. Indicates typical per- Indicates perfor-
formanceina mixed- mance for most
use environment, business and person-
such as a company al tasks.
36 November 1996
‘or school,
MACWORLD
FPU- Intensive
—-143
—=-134
=== 128
—=—=-127
——=-120
—— ra
Disk-Intensive
<= 35
—=35
—=-34
—==-35
—=—=30
=> 25
=S—103 =a — 24
Indicates perfor- Indicates perfor-
mance for analytical, mance of the Mac's
3:D,and other _data-transfer capa-
specialized uses. _bilty, which affects
all users,
tual reality authoring tool that
supports VRML and Java to
let you create interactive virtu-
al worlds on the Web.
For accelerated rendering,
GreenICE, from ICE (617/
768-2300, bttp://aan.iced.com),
combines a Mac with an ICE
16-processor rendering engine.
‘The product’s pricing begins
at less than $15,000; the sy
tem is due by year’ end.
The Thunder 3D graphics
card, from Radius (408/541-
6100, bttp://vww.radius.com), is
designed to accelerate Quick-
Draw 3D. applications and
increase frame-rate_ perfor-
mance; it supports enhanced
resolutions and a 30-bit color
palette. Prices begin at $4499,
Is There Life
after JPEG?
VENDORS PROMOTE
WAVELET COMPRESSION
AS NEW STANDARD
by Stephen Beale
PEG has always been
an imperfect solution
for compressing. still
color images. Estab-
lished as an accredited
industry standard by the
International Standards Orga-
nization (ISO), JPEG uses a
lossy compression algorithm
in which small amounts of
data are thrown away as part
of the compression process.
The more you compress the
image, the more data gets
thrown out, eventually result-
ing in artifacts and lost detail.
Nevertheless, JPEG has be-
come the dominant format
for still-image compression.
Ir’s built into QuickTime and
Adobe Photoshop, and is a
popular format for displaying
images on the Web.
Several vendors are now
promoting alternative com-
pression schemes as potential
replacements for the discrete
cosine transform (DCT) tech-
nology currently used in
JPEG. Most are based on a
technology known as
scalar quantization (WSQ),
originally developed at Los
Alamos National Laboratory
for the FBI as a method of
storing and transmitting fin-
gerprint data.
Like DCT, WSQ is a
technique, but there's
generally less of a trade-off
between the compression ratio
and image detail. Wavelet
vendors say you can squeeze
the picture about twice as
much as with JPEG to get the
same level of quality.
‘Two companies offering
ased wavelet-compres
sion products are Lizard’ lech
(206/728-8120, bee
isardtech.com) and Aware (617/
276-4000, bttp://www.aware
.com). Both vendors have con-
nections to the original WSQ
development effort: /
technology is a direct imple-
mentation of the FBI finger-
print standard, while
‘Tech’s software was written by
the same programmers who
created the original WSQ
algorithms.
LizardTech plans to offer
wavelet compression through
a product called MrSID,
which is primarily targeted at
the geographic information
systems market. The compa-
ny claims that you can com-
press a color image at ratios
up to 100:1 with no dis-
cernible loss of quality. ‘The
le
| Mews
software has three compo-
nents: a compiler-compressor,
a distributed image-databa
server, and a viewer-decom-
pressor. A Netscape plug-in
version of the viewer is cur-
rently available free from the
Lizard'Tech Web site, which
also includes sample com-
pressed images. Pricing for
MrSID itself has not been
announced.
Aware’s technology is im-
plemented in the form of
AccuPress, a $395 Photoshop
plug-in that was introduced
y. You can com-
at any ratio
using
Photoshop's Save As function.
The package also includes a
viewer that allows you to read
AccuPress images. Like Lizard-
Tech, Aware plans to offer a
free version of the viewer as a
Netscape plug-in.
The primary obstacle to
acceptance of wavelet com-
pression is a lack of standards:
images compressed with one
vendor's product cannot be
decompressed with software
from competing companies
None of the wavelet ven-
dors is big enough to establish
its technology as a de facto
standard, leaving them with
two choices: get a major ven-
dor like Apple or Adobe Sys-
tems to endorse their format,
or get a standard-setting body
such as the ISO to establish
wavelets as an accredited
industry standard.
Greg Gilley, director of
engineering for imaging and
video for Adobe, that
any WSQ_ implementation
would have to be in the pub-
lic domain—if not actually
accredited—for Adobe to
adopt it. There would also
have to be widely available
tools for working with the
format. However, he sees
WSQ as the most likely suc-
cessor to JPEG, and expects
the technology will be adopt-
ed more widely in the next
year or so.
FreeHand 7 Leapfrogs Illustrator
BY SANDEE COHEN
Just one year after FreeHand 5.5 debuted, Macromedia (415/
252-2000, http://www. macromedia.com) is about to release a major
upgrade. But in keeping with its aggressive strategy, the company has
decided to skip over 6 and go directly to version 7. It's hard to say
who will be more impressed, FreeHand or Adobe lilustrator users.
One advantage Illustrator has always had over FreeHand is its
synergy with Adobe Photoshop. But with FreeHand 7, Macromedia has
liminated this issue. Drag and drop works seamlessly in both directions,
and you can paste FreeHand objects into Photoshop as pixels or paths,
You'll find a few new Illustratorike Xtras such as Roughen,
Bend (like Punk and Bloat), and Envelope (like Free Distort), as well
as a chart too! to make basic charts and graphs. Unlike with tllustra-
tor, this chart tool has an Apply button that makes it much easier to
see how each setting changes the chart’s look.
Any Illustrator user who has found FreeHand’s control handles
clunky will appreciate the new setting for smaller handles that look al-
most identical to llustrator’s, And lke llustrator, FreeHand 7 can color the
handles for each layer, making it much easier to select and modify objects.
But don't get the idea that FreeHand 7 is just playing catch-
up with Illustrator, It has leaped way ahead by allowing blends be-
tween spot colors and between objects filled with gradients. It also
lets you take two blended objects and join them to a path. This,
combined with FreeHand's live blends—the ability to modify a blend
on screen by adjusting
the original objects—
gives FreeHand the most
powerful set of blend
tools anywhere.
In addition to woo-
ing Illustrator users, the
new version will be a
boon for FreeHand users.
For example, instead of
26 variations of the
Inspector Palette, there
are now 5 tabbed
omc = sass palettes that can be
FreeHand 7can combine blends on apath. merged like those in
Photoshop or docked so
they move together, FreeHand has always had sophisticated object
and text styles, but version 7's new Graphic Search and Replace goes
further. You can search for object attributes—such as colors, stroke
widths, even object shapes—and replace them with new attributes,
illustrator’s Select filters don't even come close.
In spite of these significant enhancements, the jump in version
number from 5.5 to 7 seems a little steep. Is Macromedia playing a
numbers game with Adobe? It will be interesting to see how Adobe
responds with the next version of illustrator.
www.macworld.com November 1996 37
Special
REPORT
[ News
Adobe Rebuilds Graphics Powerhouses
UNVEILS MAKEOVERS FOR PAGEMAKER, PHOTOSHOP, AND PERSUASION
‘The latest versions of Photo-
shop, PageMaker, and Persuasion feature new interfaces and
offer enhanced Internet publishing features. But will they help
Adobe maintain its dominant position in the Mac graphics
market? Macworld answers the question in this special report.
PageMaker 6.5
Goes for
the Jugular
by Galen Gruman
ust a year ago, Adobe
Systems (206/622-5500,
http://www .adobe.com)
brought us PageMaker
6.0, boasting of color-
management and master-page
features meant to attack
QuarkXPress on its own turf.
Now Adobe has turned up the
heat, adopting a key Quark-
XPress layout approach—the
use of boxes to hold text and
graphics for structure layouts
tures to PageMaker 6.5,
which is due to ship in
November for $895. Up-
i st just $99.
d the Mac
market leader XPress since
1993, although version 4.0 is
expected next spring.)
Boxes Arrive
‘The adoption of boxes to hold
elements marks the end of a
ten-year resistance to this
idea, which has been a hall-
mark of all other leading page
layouts through the decade. I
find this technique to be
much more flexible than
PageMaker’ traditional ap-
proach, especially when mod-
ifying a design. And I'm
happy to see Adobe outbox the
competition: rather
than have separate
PageMaker 6.5 adds new Web-publishing capa-
bilities, as well as interface refinements to
better match the look and feel of Photoshop 3.0.
(you can still use the original
PageMaker column-by-col-
umn placement approach). It
is also staking a claim on
Internet publishing by adding
a raft of Web-oriented fea-
38 November 1996
types of boxes for
text and pictures,
PageMaker has sim-
ply one box in
which you can place
anything. Howev-
er, Adobe is miss-
ing a key rationale
for boxes: multi-
column text. Page-
Maker 6.5’s boxes
contain only one
column, so you
can’t use them easily to con-
vert a layout from, say, two to
three columns.
Adobe continues its re-
lentless campaign to make all
its programs—most, like Page-
MACWORLD
Maker, acquired from other
companies—share similar ap-
proaches and interfaces. That
means PageMaker gets the
tabbed palettes of Photoshop
3.0 and the ability to have
multiple layers on a page—
the electronic equivalent of
paper overlays.
The multiple layers allow
PageMaker users to create
documents that contain mul-
tiple versions—you might
have a layer for text in dif-
ferent languages, for exam-
ple, or separate layers for
Web and print graphics. By
selecting the layers for out-
put, you create a version of
the document for a specific
medium or reader. This is the
kind of feature whose power
will not be obvious to you at
first but over time will be-
come a must-have.
New Plug-in Scheme
Another significant interface
change is in how plug-ins,
formerly called Additions, are
managed. Plug-ins are no
longer confined to a menu
list, so developers can now
create them so they reside
in any menu, dialog box, or
palette—just as QuarkXPress’s
XTensions can. This means
you'll be able to access added
functionality where you'd
expect to use it.
While competitor Quark
has focused on creating an
XPress add-on called Imme-
dia to produce multimedia doc-
uments (see “Immedia Makes
QuarkXPress Interactive,”
News, August 1996), Adobe
has extended PageMaker to
the Web. The previous ver-
sion had rudimentary HTML
export, but the new version
really aims at the Web.
The HTML export now
handles most HTML 3.2 fea-
tures, including
frames. And Page-
Maker now auto-
matically converts
graphics to JPEG
and GIF formats
when exporting for
the Web. You can
also create hyper-
links in your docu-
ment, including
those to URLs.
A year ago,
I thought Page-
Maker 6.0 was a necessary but
not awe-inspiring upgrade.
This year, Adobe Systems is
on its way to hitting a home
run with PageMaker 6.5, if
the final version delivers on
the prototype’s promise.
Photoshop 4.0
Delivers
New Interface
by Cathy Abes
hotoshop 4.0 is bound
to stir controversy
among veteran Photo-
shop users, since its
redesigned interface
will necessitate significant re
learning. However, once you
continues
pouG Ross
$$
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INTRODUCING EUDORA PRO™ 3.0.
With 10 million users, Eudora® products have
made a huge impact on the Internet. And now
there's something even more powerful: Eudora
Pro 3.0, written to official Internet standards.
Eudora Pro 3.0 has improved message filtering
and mail management tools that help you sort large
volumes of e-mail in seconds. Advanced drag-and-drop capabilities
let you easily attach files and manipulate text. Live hot links auto-
matically open your Web browser and other Internet applications.
And an expanded Address Book lets you store addresses and
THE INTERNET'S Most POWERFUL
E-MAIL SOFTWARE STRIKES AGAIN.
rrr]
a ee
phone and fax numbers. You can even stylize text
to make messages look like word-processed
documents. And since Eudora Pro 3.0 is
so easy to use, switching your company's
e-mail software is a breeze.
To find out more, just call 1-800-2-EUDORA,
ext. 86098. Or send us e-mail at eudora-sales27
@qualcomm.com. Or visit our Web site at www.eudora.com/460
to download Eudora Pro 3.0 and use it
FREE for 30 days. Why should Mother (\
Nature be the one with all the power?
FREE 30-Day TRIAL!
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Devans At us Wen Sire WWW.EUDORA.COM/460
Information regarding the number of Eudora Light
1995, and IDC. Eudora is a division of QUALCOMM. QUALCOM!
92121-2779, USA. © 1996 QUALCOMM Incorporated. All
Circle 22 on reader service card
get used to the many reshuf-
fled keyboard commands,
such as those for Clone and
Deselect, you can turn your
attention to some major
enhancements.
New Palettes
‘Two new palettes add useful
functions: the Navigator
palette provides flexible
zooming and panning, an
improvement over 3.0's preset
zoom levels, while the Actions
palette offers task automation
and batch processing—you
Photoshop 4's new Navigator palette lets you zoom
in on a large image, while the Actions palette
permits task automation and batch processing.
can record your editing steps,
reorder them, disable selected
ones, and play them back on
any number of files, User-
definable guides and. grids
provide precision alignment.
Another useful interface en-
hancement is control-drag,
which pops up a menu of
common operations related to
whatever tool is selected.
Adobe's commitment to
layers is evident in its addition
of Live Picture-style adjust
ment layers, which act as
masks through which filters
and other effects can be
applied to underlying image
layers. Thus, an adjustment
layer can be changed repeat-
edly without altering the
image permanently. However,
aficionados of floating selec-
tions may be disconcerted to
find that such operations as
applying a filter or adding text
create a new layer rather than
a floating selection.
[ News
Improved Distortions
Transformations have also
been enhanced. The new Free
‘Transform command lets you
apply multiple distortions—
such as scale, skew, and
rotate—to an image in one
step, simplifying complex
manipulations and reducing
image degradation. And the
ability to specify numeric
transformations lets you edit
images with more precision.
Users who prefer not to
install a slew of third-party fil-
ters will be pleased with the 48
new effects filters
that have been add-
ed to 4.0, including
Adobe Gallery Ef-
fects. Another new
feature is Image-
mare, software by
Digimare that em-
beds visually imper-
ceptible watermarks
throughout an im-
age that are still
readable even after
the image is edited,
printed, or re-
scanned. When you
open a watermarked image in
Photoshop, the program indi-
cates the presence of copy-
right information and pro-
vides a link to the copyright
owner's Web site.
Web Format Support
Like every other application
these days, Photoshop has
added Web-related features.
It supports Portable Network
Graphics (PNG) and Pro-
gressive JPEG, and lets you
save Acrobat PDF files. For
those who are hungering for
more speed, Photoshop sup-
ports symmetric multipro-
cessing on Macintoshes with
multiple processors.
Expected to ship by
November, Photoshop 4.0
will retail for $895, It will in-
clude an interactive tuto-
rial, stock photos, sample
plug-ins, a digital gallery,
and demo versions of other
Adobe software.
40 November 1996 MACWORLD
Web Features
Add Life
to Persuasion
by Stephen Beale
dobe Persuasion has
long been among the
leading programs for
design and production
of 35mm slide presen-
tations, But as fewer people
use 35mm slides, developer:
have transformed their pa
ages into tools for on-screen
presentations, adding wha
entially interactive multi-
media functions. Now, given
the industrywide push toward
Internet publishing, it should
be no surprise that Adobe has
made the World Wide Web a
focal point for Persuasion 4.0,
Internet Retro’
Its an alluring concept: take a
self-running presentation and
put it on the Web. Persuasion
4.0 offers several tools for doing
so: import filters for
GIF and JPEG,
Web-page autotem-
plates, and the abili-
ty to drag and drop
URLs from a Web
browser to a slide.
However, instead of
generating HTML
code for the Web
page, Persuasion 4.0
produces an Acrobat
PDF file using Ac-
robat Distiller. This
less-than-ideal solution makes
Persuasion’s Web support look
more like a retrofit than an inte-
gral part of the software.
Improved Integration
Other features in the $395
package follow Adobe’ recent
trend of better integrating its
products, Palettes and keyboard
shortcuts are now reminiscent
of those in Photoshop and Illus-
trator; there’s even a Layers pal-
ette similar to those in Adobe's
other graphics packages. Photo-
shop and Illustrator files can be
imported in native format, the
former with layers intact.
‘To improve cross-platform
compatibility, the Mac version of
Persuasion includes several fea-
tures previously available only
under Windows: dashed and
dotted lines, a cropping tool,
and enhanced tab functions.
‘There's also a conversion utility
for Microsoft PowerPoint files.
Managing Fonts and Links
A new font-management func-
tion displays all fonts used in a
presentation and allows you to
globally replace one font with
another. The new Links Man-
agement dialog box shows the
location and file size of all
linked graphics, sounds, and
You can also use this
dialog box to keep track of —
and modify—hyperlin|
Also new: variable-speed
transition effects, an eyedropper
tool similar to the one in
Photoshop, and customizable
autotemplates for multime:
presentations.
Persuasion now lets you convert self-
tunning presentations into
POF files for use on the World Wide Web.
However, considering that
4.0 is the first major upgrade to
Persuasion since Adobe’s mer-
ger with Aldus, surprisingly lit-
tle is new. In part, this is a sign of
a mature—some might even say
geriatric—software category.
Tt will be a long time be-
fore users lose their need for
sophisticated business presen-
tation tools. But if Persuasion
4.0 is any indication, improve-
ments to the tools themselves
will be incremental at best.
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