Text content (OCR)
The Journal of Washington Apple Pi, Ltd.
| C)
Volume 13, Number 2 | , February 1991
a WAP Artists l 2
eae Ce 1 4
Inexpensive Laser
Sd Printers ? 6
— TimeOut
TextTools 64
Index to ’89 Journal 7 9)
And Much, Much More:
My aching back, 17 * Avoiding body bags, 18 * DocuComp 1.5 (review), 20 * Disk
Ranger, 23 * MacFlow3.1.5,24 * SPSS 4.0,32 * © ChessMaster 2100 (how to cheat it),
36 (it’s really here this time) * PLI TurboFloppy 1.4 (review), 38 * Dueling SCSI cards,
47 © SideringuptoaRAMEFAST,49 ¢ The begets oftheAppleIlemotherboard,58 * CoPilot
to the Services, 62 * Talking Money, 64 * Amusing Large Number Activities for Kids,
66 ¢ FACES for the Mac (Game review), 70 © Macintosh Disk Libraries
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A Division of Nicklas Associates, Inc.
2
ble of Contents
Volume 13
Club News
Imagewriter Pricing: A Lament
by Phil Shapiro/ Guest editorial
Office News... 208
by Nancy Pochepko/ What's happening;
special deals for WAP members
WAP Authors’ Guide
WAP Hotline...
WAP Calendar
Index to advertisers ..
Index to 1989 Journal Articles
Tutorials—February ...
‘WAP membership form .
SIGs and Slices
Columbia Apple Slice . 10
GameSIG
IIGS SIG
General Information
WAP Artists in Review
by Nancy Seferian/
Computers—over
by Andy Baird/ ‘A Princeton MUG
reprint on surge suppressors and how
they can improve your life and save
your...bacon in the process
My aching back...
by John Blumenstein/ Changing your
work environment
Avoiding body bags .....
by Leon H. Racsly/ Hints on low-cost
desktop publishing
Macintosh Articles
DocuComp 1.5 ..s+e-0ses
by Frank Potter/ Comparing documents
(review)
Number 2
Disk Ranger... oe
by Kevin Nealon/ Review of a disk
cataloging and labeling program
MacFlow 3.1.5 ....sessssees i
by Michael Samuels/ Review ofan
inexpensive flowcharting program
Inexpensive laser printers
by Lou Pastura/ Our Schwartzenegger
lookalike ventures into new territory
Notes on the Mac. 200030
by Paul Schlosser/ New apple printers,
weekly Mac show and new TCS files
SPSS 4.0.. 20032
by Brad Tesh/ Statistical manipulation at
the high end—a review
Bits & Bytes 2000 34
By Lynn Trusal/ Sayonara, WAP
ChessMaster 2100 36
by Dan Wages/ Be a tyro but look like
an expert
PLI TurboFloppy 1.4 ... none 38
by Chas Geer! A ‘Superdrive fora
fraction of the price
Apple III
On the Trail of the Apple III
by David Ottalini/ What goes around...
Apple II
Dueling SCSI cards ...
by Paul Tarantino/ Testing the fastest
RAM on the block
Sidering up to a RAMFAST .. a
by Gary Hayman/ Speeding ip hard
disk access time
Byts and Pyces
by Gary Hayman/ Odds and cide o on
the Apple II
‘The begets of the Apple Ile motherboard ...58
by Lorin Evans/ The Voyage of the
Electronic Beagle
52
7
200 54
Washington Apple Pi Journal
February 1991
‘View from the Cat House + 60—
by Kim Brennan/ New system 5.03 for
the GS, MIDI Synth and HyperCard
GS
CoPilot to the Services
by Rick Zeman/ A shareware program
for telecommunicating to CIS and
GEnie
Talking Money
by Dan and Sarah Slaven / Helping
children to learn about money
Amusing Large-Number Activities for Kids 66
by Phil Shapiro/ Demystifying really big
numbers can be fun
TimeOut TextTools
by Robert S. Oringel
the Apple II
64,
washington apo pl
This issue of the Washington Apple Pi
Journal was created on a Macintosh If, and
printed on a Laser Writer IINTX.
The program used was PageMaker 4.0,
the word processing program was Microsoft
Word 4.0; the principal typeface is Adobe
Garamond for the articles; and Helvetica and
Condensed Helvetica for headlines, emphasis,
and where it seemed appropriate or like a
good idea at the time, or where we ran out of
Games space, which also happens.
FACES for the Mac..
Adobe Systems, Inc., has expressed
« interest in and support for our proposal to
Disk Library roduce a series of articles on and
PB
Macintosh Disk Library ssssssssssee families. If all goes well, the first of these
by Dave Weikert should appear next month. All, we hasten to
‘ add, rarely does go well, but those of us who
Apple I/II di a aeely: gore
tine re ~ Bene clap for Tinkerbelle will continue to believe.
ea “oe So you get to find out, in the March issue,
how the next episode in the continuing saga
will turn out.
Stay tuned, and keep those cards and
letter coming.
Editorial Staff Deadlines Postal Information
ing Editor Writers’ submissions
Managi
Frank Potter (703) 620-8886 March
Graphics Editor April.
Nancy Seferian(202) 333-0126 | Editors’ submissions
Apple II Editor
Rick Zeman (301) 498-8531
Macintosh Editor
Lou Pastura (703) 560-1477
yy Editor
Eugenia Potter (703) 620-8886
Calendar Editor
Andy Shaw (301) 595-2539
Washington Apple Pi is published
monthly by Washington Apple Pi,
Ltd., 7910 Woodmont Avenue, Suite
910, Bethesda, MD 20814.
Application to mail at second class
postage rates pending at Bethesda,
MD.
Annual membership dues for
Washington Apple Pi, Ltd. are $32; of
this amount $24 is for a subscription
to the Washington Apple Pi Journal.
Subscriptions are not available without
April .seeseMarch 2 membership.
POSTMASTER: Send address
changes to Washington Apple Pi, 7910
‘Woodmont Avenue, Suite 910,
Bethesda, MD 20814.
February 1991
Washington Apple Pi Journal
4
Officers and Board of Directors
Eric Rall (301) 596-0004
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Bob Shaffer (301) 384-3724
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Dave Harvey (703) 578-4621
President
Vice President-Apple
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Treasurer
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Directors
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David Weikert
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Office Manager
Office Assistant
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Please send a copy to the editor.
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Washington Apple Pi Journal
February 1991
Imagewriter Pricing: A
Lament
Few people would disagree that
Apple makes fine computers and
peripherals. But some of Apple’s
pricing is getting way, way out of line.
The ImageWriter II printer is a
good example. It’s a fine dot-matrix
printer: sturdy, reliable, and relatively
fast. Yet most Apple dealers sell the
ImageWriter II for over $400, while
comparable printers by other compa-
nies sell in the $150 to $250 range.
The inflated ImageWriter price
even outpaces the price of some high-
end 24-pin dot-matrix printers. A
recent ad in The New York Times
offers a NEC 24-pin printer for $199.
(See page B5, NYT 12/26/90). How
in the world, then, can Apple have the
gall to price the ImageWriter II, a 9-
pin printer, for more than twice as
much as this 24 pin printer? What's
most embarrassing is that the price of
ink-jet and laser printers is steadily
marching down closer and closer to
Apple's inflated ImageWriter II price.
Hewlett Packard’s new Desk Jet 500, a
300 dots-per-inch printer, sells for
under $500. And low-end laser
printers, such as the H.P. IIP, are
selling for under $1000.
It’s time for Apple to cut the price
of the ImageWriter II by a bold $100
to $150. At that point, Apple is ikely
to find that increased sales volume will
more than make up any loss of income
from lower profit margins.
Te’s not so difficult to read what
Apple had in mind with its inflated
ImageWriter II pricing. High-level
planners in Cupertino were hoping
that more affluent Macintosh buyers
would buy the ImageWriter II as their
first Macintosh printer. Then, within a
by Phil Shapiro
year they would quickly tired of the
slow output of the ImageWriter in
graphics mode, and would upgrade
their printer to one of Apple’s laser
printers.
Here's the kicker, though. A
flourishing second-hand ImageWriter
market was supposed to have devel-
oped. Those Mac users were supposed
to sell off their ImageWriters to
humble Apple II users. Yet no such
large-scale second-hand market has
developed to date. Mac users have
been holding onto their ImageWriters,
keeping them as emergency back-ups
to their laser printers. Or, they’ve been
giving these printers to Junior to take
to college with his or her low-end Mac.
Consequently ImageWriter printers are
relatively difficult to find on the
second-hand market. And the price for
second-hand ImageWriters stays up
near $260 to $300, the price of what it
should be selling for new.
All this wouldn’t be so lamen-
table, were it not for the fact that
Apple intentionally departed from the
norm in making the ImageWriter a
serial, rather than parallel printer. Any
Apple II user wanting to use a different
printer has to go off and buy a $100
Grappler serial-to-parallel converter,
and live without the many programs
that require an ImageW/riter printer to
print their output.
Apple has made it inconvenient
for Apple II users to use a compatible-
brand printer. Seeing that a printer is a
virtually indispensable peripheral, it’s
time that Apple offered a price-cut on
the ImageWriter II. Such a gesture of
goodwill could perhaps assuage some
of the mounting hostilities between
Apple and the Apple IT user commu-
nity. And the price cut could actually
be in Apple's best financial self-interest
too.
(The author is the founder of
Balloons Software, a new Apple IT
educational software company. He can be
reached at (202) 244-2223, or on
GEnie at P Shapiro 1)
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BROCHURE
February 1991
Washington Apple Pi Journal 5
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Office News
HAPPY 1991 EVERYONE!
T hope that everyone enjoyed a
happy holiday season, and we wish you
a healthy and prosperous New Year!
LOST and FOUND
If anyone is missing a jacket,
sweater or umbrella, call the office,
we've got a pretty good collection here.
TECHNICAL ASSISTANCE
When you need technical
assistance please refer to the hotline
pages in the Journal. Open the
Journal to the centerfold—for the
Apple II and III hotline go back one
page, for the Macintosh hotline go
forward one page. We'd love to help,
but we simply don’t have the man-
power or the ability to provide that
assistance. Our hotline volunteers are
knowledgeable and helpful—give them
acall.
Additionally, if you would like to
offer your assistance to other members
of WAP, please let me know and we
would be glad to add you to the
hotline listing.
MEMBERSHIP
Winter is a good time for
computing, It’s cold and snowy, and
what could be more fun than being
curled up in front of a crackling fire
with your computer (okay, so there are
a few hundred things that couldbe
more fun, but who’s counting?). If
you know some folks who use Macs or
Apples IIs or Ills, give the office a call
and we'll mail you a few membership
applications to give to your friends.
The more the merrier!
by Nancy Pochepko
SIGS
Seems some of our Special Interest
Groups have gone into hibernation.
The Music SIG, the MS Works SIG,
the New SIG. Then there are some
great ideas for SIGs which simply need
leaders, like a Kid’s SIG, a Med SIG.
Give it some thought and if you'd be
interested in co-chairing a SIG or
revitalizing one of the dormant ones,
please let us know!
COMPUTERS ON TV
Check out The Learning Channel
(TLC) on Tuesdays at 6:30 p.m. EST
or Saturdays at 10:00 p.m. EST
beginning December 4, 1990. They
are running a program where they
review software programs on the air.
WORKS to WORKS
TRANSPORTER
Recently Microsoft made some
enhancements to a utility called the
Works to Works transporter within
the Microsoft Works program. The
changes allow users to convert files that
were created in AppleWorks 3.0 to
Microsoft Works 2.0. In the past,
users could only transfer files from,
AppleWorks 2.0.
Microsoft says this enhancement
will make like a lot easier for many
Macintosh users, particularly teachers
who might have a substantial number
of files that were created in Apple-
Works 3.0 that they would like to
move over to Microsoft Works 2.0.
There are two ways in which
registered users can get this utility
update free of charge:
1. If you are an AppleLink© user,
you can access the new Microsoft
Bulletin Board. In that Bulletin
Board, the conversion utility is located
within the Education folder as well as
the Reseller folder. Both locations
contain a read-me file that indicates
downloading instructions.
2. Users can call Microsoft at 1-
800-426-9400 to get this update. The
caller should ask for the free updates to
Works 2.0D.
WASHINGTON APPLE PI
MEMBER DEALS AND
DISCOUNTS
INCIDER MAGAZINE
WAP members are eligible for a
special subscription rate of $24.97 for a
one year subscription for new subscrib-
ers (the regular rate is $27.97 for one
year, $43.00/two years and $59.00/
three years). To order, please send
your check for $24.97 per one year
subscription made payable to inCider
to the WAP Office at 7910
Woodmont Avenue, Suite 910,
Bethesda, MD 20814. Also include
mailing information.
MACUSER MAGAZINE
WAP members are eligible for a
special subscription rate of $13.50
(50% off the regular rate of $27.00)
To ordery please send your check for
$13.50 per subscription made payable
to Ziff-Davis to the WAP Office at
7910 Woodmont Avenue, Suite 910,
Bethesda, MD 20814. Also include
mailing information.
QUE CORPORATION BOOKS
Que is offering a 35% discount
on all of their titles (except instructor
kits) to WAP members. To place an
order, call 1-800-428-5331 x3476, fax
800-448-3804 or write Que Corpora-
tion, 11711 N. College Avenue,
Carmel, IN, 46032 (ask for Debbie
Hulse, and make sure you tell her you
read about it in the WAP Journal).
Washington Apple Pi Journal
February 1991
You may not always need the very best film output
possible for your Postscript files, but if you plan to use
your Mac for the most demanding prepress applications,
it’s good to know that there is a convenient source for
absolutely state-of-the-art imaging for color printing—
Baltimore Color Plate. Using Riplink® software, BCP
moves your file onto their Scitex® and images it on the
highest- end graphic arts equipment available today.
The result is film output that meets the most demanding
printing requirements: super resolution, tight register,
proper trapping, Scitex (not Postscript) screen angles,
screen frequencies to 200 lines per inch and output size
to 19 by 25 inches. BCP can even proof your films ona
Kodak Signature® proofing system, for an extremely
close match to actual printing conditions. If you need
this level of quality, it’s here now, available now at
[301] 391.8855 or [800] TRY.BCP1, Fax [301] 574.4075.
BALTIMORE COLOR PLATE
At our January 3rd Apple II meeting,
Andy Wakshul gave an impressive
demo of the Print Shop Companion
for the Apple IIGS. This program costs
around $30 and requires a GS with
76K...
The Print Shop Companion IIGS
by Broderbund Software is a set of
utilities to enhance the Print Shop
IIGS program. The utilities indude the
following modules:
1. Quick Page for creating
freeform pages of graphics and text.
2. Calendar for printing out
yearly, monthly, weekly, and daily
calendars.
3. Envelope for creating sensa-
tional envelopes using full-panel
graphics.
4, Label maker for making
mailing or diskette labels.
5. Cataloger for printing out
reference sheets of all your Print Shop
graphics, borders and fonts.
In addition, editors are also
provided to help with creating new art
for the Print Shop GS:
1. Graphic
2. Full Panel
3. Border
5. Font (sic)
6. Pixel Patterns (for the Banner
Maker of Print Shop)
Andy also pointed out some new
features and capabilities that the Print
Shop Companion GS gives us. Some
of these include the capability of
making printouts magnified 10 X 10,
standard GS fonts can be edited and
saved as Print Shop fonts, and the Full
Panel edit capability. He seemed most
impressed by Quick Page. Some of the
capabilities provided by Quick Page
were the capability to import graphics
from other sources, the capability to
move text and graphics around on the
page. This feature of Quick Page could
be used to make cards like the Print
Shop card maker if more text is desired
than what the Print Shop aan give you.
At the business meeting following
the Print Shop Companion IIGS
demo, the Columbia Slice decided to
sell copies of “The Apple II Guide” for
$5 a copy as a fundraiser. This book is
a complete resource for users of Apple
II computers. Copies can be obtained
from the dub officers at the next
meeting.
The Apple II topic at the February
1991 meeting of the Columbia Slice
will be educational software on the
Apple Ile and IIc. &
by Steven Payne
GameSIG members gathered at
the WAP Office on Pearl Harbor Day
for our regular monthly meeting,
under the fearless leadership of our
new co-chairmen, “the two Daves”
(Hakim and Romerstein). In what is
fast becoming a regular segment on
alternate gaming systems, Dave Hakim
kicked things off by showing us the
Atari Lynx, a hand-held color system
that lists for around $180, handles
programs of up to 8 MB, and is
“comparable to the Sega Genesis”;
among the programs currently
available for this system, we had a look
at “California Games.”
Dave Romerstein then provided a
demo of Sim Earth (Broderbund,
Mac), pointing out the similarities and
differences between this new global
simulation and its popular predecessor,
Sim City.
In the “new products” report, we
learned that Wizardry II: Knight of
Diamonds, as well as Bane of the
Cosmic Forge (first installment in a
“new fantasy/role-playing adventure
series in the spirit of Wizardry”), are
now both available for the Macintosh
from Sir-Tech (P.O. Box 245,
Ogdensburg, NY 13669). Meanwhile,
we received a review copy of the Mac
version of Faces, the latest in Spectrum
HoloByte’s Tetris series (see the review
elsewhere in this issue); unfortunately,
once again there were no new Apple II
games for review.
Among the games our brave
members are currently exploring, we
discussed The Savage Empire, Silent
Service II, King’s Quest IV (on the
GS), Centauri Alliance, Might and
Magic II, Legends of the Lost Realm,
Pharoah, Sword of Vermillion and
Steve Meretzky’s Spellcasting 101:
Sorcerors Get All the Girls (the first
graphic adventure from our friend Bob
Bates’ new company, Legend). Some
of these, you'll notice, are only
available in MS-DOS versions....-
which raises an interesting question:
since it is now possible, with software
or hardware add-ons, to run such
programs on our favorite machines, is
it permissible to publish GameSIG
reviews of these products in the WAP
Journal? We think it should be, and
would like to broaden our scope to
keep you informed on what's available
out beyond the ever narrowing
confines of exclusively Apple and Mac
gaming. But we'll see whether this idea
flies or not.
The meeting closed with our
regular “Robot Tanks” tournament,
from which Dave Hakim emerged
victorious (one of the perks of his new
job, we suppose). The next meetings
will be held on January 3rd and
February 7th at 7:30 PM in the WAP
Offices.
Finally, a correction for all you
Cliff “The Fool’s Errand” Johnson
fans: contrary to what I reported last
time, his 3 in Three is available from
Cinemaware (4165 Thousand Oaks
Boulevard, Westlake Village, CA
91362); however, Miles Computing
(5115 Douglas Fir Road, Suite 1,
Calabasas, CA 91302) is advertising a
new Puzzle Gallery 2: Acnecies, which
we presume will build upon Johnson's
earlier Puzzle Gallery: At the Carnival.
(For information about the
December IIGS SIG meeting,
please turn to page 57)
Washington Apple Pi Journal
February 1991
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- fidgtisis onextubit
This column will look at the art and
artists of Washington Apple Pi and
the techniques and tools used to
create the art.
Artist Info: Don Mace is editor of
the Federal Employees News Digest
and the Federal Employees’ Almanac,
has an art background, including
study at the University of Miami and
brief employment as an artist/
illustrator at the Smithsonian
Institution.
Art: Jazafish (right), Skyline (opposite
top), and Archaeologist (opposite
bottom)
Tools: Mac SE, LaserWriter II NT,
SuperPaint, Mac Paint, and Mac
Draw II.
Procedures: “Normally, I don’t start
with one idea. I just start drawing
and see where it takes me, experi-
menting with several versions. I
freehanded Jazzfish, creating each
one individually and then position-
ing them. Using the marquee tool, I
took a section of the fish and
distorted it in several ways experi-
mentally to achieve various results, I
repeated the process and inverted
part of the drawing to work in a
particular area. Then I positioned the
entire image and printed it out.
Revisions were made after looking at
hard copy, in much the same way a
writer revises after first drafts. I chose
this as a subject because I like
drawing and painting fish. Many of
my oil paintings and water colors are
of this subject.
“Skyline was painted a bit
differently. I began by drawing freely
all over the screen in MacPaint. I
I, by Nancy Seferian
La byy
t foi oes
used the brush tool, then selected the
mirror tool under Goodies. This tool
allows you to create a mirror image
in reverse, and will allow you to do it
in a six-way pie. In this way you can
create a kind of doily. I used
different brush sizes to achieve a first
draft. Then I took the whole image
and cut it up with the marquee tool,
moving the pieces around and
reassembled them to make buildings.
The matrix suggested a cityscape to
me. So next I drew rectangles to
create windows. I added the sky
detail last. This process for Skyline
was a cut and paste job, a collage.
Jazzfish
“Archaeologist was created the
very first time I tried any of the paint
programs. I was intrigued by the fill
tools and the textures, spray, and fill
functions. I just started drawing a
face, threw in a pipe, and created the
hieroglyph using the fill mode for
those wall figures in the background
and also for the clothing. Then I
experimented with his hair, trying to
get a realistic look with various
brushes and paints. I wanted to
create broken lines where hair and
pipe smoke partially blocks back-
ground.”
Washington Apple Pi Journal
February 1991
AA
Archaeologist
February 1991 Washington Apple Pi Journal 13
14
Computers—over easy?
ZZZZZAAAAPPP!
Jolted out of my early-morning
sleep by the deafening buzz of an
electrical arc, I knew at once some-
thing was badly wrong. I lunged
toward the sound, which came from
beneath my computer desk, taking in
at a glance the ominous blue-white
glare from my surge suppressor, and
the cloud of black soot staining the
wall behind it. I ripped the Mac’s plug
from the outlet as the arc died and an
evil smell filled the room.
After my heart had stopped
pounding, I examined the remains of
my surge suppressor. Looking at the
charred interior of the case, I shud-
dered. If it had been made of plastic
instead of steel, there probably would
have been a fire. The MOVs (Metal
Oxide Varistors) had been literally
blown apart by the force of the surge;
then, like a welder’s rod, had arced
across the bare wire leads.
T thanked my lucky stars that the
MOVs had done their job and saved
my Maz, while wondering whether
there wasn’t a better way to protect
equipment—a way that didn’t involve
an explosive failure of the components
that did the protecting.
I thought about the time, a couple
of years back, when my Hayes
Smartmodem had died during a
thunderstorm, along with a couple of
chips on my computer’s motherboard.
I had surge protection on the com-
puter, but none on the telephone line.
‘When lightning struck nearby, a spike
came up the phone ling, fried the
modem, then continued up the serial
cable to kill the line-driver chips in my
computer. After that experience, I
added a surge suppressor on my phone
line, so I was completely protected.
by Andy Baird
Or so I thought at the time.
Now I know I was wrong, In fact,
I now realize that the modem was
probably killed by my surge suppressor.
The MOVs which were supposed to
protect my computer had done their
job by shunting an incoming power-
line surge onto the ground conduc-
tor—the same ground used by the
modem as a signal ground reference. The
result was a few thousand volts across
the modem’s inputs—and a dead
modem.
Everything you know is wrong
T want to make three main points
in this article. First, the surge suppres-
sor you own, if it’s more than a year
old, is probably not protecting your
equipment, because its MOVs have
degraded to the point of uselessness—
and there’s no practical way you can
test this. Second, even if it’s brand
new, or uses expensive TransZorb
devices instead of MOVs, it is designed
to dump surge energy onto the ground
conductor used as a reference by your
modem, network connection or other
serial device, thus endangering your
peripherals or other networked
computers even if it protects your own
computer. Third, there is a new device
which will protect your equipment
over the long term—ten to twenty
years—without endangering it.
Before I tackle those three
points—and try to convince you that
the conventional wisdom about surge
suppressors is wrong—let me tell you
where this information comes from.
Lightning strikes in the capitol
The National Institute of Stan-
dards and Technology, in Washington,
DC, has a section devoted to the study
of power-line surges. The head of the
group, Francois Martzloff, has been
studying surges and other transient
electrical phenomena for many years,
resulting in ANSI/IEEE standards
(C632.41-1980, if you're interested)
defining commonly-encountered
spikes and surges. A recent experiment,
in which surges were artificially
induced in the power wiring of an
industrial building, yielded an unex-
pected result: suppressor-protected
computers were undamaged, but serial
printers connected to them were
damaged by surges on the data input
Lines—not the power line.
Where had these surges come
from? Martzloff and his colleagues
finally concluded that the data-line
spikes which had damaged the printers
had been created when the computers’
surge suppressors shunted the excess
electrical energy to the common
ground conductor. The printers had
been killed by the surge suppressors!
Interestingly, the NIST team was
not the first to arrive at this conclusion.
A small New Jersey company, Zero
Surge Inc., had been founded not long
before by two engineers who set out to
build a power conditioning device
which would not dump excess energy
to ground. We'll talk more about the
Zero Surge device later...but now let’s
consider my three major points.
The mortality of MOVs
A look at GE’s “MOV Design
Manual” reveals several interesting
facts. First, MOVs don’t begin to
respond to a voltage spike until 10-40
nanoseconds. That may sound fast, but
the typical spike described in the IEEE
standard has a rise time of just 5
nanoseconds. That means an MOV
can’t react fast enough to stop the most
common electrical spikes. ..spikes the
TEEE standard says can be expected
many times a week in an average
building!
Second, MOVs wear out. Every
little jolt shortens the lifetime of an
MOY, until finally it fails to provide
any protection. Those little jolts
include the several-times-a-week spikes
described in the IEEE standard. A
recent article in the industry journal
Washington Apple Pi Journal
February 1991
LAN Times (May 1990) says: “If your
surge protectors have been in use for a
while (six months is a reasonable time),
the MOVs may be incapable of proper
performance. Moreover, as the [MOV]
ages, its clamping voltage decreases and
it may begin a process called thermal
runaway, which has resulted in fire.”
(Remember, I spent a long ime
scrubbing the soot off my walls after
my surge suppressors burned up!)
Adead MOV—more precisely,
one which has deteriorated to the
point where it offers no protection—
can only be detected with expensive,
sophisticated test gear. That ten-cent
LED which glows so reassuringly on
your present surge suppressor may
make a good night light, but it tells
little or nothing about whether your
MOVs are really doing their job, or
have gotten tired and given up. I’ve
been shown several commer-
cial surge suppressors (a
Kensington
MasterPiece,
among others)
which
appeared fully
functional, but provided no
surge protection whatsoever!
In short, MOVs provide inad-
equate protection; they wear out in the
course of normal use, and they fail
without warning, possibly posing a fire
hazard.
What about TransZorbs?
T’ve always figured I was extra safe,
because my Mac was plugged into an
expensive power strip using
TransZorbs instead of MOVs.
TransZorbs (avalanche diodes) are
semiconductor devices which respond
faster than MOVs, and don’t degrade
with time. However, I’ve recently
discovered that they have another
problem: when a really big surge hits,
they fail “open”, so they can’t divert
the surge voltage, just when they're
needed most!
But that’s minor. The real
problem is this: just about all presently
available surge suppressors, whether
they use MOVs or TransZorbs, are
wired to divert, or shunt, energy to
ground. As the NIST researchers
found, this almost guarantees contami-
nation of data lines, resulting in
garbled data at best, and fried equip-
ment at worst. The same design flaw
which cooked my Hayes modem and
those printers in Washington is built
into almost every surge suppressor
made, from the cheapest to the most
expensive. The LAN Times
sums it up this
way: “Networks
should only
employ
surge
protectors
that do not
shunt surges
to ground. If
[existing]
power condi-
tioning devices
contaminate the
reference ground
by
intro-
ducing surges, it may be wise to
remove such devices from a network or
to replace them with something
better.”
Some people may think they're
protected by the use of UPS
(uninterruptible power supply)
equipment, which by definition is a
100% battery-fed system. But not only
are UPSs quite expensive, their inputs
are protected by the same fifteen-cent
MOVs the average surge suppressor.
(The single exception, Abacus Con-
trols, licenses its technology from Zero
Surge, the small company I mentioned
earlier.)
A singular solution
So how can you protect your
expensive computer equipment? The
LAN Times has this to say: “The ideal
surge protector would be a circuit that
presents a high impedance to the the
surge and a low impedance to the
{normal] power wave, while protecting
the integrity of the ground circuit. It
should also contain no degrading
components like MOVs.” Such devices
exist; they are made by Zero Surge,
Inc.
If] tell you that the Zero Surge
units appear to be the only surge
suppressors on the market which work
properly, you'll have a right to be
skeptical. After all, the power condi-
tioning business is full of snake oil
salesmen, each claiming that only Ais
product is worth buying.
Well, I don’t blame you. I was
certainly skeptical at first. But after
reading articles in LAN Times, PC
Week and Power Quality magazines
and talking with electrical engineers as
well as the president of Zero Surge, I
believe the Zero Surge protectors are
the only ones which 1) will adequately
protect equipment and 2) won’t
contaminate data lines by dumping
surges onto the ground circuit.
The Zero Surge unit differs in
four fundamental ways from
ordinary surge protectors:
1. It’s a series circuit
with zero response time.
— Teintercepts all surges,
including the
common 5 nanosec-
ond surges which are too fast for
MOVs to divert.
2. It contains no MOVs or other
sacrificial or degrading parts, and no
components are overstressed by surges
of unlimited current up to 6000 volts
(the IEEE standard). Its service life is
equal to the shelf life of its compo-
nents, which is why Zero Surge
warrants its products for 10 years, and
thereafter offers to upgrade any unit to
new condition at any time for 20% of
whatever the unit then sells for.
3. Critical for networks and
modems (BBS and LAN users take
note), Zero Surge does not use ground
asa surge sink, but instead stores the
surge energy temporarily, then slowly
releases it to the neutral line. This
preserves the integrity of the ground
for its role as voltage reference by all
dataline interconnections.
4. Zero Surge takes the sharp
leading edges off surges and noise,
eliminating their ability to couple into
February 1991
Washington Apple Pi Journal
rPpxumZ2zm®
Aomamaz—
computer circuitry.
Zero Surge makes 2 sizes of surge
interceptors, a 7.5 Amp model (list
$149), which is right for those of us
who don’t have laser printers, and a 15
Amp model (list $199) for those who
do. The 15 Amp unit is offered at a
special price of $169 to user group
members. (You won’t be surprised to
hear that I bought one!)
Zero Surge president Wendell
Laidley is a straightforward, soft-
spoken man who emphasizes his desire
to answer any and all questions about
his product. His phone number is 201-
766-4220 (fax number: 201-766-
4144). Don’t hesitate to call him.
This article is from the June 1990
issue of the Princeton Macintosh Users’
Group Newsletter, and is copyright 1990
by Andy Baird.
This subject is not at all free from
controversy, and WAP members may
wish to communicate their own experi-
ences with surges. Certainly we have no
connection with Zero Surge, nor should
this article be considered as an endorse-
ment of the product.
rp>umzmo
How does it work?
Briefly, Zero Surge employs a 100 microHenry current limiting inductor,
followed by a voltage limiting bridge. The bridge contains several triggered energy
absorbing stages that respond according to the slew rate and energy of the
incoming surge, and keep maximum let-through voltage under 250 volts (in UL
1449 tests at 6000 volts and 500 amps, let-through was 223 volts, or 42 volts
above AC power line peak, the best ever tested by UL).
‘The unit contains three large electrolytic capacitors. One capacitor is charged
to track the sine wave peak at all times; the other two are uncharged except during
a surge, when they store the excess energy, which is then released slowly back into
the neutral line through current-limiting resistors. The rated life of these capaci-
tors, under 24-hour-a-day full load, is 11.5 years. Regarding the claim of “zero
response time,” Laidley says, “The first component is an inductor, in series with
the line, that responds instantly to the surge current. The ousput rise time of this
inductor is far slower than the low nanosecond range response time of the bridge
diodes. Zero Surge reduces surge rise time by approximately 40 times, thus
reducing the disturbance below the threshold, to a point where no significant
coupling can occur.”
By the way, all the Zero Surge components are in full view when the box is
opened; there are no “hidden parts” and none of the epoxy encapsulation so often
found in other units.
Tl give the LAN Times the final say: “If it doesn’t have UL or CSA certifica-
tion as a transient voltage surge suppression device, don’t buy it. Look for the UL
1449 clamping voltage in the product literature. If the device has UL certification
as a temporary power tap, it means that UL has a high opinion of it as an extension
cord, not as a surge protector!”
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16 Washington Apple Pi Journal February 1991
a
back...
Is your desktop computer (hopefully
an Apple/Macintosh) breaking your
back?
12 years ago I had back surgery
for a herniated disc, presumably
brought about or exacerbated by a long
period of basketball playing. I gave up
the basketball and have been reason-
ably good since then in following a
prescription for preventing further
back problems:
* Controlling weight
¢ Exercising properly
¢ Walking a mile or so to and
from mass transit daily
* Sleeping correctly
¢ Lifting (moderate loads) with
legs rather than my back
Unfortunately, I am now home
recuperating from my second disc
operation. What went wrong? I did
not have any dramatic or specific
trauma; rather it was a case of the straw
that broke the camel’s back. In my
case, after a few days of dull pain and
discomfort, I was putting on my socks
when I was hit with debilitating
electrical type pain in my right hip and
leg.
Am I doomed to an operation
every 10 years, or am I doing some-
thing that is contributing to my back
problems? Having lived with back
problems for so long, I am conscious
of most of the more obvious causes of
low back pain. At the hospital I had an
opportunity to read a bit of literature
on the subject, and one area kept
popping up in which I was failing and
failing rather badly:
sitting posture at work.
Three years or so ago I was
introduced to the wonderful world of
Macintosh, using a Plus and an SE on
by John Blumenstein
a part time basis. For the last two years,
T have used a Macintosh II to write
and edit books. For me, writing books
using Macintosh computers represents
a very rewarding career experience.
Hours just seem to fly by as I compose
in front of a 19” monitor.
I have suffered from “mouse”
wrist and shoulder at the end of
particularly long weeks of work at the
Mac but not much else, until now that
is. Are my many hours at the computer
contributing to my back problems? I
tried picturing my posture after hours
of sitting in front of the computer - it
was frightening! I sit in a great old
judge’s-type chair, heavily cushioned
and made for leaning back to peruse a
legal treatise and maybe take a short
nap; however, there is absolutely no
support for one’s back when using the
chair for keyboard work. My desk is a
ponderous old wooden relic with no
height adjustments for keyboard or
monitor.
Corporate
Overnight IMAGING f
Lotus Fr
Corel Dr
What should I do? First, I’m
looking into getting an “ergonomi-
cally” designed chair for keyboard
work. That should be relatively easy.
Second, I need a modern desk built for
computer keyboards and monitors that
can be adjusted to my height which is
on the tall side. (This will be somewhat
more difficult given the budget
constraints these days.) Third, I need
to think about the type of keyboard
and mouse I use and perhaps upgrade
toa product that is more sensitive to
the effects of prolonged use. (These I
will probably purchase myself).
Fourth, acquire a good alarm clock
utility to interrupt me from time to
time so that I get up, stretch, walk
around, and generally take a break
from the keyboard.
Will this remedy work? I don’t
know and may not for years, which is
the point of this article. Desktop
computers are just too new (especially
for people who are not equipped with
the proper desks, chairs, etc.) to draw
any conclusions. If you are like me or
think you might be prone to back
problems (in theory, all humans have
been since we started walking upright),
then you might consider assessing your
work environment and making some
changes.
The possible alternative, giving up
your Macintosh, is just (read my fonts)
not acceptable!
sions” Inc.
Macintosh & PC
February 1991
Washington Apple Pi Journal 17
Avoiding body bags
Last time we talked about Club Logos,
and the things Logos seemed to say
about the Club, plus the information
the Logo carried, or didn’t carry. A
total of 34 people wrote for the sample
copies, so I wasn’t inundated! Too
many to comment to each here, but I
did send comments to them with the
sample Logos.
Now about the Body Bags. You've
seen them before - your hard work
torn to shreds by the Post Office, and
the remains stuffed in a baggie, with a
little note - received at the x90xx post
office, sorry! Yeah, they're sorry, all
right. But not as sorry as you are! Body
Bags for your Newsletter - not good.
How can you avoid them?
The only way to be sure to avoid
them is to use an envelope. But that
costs more, and envelopes waste weight
- which could be additional pages in
your Newsletter. But you can reduce
the probability of damage. First, if 3
sheets or less (especially for 1 or 2
sheets) use a three-fold. Then staple as
described below. If more than 3 sheets,
you can fairly safely fold in half, then
staple.
I spent some time at the post
office watching them machine cancel
these pieces of paper. That stuff flew! I
watched what snagged, and how.
There are five potential snags. The first
two snags are the folded corners on
half fold sheets. If the fold is loose, it
can snag there, and tear off part of the
paper. I always take a pen and place
the newsletter on a hard surface and
BURNISH that folded edge to get it as
© 1991, Leon H. Raesly
by Leon H. Raesly
tight a fold as possible. It will help.
Don’t try to get by with just a
single staple in the center. The corners
will fold up and several are likely to rip.
Place a staple in each corner to make
the corners tight. Make sure that your
staple fastens on both ends, not just
one.
And the fifth point I saw them
snag is...the staple itself! Most home
staplers leave a rounded corner on the
back, which can catch with other
pieces of mail, or just in the machine.
Most commercial staplers will punch
the back of the staple flat, if possible,
use one of these types. Since my stapler
leaves the curled back (even though it
is electric) I place the top side of the
staple on a small board, (back side up)
and use a small hammer to completely
flatten the curled back of the staple. A
few minutes work, but I believe worth
it.
Another alternative instead of
using a staple is to use a round
adhesive circle. Avery makes a whole
series of them, and you can even get
colored ones. As above, place one in
each corner.
Continuing columns
As I have remarked before, an
Editor is always working against two
conflicting agendas. One, to get as
much information in as possible on
each sheet. (Remember the first
exercise of completely filling a sheet of
paper with typing, and how gray it
looked?) The second one is to open up
the NewsLetter and make it light and
spicy.
Ongoing columns offer a particu-
lar challenge. You certainly want them
written, even if it is the same message,
stated differently each month, from the
President. I have seen many titles for
such columns “The Pres Speaks,” “The
President's Corner,” “The Publisher's
Pen,” “The Editor's Nag,” etc. Not
that there is anything wrong with such
titles, it is just that they are always the
same. And easy to skip, which is not
what your President had in mind when
he wrote his article.
So here is a way to get spice and
interest going for them. First, find a
graphic that relates in some way to the
ongoing topic. Perhaps a man printing
on a old-timey press, or a quill pen.
How about a harassed man shouting?
Find something you like, and that they
(the author) will like. Then combine
the name of the column with the
graphic. Also include the author's
name as a part of the graphic.
Creating a composite graphic
If you are cut-and-paste (KCP) it
is easy to lay graphics on top of each
other to create composites. Just use the
following techniques:
First, select your graphic, and lay
it on a clean sheet of paper—no glue
yet. Then take another piece of paper,
and draw a line on it with your non-
reproducing blue pencil (NRBP). now,
using the dry-transfer type style sheet
you chose, burnish each letter of your
title into position. Even if you want it
later on 2 or 3 lines, do it all as a single
line now, and cut later. Do the same
with your author’s name.
Now place this beside your chosen
graphic, and measure the width and
height of the resultant combined piece.
Take a separate sheet of paper and
draw a box with your NRBP. Use a T-
square to be sure to get the corners
square. Firmly glue your graphic and
title and author’s name positioned
within this square (waxing is still
better, but since this is to be perma-
nent, dry glue stick (Uhu or other) will
work fine. After you have centered and
balanced these items as you wish them,
use a roll of lines (or borders) and place
carefully over the NRBP line. Now
you should have your completed
graphic, ready to be used each month.
Carefully cut to the edge of the border
with your X-acto knife, and it is ready
to mount to your layout sheet. Wax
Washington Apple Pi Journal
February 1991
BY: Lee Raesly, LCSW
Copyright 1991
(or dry glue if you must!) the comers
into position at the top of the column
on your layout sheet. Ready to go!
For DTP it is much simpler.
Notice the graphic leading this column
this month. I was fortunate to have a
graphic that our club’s previous Editor
had drawn (I don’t have that talent) of
a stylized “Computer” with a (friendly)
charicature of me running it.
Tt was really a neat 3-part cartoon.
‘The first showed a Neolithic man
carving on stone, and was titled, “Pre-
Rhode Era.” The second showed a
hard-working Editor slaving over a
typewriter, with reams of paper flying
in the air. This was entitled “The
Rhode Era.” The third showed the
graphic above, and was titled, “The
Ultimate Era”! All I have to do each
month is push “PRINT” and voild
Out comes the printed copy! None of
these lengthy hours of composing and
entering the copy, Don’t I wish!
Having the basic graphic that I
wished to work with, I scanned it to
create a DHR (Double Hi Res)
graphic. I then loaded it into a Paint
program, and cleaned it up. On the
way, I moved the image over to the
right, to open more space on the left.
Here I used San Francisco 18-Point
font to enter the Title “Editing Your
Club’s Newsletter.”
This type is somewhat “crazy” and
fit with the concept of an Editor
wearing a leather vest and such a crazy
hat (yes, I wear one like it all the time
[ed.-Reall?}). So the type is also a
complimentary part of the graphic.
When I loaded it into my DTP
program, I told it to “Frame Border.”
This gives the nicely framed box you
see. Since my Paint program did not
have the type I wanted for my name, I
then loaded the graphic into my DTP
program, and proceeded to create the
composite graphic you see.
PI3 allows the building of a
composite graphic that looks like it is a
single graphic. I placed a Text block on
top of the graphic, and entered my
name in 12-point Shaston. Both the
hat in the lower left corner (a stylized
rendition of the hat I wear) and the
signature of R. Rhode in the right
corner are actually additional DHR
graphics I laid on top of the first. Of
course, I did not “frame” either of the
additional graphics, or the text block.
You can do the same for your
regular feature columns. You can even
do the same if you are using KCP
methods (as shown above). Just save it
and use again next month.
But the composite graphic is just
the first part. The column name is now
part of the graphic, as well as the
author's name. That allows you to give
a different title to each months
column. Choose the most prominent
subject that the author wrote about,
and make that a catchy title (maybe
you can’t equal the ones in Variety in
the ’20s, but you can still make it
“catchy”). Use a 24-point type to make
it stand out.
This way you will have a graphic
to grab the readers’ eyes, as well as a
title (catchy, of course!) to bring your
readers to the column. The graphic
repetition each month makes it
familiar, and the titles (different each
month) make it new. Your readers will
look for it.
Electric clubs
Jam interested in learning of
Electric Clubs. I located one in
Pennsylvania, the “Westmoreland
Electric Soaring Society”. The club
newsletter is “Watts Current”, and the
editor is Richie Simpson. As he says,
“We carry our winch aloft with us!” If
you are the Editor for ANY type of
Electric Club, or know of one, please
drop mea note. I will serve as a
clearing house for Electric Clubs. I will
send a copy of the list I develop from
those letters to all who send a letter to
me, so that the “Electrics” can start
their own support network.
Next month I will cover some
readers’ response to the series, and
answer some questions asked. I want to
get to “busy” in a Newsletter, and
effective use of your back cover. Here
“busy” pays! Also, I want to take a look
at some sources for graphics of
airplanes, and how you can both get
them, as well as use them.
Take Care, Now! Lee...
Write your comments and
questions to:
Leon H. Raesly, LCSW
6201 Greenbelt Rd. Suite M-16
College Park, MD 20740
February 1991
Washington Apple Pi Journal 19
if
mare revi
Advanced Software, Inc.
1095 E. Ducne Ave., Suite 100
Sunnyvale, CA 94086
DocuComp 1.5 Seely
$89 Mail order
by Frank Potter
E DocuComp 2
DocuComp is the kind of program
that not everyone will need—but if
you do need it, it fits the bill very
nicely indeed.
{Blthough | am unable to confirm) that it will do DOS as well.
ican be used ty anyone who does word processing of any size 1 inky
With DocuComp, editing is simple and tracking different versions of a document
is painless.
Tt function is to compare two
different versions of the same docu-
DocuComp |
ment and to identify the changes that [Blthough | am unable to confirm) that it will do DOS as well. KS
have been made. The program doesn’t
much care what format the document anyone who does word processing of decuments-ora
was created or modified in—it will fesinsect ih DocuCanp ean is wae simple and tracking 9+ different
handle MS Word, MacWrite in all of p 5
its permutations, WordPerfect, and its | ia erenne tnete ste i itdte ki ach Lat
(Next Chance)
creators assert (although Iam unable to Gent! Ko} Pe
confirm) that it will do DOS as well.
enough that you are unlikely to need
Tt can be used by anyone who
aide a | haves viay of Ceding the help anyway, so it all balances out in
20
does word processing of any size secuary ofa eee the end. &
documents. With DocuComp, editing ‘The program itself can be con
is simple and tracking different from a floppy, but is much happier
versions of a document is painless. when it resides on a hard disk drive. It
Theprocesindfisninplewhes, Til tuvon muy Macinmsh bathe
you start it up, you are invited to select re Mca paca (and ue
documents for.comparison,lewill Sevl6perhast DOS version: as well)
eheroten “ify eee Tt can use color, but does not require
eerie 4 eee oi it. On-screen help is available, but
Nass cia etre | pales doesn’t go into a lot of detail. On the
insertions, etions, rep! acements, other hand, the pro; is simple
moved text, and even changes in a e
block of text before or after the text is
moved. The comparison is seen in two
linked windows on the screen, which Document Information
scroll wherever the cursor is placed. It k
can also be printed as a composite Newer File Older File
document, identifying with whatever DocuComp 2 Name DocuComp 1
convention you choose the changes Mac Folder Mac
Calvi Disk Calvi
that wereamade: Sat, Dee 15, 1990 Date gat, Dee 15, 1990
Every composite document is 3:38 PM Time 3:38 PM
salved with a summary report on the eee Freel sooo
compared files; you also can produce a
Revision List that itemizes every Comparison File
change found in the composite saved
document. The location of each Replacements 5 Insertions i)
change in the List is cross-referenced in Mewes 9 Deletions 2
the composite document.
Lawyers will love the program—at
least this lawyer does. I have been told
that programmers find it useful for
debugging source code, but I hasten to
Washington Apple Pi Journal
February 1991
Wouldnt it be great if new customers
were this easy to spot?
Now they can be, with Lotus® MarketPlace™ There are two versions of MarketPlace delivered
It’s the first desktop on compact disc. MarketPlace: Business* has data on
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eee eee you quickly target the on 80 million U.S. households with selection criteria like
si ey customers you want. age, estimated income and shopping habits.
Basy-to-follow icons guide you Which means you'll So as you can see, MarketPlace is information
step-by-step be able to develop direct you direct. And this kind of control means
mail and prospecting lists right at your Macintosh®— you'll be spending time closing sales, not looking for
with unlimited use of every list you
create. What's more, MarketPlace helps you
generate leads for sales and telemarketing
groups, research and analyze your mar-
kets and plan sales territories. And it’s
so versatile you can use it to print mail-
ing labels and contact reports, and even
use its data with your
favorite software
programs.
Introducing Lotus MarketPlace
MarketPlace: Business available now, MarketPlace: Households available early 1991. © 1990 Lotus Development Corporation. All rights reserved. Lotus isa registered trademark of Lotus Development
Corporation, Lotus MarketPlace and MarketPlace are trademarks of Lotus Development Corporation. Macintosh isa registered trademark of Apple Compute, Ine. "Information pravided by Trine, In.
**Information provided by Equifax Marketing Decision Systems, Inc.
prospects.
For more information about
MarketPlace or a free demo kit, call
1-800-842-8455,
ask for ext. 914.
After all, you've
always known new
customers were out
there. Now, you'll
know where.
Lotus MaretPace
‘se
In a field of unfriendly
communication interfaces,
enter a new face.
Modems, wake up. speaking terms. And clumsy
Macintosh users take heart. chains of commands are
MicroPhone II 3.0 is about to reduced to effortless clicks and
brighten your day. keystrokes. You communicate
Using Color Icons, Superior more easily than ever before.
Text Editing and Custom Whether for mail, telecon-
Dialogs, MicroPhone II 3.0 lets ferencing, on-line research or
you design your own — a bulletin boards,
custom front ends. MicroPhone II 3.0 is
Suddenly, hostile helping everyone put
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VENTURES
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MicroPhone is a trademark of Software Ventures Corporation. Copyright ©1990 Software Ventures Corporation. Includes Dialoger for MicroPhone II.
‘Available at your local Businessland, Egghead, ComputerCraft, Computer Factory and Software Spectrum.
Software
Disk Ranger
Disk Ranger is a combination disk
cataloging and labeling program with
secondary file management features.
The Disk Ranger package (version 4.6
) consists of an application, a desk
accessory and an INIT. Disk Ranger
requires a Mac 512K or better,
running system 4.2 or later. The Disk
Ranger application works by creating a
catalogue of files/folders of any
mounted volume (any floppy or hard
disks you see on the desktop). Addi-
tional disks can be added to the
catalogue by simply inserting them
into an open drive while Disk Ranger
is running. Disk Ranger then quickly
adds the directory of that disk to the
open catalogue. It only took 45
seconds for Disk Ranger to catalogue
the 3,300 files on my hard disk.
‘The catalogue has all the informa-
tion about a disk you could want. At
the top left of the window is informa-
tion about the catalogue itself,
indicating the number of volumes the
catalogue contains and when the
catalogue was last updated. To the
right of that are the volume names,
date last modified, space available,
number of files, number of folders and
if the disk is in HFS (hierarchical) or
MEFS (flat) format. Volume informa-
tion can be sorted in many different
ways. Volumes can be deleted from the
list or their catalogues updated.
Unfortunately, it treats volumes
whose desktops are maintained with
Desktop Manager, rather than with
the Finder, as MFS directories, and so
does not include any folder informa-
tion about that volume. This severely
limits Disk Ranger’s usefulness for
those who use Desktop Manager for
their large hard disks, or any one using
an AppleShare file server.
by Kevin Nealon
Below the volume information is
the listing of the different files/folders.
This includes an icon depicting the
kind of file, file name, disk and folder
the file appears in, modified date, type,
creator, the size of the file, or for
folders, how many files the folder
contains. When a disk is catalogueed, a
file filter can be used to keep certain
file types from appearing in the
catalogue. Disk Ranger does this by
providing a check list of file types to
filter and allows the user to add specific
file types not covered in the extensive
list. When a file is selected by clicking
on its line, the user can obtain a
directory path by pointing at the folder
icon at the top of the catalogue
window and holding down the mouse
button to display the folder hierarchy.
The files can be sorted many different
ways.
Disk Ranger is capable of file and
disk management. Disks can be erased,
formatted of verified. Disk Ranger can
defragment a file or disk (oddly, called
scrunching). It does this by reading a
file into memory, erasing the old file
and then writing the file in memory
onto a contiguous area of the disk.
Needless to say make sure a file is
backed up before doing this. High-
lighting a file in the catalogue gives you
the option to encode/decode that file,
delete it or rename it. There is also a
file editing feature that allows manipu-
lation of the ASCII or HEX code of a
file a la FEdit.
A part of Disk Ranger is used to
set the controls of the accompanying
INIT (startup document). The INIT
automatically updates any disk in the
catalogue when it is ejected from the
drive. This important feature assures
that the catalogue will always be up to
date and saves the user from having to
recatalogue disks.
The Desk Accessory called Ranger
Reader lets the user call up the Disk
Ranger catalogue at any time. The
purpose of Ranger Reader is to help
find a file by its name, and display a
directory path to that file. However,
since Ranger Reader is a desk acces-
sory, it can’t be used when it would be
most useful—when an open file
dialogue box is on screen. Nor, once
found, is there a way to pass a directory
path to the open file dialogue box.
On the labeling side, Disk Ranger
lets you print the catalogue as a single
listing or as disk labels. Disk Ranger is
designed to create labels for the
ImageWriter though it can be used
with other printers and includes
specific instructions for the
LaserWriter and HP DeskWriter. The
volume name can be used as the disk
title or the user can specify a tide. Files
on the label can be arranged in two or
three columns, depending on the
number of file names to be listed. A
border for the label can be added and a
text color specified. Disk Ranger comes
with 50 pin-fed labels to get you
started. Avery Label #5196 is recom-
mended for the LaserWriter and
DeskWriter.
The Manual for Disk Ranger,
while not sterling, is up to the task of
instructing the user in how to use this
straightforward program. The manual
also includes useful information about
Macintosh directories.
Disk Ranger retails for $59.95,
although WAP members can get a
special price of $35, including
shipping, by mentioning the club
name and special price. To order write:
Graham Software Co.
8609 Ingalls Circe
Arvada, CO 80003
(303) 422-0757
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February 1991
Washington Apple Pi Journal
23
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MacFlow 3.1.5
re review
Sometimes, you just don’t need a
$5,000 CASE (“Computer-Aided
Software Engineering”) tool. All you
want is an inexpensive flowcharting
package that gives you a quick-and-
dirty graphical image of the steps you
used to solve the latest crisis at work...
MacDraw just doesn’t quite fit the bill
- sure, the graphical images are there,
but you need something that illustrates
the hierarchical decision-making
processes you used to solve your
problem. The solution? Mainstay’s
MacFlow , a package that continues to
improve with each release while
maintaining its incredibly easy-to-use
flowcharting style.
What Is MacFlow?
MacFlow is basically a drawing
tool that automates the process of
drawing ANSI-standard flowcharts,
organization charts, electronic designs,
or a host of other graphical images.
The user selects a symbol from the
palette (Figure 1), drags it to the screen
and releases the mouse. Symbols are
connected by pressing the mouse
button while dragging from symbol A
to symbol B. Need to add a comment
about a particular step in the process?
Select “Shadow comment” from the
“Symbols” menu, double-click on the
edge of a particular symbol, and a box
pops up with enough room to write a
small book of comments. Need even
more detail? If you choose “Shadow
Zoom’ from the “Symbols” menu,
double-clicking on the edge of a
particular symbol will open up a
“child” window describing the
“parent” process in further detail
(Figure 2). Want to launch another
application? Choose the “Shadow
Launch” option. In all three cases,
MacFlow highlights the parent process
by Michael Samuels
to indicate that further information is
hidden from the user, but readily
available with the click (rather, double-
dick) of the mouse:
A Short Tutorial
As the well-written manual says,
the best way to learn MacFlow is to
open up anew flowchart and get
going. The interface is pure Mac: a
symbol palette on the left, the typical
Mac menu bar across the top, and a
scrollable work area in between. Each
new document opens up with a default
heading, the name of the file and
today’s date. You can easily tailor this
by selecting what you would like to
appear as the default-the file name,
one or more lines of descriptive text, an
icon, the date or the page number-and
saving it in a “Stationary” file just like
in MacDraw.
Flowcharts are created by moving
the mouse to a particular item in the
palette and dragging the item to the
work region. You can resize the
selected item by moving the “grow”
handles. The next time you choose this
same symbol, MacFlow remembers the
size and shape of your last selection
and duplicates it.
Figure 1. MacDraw's palette can be expanded
with over 300 custom symbols - from dataflow
diagramming icons to Mac programming to
electronic design and industrial piping. Users can
create their own symbols, too.
Washington Apple Pi Journal
February 1991
& File Edit Link Font
Style Pen Symbols Lines Layout
Color Tutorial
zoom on any of the following
symbols.
\_\
Drawing symbols
Drawing
symbols
Drawing
lines
Color Tutorial/Drawing symbols
Start herr
Drawing symbols
With MacFlow is
fast and easy
|__|
Simply click on @ symt
palette window to tt
drag it to the docume!
Let go of the mouse bu
symbol is placed wher
Try it!
A shortcut to
symbol drawing
To resize the symbol, cli
once. You'll get a select
Figure 2. MacFlow's big advantage over general graphical tools is that hierarchical
decision-making processes can be represented easily. Double clicking on "Drawing
Symbols" opens up a lower level diagram that describes the parent symbol in more
detail. The parent is shaded to indicate that more information is available to the
user - a simple, yet effective way to implement "information-hiding."
After selecting a series of symbols,
you may wish to move them around
the screen. Simply click on the edge of
a symbol and drag it. For fine tuning,
click on the object and use the
keyboard’s arrow keys. The selected
object will snap from one invisible grid
position to another with each press of
the arrow key. Even finer tuning is
available by shutting off the “Snap”
option or turning off the grid entirely.
Relationships are represented by
straight lines or series of line segments;
however, curved lines are not permit-
ted. When lines are drawn with the
“Right Angles” option on, all diagonal
lines are converted to series of lines at
right angles.
Labeling is very simple in Mac-
Flow. You merely have to select a
relationship or symbol to add a label.
Free-floating text can be created by
typing in a selected object, and
choosing the “white” fill option from
the “Pen” menu.
MacFlow has a number of features
to assist the user in the creation of
organization charts. The “Set Chart
Size” option sets the overall size of your
chart. Selecting “Reduce by N,”- where
N =2, 4, or 8 lets you see the overall
chart structure.
The Link menu provides a series
of interesting features that let the user
control the organization of flowcharts,
as well as relationships between
flowcharts. For example, the “Extract”
command copies selected objects into a
separate MacFlow file - including all
hidden information for those objects
(i.e., lower level diagrams and com-
ments). Even better, the “Launch”
command lets you attach a particular
document that runs under another
application to any symbol. Thus, a 20-
page Microsoft Word description of a
particular section of your flowchart can
be automatically accessed by double-
clicking on a symbol linked to Word.
fa
February 1991
Washington Apple Pi Journal
M
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€ che colt EAU eatette
TMWOAZ-OFPE
26
‘Symbol Librarian
TOP
LEFT
RIGHT
080102030405 06 Oe
BOTTOM
000102030405 06@x
©00010203040506@x
Value: Gen)
Value:
4
Figure 3. Symbol Librarian lets the user create his or her own symbols. Graphical
images can be pasted into the Librarian from other packages, such as MacDraw or
MacPaint. The user defines the number of links that may be attached to each
object, characteristics of the text associated with the symbol, and other features.
Related symbols may be grouped together into a file that can be imported into a
MacFlow diagram or added to the existing set of symbols.
Graphics
MacFlow graphics use PICT2
format, permitting cutting and pasting
to and from word processors, desktop
publishing programs, and other
graphics packages. MacFlow can
import graphics into a special object
called a “picture box.” Links can be
drawn to and from these objects, but
no text can be added to the imported
box.
According to the documentation.
the “Color” menu is present whenever
MacFlow runs on a Mac II or properly
configured SE. Since this review was
conducted on a Plus, these features
could not be tested. The Color menu
allows the user to change the back-
ground color for the palette, as well as
various features of each window.
Default colors can be set for symbols,
lines, and labels. Finally, MacFlow
provides a “Modify Color Table”
option to set up a table restricted to the
colors of a particular corporation or to
match your current mood.
Symbol Librarian
MacFlow is packaged with a set of
ANSI standard symbols - not some-
thing that would attract the user of a
CASE product. However, MacFlow
comes with a “Symbol Librarian” that
lets the user create graphics in
MacDraw or some other package and
create an object library of needed
symbols (Figure 3). Symbols can be
added to the default set or stored in
separate files to be imported into
MacFlow as needed. Such symbols can
really jazz up your presentation., but
the capabilities are limited compared
to a true CASE flowcharting tool.
Additional Tools
MacFlow is distributed by
Mainstay, known for other flowchart-
ing tools, such as MacSchedule and
V.LP. (“Visual Interactive Program-
ming”). Synergistic Applications, Inc.,
one of Apple’s first Certified Develop-
ers, has created a host of utilities
especially designed to work with
MacFlow. The MacFlow/M ORE IT
Translator \ets you move outlines and
flowcharts back and forth between
these two applications. wMacFlow
reads and displays MacFlow diagrams
and lets the developer create clickable
charts that can be read by anyone -
even if they don’t own MacFlow.
Finally, there is the MacFlow Symbol
Sampler - a collection of over 300
symbols that let you create entity-
relationship diagrams, more complete
ANSI flowcharts, dataflow diagrams,
logic diagrams, and other charts.
The Bad News
About the only bad news I could
come up with is the price. Mainstay
started shipping Version 3.5 in early
November with a list price is $295.00.
This seems a little high to me fora
“quick-and-dirty” flowcharting tool.
However, mail-order prices are in the
low $120s, making this a good buy for
those of us who need to create a lot of
flowcharts and don’t have a few
thousand to spend on one of the Mac
CASE tools. &
MacFlow 3.5 (latest release) $295.00
Mainstay
5311-B Derry Avenue
Agoura Hills, CA 91301
(818) 991-6540
MacFlow Symbol Sampler $79.00
MacFlow 99.00
MacFlow/MORE translator 59.00
All Three! 179.00
Synergistic Applications, Inc.
127 Newport Drive
Oak Ridge, TN 37830
(615) 482-6049
Washington Apple Pi Journal
February 1991
Hardware review
Inexpensive PostScript
Printers
Well, maybe less expensive PostScript
printers.
Thad been toying with the idea of
purchasing a PostScript laser printer
for almost a year. When the latest
round of price drops on the “low end”
models occurred right before Christ-
mas, the temptation was too much too
bear. (It also didn’t hurt that my much
better half (Saint Suzanne) had
acquired a new Mac IIsi. “Gee, dear,
don’t you thinK we need a laser
printer?”)
But which printer to buy? Both
the Texas Instruments PS 35 and the
NEC SilentWriter 2, Model 90 were
available for under $1,600. The
general specs for both were close
enough to make the decision difficult:
Th
6 Pages Per Minute
35 PostScript Fonts
1.5 Megs of RAM (upgradeable to 4.5)
AppleTalk Included
NEC
6 Pages Per Minute
35 PostScript Fonts
2 Megs of RAM (upgradeable to 4)
AppleTalk Included
Hmm, nothing's easy, is it?
The TI has a smaller footprint and
indludes an integrated output tray for
“straight through” jobs. The NEC is
larger, and the extra output tray is an
extra-cost option. Neither of these
differences was important to me. The
important issues for me were print
quality and speed.
I decided to do a comprehensive
test of the two printers because:
by Lou Pastura
1) It would make a good article
for the Journal {ED.—Sure, Lou]; and
2) It would enable me to make a
more informed (and therefore,
hopefully, better) purchase decision.
I went to the Computer Age store
in Annandale, whose manager, Rich
Berman, is a long-suffering friend and
a big supporter of the Pi. In fact he
passes out membership forms to
anyone who'll stand still long enough
to take one. When I told him what I
wanted to do, he quickly agreed and
offered to stay after closing a few days
later so that I could run the tests
undisturbed. with no interference on
their AppleTalk network. Had he
known I was going to make him stay
for 2 hours he might not have agreed
My next task was to set up some
files that would really put these
printers through their paces. I imposed
on our ever-helpful Graphics Editor,
Nancy Seferian, to provide me a long
file made up entirely of graphics. She
responded with a 5-pager that included
some very heavy blacks, a gray-to-black
gradation, some extremely fine details
and some fill patterns that really
demonstrated what these printers
could do. Our ever-irascible Managing
Editor, Frank Potter, donated a 4-page
file of mixed text and graphics. An 11-
page Excel spreadsheet and a 7-page
Microsoft Word file rounded out the
speed and graphics quality test items.
To test text quality, I used The Type
Book, by Jim Lewis, a freeware utility
that prints a full page using any chosen
font or group of fonts. The program
prints a test page for each font that
includes all the standard keyboard
characters in 6, 7, 8, 9, 10, 12, 14, 18
and 48 points. It also includes 10-
point text samples with 10, 12 and 14
points of leading and relevant statistics
about the font for a variety of type sizes
(6,7, 8, 9, 10, 11, 12, 13, 18, 20, 24
and 36 points).
(A brief aside: The Type Book isa
terrific program and a must for anyone
who uses a large number of fonts. It is
Ta
so readily. He'll know better next time, lable on most bulletin boards,
Tsuspect.
Time to Print First Page:
Graphics Graphics and text Spreadsheet Text
NT 133 114 98 91
NEC 115 89 92 83
TI 101 120 98 87
Time to Print Complete File:
Graphics Graphics and text Spreadsheet Text
NT 628 218 231 199
NEC 583 176 210 171
TI 873 230 199 203
February 1991
Washington Apple Pi Journal
ZnNOASZ-OFPS
27
iC
TMWOAZ-OPS
including our own TCS and the
Twilight Clone, and is ako available
from the WAP Disk Library. There is
such a thing as an occasional free lunch,
Virginia]
Back to business. The tests were
conducted using a Mac IIci connected
to all three printers via an AppleTalk
network. There were no other jobs
running on the network and no job
was started until the previous job was
completely finished. The time
measurements were made using a
stopwatch, and were begun when the
“OK” button in the Print dialogue box
was pressed and ended when the first
page hit the output tray and the last
page did the same. The following
charts illustrate the results of the print
speed tests. The Apple Laser Writer
NT was included for comparison
purposes.
The NEC edged out the competi-
tion in 6 of the 8 tests. The TI was
fastest twice. The total times to print
all files were 19 minutes on the NEC,
21 minutes, 16 seconds on the NT
and 25 minutes, 5 secon!ds on the TI.
(The TI took an extremely long time
to print the all graphics file. It took so
long, in fact, that I reran the test to be
sure the results were accurate. The
result of the second test was the same.)
The total times to print the first page
of all 4 files (a useful number for those
of you who mostly print short files)
were 6 minutes, 19 seconds on the
NEC, 6 minutes, 46 seconds on the TI
and 7 minutes, 16 seconds on the NT.
The print quality of the fonts
turned out to be a non-issue. In a blind
test I was unable to distinguish
between the text output of the three
printers. However, I urge anyone
considering the purchase of one of
these printers to make your own
comparisons. As Frank [4.h.2., the
Editor will be happy to tell you, I’m
no font expert and my eye leaves a lot
to be desired. [Ea.—He will tell you
that Charlie Geer is a first-rate profes-
sional photographer and that his eye
reflects his abilities.)
The differences in the graphics
printing, however, were evident even
to my tired old eyes. The NEC had
obviously darker and more consistent
blacks, with the TI a close second and
the NT laboring in third. The screens
seemed best (by a very small margin)
on the NT, with the NEC and the TI
closely tied for second. All 3 printers
were identical in their ability to show
fine details (within the limits of 300
DPI resolution, of course). Again, I
urge those considering the purchase of
one of these printers to perform their
own tests and make their own
judgments and decision.
‘The bottom line for me? I chose
the NEC. The speed advantage, while
small, was significant enough to get my
attention. I also liked the darker, more
consistent blacks. Happy shopping!
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February 1991 Washington Apple Pi Journal 29
What's new.
Notes on the Mac
New Printers From Apple
Apple is preparing two new low-
cost QuickDraw printers that are
expected to be announced by mid-
1991. The first, a 360 dot per inch
(DPI) inkjet printer, will sell for less
than $600. This printer uses a Canon
print engine, weighs 4 pounds, offers
an 8 inch print width, and will handle
several print sizes including letter, legal,
envelopes and transparencies. The
second, a 300 DPI personal Laser-
Writer that will sell for between
$1,300 and $1,500. The personal
Laser Writer will replace the current
$1,999 Laser Writer SC at the low end
of Apple’s Laser Writer line, and will
use the same Canon print engine. It
will come with 1 MB RAM, SCSI
interface, a 250—sheet paper tray and
a tray for envelopes and other non—
standard sheet sizes. Both of these new
printers will come with a TrueType
INIT, and 13 TrueType fonts (the
Times, Helvetica, Courier and Symbol
families). The TrueType fonts have
several advantages over bit-mapped
fonts, in that they take less memory,
can be printed in any size and are
capable of special effects such as
scaling, rotating and adding shadows.
TrueType fonts for the current
Laser Writer line will not be available
until Apple releases System 7.0. The
new TrueType INIT is said to be
compatible with Adobe Type Man-
ager—i.e., these new printers will be
able to print Type 1 PostScript fonts.
TCS News
The TCS news this month is that
Pi member Henry Halff has written
“TCS Offline,” a HyperCard stack
that allows users to save, read, reply to
or enter new messages using the
by Paul Schlosser
HyperCard text editor. The stack
requires that you have either
MicroPhone II (v3.0) or White Knight
(v11.nn). TCS Offline will create the
necessary scripts in your telecomm
program. The user can simply click on
the appropriate button in the stack to
get new messages, read these messages,
and reply if desired. The stack also
groups messages by subject, making it
easy to follow a message thread (a
specific subject). Henry has also
developed an offline reader for use
with The Twilight Clone, another
popular bulletin board service (BBS) in
the Washington metro area. Using
Henry’s new stack will make it very
easy to learn your way around a new
BBS, until you are familiar with the
specific commands necessary to read
and post messages.
A New Weekly Macintosh
Radio Show Coming
Anew weekly syndicated talk
radio show will focus on the Macin-
tosh, and is scheduled to debut in
March 1991. The host, Don Rittner
(CEO of the Macintosh User Group
News Service), said that the great
diversity of uses that exist in the
Macintosh world will be the focal
point of the show. “The Macintosh is
used by everyone from artists to
zoologists. We will not only focus on
technical matters but will deal with the
interesting issues that revolve around
computing.” The show’s format will
include one half hour of discussion
with guests, during which listeners
may call in questions. The remaining
half hour will include features, contests
and news.
New Mac Portable Available
Soon
There have been several rumors
that Apple will announce a new,
slimmed-down version of the Mac
Portable at the MacWorld Expo, in
San Francisco on Jan 10, 1991. The
new Portable will weigh 10 pounds
(compared to 14 for the first model),
and cost $1,500 less than the original it
replaces. [Ed.—it didn’t make it,
reportedly because of problems in
obtaining necessary parts.| These rumors
also mention a “notebook” Mac that
may be released in August ‘91, and a
hand-held model for 1992.
New Products Announced
CE Software (QuicKeys and
DiskTop) is working on a new
product, Tiles, to simplify the launch-
ing of sets of files. Users will be able to
connect sets of documents to a single
icon, and open all of them by clicking
on just that one icon. Tiles will also
work from within the Mac’s standard
Open File dialog. The program
requires MultiFinder, wo MB RAM
and a hard disk. Available mid-91,
retail price to be $99.
Spark International has an-
nounced the introduction of the Spark
Cordless Trackball and the Spark
Cordless Mouse. Both products
transmit to the computer via infra-red
technology; the receiver is plugged into
the Mac's ADB port (keyboard or
CPU). The trackball or mouse may be
located as far as 15 feet from the
computer. Both are available in Mac,
PC, Amiga and Atari ST versions. The
trackball sells for $185, the mouse
$175.
New products are being an-
nounced for the Classic. Computer
Care, Inc. has announced the Mac
Stretch line of products to expand the
capability of the Classic. The “Stretch”
provides memory expansion capabili-
ties, has 1 MB of RAM, and can be
expanded up to 4 MB, and has a
socket for other expansion modules.
Mac Stretch Video allows users to
connect any standard monochrome,
single page large format monitor to the
Classic, in addition to the built-in
Washington Apple Pi Journal
February 1991
monitor. Mac Stretch RAM Disk will
allow users to add a RAM disk, in 1, 2,
4, 8, 10 or 16 meg formats. Mac
Stretch Ethernet enables the Classic to
be hooked up to Ethernet networks.
Mirror Technology has announced a
new internal video board for the
Classic that allows the use of the
PixelView single or dual page mono-
chrome monitor. The internal video
board is connected directly to the
68000 processor on the Classic
motherboard.
Do You Use Prodigy?
Prodigy, the joint venture of IBM
and Sears, has agreed to refund four
months of connect fees to Texas
subscribers who want to cancel the
service. The Texas attorney general’s
office determined that Prodigy had
been guilty of misleading customers
about costs and services. The main
thrust of Prodigy’s advertising had
initially been a flat rate subscription
charge, which changed when they
began charging users that sent more
than 30 e-mail messages a month.
New Disinfectant Released
Disinfectant version 2.4 was
released in early December. This new
version can detect the new B strain of
the ZUC virus recently discovered.
Version 2.4 will also check to see of the
Disinfectant Prefs file is damaged
when launched. If a damages Prefs file
is found, Disinfectant will create a new
file using the default values. A bug was
fixed that sometimes prevented a
Disinfectant error report from being
saved properly. Also new is the ability
to double-click on a disk name in the
“Some Disks” dialog to begin scanning
selected disks.
More 6.0.7 Problems
Inline software has a new version
of “Darwin's Dilemma” for users that
have upgraded to System 6.0.7.
Version 1.0 of DD will crash under
6.0.7 if the sound is turned on. If
you're using 6.0.7, get version 1.01 of
DD; until then you can continue
playing by turning off the sound
option.
New Files on the TCS
The following files were uploaded
to the Macintosh File Transfer areas
on the TCS during the last thirty days.
This listing represents only a small
portion of the files available for
downloading. Call the Pi Office at
301-654-8060 for information on
igning on to the TCS,
File area 13 - Mac Fonts
043 JUDAS.SIT Type 1 Laserfont. ATM
compatible
042 AUTHOR SIT Heavy copperplate
Laser | script
041 ARCH MED. ‘SIT Like Adobe's Tekton
040 BATCH.BINARY.CP Batch Binary—
Binhex batches
039 TYPE.BOOK.CPT The Type Book,
version 1.27
File area 14 - Mac Games
ioe LEPRECHA.CPT Loderunner-like
lemo.
101 IRAQATTA.CPT Iraq Attack, the
game: 16 colors.
‘00 WACKYWHEEL. .CPT Wacky Wheel
of Fortune Game.
099 DROPPER.CPT Tetris-like game.
Color only.
098 PARARENA, CPT Futuristic basket-
ball/skateboard. Fun!
097 BUGS.CPT Evolution simulator
096 MICROBE.CPT Interesting microbe
simulator
095 ELIZA.CPT Ps) chiatrist program
File area 15 - Mac Graph
Hee eet CPT Scan vy Soviet MiG-21
fight
08s YRIDPIX10.CPT Kid Pix - Kids paint
program.
082 NFL.LOGO.CPT National Football
League logo
File area 16 - Mac HyperCard
103 HCBUGLIS.SEA Extensive list of
rCard bugs
HCHBUPDATE.WORD HC 2.0
Handbook update
File area 17 - Mac Technotes
023 TECH.| NG IES: TXT Tech Tidbits, 11/
021 MAC.HINTS.CPT Collection of 5
years of Mac hints
File area 18 - Mac Utilities
244 TCS.OFFLINE.1.0 Read, write, reply
to TCS msgs offline.
243 SOUNDMOV.CPT ic18s for
SoundMover
242 GALAXIC1.CPT ic18s for Galax
241 FOXBASEI.CPT ic18s for FoxBase
240 FORMIT16. Sir Forms creator for
Forms, certificate:
239 CITYBANK.: SIT SimCity utility
238 GIF.CONV.CPT GiFConverter,
v2.2d3, see browse
237 FLASH.IT.CPT Screen capture
CDEV, version 2.0.3
236 THC402.CPT Think C updater.
Update v4.0 -> 4.0.2
|.LL.BE.BACK Sound from the
Terminator
234 HACKERTE.CPT Funny test of your
computer knowledge
232 CINTRO.SIT Good examples of
THINK C programs
EAs FILELIST. CPT This application lists
file:
230 INSIDE.MAC On-line programming
reference
229 CPTUSGU.MSWD. Compactor
documentation in MS Word form
228 MUG.SHOT.SIT Display system
information
227 BOOTMAN.SIT Write operating
system boot blocks
226 VITAL.SIGNS.CPT DA to display
system information
225 COMMANDER.CPT Assign/change
command key settings
224 DARKSIDE.CPT Very nice screen
saver w/modules
223 rec cmemuny SIT System speed
benchmark am,
222 TEEN AL CPT Freeware communi-
cations program
221 SO! IN MASTER.CPT Version 1.6.4
of SoundMaster
220 DISINFECT24.CPT Disinfectant 2.4
catches Zuc B virus.
219 CRITTERS.CPT Eyeballs and Big
Foot INITS. FUN!
218 CHECKLIST.CPT Gets info on
PageMaker 4 files
217 WINDOWSHADE.CPT
WindowShade 1.1 shrinks windows up!
15/90, from
022 Baste IPT. INFO How to redirect
PostScript output
Scannini Slide Output Graphics
EPSF!
Hi-Res (4K)
PICT, TIFF
Design
Production
1100 6th Street, SW - #215
Washington, DC 20024
(202) 479-1005
ify
February 1991
Washington Apple Pi Journal
M
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31
if
SPSS 4.0
Statistical Package for the Social
Sciences (SPSS) for the Mac descends
from a long and venerable line of SPSS
products for computers, in the past
exclusively for mainframes. Finally, for
those of us wedded to the Mac and
also in need of doing some compli-
cated statistical analysis, almost
nothing does as much as SPSS for the
Mac (for other reviews of SPSS, see
MacWorld October 1990, “The Stats
of the Mac,” and Reviews, “SPSS for
the Macintosh 4.0”). There is a price
to pay for this kind of power:
* you must use a Mac II or
an accelerated Mac with a math
co-processor installed (it works
using a Total Systems accelerator
on a Mact, probably others),
* you need about 1.5 Megs
of disk space to store the execut-
able program (count on about 9
Megs of space for all the goodies
and a couple of small data files),
* you need to know what
you're doing, statistically speaking
* SPSS for the Mac version 4
is expensive, compared to the PC
version.
Of course, you wouldn’t want to
run any statistical analysis program
without a co-processor, disk space is
hardly an issue any more and we all
know our statistics anyway, right? If
you've already spent the $800 or so on
this program, let’s hope so.
For those of use who have had
some experience with SPSS on a
mainframe, SPSS for the Mac is a case
of deja vu, Using SPSS on the Mac is
just like using it on a mainframe,
except the turnaround time is much
faster. Installation of SPSS involves
using an installer utility and a package
of about 8 diskettes (depending on
by Brad Tesh
how many modules you've purchased).
When you start SPSS, you are
shown two windows: an input window
and an output window (both with the
familiar “Untitled” flag at the top).
The input window is for writing
commands; the output window
catches the results of those commands
and tells you if SPSS didn’t understand
your commands.
Entering commands—One very
nice feature of SPSS for the Macis the
Command Generator window, a help-
like window that gives explanations
and examples of how commands are
formatted. You can paste from the
Command Generator window to your
active input window to achieve flawless
typing of the SPSS commands. If your
cursor is on a valid SPSS command in
your input window and you call up the
Command Generator window, you
immediately jump to that part of the
Command Generator hierarchy. If
your cursor is not in or near a com-
mand, you are put at the first screen of
the Command Generator window,
with the general headings of ‘orienta-
tion,’ ‘information & settings,’ ‘data
definition,” ‘file interfaces,’ ‘modify
data or files,’ ‘analyze data,’ ‘time series
analysis,’ and ‘FINISH.’ Once you put
the commands into the input window,
you can edit them, just like in any
Macintosh application.
Executing commands—To
execute an SPSS command, you must
highlight the commands you want to
execute (the most common selection is
Select all...) which was a source of
initial confusion. While executing
SPSS commands, SPSS gives you a
running commentary (in a small dialog
box) of which command it is currently
processing, plus a small line that runs
through your input window showing
is
SPSS
exactly where you are in your com-
mand file. SPSS does an admirable job
of telling you exactly where errors
occur, but the command syntax is
hardly forgiving (for instance, if you
leave out a period at the end of a
command, it will tell you that it has
ignored this command because it
didn’t understand it). This does work
to your advantage when
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