Instruction Manual for Table of Contents CUTTHROATS An Overview Page 12 In CUTTHROATS, you are a skilled diver living on • What is interactive fiction? Hardscrabble Island, a small seaport past its prime. You will • Moving around try to salvage a sunken treasure from one of four ship- • Turns and scoring wrecks; if you are successful, you will be fabulously wealthy and enormously respected among old salts. Some characters Tips for Novices 13 in the story will help you; others will try to stop you any Eight useful pointers about interactive fiction way they can. If you can think logically and keep your throat intact, the treasure can be yours. Communicating with CUTTHROATS 14 There is more than one shipwreck in CUTTHROATS, • Basic sentences but in each story you will be trying to recover only one • Complex sentences particular treasure. When you restart the story, you may find • Talking to characters in the story yourself diving for a different treasure. • Vocabulary limitations As in all Infocom interactive fiction, CUTTHROATS understands a very large vocabulary. Appendix B (page 18) Starting and Stopping 16 lists several commands that will be useful in your adventure. • Starting CUTTHROATS (“Booting Up”) Some of the commands listed are found in all Infocom • Saving and restoring interactive fiction; others are included especially for CUT- • Quitting and restarting THROATS. All adventurers will want to familiarize them- selves with this list. Appendix A: Quick Reference Guide 17 This section describes the most important things to know about interactive fiction. It is vital that you know all these things before you begin your adventure. Appendix B: Important Commands 18 Appendix C: CUTTHROATS Complaints 19 Appendix D: Sample Transcript and Map 20 Appendix E: We’re Never Satisfied 23 Appendix F: Author Biographies 24 …

2 True Tales of Adventure RAMBLINC WITH JACK OUR READERS' OWN A LETTER FROM THE EDITOR TRUE TALES OF ADVENTURE In the brotherhood of true adventurers, no name was steaming in the Tropics more revered than that of Moose "Moose" Llasko. I The Mogga Beast is dead. None of the natives dared say "was" because it saddens me to report that brave its poisonous tentacles and lashing spiked tail, "Moose" has passed into the Great Beyond, a victim so they hired me to do the dirty work for a cool million in a hopeless wrestling match with a giant octopus clams. After chumming the water near the Great Reef who attacked his underwater bagpipes quartet. to stir up the creature's bloodlust, I dove in and I always admired "Moose" because in many ways watched from beneath a coral arch. Not one minute he reminded me of myself. Like him, I wasn't exactly after I'd reached my hiding place, I saw Mogga slither- born with a silver spoon in my mouth. Oh, no. A kid ing through the murk, all fifty horrifying feet of the growing up in Hell's Kitchen learns pretty early about brute . And he saw me-my bubbles had given me survival of the fittest. Or he doesn't survive. I re- away. member, for instance, the time in kindergarten when It was do or die. The beast was almost upon me be- I dropped my crayon and little Danny Esterhazy fore I'd uncapped the dart. He took a swipe at me with kicked me in the teeth. And then there was the time his anterior tentacle , but in his frenzy, he missed by a when I was holding the ball for a field goal in the hairbreadth. And that gave me the split second I Thanksgiving Day game, and Danny Esterhazy delib- needed to pump 20 cc's of strychnine into his gaping erately missed the ball .. . and kicked me in the teeth. maw. That night, I delivered Mogga's head to the But most of all, I recall my senior prom. And how my chieftain. date and I snuck outside the rec hall for a little neck- My problem is this: Does anybody have any sug- ing. There was a light, cool breeze in the air, and the gestions on where I can unload 1673 bushels of cherry- fragrance of the river was in our nostrils, and I could stones? Fishmarkets, rush your orders now! These feel the wet grass through the holes in the soles of my things are starting to stink up the joint. two-tones. It was a magic moment indeed-and then (Name withheld by request) and there, gazing into my girl's eyes, I made the most P.O. Box3 important decision of my life. I knelt down on one Lesser Wug-Iukka Atoll knee, and began stammering my proposal. And she Near Mindanao kicked me in the teeth. I later found out Danny Es- terhazy had paid her …

40 1 40' 35' 35 1 30 1 30 1 ~ § }-. 25 1 25 1 h -o:::r:: ~ 20 1 20 1 15 1 15 1 SHIPWRECKS OFF 101 N HARDSCRABBLE ISLAND 101 Topographical depths in feet I I I I Lm 1bat1 • 50 100 150 200 250 300 350 10 1 15 1 20 1 25 1 30' 35 1 40' 45 1 50 1 INTRODUCTION FROM THE TIME IT WAS FO UNDED by Reverend Ezra Gladstone and his followers in 1692 until the decline of the fishing industry in the 1920s, Hardscrabble Harbor was an important port for the sailing ships of the world. Its deep channel offered sufficient draught for everything from sloops to the giant five-masters of the late nineteenth century. (Islanders who remember the Harbor's boom years say that at times there were more foreign sailors roaming the Wharf Road than there were Hardscrabble natives.) However, like any other seaport, Hardscrabble has its treacherous shoals and narrow straits. Consequently, a side effect of the great sea trade was a number of shipwrecks. This volume concerns four of the most famous vessels to go down in our waters: the Sao Vera, the H.M.S. Intransigent, The Fianna and the S. S. Leviathan. Many stories have sprung up over the years in regard to the fates of these ships. Some of these tales are based on fact; others are little more than strands in the fabric of local legend. By searching through the town archives (and in the case of the Leviathan, conducting interviews with survivors), we have endeavored to separate truth from fiction . While the subject of thi s book is one of tragedy and great loss of human life, we hope it will prove enlightening to the reader, as well as valuable to anyone who might wish to explore these old and …

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FOR WINDOWS 95/NT 4.0 ©1990, 1992-1997 Claris Corporation. All Rights Reserved. Claris Corporation 5201 Patrick Henry Drive Santa Clara, California 95052 http://www.claris.com Claris, ClarisWorks, and FileMaker are trademarks of Claris Corporation registered in the U.S. and other countries. Apple, the Apple Logo, AppleScript, Mac, Macintosh, MultiFinder, QuickTime, and WorldScript are trademarks of Apple Computer, Inc. registered in the U.S. and other countries, and Balloon Help, Finder, and Launcher are trademarks of Apple Computer, Inc. The JPEG software is based in part on the work of The Independent JPEG Group. All other trademarks are the property of their respective owners. All persons and companies listed in the examples here are purely fictitious, and any resemblance to existing companies and persons is purely coincidental. Mention of third party products and companies is for informational purposes only, and constitutes neither an endorsement nor recommendation. . ClarisWorks License Addendum To use the ClarisWorks libraries you must have a valid Claris software license covering the Claris software product with which the ClarisWorks libraries were provided. Use of the ClarisWorks libraries is governed by that Claris software product license, as well as the following: You may copy the individual pictures from the ClarisWorks libraries by dragging/pasting them into your own documents, including documents created by non-Claris software products. You may reproduce and distribute these documents in either hard copy or electronic form (subject to your non-Claris software product license if the documents were created by a non-Claris software product). You may not, however, distribute the ClarisWorks libraries, in whole or in part, modified or unmodified, as clip art for use by others. All other terms of your original software license remain in full force and effect. Equation Editor in ClarisWorks Equation Editor in ClarisWorks is a special version of MathType™ by Design Science. If you frequently create documents with equations, you may find MathType is better suited to your needs. MathType is as easy to use as Equation Editor and has many extra features to help you save time and create more complex mathematical formulas in documents. For further information about upgrading Equation Editor to MathType, contact your software dealer or Design Science directly: Design Science, Inc. 4028 Broadway Long Beach, CA 09803 Toll Free: (800) 827-0685 International: (562) 433-0685 FAX: (562) 433-6969 email: info@mathtype.com Web site: http://www.mathtype.com III Contents Chapter 1: Introduction Registration and customer support 1-1 How to start 1-1 Using Help and the user’s guide together 1-2 Using ClarisWorks Help …

Getting Started With Cyberdog 1.2 User’s Manual K Apple Computer, Inc. © 1996 Apple Computer, Inc. All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent of Apple. Your rights to the software are governed by the accompanying software license agreement. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Every effort has been made to ensure that the information in this manual is accurate. Apple is not responsible for printing or clerical errors. Apple Computer, Inc. 1 Infinite Loop Cupertino, CA 95014-2084 408-996-1010 http://www.apple.com Apple, the Apple logo, AppleShare, AppleTalk, HyperCard, Mac, Macintosh, MacTCP, OpenDoc, PlainTalk, Power Macintosh, and QuickTime are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Cyberdog and Finder are trademarks of Apple Computer, Inc. PowerPC and the PowerPC logo are trademarks of International Business Machines Corporation, used under license therefrom. Simultaneously published in the United States and Canada. 3 Contents 1 Getting Started With Cyberdog 1.2 7 An overview of Cyberdog 1.2 8 Using this manual 8 Using online help 9 New features of Cyberdog 1.2 9 Using Cyberdog 1.0 or 1.1 documents with Cyberdog 1.2 9 System requirements 10 Before you get started 11 Installing the software from the Internet 11 Starting up 12 Learning to use the software 13 For additional help and troubleshooting information 13 2 Exploring the World Wide Web 15 How the Web operates 16 Browsing the Web 17 Searching for specific information 21 Adding Web sites to your notebook 25 Importing Netscape bookmarks 27 A note about performance 28 4 Contents 3 Sending and Receiving Mail 29 Checking whether e-mail is set up 30 Setting up Cyberdog for e-mail 31 Opening and replying to a message 33 Composing and sending a message 33 Adding, deleting, and renaming addresses 37 Importing Eudora addresses 38 Using letterhead and signatures 38 4 Using Other Internet Services 39 Subscribing to Usenet newsgroups 40 Usenet basics 40 Understanding newsgroup names 41 Subscribing to a newsgroup 43 Newsgroups for Macintosh users 43 Transferring files with FTP 46 Anonymous FTP archives 46 Finding FTP …

Hints To Heed During The Adventure: TkAwuome A~o/ • Robots don't have magnetic personalities Victor V/i ' g Yo do • The Kind can help you rise to great heights • Wine can loosen more than tongues • Don't squander your money on treats • The smart Archivist finds work for idle hands Good luck, Archivist. Victor Vector & Yondo, your fearless field agents, are standing by. For further tips or technical support, ea// Sanctuary Woods at (604) 380-7582 For Superior Computer Performance: • If you have a screen-saver installed on your computer, turn it, as well as other INITs, off • Restart your computer Strategy For Retrieving The Cyberplasm Formula: • Click on different areas of the screen to move the characters • Pick up helpful items and store them in Yondo's backpack • Click on the triangle at the bottom to open Yondo's backpack and select items to use during the adventure • Listen carefully for clues • Keep power level from falling to zero or the adventure will be over Getting Started: Before beg inning the adventure, be sure to read the inside of th is brochure for helpful information . If you are using a Windows™ computer, follow these instructions for installation : 1. Run Windows 2. If you are not running W indows in 256 colors, you need to change the screen driver in Windows Setup (If you' re unsure how to do this, refer to your Windows manual) Although you can use any screen resolution, the program will run at full size if you choose 640x480; Now restart Windows 3. Insert the disc into your CD-ROM drive 4 . From the Program Manager menu, choose File: Run and enter the following line: D:/SETUP.EXE If your CD-ROM drive designation is not D: , use the appropriate letter instead 5 . SETUP will create a Sanctuary Woods group in SRNCTURRY Program Manager and an icon for the adventure; W0 0 DS Double-click on this icon to begin Printed in Ca nada For information on other quality CD·ROM products please contact. Sanctuary Woods Multimedi…

Teacher's Guide This project was made possible by a financial contribution from Industry Canada’s SchoolNet Program © 2009 Media Awareness Network CyberSense and Nonsense: The Second Adventure of the Three CyberPigs Teacher's Guide CyberSense and Nonsense is the second online adventure of the three CyberPigs. In their first adventure, Privacy Playground, the pigs learn to protect their personal privacy online and to recognize Internet marketing ploys. This time, they explore the world of online chat rooms. In this game, Les, Mo and Lil Pig learn some valuable lessons about the authenticity of online information, as well as rules of netiquette. The game also addresses the problematic issues of online hate and stereotyping. This Teacher's Guide contains background information, discussion guides, activities and exercises that support the main "cyber-lessons" in the game. Both the game and guide are intended for personal or educational use only. Worksheets, handouts and activities in the Teacher's Guide may be reproduced for personal or classroom use without per- mission, provided the copyright notice remains intact. www.media-awareness.ca © 2009 Media Awareness Network 2 CyberSense and Nonsense: The Second Adventure of the Three CyberPigs Table of Contents Rationale 5 The Goal of CyberSense and Nonsense 5 Curricular Fits 5 Unit Objectives Knowledge 6 Skills 6 Values 6 Pre-Game Discussion and Activities Summary of the Game 7 Sequence One 7 Sequence Two 7 Sequence Three 7 Sequence Four 8 Sequences Five and Six 8 About Prejudice 9 Using the Internet 10 Communicating Electronically …