2 COMPUTER SOFT SERVICE Katalog Winter Frühling 92/9 für AppleIl e c GS Applied Engineering The Apple enhancement experts. AppleWorks D 3.2 DEUTSCHE VERSION AppleWorks GS Prim Stor 00000 HyperCard las Words MEM + COMPUTER SOFT SERVICE Martina Grimm Limbachshof 10 8768 Kleinrinderfeld 931/464781 1931/463183 Tel. 0 93 06 / 7 41 Hardware oder Vorkasse. EC-Schecks bis 400,- Applied Engineering RamFactor Speicherkarte für beliebigen Slot bis 1 MB aufrüstbar, durch automatische Installation über Rom werden die Der Mindestbestellwert ist 50,- DM. Programme diese Karte erkennen. Voll kompat. mit ProDOS, DOS 3.3, Pascal, CP/AM, ebenfalls mit der , so werden wir Sie im Falle einer Bestellung informieren gie., dog ins reichererweiterungskarte, Ran-Drive, Diagnose und AppleWorks Expander Software incl. ті рока Камк auf Anfrage 9,- DM. pro Lieferung. Lieferungen werden per Applied Engineering RamWorks III Speichererweiterungskarte, die im Slot 3 die erw. 80 Z-Karte ersetzt, bis 1 MB aufrüstbar …

CUE The Film Music System March 18, 2000 Copyright ©1986-2000 by Rick Johnston Software Written by: Rick Johnston Manual Written by: Bob Walter 3.0 Revised Manual: Dan Wyman All Rights Reserved Table of Contents The Concept Behind CUE........................................................................................... 1 Organizational Notes...................................................................................................3 MENU MAP ................................................................................................................... 4 1 A Quick Look At CUE.........................................................7 Start with the Cue Sheet............................................................................. 7 2 The CUE SHEET Exposed................................................12 Entering Information from Home Base..............................................15 Setting Your Cue Information................................................................ 15 Customized Usage Menu...........................................................................17 Set Production Info.....................................................................................19 Quitting the Program ("but I just got here").................................. 20 Setting the Running Time........................................................................ 20 Setting the Time Format...........................................................................24 The Set Time Formats Box.......................................................................25 Absolute and Relative Time........................................................26 Format Choices..................................................................................27 The Input Window......................................................................................29 Absolute and Relative Time........................................................29 Time Entry Formats........................................................................30 Time Entry Types and Examples.............................................. 31 Saving Keystrokes when Entering Numbers........................33 When is a ; Not a ; ?........................................................................33 Space Bar Punctuation...................................................................33 The ESC Key........................................................................................33 Command/Tab.................................................................................. 33 No Extra Zeros Around Here............................................…

Crossword Studio 3.0 by Jim Wrenholt, Kent Porter & Dave Larson Documentation by Eldonna Rayburn, Kent Porter & Julie Ray On-line Documentation by Julie Ray Quality Assurance by Marty Rabens © 1999 Nordic Software, Inc. All rights reserved. Crossword Studio 3.0 makes it easier to create fun, educational crossword puzzles than ever before. Simply type in words and clues or import a spell-checked list. A crossword puzzle appears at the click of a button. Crossword Studio allows you to build a puzzle by typing the words directly onto the puzzle, so you can place each word just where you want it. Crossword Studio gives you full control over the position of the puzzle, the clues and the graphic elements. You choose the font and the style. Sound and color graphics add to the enjoyment of solving and creating puzzles. Solve puzzles on the screen. Let Crossword Studio check off the clues you have used and tell you when you have correct answers (or not). Ask for hints if you get stuck. Save the puzzle or print the puzzle and its solution on paper for fun away from the com- puter. Want to put a crossword puzzle into your next newsletter? With Crossword Studio, exporting puzzles and clues into your favorite desktop publishing program is easy! Crossword Studio 1 Contents About this Document 2 Installing Crossword Studio 3 Getting Started 5 Creating a New Puzzle 7 Screen Layout Options 10 Adding a Picture 12 Adding Sound 13 Copying the Puzzle Frame 14 Print Layout Options 15 Exporting Puzzles 17 Keyboard Shortcuts 18 Menu Summary 19 About this Document This guide will help you use Crossword Studio™ for Macintosh and Windows . ® ® We assume that you are familiar with the Macintosh and/or Windows. You will need to use your mouse to “point,” “click” and “drag” items when instructed. If you are unfamiliar with these terms, please spend some time with your computer manual before …

Castle Wolfenstein From Wachutiki Entertainment Introduction Welcome to Castle Wolfenstein 5.1! I consider it to be my masterpiece, my best (and toughest) Wolfenstein 3D creation. This will probably be the hardest scenario you will ever play. Wolfenstein 3D has been around since 1994 for the Macintosh. After its release, Greg Ewing later discovered how Wolfenstein levels are constructed, and WolfEdit was born. From 1995 to 1997, many fine editors created some of the best Wolfenstein 3D levels ever. WolfAddict Software took advantage of WolfEdit 2.0's capabilities to add custom enemies, walls, and the like. Sadly, many games, such as Doom, Quake, Duke Nukem 3D and Unreal have overshadowed Wolfenstein 3D. Many former Wolfenstein players have flocked to these other games. WolfAddict Software perished in early 1997. I am the creator of Castle Xeen, The Castle of Lost Souls, Fortress of Fear (formerly Dragon Cavern), First Strike, and Temple of Doom. Over the years, I've learned how to make good Wolfenstein levels. I can assure you these levels are of the highest quality. Castle Wolfenstein is my latest and greatest creation. It's for all types of W3D players, from novices to veterans. It features new walls, new enemies, and new objects. Castle Wolfenstein has been featured in MacAddict Magazine and MacFan, a Dutch magazine. Castle Wolfenstein has also been featured on VersionTracker www.versiontracker.com. Castle Wolfenstein Read Me • Page 1 The Story The year is 1943. World War II is in full blow. The Nazis have just assaulted American troops off the shore of France. You are one of those who escaped. Your unit's ammo dumps and your fellow soldiers have been locked up in the great Castle Wolfenstein. Your job is to defeat Hitler and rescue them. Good luck! About My Levels My levels are as rich and as complex as it gets. I have examined many a Wolfenstein scenario, and I have not seen one be as complex or with as many traps as Castle Wolfenstein. These levels are very likely going to frustrate you. I myself have trouble beating them. Castle Wolfenstein does start out pretty easy, but later it will become difficult. I have tried to complete it recently, and I have died seven times! This scenario is tough. You are challenged with a mixture of tough puzzles and hordes of enemies to kill. Timing and spe…

1 ★ A I R C O M B A T ★ A DIFFERENT KIND OF COMBAT You’ve spent your life training to be a fighter pilot and dreaming of the day you’d actually get to flame an enemy. Hours, weeks, years invested in practice and training finally pay off and you score your first kill. You owe a lot to the flying aces that came before you. The teachers who taught you excellence. You pay them back by teaching other green boys about what it takes to be a flying ace and the edge they need for fighting well. You put back what you took out so more pilots can train and defend the nation. There are, however, some selfish aces out there who don’t give a damn about anyone else. These aces take all they can and say ‘to hell with the pros who came before.’ Software publishing is much the same: most consumers pay for their software, but some green boys out there don’t. They copy software and don’t pay their dues to the teams responsible for bringing them the goods in the first place. When that happens, software companies don’t have the money they need to keep turning out the best software they can — some even go under. Electronic Arts is an ace in the field, offering you the best games available. Help us to keep putting out the best by stopping software piracy. As a member of the Software Publishers Association (SPA), Electronic Arts supports the fight against the illegal copying of personal computer software. Thank you for helping us in our effort to control software costs by eliminating software theft. Help us combat software piracy on the ground so we can keep bringing you combat in the air. 2 ★ G e n Y E A G E R ’ S ★ TABLE OF CONTENTS System Requirements.................................................................................6 Installation..............................................................................................6 How to Use this Manual...............................................................................7 Quickstart to Air Combat ............................................................................10 Tactical Overview ..............................................................................................................17 Mission Menus .......................................................................................20 Flying an Historic Mission.................................................................................................20 Ending an Historic Mission ...............................................................................................23 Playing in Campaign Mode ..........................................................................................…

( C++ Technical Notes-Number 1 H. Kanner Development Systems Group 29 February 1988 This is the first of a series of technical notes on the C++ language. Because there is as yet only one book on the language, TM C++ Programming Language by Bjarne Stroustrup, and many sections of the book have been written in a difficult to follow style, I felt that it might be of use to write some notes on various aspects of the language with which I initially had difficulty. By the way, the cited book will be refeITed to here and henceforth as The Book. It has often been said that the ultimate definition of a programming language is the official compiler. That is, the semantics of a piece of source code is really understood by inspecting the output of the compiler. In the case of the AT&T C++ compiler, this task is made easier by the fact that this output is C code. I cannot too strongly recommend to readers that they try to clear up linguistic obscurities by con- sttucting the simplest possible test cases, running them through cfront, and looking at the output. One warning: do not try this with an inliM function. This fust note deals with references. I anticipate a minimum of two more notes, to be published when I feel I understand the subjects sufticiendy. They will respectively cover constructors and destn1etors, with emphasis on their storage management aspects, and overloaded opezators, with emphasis on the dis- tinction between defining them as TMmbers or friends. I had a little difficulty understanding why references had been introduced into C++. They are an exception to the symmetry of the terrible C notation for declarations, in which one can at least say that operators such as •, Q,_311d Dhave the same meaning when used in a declaration as when used in an expres- sion. That is, char *s; char* t; char c • *t; all use the * to denote dereferencing a pointer. The first of the above three lines should literally be read: "If you were to dereferences, you would get a char." It is ttue that the compiler does not care where the white space is, and Bjame prefers the style of the second line, which he likes to state as "t is a pointer to char," as if char* represented the type "pointer to char." This is very informal. In fact he cautions that if you wril8 ._ chait"* s,t,u; only the first~ dlele will be a poinrer to char; the second two will be declared as char. A reference uses the & symbol. But int& means reference to int, &x means address of x, and neither of int& x; int &x; can be interpr…